Blind Spot 14: THX 1138

This month for my blind spot pick we are diving back into the mind of George Lucas. After watching Attack of the Clones and Indy 4 I lost faith in the guy to tell a good story. So this month I decided to check his debut film THX 1138 off of my list. Who knows maybe I’d like young George better than old George?

thxYou know what I think I do! THX 1138 isn’t a perfect sci-film but it is solidly entertaining and very unique.

THX 1138 is set in a black and white dystopian world. (It feels a little bit like Tron but more stark). Every part of the people’s lives is controlled including mating and emotions. They all kind of work in these giant factories and have brief names like SEN and LUH. By changing out his drug, LUH is able to convince THX to have sex with her.

thx5The couple is then chased by an agent named SEN and the entire corporation that runs the world and forced to separate. I don’t want to give any more of the story away for those that are spoiler sensitive.

thxThe acting is pretty great especially for a George Lucas movie (who is notoriously bad at working with actors). I particularly liked Robert Duvall, Donald Pleasance and Maggie McOmie as the 3 main leads.

Visually the movie is stark, glaring and always interesting ot look at. That is probably it’s greatest strength.

thx4There are some problems, however, with THX 1138. I found the story to be kind of hard to understand at first. It does not take any time to give backstories or explain the world or the character motivations at all. The dialogue is also very simple.  It’s really a movie all about the visuals and the overall broad mess.

For those sensitive there is also a fair amount of nudity in the film, so be aware of that. It is only 95 minutes but it felt longer than that.

But problems aside, if you want to watch something that is different, that a million people could all get different interpretations on give THX 1138 a shot. I think you will really enjoy it.

 

Overall Grade- B

Blind Spot 13: Moonrise Kingdom

moonrise-kingdomrJanuary has proven to be a very busy month with my birthday, finishing up my Disney Canon series, end of the year lists and Sundance Film Festival (half way through. Update to come).  However, I wanted to keep my commitment to the Blind Spot series and watch the January pick, so I squeezed it on Saturday.  The film is Moonrise Kingdom and I’m glad I did because it is a charming little movie.

Directed by Wes Anderson, Moonrise Kingdom, shares all of his hipster cuteness but in ways that feel appropriate to the story. It’s about two 12 year old kids that run away together causing their community to madly search for them. They believe they are in love and share a sweet chemistry together. moonrise-kingdom6The town is eccentric like most Wes Anderson films characters are but there is a brightness here that sometimes his films miss. I know everyone is in love with Rushmore but I much prefer this. I found Rushmore to be a little mean spirited and harsh in tone where this is light and joyful. Edward Norton is particularly good as Scout Master Ward.  It made me laugh because my father is the world’s most diligent scout master.

moonrise-kingdom7The rest of the cast is fantastic including Bruce Willis, Bill Murray, Frances McDormand, Tilda Swinton and more. I also liked the two 12 year old actors Jared Gilman and Kara Hayward.

The cinematography by Robert Yeoman was done in 16mm film and it almost has a sepia quality to it. It feels old fashioned and comforting. The production design was excellent as well as the costumes.

moonrise-kingdom5But the main reason to watch Moonrise Kingdom is the writing. I can see why Wes Anderson was nominated for an Oscar for original screenplay because it is delightful while having moments of emotional truth hidden inside. It has a dry sarcastic sense of humor without becoming harsh or judgemental. It was really entertaining to watch.

I suppose the pacing may be a little slow for some and others may find it the hipster style a little grating but I didn’t mind it.  Moonrise Kingdom is a real winner from Wes Anderson and I’m glad to get to start 2017 on a high note!

Overall Grade- A-

Blind Spot Choices 2017

I hope you all were entertained by my Blind Spot series in 2016 here on the blog. I certainly enjoyed watching the 12 films and checking them off of my film bucket list! If you are unfamiliar with the series it’s where we watch and review a classic or well-loved film each month that we haven’t seen (nobody can see everything after all!).

In 2016 I saw- Blade Runner, Tron, Dark Knight Rises, Tales from Earthsea, Yentl, 400 Blows, The Jerk, Talk to Her, Porco Rosso, Unbreakable, Looper and The Ref. You can find links to reviews of all these films here.

My favorite of 2016 was either Porco Rosso or The 400 Blows. My least favorite was definitely Yentl; although it does have some so bad it’s good appeal. It was a great unintentional comedy!

