[REVIEW] ‘Lucy in the Sky’

Anyone who reads my reviews knows I am not a strict literalist when it comes to cinematic adaptations of true stories. I am on record of enjoying both Green Book and The Greatest Showman. However, both of those films offered entertainment that made up for some problematic elements. Unfortunately, in the case of the new film, Lucy in the Sky, this is not the case. Despite a good lead performance by Natalie Portman, this new film loosely based on the experiences of astronaut Lisa Nowak is a big case of wasted potential.

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In Lucy in the Sky, Lisa is turned into Lucy Cola, a recently returned astronaut who struggles to come to grip with life on Earth after being in space. Everything that gave her joy in the past like her marriage to her husband Drew (Dan Stevens) now feels bland and empty. In an attempt to regain the sense of adrenaline of space she becomes increasingly reckless. She participates in risky training exercises like holding her breath for over 2 minutes under water, she gets drunk, she steals a gun from her Grandmother and finally she starts an affair with fellow astronaut Mark Goodwin (Jon Hamm).

Natalie Portman does a good job playing Lucy and the film captures the spiraling feeling of a panic attack but it doesn’t help us to understand Lucy’s choices very well. When it does try to get inside her head it does so by using gimmicks like changing the aspect ratio of the screen or showing on-the-nose metaphors like a butterfly coming out of a cocoon…

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It was also painfully obvious the script was written by 3 men as the film simplified Lucy’s mental health crisis and then proceeded to judge her and her choices. In contrast, the Jon Hamm character is practically given a high five for being the rational womanizer who mistakenly let this crazy person into his life. What about it takes two to tango? Dan Stevens is better but we hardly get to know him so that doesn’t help much.

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What’s especially odd is the team decided to remove the more sensational aspects of the case- like her wearing an adult diaper in her quest to follow Mark, and yet it remains so shallow. One can only assume they made this choice to give it more gravitas, but I honestly wish they had embraced the madness. Why not make something funny and nuts like Raising Arizona or if you wanted a true story use BlackkKlansman as your guide?

I didn’t hate Lucy in the Sky. Portman puts in too strong an effort to totally dismiss, but I do think it is a big case of missed potential, which is frustrating. They could have done something cool and interesting and instead they made a movie I will forget soon after I post this review. Too bad. Oh well!

3.5 out of 10

Frown Worthy

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Blind Spot 47: ‘Cowboy Bebop: The Movie’

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One of the difficult things about reviewing anime as a movie critic is so many of the films require investment into their accompanying series. Some like My Hero Academia Movie try to get you up to date on what is happening and others just throw you into the fire and hope you can figure it all out. Now, in my recent Downton Abbey review I said I didn’t think it was the job of the movie to please non-fans of the show. I’m fine with a film having a narrow audience; however, it does put me in a bit of a tough situation when I an admitted bystander doesn’t like the end product. Do I toss it up to not being in the intended audience or do I  review it for the problems it has? It’s a tough dilemma but in the end I can’t imagine what the intended audience will think. I can only know what I think and share my experience in my review.

This rather long-winded lead-in, is my way of saying: I did not like Cowboy Bebop: The Movie. It clearly has lots of fans, and I respect that, but it didn’t work for me in some fundamental ways. Let me explain:

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Cowboy Bebop: The Movie tells the story of a group of bounty hunters that live on the planet Mars in 2071. They are hunting down a mysterious man in black named Vincent who is intent on destroying all of humanity (supervillains are so ambitious these days). The main characters are leader Spike Spiegel, femme fatale Faye Valentine, punk kid Ed, brooding Jet Black and super intelligent dog Ein. These are an eclectic group of characters (much like Guardians of the Galaxy), but I never felt like I got to know any of them very well. Plus, we spent a lot of time on stuff I didn’t care about like what type of microwave noodles they each liked.

I never got the sense they were developing a case to follow Vincent but instead they kept accidentally running into him which made the momentum drag. There is some cool animation and some violent action scenes but rarely was the futuristic setting used to its advantage. Most of the events could have been done in any modern situation on any planet. This made the world-building and scifi elements feel generic to nonexistent.

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Vincent is a cool character and his scenes are engaging, as his motivations are complex and troubling. I also really enjoyed how he was animated with the feel of an outlaw in an old-fashioned western. There are scenes some Johnny Cash tunes would have fit right in, which was a fun aesthetic.

