Month: March 2022

Current Mini Reviews (Cheaper by the Dozen, The Cow, More Than Robots)

| Rachel's Reviews

Hey everyone! Before I head off on a little vacation tomorrow I wanted to log a couple of reviews for new films I recently saw. I wish I could write a full review for each of them but sometimes there just isn’t time.

So here goes!

Cheaper by the Dozen: Cast and reviews for the 2022 version of the classic film | Marca

Cheaper by the Dozen

One of my favorite books is the memoir Cheaper by the Dozen written in 1948 by Frank B Gilbreth Jr and Ernestine Gilbreth Carey about their childhood in a family of 12 raised by Frank and Lilian Gilbreth who were motion study experts that had a large family. It’s such a funny, charming book that was made into a wonderful film in 1950 starring Clifton Webb and Myrna Loy. Unfortunately this part of the story has been largely forgotten with the remake-in-name-only version starring Steve Martin and Bonnie Hunt. Now we have this 2022 version and whatever good was in the story has been diluted into a family sitcom and not even a good one at that.

The casting in this Cheaper by the Dozen is good with Zach Braff and Gabrielle Union and the intentions were good with their blended brood of 12. Unfortunately the script was written without regard to nuance or authenticity. Especially when it tries to be topical it completely falls flat and often screamed of tokenism rather than any kind of diversity to be praised. People, especially within their family, don’t talk in speeches ready for a PSA on Disney Channel (this could have been a DCOM but a weak one at that). I also could have done without the entire plotline of Braff and his breakfast spot being franchised. It was badly done.

Instead I would watch the 1950 film, the original Yours Mine and Ours or if in a pinch the 2003 film before watching this…

4 out of 10

Frown Worthy

SXSW 2022 Schedule

The Cow

Going into SXSW the thriller The Cow was actually one of my most anticipated films of the festival. I like a tight thriller and Winona Ryder and Dermot Mulroney are usually strong in their projects. Unfortunately this film proved to be more groan than thrill worthy.

In the film Ryder plays a woman who rents a cabin with her boyfriend only to arrive and find a couple already staying there. After staying the night with the strangers Ryder finds her boyfriend is nowhere to be found with little clues to his whereabouts.

I know the movie The Cow is trying to be but with each reveal it gets more insane and ridiculous by the minute. Let’s just say it involves a cult and the cow of the title isn’t the animal. By the end I was rolling my eyes instead of being intrigued or scared.

There may be some people that will enjoy this insanity but it definitely wasn’t for me. Watch at your own risk.

2 out of 10

Frown Worthy

More Than Robots Trailer Deutsch German (2022) - video Dailymotion

More Than Robots

It’s interesting there is almost an entire genre of ‘smart kids’ documentaries at festivals. With everything from Science Fair to Spellbound I expect to be introduced to geniuses each year at Sundance and the other festivals. This year’s entry appears to be More Than Robots which you can now watch on Disney Plus but was screened at SXSW. I always seem to enjoy these genius kid documentaries and this one is no exception!

More Than Robots tells the story of the child entrants in the FIRST Robotics Competition starting in early 2020. Obviously the teams and competitions were interrupted by COVID but even that was charming to see how the teens learned from the experience and served each other and the younger students coming after them. It can focus too much on the teams in Los Angeles rather than Japan or Mexico but I still enjoyed seeing the young inventors and the robots they create. This documentary should inspire lots of kids to try their hand at engineering and to build their own amazing machines!

(The FIRST Robotics tournament in 2020 and onward is sponsored by Lucasfilm, so the Disney Plus tie-ins with More Than Robots are present throughout which may annoy some viewers).

6 out of 10

Smile Worthy

[REVIEW] ‘THE LOST CITY’ or Welcome Back Sandy B and the Adventure Romance

| Rachel's Reviews

All of my regular readers know I love a good romance. This is true with all kinds of romances- comedies, adventure, tragedy etc. Unfortunately for me and other fans of the genre Hollywood hasn’t given us much to enjoy in the last few decades. This is what has led romance fans like myself to turn to Hallmark and Netflix to get our romance fix. The adventure romance is a particularly fun genre that plays on tropes of rescue, opposites attract and escapism. My friend Alysa Lucas and I just did a whole episode of Hallmarkies Podcast talking about 4 fun adventure romances:

It was with all this in mind I was extremely excited for the new film The Lost City starring Sandra Bullock and Channing Tatum. I’ve been on a bit of a rough streak lately so I was ready for a movie I loved and as I’m a huge fan of this genre it seemed aimed to please.