I liked the experience in 2016 so much I intend to continue doing it in 2017.  So here is my list:

moonrise-kingdom3January- Moonrise Kingdom- Somehow I skipped this Wes Anderson film and it seems like a good fit for the month of my first trip to Sundance!

thxFebruary- THX- George Lucas’ debut sci-fi film has always intrigued me but I’ve never seen it

8-1-2March- 8 1/2- My first Federico Fellini film and I look forward to it!

poppy-hillApril- From Up on Poppy Hill- Another Studio Ghibli to cross off the list

duck-soupMay-Duck Soup- it’s perhaps scandalous I’ve never seen this Marx Brothers classic

paths-to-gloryJune- Paths to Glory- Director Stanley Kubrick’s World War 1 movie looks amazing and I can’t wait to see it

boxerJuly-The Boxer- This year I discovered Jim Sheridan’s amazing film In America and so I want to give his boxing film with Daniel Day Lewis a shot.

metropolitanAugust-Metropolitan- I fell in love with Whit Stillman’s Love and Friendship this year and have heard nothing but great things about his debut Metropolitan

manhattanSeptember- Manhattan- I actually like Woody Allen’s more serious films like Blue Jasmine best but I like Annie Hall so hopefully will enjoy Manhattan.

donnie-darkoOctober- Donnie Darko- Richard Kelly’s demonic take on Harvey intrigues me. I know it is out there but I look forward to seeing it.

giovannis_islandNovember-Giovanni’s Island- this World War 2 anime reminds me of Grave of the Fireflies. It looks beautiful and inspiring.

were_no_angels_-_1955_-_posterDecember-We’re No Angels- a lesser known Christmas movie about 2 burglars who end up helping a family get the Christmas spirit sounds like a lot of fun.

I feel like this is a good mixture of styles, themes, eras and should make for a great series in 2017. Let me know what you think of my list and selections!  I look forward to 2017!

Blind Spot 12: The Ref

ref3For my last blind spot review of 2016 I thought I would pick a less popular Christmas movie to go with this festive time of the year. I decided on the 1994 comedy The Ref starring Denis Leary, Judy Davis, and Kevin Spacey.

The Ref is about a couple, Lloyd and Caroline, near divorce (Spacey and Davis) who end up getting held up by robber named Gus (Leary). The couple is so hateful to each other that Gus becomes a kind of substitute therapist for them.

MSDREFF EC002Their son Jesse is a malcontent going to military school and blackmailing his chief officer. He hates his parents just as much as they hate each other.

ref4Lloyd’s family comes including his mother (Glynis Johns) and sister in law (Christine Baranski).  Gus pretends to be their therapist and continues to give all of the family his guidance, as they are hateful as well. They have a very unusual Santa Lucia dinner that was pretty funny. The last act really comes together where each of the characters kind of learns their lesson.

In some ways watching this movie reminded me of the recent Edge of Seventeen. Both are very well done for what they are trying to be. Both have well writtenh scripts and good acting and both made me laugh on occasion. However, both are about such thoroughly negative people that I found the experience kind of exhausting. I guess I just don’t love movies about unlikable people- no matter how well executed. I admire them but it’s still not my favorite kind of film. In some ways this felt like a David Sedaris piece with this acerbic cynical take on traditional family values.

Nevertheless, if you are in the mood for something different at Christmas than The Ref might be a fun choice for you. It would particularly be a good choice if your family is driving you crazy. You might realize they aren’t so bad after all!

Overall Grade- C+

The Ref earns its R rating with language, lewd dialogue and some mild violence.

Blind Spot 11: Looper

looperThis month for my blind spot pick I took a look at the 2012 sci-fi film Looper. To see the rest of my blind spot picks go here. I wanted to pick this movie because I’ve heard good things and director Rian Johnson is doing Star Wars: Episode VIII. I was curious to see if I’d get anything for his style of what was coming to Star Wars and I don’t know that I actually got that but it’s still a decent sci-fi film. It’s really more like Terminator than Star Wars.

Looper is a time travel story about a futuristic society where time travel hasn’t been invented yet but it will be invented in the future. The creative twist is the future uses time travel to send criminals to the past and loopers kill said criminals.  They do this until they are forced to kill their future selves and their careers are over.

looper4Joseph Gorden Levitt plays Joe a looper who has stashed his silver so he can live a good life when his days as a looper are over. Then one day he meets his future self (Bruce Willis) but is beaten up and old Joe flees. He then begins a cat and mouse chase with the crime syndicate that runs the loopers and his future self.