Unfortunately a good villain can’t save a film. I found myself getting sleepy while watching Cowboy Bebop: The Movie and losing interest. The story is probably compelling for fans of the series but here in the film it felt pedestrian and bland. It was a lot of time of people sitting around, talking, mixed in with some enjoyable action, which isn’t enough to make a compelling movie for 2 hours (it’s at least 20 minutes too long).

The only reason I could recommend Cowboy Bebop: The Movie it’s one of the few anime films that has a lot of Halloween in it, which makes it an eclectic holiday choice. But even then it is more ornamentation than an actual interesting part of the plot. This movie just didn’t do it for me. It’s crazy how something with so many pieces can still feel so slow and bland? I’m sure some anime fans will be horrified by that statement but there it is.

Are you a fan of Cowboy Bebop? What do you think of this movie and should I watch the show before making a final judgement? Let me know what you think.

3.5 out of 10

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Current Mini Reviews

Hi friends! It’s time once again for one of my current mini reviews where I give my brief thoughts on some of the latest movies I’ve been able to see. Make sure you are subscribed to my youtube channel so you get all the latest videos from me including weekly family movie night reviews! I’m also excited to announce I have created separate podcast feeds for 2 of my monthly podcast series:

Talking Disney Classics- with my friend Stanford Clark where we discuss a Disney Canon film each month in random order.

https://podcasts.apple.com/us/podcast/talking-disney-classics-with-rachel-wagner-stanford-clark/id1479958412

The Criterion Project- with my friend Conrado where each month we talk about a movie on the Criterion Channel.

https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904

I know you will enjoy them if you give them a chance!

Anyway back to the reviews!

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Falling in Love-

It shouldn’t be any surprise to any follower of my work at the Hallmarkies Podcast that I will always be a defender of escapist silly romcoms and Falling Inn Love is certainly an example of the genre. It stars Christina Milian as a woman who goes to New Zealand only to find the big prize Inn she’s won is actually a money pit. Luckily she has hunky Adam Demos there to help her with the renovations. They spar at first and of course fall in love by the end. Is it predictable and silly? Of course it is. That’s all part of the appeal. I thought it was adorable and thoroughly enjoyed it.

6 out of 10

Smile Worthy

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Overcomer-

I’ve been known to like my fair share of faith-based films. I recognize they have a very tricky task of entertaining a skeptical audience base while trying to tell an inspiring story. However, far too often they forget that the best preaching comes from a story well told, not by actual preaching in your film. The latest hit from the Kendrick Brothers is called Overcomer and is directed, written and starring Alex Kendrick and perhaps he bit off more than he can chew? This film should be a simple inspirational story about a girl with asthma who finds faith and the confidence to race cross country. Instead it’s a clunky, belabored story of the man who is begrudgingly forced to coach her. The dialogue is really bad along with most of the acting. There’s one moment where Priscilla Shirer literally compliments her own prayer and I laughed out loud. Watching this made me realize how good Breakthrough from earlier this year really was. Check that out instead.

2 out of 10

Frown Worthy

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Can You Keep a Secret?-

I love the writer Sophie Kinsella but for some reason her books make terrible movies. The latest adaptation is Can You Keep a Secret starring Alexandra Daddario and Tyler Hoechlin. The elements that are charming in the book come across as forced and off-putting in this film. Hoechlin is super dishy but he and Daddario have no chemistry together. Most of the time it is awkward and uncomfortable which is not what you want in this kind of escapist romcom. The big reveal at the end is super underwhelming and the supporting cast is wasted. Honestly I wanted to turn it off it was so bad.

2 out of 10

Frown Worthy

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Promare-

Trigger Studios has long made some of the most arresting and eye popping anime on the market. Their latest film Promare is my first experience with one of their films and I must admit I was really impressed! It tells the story of a futuristic society where a band of firefighters protect the world from a mysterious race of mutants called the Burnish. As the two races fight they start to learn there might be more to the story than their leaders have told them. The animation in this film is intense, frenetic, crazy, whatever word you want to use but it is also exhilarating. I loved the unique geometric style and the electronic music. It’s an experience I highly recommend to those willing to take a risk.

8.5 out of 10

Smile Worthy

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Please check out my youtube review for my thoughts on the latest film from DreamWorks, Abominable. This film marks the end of our multi-film trend of yeti movies in animation and to my surprise it is definitely my favorite. While the story of the little girl Yi finding a mysterious creature to protect may not be the most original, Abominable has huge heart with well-developed sweet characters. It’s also funnier than I expected with beautiful animation and music. This first collaboration between DreamWorks and Pearl Studio is a terrific film, and I hope people will go see it.