And it did…

I don’t know how others will feel but this film did everything I needed it to do. It lets its 2 stars shine with terrific chemistry, the adventure sizzles and most importantly it’s laugh out loud funny. I particularly liked the way it pokes fun at erotica and romance novels without demonizing them or the joy they give many women.

The Lost City review: A big screwball swing for old-school action-comedy | EW.com

And it’s not just Tatum and Bullock that shine in the film. Brad Pitt is extremely funny in an extended cameo (more Pitt in the inevitable sequel please!). I also enjoyed Daniel Radcliffe as the antagonist Abigail Fairfax (yes the name is a funny joke). Oscar Nuñez pops in for a few funny scenes. Patti Harrison (who I loved in Together Together last  year) gets a few laughs and Da’Vine Joy Randolph does a good job as Bullocks exasperated publicist (although they probably do spend too much time on her subplot).

The Lost City: See Channing Tatum and Sandra Bullock in New TV Spot | PEOPLE.com

There is a long scene where we get to see Tatum’s tooshie, which I thought was hilarious, but more traditional romance viewers might take issue with. It’s also very silly and over-the-top so anyone expecting a realistic jungle story might be disappointed (but then why are you watching this movie?).

The Lost City' Box Office Opening Weekend Estimates - Variety

As I said, some of the subplots go on a bit too long but I didn’t care because I was laughing. It also wasn’t as much of a Romancing the Stone rip-off as I thought it would be. Pitt’s character is a riff on the Jack T Colton character from that film but Bullock’s character is more confident than Joan Wilder played by Kathleen Turner. Yes both films are about neurotic romance writers but they are executed quite differently. Plus, Tatum’s character Alan is actually quite shy and awkward, which I wasn’t expecting.

If you are like me and love adventure romances you will love The Lost City. It’s a great time at the movies I’ve missed! I’m also so glad to see Bullock back in rom-coms. She’s so good at them and it’s been a long time (since The Proposal in 2009!).

8 out of 10

Smile Worthy

 

[REVIEW] ‘Bridgerton Season 2’: Still Swoonworthy But Do I Miss the Spice?

| Rachel's Reviews

My review of Bridgerton Season 1 is one that surprised many of my readers. Given I cover Hallmark movies on Hallmarkies Podcast most put me in the ultra-conservative bubble that wouldn’t enjoy something as spicy as this Netflix regency show is. However, not only did I enjoy it but the way the show handled its eroticism was one of the best parts about it and what made it stand out.

Here was a show made to titillate and entertain women. All women. It did not worry itself with realism, historical accuracy or the dark side to the aristocracy. Bridgerton season 1 was about a marriage and both participants coming to an understanding of their own sexuality and its power within the relationship and it was great!

I say all of this to try and give some context of why Bridgerton season 2 is still an enjoyable romantic romp but not nearly as special as season 1. Some who didn’t appreciate the sensuality of season 1 may like this new approach but I found it disappointing, even while still having fun with what they did offer.

Part of the difference comes from the show focusing on a Bridgerton son, Anthony (Jonathan Bailey), rather than a daughter- a male perspective is going to be inherently different. Also the couple in question does not get married right away and so less sexuality is obviously going to occur in a regency set show. There really is only one major love scene in the entire season. Instead, we get a lot dancing, staring and parties, which is great but just not as special as season 1.

Bailey and Simone Ashley who plays Kate Sharma do have terrific chemistry together and I loved the way he breathed her in with his near kisses. It definitely built tension until I was about ready to burst- along with the characters! Charithra Chandran is also strong as Kate’s sister Edwina. She seems like a weak, flighty character at first but there is surprising strength in her.

There are also lots of swoonworthy moments viewers will go nuts for. One scene where a white-shirted Lord Anthony gets thrown into the water will remind viewers of Colin Firth coming out of the lake in his version of Pride and Prejudice.