I don’t want to give any more away but trust me there is a lot more going on. It is a very original story that flows nicely without any obnoxious twists or trickery. On the whole I enjoyed it very much.

However, at first I had a few issues. It was leaving me kind of cold and I think the best sci-fi should stir emotion. It shouldn’t feel rote and mechanical. The violence felt impersonal and strong and I wasn’t bonding emotionally with young Joe.  There is a moment where we bond with old Joe but I was still feeling kind of cold and distant.

IMG_2628.CR2And then we meet Emily Blunt’s character Sara and I think that really turned it around for me. She is carrying for a little boy and she really brought the emotion I had been looking for. She was so good in the role and I finally felt like young Joe wasn’t a robot any more, but a real person with feelings.

looper3It’s also a really grounded, normal looking scifi movie. There are hovering bikes but that’s about it as far as world-building. I know this only had a $30 million budget but I kind of wish they had done a few more creative touches to change the world- make it a little more inventive and different from our own.

Also Joseph Gordon-Levitt’s nose prosthesis to make him look more like Bruce Willis didn’t really work for me. It always looked like make-up and I didn’t think he looked anything like Bruce Willis.

looper2But aside from those flaws you have a very original sci-film with a creative premise and story. Particularly in the last act it has something to say about the paths we can go on in life. How one action can take us on a completely different trajectory than another. The acting is good throughout and the brutal violence is well staged if you like that kind of thing.

So, yes I had a few little issues but I’d definitely recommend Looper if it sounds like your kind of film and you can handle the R rated material.

What do you think of Looper? Is it a favorite of yours?

Overall Grade- B+

Blind Spot 10: Unbreakable (Spoiler)

unbreakableFor this month’s blind spot review I decided to check a film by my least favorite director, M Night Shyamalan off the list, Unbreakable. This is the film that everyone said was ‘one of the good Shyamalan films’. I had my doubts as I don’t like Signs which most seem to love but I figured it was worth a shot. Now that I’ve seen it I think it is an okay dopey thriller but not much more than that.

This post will have spoilers as it is impossible to talk about the pros and cons of this movie without talking about key plot points and another Shyamalanian twist!

unbreakable2Unbreakable stars Samuel L Jackson as Elijah Glass a man with a debilitating bone disease. His bones are very fragile and will shatter easily. He just might be breakable….Then we have Bruce Willis as David Dunn, a security guard who starts to wonder about his own strengths after he is the only survivor of a train crash. He just might be unbreakable…(subtlety is not Shyamalan’s strength).

So, the train crashes at the beginning of the film and it seems completely unlikely that all 131 passengers would die on this train. This is not a plane where that would make more sense. I’ve never heard of a train crash ever killing all the passengers. Nevertheless, you have to go with that (hey at least it’s not killer grass like in a later Shyamalan film…)

Elijah invites David to meet with him and he suggests that David is a superhero like we see in the comic books. David dismisses the idea but then realizes he has never been sick his entire life (something it seems like you would realize before this) and that he can lift 350 lbs on a bench press (something I would think you’d realize as a former athlete).

unbreakable3David also learns he has one weakness which is water (the aliens in Signs and now this. What is it with Shyamalan and water?) and begins to hone his super skills, which includes the power of learning what crimes people have committed by touching them. I’m not sure this skill makes much sense or would be very helpful when we all break speeding limits and other unlawful behavior. How does the skill decide what is a ‘crime’ and what isn’t? It could be self defense after all or an accident or any number of murky crimes?

Nevertheless, in one scene he goes to a train terminal where an unusual number of criminals seem to be gathering, but he follows a janitor who has murdered parents and then gone back to work for some strange reason with the children still handcuffed to the bathroom wall. Doesn’t that seem strange that he would go back to work when friends, family, anyone could come and free the girls, see the murder? It makes no sense that such a man would leave the girls like that to go to work and even less to return back to the scene of the crime. The only reason is for the script to provide him with a confrontation with David.