8 out of 10

Smile Worthy

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Last up is the musical biopic based on Judy Garland’s last year of life, Judy. I love Judy Garland and think her life is so hauntingly tragic that it breaks my heart to think about it. Unfortunately this film pulls out every cliche in the musical biopic playbook. It’s generic, boring with a very surface-level script. Some might feel the same way about the recent Rocketman but at least that movie took some creative risks with its flights of fancy. To add insult to injury they make the choice to have the actress portraying Judy, Renee Zellweger, sing for Judy. What on earth were they thinking? She sounds NOTHING like Judy Garland! I’ve listened to the London concert recordings and that’s not how she sounds! Basically the poor singing choices, generic script and screaming-for-an-Oscar performances make Judy a big miss.

2 out of 10

Frown Worthy

‘Out of Liberty’ REVIEW

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A lot of my fellow cinephiles can be very dismissive of the faith-based genre, and not without some due cause. Too often these well-meaning films are too preoccupied with delivering a sermon rather than telling a worthwhile story with complex characters. However, any genre can produce good films, and Garrett Batty’s new film Out of Liberty is a good example.

I was actually excited to see Out of Liberty because I like both of Batty’s last offerings, The Saratov Approach and Freetown (which was in my top 10 of 2015). All 3 of his films have been about people of faith put in harrowing circumstances where their faith doesn’t help them very much. There are no massive miracles, no grand speeches, just simple stories of how faith can help you get through the tough times. I admire that in his storytelling.

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In the case of Out of Liberty Batty is putting on his history glasses and telling the story of when Latter-day Saint prophet Joseph Smith (Brandon Ray Olive) is falsely arrested along with a number of other men, and forced to live in a dungeon-like cell accessible only by a rope while they await their trial. The conditions are brutal with limited food, light or proper sanitation. Early church leader Sidney Rigdon (Brock Rogers) struggles the most being incarcerated and his faith goes to a low spot as his health declines.

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All of the men struggle including the jailer Samuel Tillery (Jason Wade) who is the true lead of the film. Tillery often reminded me of a kinder version of Javert from Les Miserables. He is not a religious man, but he believes in the rule of law. He will keep the men inside the jail and the mob outside at all costs until Lady Justice has had her say. This dynamic made Out of Liberty feel more like a Western than a faith-based film and it worked for me on that level. In fact, there is really only 1 scene with Joseph I would describe as overtly religious.

This unique approach allows us to get to know the characters as human beings rather than paragons of religious virtue. Even the prophet is painted with the same ordinary-man brush as the rest of the men. At times, Out of Liberty almost felt like a play with its intimate setting and raw dialogue. I wish more faith-based films took this approach because its these more human characters that usually are the most inspirational. People with perfect faith aren’t interesting to me.

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The cast of Out of Liberty is all up for the challenge. I even enjoyed Corbin Allred as the controversial Porter Rockwell- a character that could have slipped into caricature easily.

As far as flaws, those with no understanding in Latter-day Saint history might be a little confused with who these men are, and what they have done to be arrested. A little bit more backstory might have helped clear that up. The angry mobs are always a bit one-note in these movies but that’s the case with almost all Westerns, so it’s not a big problem. Some of the pacing could perhaps be a little tighter in spots but overall I really enjoyed Out of Liberty.

If you are someone who enjoys historical dramas than I would say go see Out of Liberty. It’s a well written, moving character piece that is both a study of faith and a Western jailbreak survival story. It is definitely worth your time and is one of the good ones!

8.5 out of 10

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Blind Spot 45: ‘Son of Saul’

Originally when I made my 2019 Blind Spot selections my plan for September was to finally watch the 2002 film The Pianist. I had avoided it because Holocaust movies aren’t exactly a joyride, but more importantly, I have no desire to support criminal director Roman Polanski. However, at the time, in an effort to support the art and not the artist, I thought I’d check it off my list. But then Polanski won the Grand Jury Prize at the Venice Film Festival, and I felt sick. I decided I didn’t want to watch any of his movies, so I asked my friends what would be a similar film to The Pianist not made by Polanski. Their resounding answer was Son of Saul, so that’s what I am reviewing today.