As far as the other stories go in the season they are entertaining enough (and mostly steam free). The best arcs probably come from upstart/misfit Eloise Bridgerton (Claudia Jessie) and her best friend Penelope Featherington (Nicola Coughlan- who I also love in Derry Girls). I would love if they made Penelope the focus of season 3 because you so rarely see a dishy romance with a plus size actress. And such escapism is the true joy of this show.

Like I said, there is still a lot of fun to be had in Bridgerton Season 2. I just wish they hadn’t decided to pull back on what made the first season so special. It’s like they got a comment card from a concerned parent and lost their nerve. It will be interesting to see what others  think when it gets released this week.

As for me, I recommend this romance, even if I’m not over the moon, in love with it. Let me know what you think!

7 out of 10

Smile Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

SXSW LOG 2022: DAY 3 (A LOT OF NOTHING, THE THIEF COLLECTOR, SERIOUSLY RED, MILLIE LIES LOW)

| Rachel's Reviews

Day 3 of SXSW is in the books and I ended up with 4 movies for the day. I haven’t pushed it super hard this festival. Trying to enjoy myself rather than watching movies all day like a machine. Plus, I have other things I have to watch/work on for my podcast.

Anyway, let’s talk about the 4 movies of day 3:

A Lot of Nothing

Film has always been a way for filmmakers and their audience to deal with and discuss hot topics of the day. However sometimes in their zeal to be relevant they will forget to tell a good story. Such is the case with A Lot of Nothing. The film tries to talk about police violence on Black men and women and instead becomes a story about unhinged people who become less realistic with each decision they make.

The film stars Cleopatra Coleman and Y’lan Noel as a married couple who find out a cop who is unpunished for killing a Black teen lives next door. Coleman’s Vanessa decides to release her own brand of justice and abducts the man and things get crazier from there. I get director Mo McRae is going for satire but there still needs to be some believability in the character and his or her choices. Not the case here. The more bizarre especially Vanessa’s choices got the more disengaged I became as the viewer. Perhaps this will work for some but it’s a skip from me.

4 out of 10

Frown Worthy

The Thief Collector

I’m not sure why but there is something about the art world that makes for good documentaries. Whether it My Kid Could Paint That or The Price of Everything there’s something voyeuristic about diving into the luxurious world of art. With The Thief Collector we have another great example.

It’s set up like a mystery around the heist of a painting in 1985 by Willem de Kooning from the University of Arizona. The painting was stolen by Jerry and Rita Alter who seem like the ideal All-American couple. It’s only after their death do researchers find the painting but a confessional of many other pieces they stole and perhaps deeds even more sinister.

While this probably would work better as an episode of Dateline (certain parts involving a septic tank go on too long), director Allison Otto keeps things light and fun. I particularly enjoyed the intentionally campy reenactments. I wouldn’t be surprised at all if in a few years we get the narrative movie version of The Thief Collector. Until then we can enjoy this engaging documentary.

7 out of 10

Smile Worthy

Seriously Red

I consider myself a big Dolly Parton fan. She’s a talented writer, singer, actress and I just admire her as a human. Although Seriously Red is about a Dolly Parton impersonator I was hopeful it would tap into the legend’s vivacity and charm. Sadly this wasn’t the case. Seriously Red has some good performances and music but it’s brought down by a lead character missing Dolly’s charm.

In the film Krew Boylan plays a woman named Raylene or Red who begins to work as a Dolly Parton impersonator. Along the way things get messy as she has relationships with an Elvis and Kenny Rogers impersonator. Unfortunately Red is also a jerk to most of the people in her life including her long-suffering friend Francis (Thomas Campbell). She uses people when they are convenient and then spits them out when she’s done with them. In general, Red comes across more insufferable than endearing and as she is the main character of the film that’s a problem.

5 out of 10

Frown Worthy

Millie Lies Low

Millie Lies Low is a film that does a lot of things right but doesn’t quite come together. It tells the story of Millie, a girl from New Zealand, who after missing an important flight because of a panic attack spends the day faking having arrived in New York rather than telling her friends and family she’s still in New Zealand.