This fight is David’s first heroic act and soon after we get the big reveal (it’s a Shyamalan movie after all. Of course there is a big twist!). It turns out, Elijah is the one who caused the train wreck in the first place, so he could find David. This really makes no sense. In the world of comic books there are handfuls of supers for millions of normal people. The likelihood that a super would be on that train at that moment makes no sense. If there was some proof that Elijah had been following David for years but needed a final conclusive evidence than that might make sense but like I said a train crash would rarely have such casualties or produce such definitive proof.

The point of the story is that now Elijah has his purpose as the super villain against David’s superhero. Ok. I can buy that but it is the road to getting there that doesn’t really work.

That said, if you turn off your brain it’s a well made decent movie. The problem is Shyamalan thinks he is being so clever, so it’s a little hard to accept as a dopey fun thriller. His camera work is very distracting with odd angles and movement for no discernible reason. We also get the M Night cameo that made me roll my eyes.

The acting is pretty good from both Willis, Jackson and Robin Wright as David’s wife. It is also better paced than many other Shyamalan films.  I was never really bored and it’s a pretty creative twist on the comic book genre. Unfortunately I appreciate it more for the potential than the end result.

Overall Grade- C+ Shyamalan Grade- A

Blind Spot 9: 400 Blows

400-blows2This month for my blind spot series I finally watched the seminal french new wave film The 400 Blows. Directed by the great Francouis Truffaut I had long heard about this movie but had never seen it. Now that I have I can see why it is such a classic.

The 400 Blows is about a little boy named Antoine who is growing up in the 1950s Paris. His parents don’t care for him and at best placate and put up with him. His teacher at school is constantly scolding him and he is out of place in the world.

In many ways Antoine reminds me of Holden Caulfield in Catcher in the Rye, which was published in 1951. The 400 Blows came out in 1959. However, I prefer Antoine to Holden because his observations are mostly made through quiet staring at those around him where Holden’s dialogue becomes obnoxious.

400-blows3Some people will hate the 400 Blows because not a ton happens in the story. It’s really about this character and how the world seems to not be made for him. No matter what he does the world seems to scold him.

The cinematography by Henri Decaë is gorgeous and 400 Blows is great to watch just on a technical level. Each shot gives you a piercing look at Antoine’s loneliness. Most of the shots are made beneath Antoine and look up to him again showcasing his isolation both mentally and physically. There are many other unique shots and perspectives Truffaut uses to create tone and tell the story.

We also see Antoine escaping (literally one time from a fire) to the movies, which for movie lovers has significance. It’s really the only positive thing in his life for most of the film.

400-blows5There is definitely a feeling that Antoine never has been allowed to be a child. His parents are harsh including his Mother expecting him to hide her secrets from everyone. His teacher openly hates him and even with his friend they are basically adults not children.

Evidently Truffaut was commenting on the state of the juvenile treatment centers of the era, which is interesting because they are a footnote to the movie. But in a way it makes sense because the whole movie leads up to his placement there and how Antoine never really was given a fair shake. The movie does not manipulate the viewer with sentimentality or emotional sequences. It merely shows Antoine’s life and how the world has failed him.

400-blows-5In some ways I feel a little outside my skill-set to review a film like 400 Blows. The film-making techniques used are clearly masterful in ways only a cinematographer or technician could articulate, but I certainly can tell it is a beautiful and striking film. I recommend reading Roger Ebert’s ‘Great Movies’ review where he talks about Truffaut’s back story, the freeze frames and other camera work used in the film. http://www.rogerebert.com/reviews/great-movie-the-400-blows-1959

If you like Catcher in the Rye and those types of stories or love to watch beautiful camera-work I think you’ve got to see The 400 Blows. It’s a classic for a reason!

Overall Grade- A+

Blind Spot 8: Porco Rosso

porco rosso2We are at the 8th in my monthly Blind Spot series and this month I check another anime classic off of my list, Hayao Miyazaki’s comedy-adventure Porco Rosso. This is a completely charming, delightful and a little strange comedy!