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Son of Saul is a 2015 Hungarian film from first time director László Nemes. It won the Oscar for Best Foreign Film that year as well as many other prizes. The film stars Géza Röhrig as the aforementioned Saul who works as a Sonderkommando in the concentration camp at Auschwitz. In an attempt at some humanity he tries to find a rabbi to bury a small boy who survives the gas chamber only to be killed soon after.

We see the film from Saul’s perspective in almost a shaky cam technique and it is unlike anything I’ve ever seen before. To say Son of Saul is brutal would be an understatement. I honestly had to take pauses in order to collect myself. Nemes spares no detail as we see the gas chambers in full operation and it’s all done from such an intimate perspective, as if we were on the ground right there, that it is very upsetting. I think you’d have to be a sociopath to not be very unglued by what you see in this film.

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Son of Saul is the type of film I will never watch again but the experience will always remain with me. It’s so well made yet unrelenting that it needs to be seen to be understood. Please just make sure you prepare yourself mentally and physically for what you are going to watch (if that is even possible). I’m not overstating it. This film is a tough sit.

But it is definitely worth having that raw experience. Hopefully if more people see films like Son of Saul something so horrific won’t happen again. For that purpose I’m glad I saw it and would recommend it to anyone who is prepared for the experience. This film will certainly stick with you. That’s for sure.

10 out of 10

It feels weird putting a smile worthy graphic on here but obviously it would be a recommendation.

‘Downton Abbey’ MOVIE REVIEW

Outside of animation my other favorite style of storytelling is period pieces. So, when the hit show Downton Abbey premiered I was immediately hooked. During its 6 season run the show had its highs and lows (problems mostly caused by cast departures) but it always won me over with terrific acting, lush production values and sparkly writing. Now 4 years later creator and writer Julian Fellowes has gifted us fans with a feature film for the series, and a gift it is. I don’t think that Downton Abbey as a film will win over newcomers to the franchise, but I don’t think that it needs to. For those of us that love these characters you will be as delighted as I was.

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It may seem like an odd comparison, but think about the recent Avengers: Endgame. Are the makers of Endgame responsible to make a film that pleases someone who has never watched a Marvel movie? I don’t think they are. In fact, if they did, they would more than likely waste a lot of time in boring exposition that would drag the movie down. It’s the same here. It is perfectly reasonable for the creators of Downton Abbey to assume the vast majority of its audience will be fans of the show; thereby, validating their choice to basically make a Christmas episode of the show on the big screen for those fans

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That explanation out of the way, let’s talk about the movie. The premise is rather simple. All of our family and staff at Downton are thrown into a tizzy when they find out the King (Simon Jones) and Queen (Geraldine Jones) are coming for a visit. Mary (Michelle Dockery) has been running the manor along with her brother in-law Tom  (Allen Leach) but she is starting to wonder if it is all a waste of energy. Many other large homes are being sold and households are economizing. Meanwhile each of the family members from Lady Violet (Maggie Smith) to Mary’s sister Edith (Laura Carmichael) have their own stories and events happening in their lives.

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Downstairs the staff at Downton is thrown into even more upheaval as they plan for the royal visit only to find out the royal staff has little to no interest in working with them. Now-retired butler Carson (Jim Carter) comes back to help make things run well and his wife Mrs Hughes (Phyllis Logan) struggles to keep the peace between the new and old staff. Just like upstairs, each person in service has their own stories as the royal visit impacts them each differently.

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We also get some new characters like the Crawley’s cousin Maud Bagshaw (Imelda Staunton) and her maid Lucy Smith (Tuppence Middleton). They definitely bite off a lot of storylines, but for the most part I was pleased with how they all played. There’s one involving Princess Mary (Kate Phillips) I probably would have eliminated but everything else I found very entertaining.

Most importantly Julian Fellowes gives his incredible group of actors a terrific script full of cracking dialogue. It honestly made me wish we could get a series of movies every few years and keep following these characters. All the performances are fantastic with Maggie Smith and Penelope Wilton (as Isobel) stealing any scenes they are in. It’s also not just a fluffy movie but there’s some real heart and moments of growth. I was particularly pleased with how things played out for poor Edith who always seems to get the short end of the stick.