Millie is played by Ana Scotney and she does a good job creating a sympathetic character that we worry about more with each scene of the film. The problem is we aren’t given enough context as to why Millie participates in this charade? Her friends and family seem supportive and friendly. Has she had panic attacks before? Also does she not want to go to the school in the US? I felt tension as she made increasingly poor decisions but again I needed more context as to why she was making such choices.

5 out of 10

Frown Worthy

Another day at the festival has come and gone! If you saw any of these films let me know what you think! 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

 

SXSW LOG 2022: DAY 2 (FACING NOLAN, I LOVE MY DAD, 32 SOUNDS)

| Rachel's Reviews

After an amazing first day of SXSW day 2 was definitely more of a mixed bag. I again only watched 3 movies because of other responsibilities I have but I hope to be able to catch up with more films on Monday and Tuesday. We will see how it goes!

Let’s talk about some movies:

Facing Nolan

I don’t have tons to say about Facing Nolan. It’s a perfectly serviceable biodoc about pitcher Nolan Ryan. It’s the kind of film you’d see on an average episode of ESPN’s 30 for 30 series and fans of Ryan and baseball will undoubtably enjoy it. I like biodocs. It’s fun to learn about people and what made them the people they are but if you are looking for something that transcends the genre this isn’t it (and it doesn’t have to be it).

I did appreciate the variety of subjects interviewed including former President George W Bush. Like I said, baseball fans will especially enjoy Facing Nolan, so it does its job.

6 out of 10

Smile Worthy

I Love My Dad

It’s interesting how we all accept Mrs Doubtfire as a sweet family comedy because we grew up with it and it has such a likable tone and actors. However, when you actually think about it it’s kind of creepy. It’s a similar dynamic with I Love My Dad. It’s a comedy about a man lying to his ex and his son in order to ingratiate himself in his son’s life. It’s just replaced prosthetics and make-up with internet catfishing. Unfortunately, Patton Oswalt’s character takes things so far his character is irredeemable. The more I thought about the film the grosser it became.

Oswalt plays a man who is estranged from his son and decides to start catfishing him as a beautiful young lady in order to boost his confidence (the son is suicidal at the beginning). Like I said, it starts out sweet and innocent enough but then when it gets to sexting and other lewdness it’s weird and I don’t think I could ever forgive a father for doing what Oswalt does.

I Love My Dad ends up feeling like more of a horror movie than a family comedy.

4.5 out of 10

Frown Worthy

32 Sounds

I have no doubt Sam Green’s new documentary 32 Sounds will be used in film school classes for decades to come, and such instructional settings is probably where it belongs. It’s unlike any movie I’ve ever seen with interactivity that feels novel and fresh…for a few minutes and then I was ready to move on.

32 Sounds strives to teach the viewer about sound in film and how it impacts the movie-going experience. They start the film asking the viewer to watch with headphones or at a theater if possible. Then there are various exercises they ask the viewer to participate in. The viewer are asked to respond to different sounds or think about what memories different sounds bring to the surface.

It’s definitely an interesting experiment in film but probably best as an instructional youtube series than a long feature film.

5 out of 10

Frown Worthy

Are you attending the festival? What did you think of these 3 films? Would love to hear your thoughts. 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

SXSW Log 2022: Day 1 (Your Friend Memphis, Skate Dreams, Crows Are White)

| Rachel's Reviews

Hey everyone! I hope you are all doing well and having a great weekend! Yesterday marked my first day attending the virtual edition of the SXSW film festival. I thought long and hard about attending the festival but with a New York trip already planned for March I didn’t feel like I could do it. Unfortunately that means I miss out on some of the films being screened but there are still many worthwhile films to watch.

For the first day I watched 3 documentaries and I’d actually recommend all 3. They are each very different from each other but found them all rewarding and worth watching.

Here are my quick thoughts:

Your Friend, Memphis

Like many indie documentaries I do think Your Friend, Memphis would be better as a short. It’s subject Memphis DiAngelis is compelling but the events of his life can drag in spots (as would be the case with most of our lives). Memphis has cerebral palsy but he doesn’t want that to define him. Film is his passion but his struggle to be taken seriously is often met with patronizing speeches if not outright

I appreciate Your Friend, Memphis avoids maudlin or inspirational disability weepie traps but some of the time spent on his crush with a singer named Seneca don’t go anywhere and could have been lessened or removed. Still I overall recommend Your Friend, Memphis and would be a good double-header with The Peanut Butter Falcon from 2019.