The main appeal to this movie is the stunning animation, funny dialogue and quirky weird characters. The lead is named Porco Rosso and he has been cursed to look like a pig. The movie treats this with a refreshing candor. He’s just a pig and that’s that!

porco rosso5The setting is post WWI and Porco is a bounty hunter who relaxes on the beach and likes doing things his own way. One day he gets a call to face off some pirate gangs. This leads to his plane being damaged by a man named Curtis and him landing in Milan to get it fixed.

porco rosso12In Milan there is a girl named Fio who Porco reluctantly hires to fix his plane (all the men have left Milan to find work elsewhere during the Depression). Fio is a great character who won’t take any crap from Porco but who also is vulnerable in moments.

porco rosso19There is also Gina who is love with Porco and yes they play it completely straight that she is in love with a pig man. He’s such a rogue and so confident it kind of makes sense! Unfortunately Curtis is also in love with Gina and it brings the two into conflict.

porco rosso13Curtis and Porco end up in a bet, that ends up in a race, that ends up in a fight. Fio makes the deal that if Porco wins than Curtis must pay off all of Porco’s repair bills and if he loses than Curtis can marry her. They don’t really explain why Fio wants to marry Curtis but it works. The race and then fight go on for perhaps a bit too long but I thought they were very funny.

porco rosso14The animation throughout is either adorable or breathtaking.

Adorable-

porco rosso6Breathtaking-

porco rosso8I really enjoyed Porco Rosso. I liked how different it was and how it made me laugh. I liked the way nobody thought twice about a man with a pig face and they made it work because he was such a grumbling funny character. You could see why he was charismatic enough for people to forget the nose.

porco rosso3I also loved the female characters, Fio and Gina. They thought for themselves but they weren’t cliched warrior women. Just like Porco, I couldn’t help but like both of them.

There also is some heart to the story when you finally get to hear Porco’s backstory and a little bit of a subtle Beauty and the Beast moment that is handled perfectly.

porco rosso7But mostly it will make you laugh and you will smile at these great characters!

They had a terrific dubbing cast as well with Michael Keaton, Cary Elwes, Susan Egan, Brad Garrett, David Ogden Stiers and Kimberly Williams-Paisley in the leads. The music by Joe Hisaishi is of course great as well.

I guess Porco Rosso may not be for everyone but I would think of it as Hayao’s Wes Anderson movie. It totally has that same quirky weirdness about it. It’s great!

What do you think of Porco Rosso?

Overall Grade- A

Blind Spot 7: Talk to Her

talk to her4This month for my Blind Spot series I happened to pick a Spanish film without knowing I would be visiting Spain in July. Isn’t that a crazy coincidence? Anyway, I decided to look at Pedro Almodovar’s 2002 Academy Award winning film Talk to Her. It’s a moving, intriguing, weird film that definitely won’t be for everyone, but I’m glad I saw it.

talk to herIt’s a pretty simple story about 2 men, Marco and Benigno who fall in love with strong women who end up in comas. They then care for the comatose women but it’s what Almodovar does with that basic story that makes it interesting.

On the surface what these men are doing is really quite lovely.  They are caring selflessly for women in a coma.  How can that be anything but good? Well, that’s where the line between love and obsession come in. Especially Benigno begins to fantasize  what his life with Alicia is like and that she is responding to his advances.  He imagines this fantasy existence and even says at one point that his relationship is better than most other married couples.

talk-to-her_03There is something decidedly creepy about the way he cares for Alicia which is an intriguing element to the story.

Marco has more of a backstory with his love Lydia who was a bullfighter and is injured in the rink. He is a very emotional man and often takes what others are feeling upon himself. This makes his responses to Alicia, Benigno and Lydia very interesting. Dario Grandinetti as Marco is the standout of the film. He’s a type of man you don’t often see in the movies- sensitive to a fault.

talk to her3The cool thing that Almodovar does is he never really judges either men. You can tell he feels sorry for all involved. They are all weak- whether it is a weak mind or body, and human weakness is sad for Almodovar. Benigno takes his obsession to a disturbing place and it just shows how the human brain can create false narratives to justify our own poor choices.

talk to her2Talk to Her is definitely not for everyone. There is nudity in the film but most of it is non-sensual while the women’s bodies are being cared for. However, there is a fantasy sequence involving a silent movie that is truly bizarre. I can’t really explain it but just know it is out there and is explicit! It was too much for me to be honest but it was brief.

talk to her5If you want to watch a film showing a unique side of masculinity and can handle something that is different I recommend watching Talk to Her.  It earns its R rating but it is a thoughtful unique depiction of that line between love and obsession.

I feel like a movie such as this would never win best screenplay now. What do you think?

Overall Grade- B+

Here is the trailer