It probably goes without saying but if you’re a fan of Downton Abbey go see it! You’ll love it just as much as I did! It’s a worthy follow-up to our favorite show and well executed in nearly every way. My friends are having a tea party on Saturday and then we are going to see it together and I can’t wait. Rarely do I get to have such fun with a film, and I am going to relish in it. It’s an event worthy of the Queen. 🙂

8 out of 10

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‘Hustlers’ REVIEW

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When I was preparing for the Fall Movie Preview podcast I do with David Healy I kept getting the new film Hustlers confused with the recent film The Kitchen. The connection is understandable with both movies being about groups of women who turn the system on its head and commit crimes together. Frankly I wish both movies were stronger, but I definitely prefer Hustlers of the two. It at least has a consistent tone and characters with some depth to them.

Hustlers tells the true story of a group of exotic dancers who band together to steal from the Wall Street clients who frequent their establishment. Obviously this film has a lot of very sexy dancing so it will not be for everyone. However, most of the R rated content is confined to the club scenes and it is kept rather clinical in feel rather than erotic (because it is being told from the women’s perspective and it is not an erotic activity for them, just a job).

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Anyway, the first half of the movie sets up our characters particularly Constance Wu as Destiny and Jennifer Lopez as Ramona. At first things are going great with everyone helping everyone else to make a lot of money. Unfortunately the stock market crash happens in 2008 and the dancers become more desperate as the stock brokers have less money.

The first half of Hustlers looked impressive with some good performances from Wu and Lopez but it was very repetitive with not enough story. We didn’t need to see scene after scene of the way things were before 2008. I wish they had done more to flesh out the characters of both Ramona and Destiny away from the club. They both end up having daughters, but we hardly get to know anything about them as mothers or how they balance work with raising their children. Just anything other than party, dance, rinse, repeat.

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However, in the second half the plot to drug and swindle the Wall Street men starts and it can be quite compelling and funny. It’s the kind of movie that feels like it should have been a 44 minute television show instead of a feature film. Unfortunately, even in the more compelling sections it is very repetitive. Girl meets man in bar, take man to club, steal from him and then move on. There’s a Christmas scene, which is the best part of the movie, where we get to see their personalities and what actual joy means to them but so often the script is very repetitive.

While I don’t know about Oscar-worthy, Wu and Lopez are good in their roles (the Academy loves giving Oscars to actors who play strippers/prostitutes for some reason). They have a nice chemistry together and feel like a natural fit for their characters (with the exception of Wu’s terrible wig!). Some of the other characters are perhaps made to look more significant in the trailer than they actually are. Cardi B and Lizzo, for example, are really just glorified cameos. Still Destiny and Ramona are flawed interesting characters and there are some really great moments with the two of them.

A movie like Hustlers is where the rottentomatoes dichotomy fails me as a critic. It was ok. The performances are good and it looks nice. The story is interesting, but I wasn’t crazy about the narrative device of Julia Stiles’ interviewing Wu, and the script is very repetitive. It’s a real mixed bag, but I certainly didn’t hate it. If you are someone who thinks capitalism is evil than you will probably enjoy it as a revenge piece more than I did. But even so, I want more than just seeing Wall Street men getting drugged. I want more of these women’s story!!

Still I’d say it is worth seeing for the good performances but manage your expectations. It’s no disaster like The Kitchen but no masterpiece of female empowerment either.

5.5 out of 10

Smile Worthy (barely)

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‘Ad Astra’ REVIEW

Brad Pitt stars in “Ad Astra”.

If you are a regular reader of this site you know I can be a bit of a tough sell when it comes to the scifi genre. Still, I try to have an open mind when I go to see any film. Thus, was my attitude going into to seeing the latest space epic Ad Astra. This film is directed by the always ambitious James Gray and stars Brad Pitt as an astronaut of the future trying to find his father (Tommy Lee Jones) in space.

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The first thing I have to say about Ad Astra is it is beautiful. Cinematographer Hoyt van Hoytema has done a stunning job creating both the vistas of space and the futuristic imagery of the space stations on various planets. The way he uses color is quite mesmerizing. I was particularly awestruck by a sequence at the planet Mercury where the blue was so bright it could have been made out of candy. It really feels like you are in space while watching the film and that they actually went to Mercury during filming. Amazing.

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The story for Ad Astra I’d say is serviceable while you are watching it. I was curious the entire time to find out what was going to happen and how Brad Pitt’s character was going to deal with all of the challenges along the way. There are also some surprising elements that I won’t spoil for you but they brought in some fun unexpected action.