6 out of 10

Smile Worthy

Skate Dreams

Anyone who might have been tempted to say ‘skate like a girl’ as a term of derision will want to shut their mouths after seeing the new documentary Skate Dreams. In the film director Jessica Edwards chronicles the history of female skateboarding and it’s engaging interviews and great skating footage make for an entertaining watch.

For some this might be old news but I knew nothing about the start of this sport so I found the stories of early skaters to be very interesting. It was also honest about the challenges and blessings of increasing popularity including the recent addition of the sport to the Olympics.

If you like skateboarding at all Skate Dreams is a winner.

7 out of 10

Smile Worthy

Crows Are White

The final documentary of the day Crows Are White proved to be something special. Ahsen Nadeem’s film starts out as a simple story following the monks of Mt Hiei, Japan but then morphs into a personal story about his own faith journey and the acceptance he years for from his traditional parents.

While I do think the film drags on in sections (although even the slower parts can still be delightful like a whole scene with a monk going gaga over ice cream sundaes), when it works it really works. There is a scene where Nadeem finally is honest with his parents and you want so much for him to be accepted by them, so when he isn’t it’s quite devastating. I loved the dynamic between Nadeem and his wife and the ending is very fulfilling.

There are parts in Crows Are White that feel staged but never so much it took me out of the moment or made the story feel illegitimate.  This is a moving, emotional story that is worth searching out and supporting.

8 out of 10

Smile Worthy

I’d say day 1 was a pretty good start to SXSW. Hopefully in day 2 I will get some narratives to recommend. If you saw any of these films let me know what you think! 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

[REVIEW] ‘Turning Red’: Pixar’s Puberty Metaphor Turns Sour (Maybe Mild Spoilers)

| Rachel's Reviews

Going into 2022 one of my most anticipated movies of the year was the latest Pixar film Turning Red. In fact, when it was first announced at the Disney investor presentation I made the promotional image of Mei Lee and her panda my wallpaper on my phone because I thought it looked so charming.

Unfortunately now I have seen Turning Red I must own to being very disappointed by the film and in fact it is the first Pixar film I’ve outright disliked (yes even Cars 2 has a bonkers sensibility I mildly enjoy). I even watched it a second time just to make sure of my response and yep this one isn’t for me.

Let’s talk about the positives. First, I like the idea of a family film trying to tackle puberty and anxiety in an honest and straight-forward way. How they succeeded at that is another question but I am sure there will be a lot of people who will connect with Mei Lee and her family’s journey. I also love the representation and seeing not only a Chinese-Canadian family but also Mei’s diverse friend group.

Also the animation is outstanding as is usually the case with Pixar. I know its received lots of chatter online, but I enjoyed the anime feel especially with the eyes and transformation of the characters from human to animal. The fur on panda Mei is so lush and cuddly that I’m sure it will be the source of many plush Disney toys to come.

Part of my problem with Turning Red I must own to my aversion for whiney teen coming of age movies to begin with. Movies that others love like The Edge of Seventeen I find insufferable and annoying. If you love those kind of stories you’ll probably enjoy Turning Red more than I did.

But my personal taste aside, while bold, the whole metaphor Turning Red uses didn’t really work. The idea is Mei Lee comes from a family where upon her first period the girls turn into a red panda when they are upset. While the concept of a period making someone ‘turn red’ is a bit on the nose it could have been effective but the story has problems.

First of all, the mother, Ming, is unhinged and unreasonable. For example, in one scene she lambasts a convenience store clerk Mei has a crush on because Mei has drawings of him in her sketchbook. Not only would this be incredibly embarrassing it doesn’t make sense. Why should he be responsible for her drawings/crush and is her liking someone a character flaw? How could she possibly feel this is a correct response to a basic life experience? Also if you knew this was going to happen wouldn’t you try to prepare your daughter a little bit?

