Let me start out by saying, I don’t give this review the subtitle of ‘a perfect movie for 2020’ lightly. It’s a tagline I’ve heard a lot this year and most of the time it seems undeserved. However, after much thought I really do believe this is the perfect movie for this moment. (Check out my friend Sean’s rave review who convinced me to watch it and thanks to Paramount for the screener).
Even if you don’t love Love and Monsters like I did I think you will agree it is a pleasant surprise. What makes it special is it has something for everyone. It’s PG-13 but a lot of older kids will dig the monsters and action set pieces. There’s also romance, heart, tension, drama and it’s about surviving an apocalypse so perhaps we should all take notes? 😉
Love and Monsters stars Dylan O’Brien as Joel who has survived a nuclear event that has mutated normal animals like frogs and lizards into giant monsters. As it starts out he is bunkering underground but he wants to find his girlfriend Aimee (Jessica Henwick) who he believes is still alive. Deciding to brave the land Joel strikes out on his quest to find Aimee and along the way he meets a Clyde (Michael Rooker) and his daughter Minnow (Ariana Greenblatt) who show him the ropes of surviving in this hostile environment (I loved this father, daughter combo).
I won’t give away any more of the story but I thoroughly enjoyed Joel’s journey. O’Brien does a fantastic job creating a character we are rooting for. It also doesn’t hurt he has an adorable doggie to help him along the way. The visual effects are very impressive for a $30 million budget and what they lack in polish they make up for in creativity and inventiveness.
There are always people who dislike every movie but Love and Monsters is one most people will enjoy. It’s fun. It’s heartfelt and moving. It’s tense. It’s romantic. It’s just really well done and definitely one of the biggest surprises of 2020. It’s one of the first movies I can confidently say is worth the $20 rental cost. Gather the family together and watch this entertaining monster movie and have a blast. You’ll love it!
Most critics will tell you the hardest reviews to write are the lukewarm movies: the movies that are fine but not especially memorable. This is particularly true given the dichotomy of rottentomatoes doesn’t allow for a lukewarm response. It is either fresh or rotten, good or bad.
The latest lukewarm movie comes from director Robert Zemeckis with his adaptation of the Roald Dahl novel The Witches. Like all of Dahl’s books I really enjoyed his writing as a kid, and I was the perfect age of 9 to enjoy the first film adaptation in 1990 starring Angelica Huston.
This new version stars Anne Hathaway as the Grand High Witch and Octavia Spencer as the Grandmother of young Luke played by Jahzir Bruno and narrated by Chris Rock. Rock and Spencer set up the world of the witches but it takes a lot longer than the 1990 film and never fills the audience with the same dread and suspense. This might be because I am no longer 9, but I predict kids will not find this new version very scary.
The story takes a while to get to the witches being witchy and when they do Hathaway has a ton of fun with the role. She’s hamming it up and having a good time being deliciously evil. I appreciate they didn’t try and humanize the witches with a tragic backstory like so often is the case in modern-day villains. It’s not scary if we know the backstory of our characters. Sometimes evil is ok and fun.
Octavia Spencer is also good and the child performers are fine. I didn’t love the visual effects they used and wish they had gone the Muppet/make-up route of the original films. It’s a lot scarier to see the warped flesh and strange creatures; much more so than seeing Hathaway with a CG giant smile over her face. That looks very artificial so it’s not very scary.
The costumes and style of The Witches is a lot of fun and like I said Hathaway is selling every scene she’s in. It’s just frustrating because it has so many good pieces that it could have been something special but it ends being a big meh.
It’s fine. Kids will be moderately entertained but it’s unlikely to make any lasting impact and if I was looking for a The Witches adaptation I would pick the 1990 film every time. Take that for what you will.
There is a poster going around for the new indie monster film Baby Frankenstein that makes me wonder if the poster-makers have seen the film.
This poster is in no way accurate to the actual film. In fact, those watching it expecting a gore fest are going to be very disappointed.
On the other hand, if you don’t enjoy gory horror movies you might be pleasantly surprised by the actual film that is Baby Frankenstein. It’s by no means a indie masterpiece but it’s sweet and fun experience to watch.