Unfortunately much of the enticing questions of the plot were not answered in a very clear or satisfying way. Perhaps I need to see it again but there’s a lot of nonsensical randomness in Ad Astra. Scenes looked cool but what their purpose in the story was felt unclear. The movie also uses women very poorly. Both Ruth Negga and Liv Tyler are there only to be objects of hope for Brad Pitt’s character. Like literally they have no other character than to stare profoundly at Pitt and fill him with regret/hope.

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Also, I feel like any good scifi films should have something to say: a metaphor for what the world is coming to if we don’t shape up. For example, Blade Runner is all about what gives a human their humanity. Wrath of Khan has themes of death, vengeance, and friendship. I have no idea what Ad Astra is trying to say. There are illusions of mental health and forgiveness but it’s unclear.

In the end, I feel very mixed on Ad Astra. I did enjoy watching it but left frustrated. It has so many good pieces that it easily could have been a masterpiece but it falls short. Still, if you like space movies and the visuals look appealing I can recommend it. It’s not perfect but I’d say the good outweighs the bad. It’s so pretty!

6 out of 10

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Best Movies of the Decade

A few weeks ago I saw a video or article about the best movies of the last decade. Most of the choices were hipster indie choices, which is fine, but they definitely didn’t capture my favorites of the decade. It gave me the idea to make a video of my list but that felt boring. On a whim I decided to reach out to my fellow youtubers on twitter and see if anyone else wanted to contribute. I asked each person to make a 1-2 minute video about their favorite movie and to my shock the response was massive. I ended up with 14 contributors and it made for a video I really love. I love how different everyone’s picks are and how heartfelt their explanations behind their picks. It’s definitely one of my favorite videos I’ve ever done on my channel so check it out.

My favorite can be no surprise to all of you: 2016’s anime masterpiece Your Name. However, I thought I would give you the rest of my top 10 for here on the blog. I am not going to include a pick from this year because they haven’t had a chance to sit long enough but if I did I would probably pick Avengers: End Game, which is a film I love.

1. Your Name– beautiful in every facet with a layered story about what happens when we understand the humanity of the people around us

2. Wonder Woman– not just a superhero story but a story about why God loves us mortals despite us being pretty awful towards each other. I loved Diana. I loved the message. I loved everything about it

3. Perks of Being a Wallflower– my favorite coming of age movie. I love the message. I related strongly to the group of teens and its not about finding love but believing we deserve love in the first place

4. Inside Out– brilliant metaphysical film that has the guts to teach us all that sadness matters. It’s funny, sweet, with devastating yet effective endings for 3 of its characters- Joy, Riley and Bing Bong

5. Spider-man: Into the Spiderverse– I loved the animation. It still blows me away on each watch. I loved the character of Miles. I loved the meta story with the different Spider-man. I loved how funny it is. Perfection!

6. Tangled- Disney’s first romantic comedy and done so well. I love the witty banter between Flynn and Rapunzel. I love how indecisive she is and how he grows and changes. I love Mother Gothel as a true dishy villain and I love the songs.

7. Sing Street– Speaking of songs few films filled me with more musical-enhanced joy than Sing Street. What a lovely film about growing up, making music and finding love. The original songs are super catchy and the relationship between the brothers feels so authentic

8. Paddington 1 and 2Paddington and Paddington 2 are near perfect family films. They both have humor, huge hearts and characters that are so charming. I wish we could get one each year.

9. Song of the SeaSong of the Sea is the film I cried the most in the theater. What a touching film about grief and how little Ben can learn to forgive his Mother for dying and his sister for being the cause. The animation and music are stunning. So lovely.

10. Arthur Christmas– For my money the best holiday film of the last decade is Arthur Christmas. Such a sweet, heartfelt movie that captures the innocence and kindness of Christmas. Even the “villain” brother is just trying to run things well. It’s perfect to watch at Christmas

Honorable Mentions- Mary Poppins Returns, Crazy Rich Asians, STEP, Hacksaw Ridge, Dawn of the Planet of the Apes, Lean on Pete, Boyhood, Frozen, Moana, The Avengers, Paranorman, Mud, The Martian, Hidden Figures, The Lego Movie, Harry Potter 7 pt 2, Toy Story 3, Gravity, Edge of Tomorrow, Guardians of the Galaxy, Thor Ragnarok, XMen Days of Future Past, Interstellar, American Sniper, Pitch Perfect, Brooklyn, 45 Years, Creed, Cinderella, and many more.

What would be your favorites?