Mei is also a lot of personality and what some will find endearing I often found grating.

Such strange behavior made me annoyed with the characters and then the fighting between Mom and daughter got old real fast. But beyond that the metaphor doesn’t really work. So she turns into a panda when she starts her period but there’s a whole ritual that makes the panda go away? I realize this is a magical realism story but just inventing rituals for cultures and religion (Mei’s family owns and operates a temple) is a strange choice and then the plot of her becoming a party attraction for a bully’s birthday mixed in with the family drama fell flat.

The thing is none of the inspirations for the panda are within Mei’s control. She gets her period- can’t control. She deals with anxiety and emotions- can’t control. She goes through puberty- can’t control. Teens will relate to this but unfortunately they don’t have a ritual that will stop all of these tough things. Mei decides to embrace the panda but all of us normal people don’t get that choice. It’s happening whether we like it or not. Evidently Mei’s mother has been suppressing her panda for years but then why was the ritual necessary? The ritual allows her to bring it back when she wants to? But then again how does that connect with actual teen struggles who can’t make their ‘pandas’ come and go when they want?

It seems like most critics didn’t mind this murky metaphor but it bothered me and kept me from fully embracing the film. I also didn’t connect with the humor of Turning Red or the focus on 2002 boy band called 4*TOWN. It’s a shame they set the movie in 2002 because an Asian KPOP type band like BTS would have been a fun way to bring in the culture rather than just generic boy band.

At the end of the day, I admire what director Domee Shi was going for with Turning Red but the script lets down that ambitious premise making for more of a mess than a masterpiece.  I hope you all enjoy it more than I did but this puberty metaphor gets a pass from me.

5 out of 10

Frown Worthy

PS- Turning Red should still have been played in theaters!

Blind Spot 75: Shaun of the Dead

| Rachel's Reviews

Hey everyone! This month’s blind spot, Shaun of the Dead, is a film I have been wanting to check off my list for a while. I didn’t see it when it came out because I was on my mission in 2004 and didn’t watch movies during that time. Plus, I am admittedly squeamish when it comes to violence and I knew this was a bloody comedy. However, the whole point of this series is getting me out of my comfort zone and I did enjoy Anna and the Apocalypse, Pride and Prejudice and Zombies and Warm Bodies so I figured let’s give it a go.

Well, maybe zombie romances are my thing because I quite enjoyed Shaun of the Dead. In fact, I have long felt Edgar Wright was a little overrated (thought his Scott Pilgrim and Baby Driver were just ok and really didn’t care for Last Night in Soho). Now after seeing this film I feel like i finally get it and the appeal of what he does.

The story centers around the title character Shaun (Simon Pegg) who begins the day getting dumped by his girlfriend Liz (Kate Ashfield) and putting up with his leach of a friend Ed (Nick Frost) who has been slumming on Shaun’s sofa for 5 years! To say Ed is high maintenance would be an understatement. Then a little thing called a zombie apocalypse happens to complicate Shaun’s life. Despite having been dumped Shaun goes to save Liz along with her friends and his Mum (Penelope Wilton- who is always great) and his step-dad Phillip (Bill Nighy). Together they make an eclectic team that is figuring out how to fight off zombies along the way.

You have to give a lot of the credit for Shaun of the Dead to Pegg who pulls of the comedic and more emotional moments quite well. He also has an easy chemistry with both Frost and Ashfield and the film has a nice message about the importance of friends even if they drive you crazy at times. Shaun of the Dead is also paced very well. The characters are constantly either fighting the zombies or figuring out a way to keep them out of whatever structure they are in. Shaun in particular is scrappy and figures out creative ways to kill the zombies- at one point they try to use his record collection to kill them without much luck.

There is also a very effective scene using Queen’s “Don’t Stop Me Now” to perfectly punctuate the action. Wright is excellent at using his soundtrack to add energy and spice to his films and this no exception.

I actually think Shaun of the Dead would make a good date movie. It has a friendship and romance at its core and has humor and action to entertain everyone. I enjoyed it a lot more than I thought I would so if you can handle an R rated film (for language and violence) I’d say give it a watch!

8.5 out of 10

Smile Worthy