Baby Frankenstein is a very low budget film about a young man named Lance (Ian Barling) who discovers an ”automaton” they dub Baby Frankenstein (Rance Nix) in the attic of his Mother’s new house. Quickly Lance and BF grow an attachment and he and his girlfriend Truth (Cora Savage) spend the rest of the film hiding their new friend (ala E.T.style) from the authorities and Lance’s Mother’s boyfriend Ken (Patrick McCartney).
For the most part Baby Frankenstein is a fun indie low budget ride made with a lot of heart. However, the antagonist Ken was a bit much for me. I realize he is supposed to be unlikable but he was more irritating than menacing. There are also definitely moments where you feel the low budget in the acting and directing, but with these kinds of films that’s all part of the homespun charm in a way.
If you know what you are getting into than I think you will enjoy Baby Frankenstein.
For a time period with essentially no new movies coming to theaters I sure have a bunch of films to update you on! Here I am with 9 mini reviews to help you decide what is smile and frown worthy:
On one hand it is hard to fault this handsomely mounted film version of the classic novel by Daphne Du Maurier (which was famously adapted by director Alfred Hitchcock in a 1940 version that won the Oscar for Best Picture). On the other hand, all that potential makes the film all the more disappointing.
The problem with this version of Rebecca is it fails to capture the suspense and chilling atmosphere of the source material. Lily James, Armie Hammer and Kristin Scott Thomas all do a good job in their roles but the movie is just plain bland. To begin with it takes way too long for the story to get to Manderley and then it feels like everyone is going through the motions. I didn’t hate it, but I also wasn’t very engaged. It is shot beautifully, and aside from some wonky fire visual effects, looks great, but that can only take you so far. Instead of making something compelling and mysterious they’ve made something dull and ponderous.
5 out of 10
This film Spontaneous is very difficult to describe and it will definitely be divisive. It stars Charlie Plummer and Katherine Langford (both whom I love and are very talented) in an unusual coming of age love story, For some unexplained reason people in their high school start randomly exploding. At first this is played for laughs which is awkward (I’m not the biggest fan of dark comedies) but then it becomes serious as our 2 leads know that any moment may be their last together.
Spontaneous is not going to be for everyone but if you are looking for something creative and different give it a shot. The leads are so good and it kept me guessing,which is refreshing.
7 out of 10
The War with Grandpa
On one hand I can’t in good conscience recommend The War with Grandpa. It’s ridiculous, stupid and most of the jokes don’t land. On the other hand, I didn’t hate the movie. I am a sucker for broad live action family comedies so I am perhaps more forgiving of a film like this than my other critic friends. It’s movies like The War with Grandpa that I wish rottentomatoes had a middle ground score. It’s worth a rental if you like slapsticky family comedies but it’s not great. (I really miss the live action family comedies we used to get from Disney and other studios- broad, silly, fun with a nice message).
Most critics of course hate the film, and I can see why. The whole concept is inane about a Grandfather (Robert Deniro) and a grandson (Oaks Fegley who was so good in Pete’s Dragon) that engage in a war of pranks with each other when Grandpa takes the grandson’s room. However, I did like the cast including Christopher Walken, Cheech Marin and Jane Seymour. I also really liked the little girl who is obsessed with Christmas. Her holiday themed birthday party is the stuff of my dreams!
But it can also be a little too mean for my liking with Grandpa and grandson hurting each other and being really irresponsible. This isn’t the best message for kids, which hurts its value as a family film. It’s too destructive so I can’t recommend The War with Grandpa.
5 out of 10
Frown Worthy (but I didn’t hate it like everyone else)
The Trial of the Chicago 7
After I have just defended The War with Grandpa let me confess I am not the biggest Aaron Sorkin fan. I think Sorkin is great at dialogue, and I never hate his movies, I’m just usually not as excited as most seem to be about them. I find that behind the quippy dialogue are often flat, bland characters that don’t grow and change. His portrayals in particular of Mark Zuckerberg in The Social Network and Steve Jobs in Steve Jobs left me wanting more. They are one-note characters at the start and end of their respective films. His writing, despite the good dialogue, always leaves me a little cold.
Now we have The Trial of the Chicago 7 and despite my having the same problems with Sorkin’s characters, I am more forgiving with this film. It’s easier to accept one-note characters in an ensemble piece where the actors can feed off each other and that’s what they do here. Plus, the real-life events are crazy enough to engage and entertain the audience. The trial moves along nicely and is so surprising that it is fun to watch. All the performances are good including Sacha Baron Cohen, Eddie Redmayne, Joseph Gordon-Levitt, Mark Rylance and more.
The film manages to be relevant without being too on-the-nose like some movies in COVID have been. I also felt the music did not fit in with the period or feel of the film especially at the start. It seemed like something from another movie.
8 out of 10
Adam Sandler continues his terrible streak of comedies with his latest for Netflix Hubie Halloween. I knew the minute I heard his annoying babyish voice this movie was going to be rough and it was. It’s somehow not as bad as films like The Ridiculous 6 or The Do-Over, but I still hated it. I hated the characters. The jokes are awful and Hubie is incredibly annoying. There isn’t anyone to root for and you just hope they will all go away by the end of it.
3 out of 10
The Last Shift
It seemed to apropos to see the new film The Last Shift on the last day the Regal Cinemas will be open for a while. I was literally seeing The Last Shift on the last shift! This film is a small yet tender story about an older man, played by Richard Jenkins, who has worked at a fast food establishment his entire life. He is now retiring and must train a young Black man named Javon (Shane Paul McGhie) on how to do his job.
As they work together prejudices are revealed, life plays out in both expected and unexpected ways, and they learn a lot from each other. Jenkins and McGhie are excellent in their roles and it’s a nice slice of life film. Some aspects of the ending didn’t work for me and I didn’t like Ed O’Neill’s character, but overall I enjoyed the film.
It’s definitely worth a watch if you can see The Last Shift
7 out of 10
The King of Staten Island
I put off seeing The King of Staten Island because I’m normally not a big Judd Apatow fan, and I find Pete Davidson to be a grating presence on screen. However, after finally seeing it, I have to admit to being pleasantly surprised. This is a sweet coming of age story about a young man who can’t figure out what to do with his life. So instead of doing something he skates by with the bare minimum, waiting for something to inspire him. Then one day he becomes involved with a group of firefighters who knew his deceased father and his life starts to change.
Bill Burr shines as Davidson’s new stepdad figure and Marisa Tomei is good as usual as his long-suffering Mother. The film definitely has the Judd Apatow man-child plot and it is way too long and vulgar but overall the sweetness won me over. Both of the romances in the movie are also really sweet and enjoyable. It’s a genuine, heartfelt, coming of age story.
7 out of 10
Then Came You
Most people will probably see Kathie Lee Gifford starring and writing Then Came You and not give the film much of a shot. That’s a shame because it’s an enjoyable rom-com. It’s definitely loaded with tropes and silly moments, but I liked the chemistry between Craig Furgeson and Kathie Lee Gifford. It was nice to see a romance between an older couple and it is surprisingly mature in its humor for this kind of film.
Elizabeth Hurley is not in the movie much so don’t go in expecting a lot from her. It’s mostly a 2 people show with Ferguson and Gifford hating each other at first but falling in love while she scatters the ashes of her late husband in Scotland. If that sounds fun to you than you’ll probably like it. I did. This is not as made for the Hallmark crowd as it might appear with the sensuality, vulgarity and other mature topics discussed so buyer beware on that account.
7 out of 10
2 Hearts will always be remembered as my 2nd critics screening since the start of COVID. I will always be grateful to it for that. However, as a movie it’s a very strange film that I hardly know what to make out of it. On one hand, it’s a typical soapy tragic love story along the lines of A Walk to Remember or Five Feet Apart. In fact, it tells 2 love stories and the unexpected way they influenced each other. For the most part it is well cast and has a nice message about living life to its fullest and the value of organ donation. However,about 2/3rd of the way through they make a narrative choice with one of the couples that is frankly bizarre. I am still quite baffled by it. I can’t share here because of spoilers but it was strange.
There’s a lot of Hallmark movie talent in this film including a few people I have interviewed over at Hallmarkies Podcast. It’s always nice to see these actors getting work in feature films. Some non-Cuban actors playing Cuban roles was a poor decision and the timeline on some things was a little confusing but again 2 Hearts is a harmless movie. It just depends if you can get over the twist, which I’m not sure I can. It was so bizarre.
4 out of 10
So there you have it! What do you think of these films? What score would you give them? Let me know in the comments section
Due to the effects of COVID 19 and quarantine lockdowns most of us have let fashion fall to the wayside. Or at the very least fashion below the waist go. As long as we look good for the zoom or skype chat that is all that matters! This means most women have stopped wearing high heeled shoes that can make a bold fashion statement but also cause loads of pain. A new documentary short (44 minutes) entitled High on Heels looks at high heeled shoe phenomenon and asks: are they good for women or not? The answer might be more complicated than you think.
On one side you have women who love wearing heels. They feel the posture and shape the heel gives them boosts their self-image and makes them feel more confident. In the documentary we go through the history of heels and why additional height came to be seen as empowering and beautiful.
On the other hand you have doctors who see the impact of the shoes on women and the pain they can cause. My problem is I have a high arch so I can’t walk well in heels. They just don’t fit my feet well. Heels can cause all kinds of problems like plantar fasciiitis, bunions, blisters and more. Ask any woman and they will tell you the pain-stories of her feet.
High on Heels has a small budget and it does show from time to time but I still thought it was very informative and entertaining. If you like consumer reports style documentaries you will enjoy this one.
So I don’t know if you knew, but I love animated films. LOL. Obviously not all animated films but I love the medium and all it can offer the filmgoer. I love being swept away by the artistry and characters and it is even better when it is also a musical! So, I was primed to love the new animated musical Over the Moon, and fortunately it did not disappoint. What a beautiful hope-filled animated musical. I loved it and can’t wait to watch it again!
Over the Moon is the first feature film from famed animator Glen Keane who created such memorable characters like Ariel, Aladdin, and Beast. Here he is taking us to China with the help of China’s Pearl Studio (who did last year’s Abominable with DreamWorks, which I also really enjoyed). It is a retelling of the classic Chinese myth of the mysterious moon goddess Chang’e.
Chang’e is voiced by Phillipa Soo of Hamiltonfame and our young heroine Fei Fei goes after her on a quest to find her Mother who has passed away. Voiced by Cathy Ang, Fei Fei sings about her desire to find answers for her grief:
The music is written by Steven Price, and while I could have used even more songs, what we get is enchanting. I loved Fei Fei as a character and ‘Rocket to the Moon’ is probably the best ‘I want’ song we’ve gotten from a studio since ‘Let it Go’ from Frozen.
I also really enjoyed the sense of family in Over the Moon. Fei Fei’s mother makes mooncakes, which are then sold at the market. When the family has meals together it feels warm and authentic, all sitting together talking. Eventually Fei Fei must learn to get along with a new energetic step-brother Chin (Robert G Chiu) and that is sweet and challenging. A lot of kids will be able to relate to these family dynamics as they felt real and authentic.
When Fei Fei gets to the moon things get a little convoluted, but I still found it charming. I really liked the characters and the heart. It’s the kind of film the entire family can watch together and enjoy. Plus, the animation is completely stunning. What a treat to watch! We even get some 2D animation in sequences!!
I still think Tomm Moore’s Wolfwalkers is the best animated film of the year but Over the Moon is a complete delight. If you are an animation fan and/or a musical fan you will love it!
What do you think of Over the Moon? I would love to hear your thoughts in the comments section
Part of the reason why I do this blind spot series is to push me out of my comfort zone. As a film critic I want to be able to review any film, with the exception of outright pornography, that an outlet assigns me. That said I’m still a human being with preferences that come into play when watching films. However, by reviewing classics outside of my preferred genres for blind spots it helps me get out of my comfort zone with hopefully well made classic films. This is an effective way of pushing myself rather than watching a new film, which may or may not be a good example of the genre.
Horror, particularly slasher movies, is a genre I especially struggle with. Ever since I was a little girl I never liked the feeling of being scared and it’s still not my favorite; although I have grown a lot over the last few years. This year trying to push myself even further I decided to watch the classic slasher film Halloween from 1978 for this month’s blind spot.
Halloween is directed by John Carpenter who wrote the film with producer Debra Hill and the entire thing was made on a shoestring budget of only $300k. Carpenter also wrote the very memorable score that does a lot of the heavy lifting to bring tension into simple scenes.
Even though Halloween is outside of my comfort zone, I can totally see why it’s a classic and a favorite of horror fans. It is very well directed by Carpenter with leering cinematography by Dean Cundey. Even when characters are doing mundane things like talking on the phone or watching television there is a sense they are being watched and they should be more careful than they are being. We as an audience know the deranged Michael Myers is out there but the characters don’t. This makes us anxious for them and the violence, when it does happen, very effective.
Surprisingly, Halloween is not a very bloody film. It’s violent and there is carnage but most of the movie is about anticipating the kills rather than luxuriating in them. I also appreciate the film doesn’t try to explain away Michael Myers or give him some complicated backstory. We see from the opening that he is the personification of evil and that’s all we need to know. Sometimes evil exists and the devil is a real force so I appreciated that approach.
There is also an ambiguity to Michael Myers as a character that makes him scary. I am sure they elaborate on his nature in the sequels but I like here how he might be human or an alien or something else. We don’t know. Dr Loomis (played very well by Donald Pleasence) tells us he is evil from the start of the picture and we see him as a child murderer and that’s all we need to know to be scared.
Jamie Lee Curtis is definitely the best of the 3 young actresses in Halloween. She’s skeptical when you need her to be and smart when faced with a threat. So many of these ‘final girls’ in horror movies are needlessly stupid (including the 2 other girls) that it’s refreshing to see Laurie as played by Curtis as a character who uses her head.
Halloween is not a movie I am likely to watch again. It’s just not my thing, but I can recognize good filmmaking and that’s what we have here. It’s very well done and I’m glad I finally checked it off my list.
One of the problems with not leaving the house these days is you lose a sense of personal style and flair. Plus, let’s be honest, most of us have resorted to yoga pants and sweatshirts far too often since the pandemic began! Well, today I thought it would be fun to show how you can recreate the looks of your favorite movie heroines without breaking the bank and using wearable pieces that will fit into any outfit (with a few embellishments added for fun!)
Chouyatou Women’s Stylish Oblique Zip Slim Faux Leather Biker Outerwear Jacket from amazon.com $28.90-$44.90
Vintage Cat’s Eye Sunglasses for Women from Amazon.com $8.99
Douglas Carlos Chihuahua Dog Plush from Amazon.com $13.45
Longtime readers of this blog know the 1995 comedy Clueless is a foundation comedy for me. Indeed, it’s not only one of the best comedies ever but it also has an impeccable sense of style. Here’s my take on one Cher’s most iconic outfits.
Athletic Works Women’s Dri More Core Active Full Zip Hoodie from Walmart.com $14.96
Thin silver ring with feline head Gucci $265 from Gucci (ok that’s way expensive but it is perfect. This will do for $4.19 from Claire’s)
So there you have it! What do you think of my outfits? Does it inspire you to think outside the box with your fashion choices? I hope so! Either way it was super fun for me to come up with these looks. Take care!
After I saw the new film A Call to Spy I regretted having watched it without my friend Jen. She’s a huge history buff and will really enjoy this film. I guess I will just have to see it again with her :).
A Call to Spy tells the true story of 3 women who worked as spies in Churchill’s Secret Army. One of these women is an American named Virginia Hall and she is a woman with a wooden leg who after being denied a job as a diplomat becomes a spy instead. 1 in 3 of these spies lost their lives. It’s harrowing stuff!
Hall is played by Sarah Megan Thomas and she also wrote the film and pushed it into fruition so I give her a ton of credit. The production is handsomely mounted and well acted. It’s an interesting story and for the most part I enjoyed watching it. I kind of wish they had gotten an actress with one leg to play the role but Thomas was very convincing (at least from my POV as an able-bodied viewer.)
On one hand, I can see some calling A Call to Spy a workmanlike or by-the-numbers type of film, and they would be right. There’s nothing particularly creative or unique about it. However, I really enjoyed learning about these 3 women. Their stories are remarkable, and it’s sad that it took me until my 39th year to learn about them. In this case, teaching me about history with a slick and well made production is all they needed to do, and they did it well.
It’s probably too intense for most kids unless they are used to watching a lot of war films (torture, murder and other Nazi behaviors are shown but it is also PG13).
If I am going to fault the film it is a little bit too long at 123 minutes, and we go too long in-between seeing some of the women. It’s supposed to be all 3 women’s stories but particularly the Muslim spy Noor Inayat Khan (Radhika Apte) gets the short end of the stick. I would have liked to have seen more of her and gotten into her head better.
Still, A Call to Spy is an inspirational true story I knew nothing about before seeing it, so I’m glad I watched it. It’s well made and acted and I’d definitely recommend it.
I believe it will be in theaters and then go to streaming so let me know what you think if you see it.