Blind Spot 32: Young Girls of Rochefort

August 9, 2018 | Rachel's Reviews

I’m really glad I decided to make Jacques Demy’s classic The Young Girls of Rochefort my August Blind Spot pick because it seems like such an interesting forebearer to films such as the recent Mamma Mia: Here We Go Again and certainly the Oscar winning La La Land. In fact, after seeing it, I almost feel like Damien Chazelle took the happy moments from Rochefort and the sad moments from Umbrellas of Cherbourg and birthed a movie. They are so similar it is weird- even the score sounds the same.

Anyway, it’s easy to see why filmmakers like Chazelle would be inspired by Jacques Demy as both Umbrellas and Rochefort are incredible films. Rochefort like Mamma Mia 2 is an effervescent bubbly celebration of love, and I kind of loved it! (Obviously Mamma Mia 2 isn’t near as good but it does have a similar tone)

The story isn’t very important to Rochefort but it follows twin sisters Delphine and Solange (Catherine Deneuve and Françoise Dorléac who are real life sisters) as they meet 2 carnies Etienne and Bill (George Chakiris and Grover Dale) and have a romantic adventure for the weekend.

We also learn about their mother Yvonne (Danielle Darrieux) who had a love that she foolishly let go as a young woman because she didn’t want to have his last name. She meets her former love Simon (Michel Piccoli) and his American colleague Andy (Gene Kelly) and has her own romantic adventure.

And that’s about it. The movie isn’t about the story. It’s about the continual singing, great choreography and an overall feeling of joy. Just look at the opening ballet number and how much fun it is (and how much La La Land used for its opening number!)

I love that this movie took real care to make the singing and dancing great. It does not feel half-baked at all. They dubbed all the singers so that the singing would be good. They have very impressive dancing throughout and all the costumes and colors are so dazzling.

Look at this effervescent delightful scene with Gene Kelly. The tap dancing at the end is perfection

I probably still like Umbrellas of Cherboug a little better because it is so moving but The Young Girls of Rochefort has definitely taken a place in my heart. I can watch Cherboug when I want something deep and watch Rochefort when I want to smile. Well done Jacques Demy!!

The Young Girls of Rochefort is definitely smile worthy!

Blind Spot 31: The Last Emperor

July 24, 2018July 24, 2018 | Rachel's Reviews

This month for my blind spot pick I decided to take a look at a film that took home 9 Oscars including Best Picture and Director: 1987’s The Last Emperor. I didn’t know much about it going into the film except that it was a long and sumptuously mounted production. After viewing it, I agree it is long and sumptuously mounted but aside from those qualities, I wasn’t very impressed by it.

The Last Emperor was helmed by Italian director Bernardo Berlotucci and it feels European in its grand scope and leisurely pacing. It was the first Western film authorized by the PROC to be filmed in the Forbidden City in Beijing, so naturally all of the sets and locations are authentic and grand. It is completely understandable why it won Oscars for art direction, cinematography and especially costume design. The music by Ryuichi Sakamoto is also very strong.

However, in many ways it felt like a foreigner telling a Chinese story. The Last Emperor is about the life of Puyi, the last Emperor of China. Evidently they based the screenplay off of Puyi’s autobiography, which is odd because so much of it rang flat and false.

To begin with, having all the characters speak English feels like an almost mocking choice. It takes you out of the scenes because this is supposed to be a serious movie and they are so obviously not speaking the right language. It’s one thing for an Indiana Jones movie to have accents but an epic masterpiece like The Last Emperor? Not so much. I guess you could make the argument it is in the traditions of old school epics like The Ten Commandments but those movies had stronger narratives to make up for the cultural awkwardness.

Speaking of story, it boggles my mind that The Last Emperor won Best Adapted Screenplay because the narrative is very weak. We see many events happen to Puyi but I never felt sorry for him or invested in his character. For most of the movie he came across as a spoiled brat without much nuance or introspection. Towards the end he grows as a person as he is incarcerated by the communists, but I still felt distant and like I never truly understood him. We are told Puyi is the “loneliest boy on earth” but he just felt like the blandest.

Some of the side characters are more interesting like his main wife Wanrong. She kind of has a lesbian relationship yet does seem to love Puyi and want him to succeed, which could have been interesting but it isn’t really explored in a satisfactory way. She’s a lonely character and I wish we got to know her better and have more time with her. Peter O’Toole is good as Puyi’s British tutor Reginald Johnston. He both kowtows and challenges the Chinese royal establishment, but even he could have been used more effectively and challenged more as a character.

The frustrating thing is I can tell Puyi’s story is fascinating having gone from opulence to a puppet emperor to a prisoner and a common man all in one life. But the screenplay in The Last Emperor delivers that compelling story without any tension or emotional heft. It all landed like a thud and was really quite boring. I didn’t care about his character and the interesting parts were more like reading a textbook than watching a compelling narrative. It needed a Steven Spielberg type voice to come in with sweeping moments of drama and tension to sell the soapy dialogue and characters. That might have worked better.

I kind of wish they would remake The Last Emperor. I don’t think many are too attached to this version and there is a good story in there to tell. A modern filmmaker could have all the good qualities of this film but make it in Mandarin with a better, more compelling script and it could be an amazing film.

I can see why other people like The Last Emperor, and I do commend it for its production design, costumes, cinematography and music but it didn’t work for me as a movie. It was bland, culturally awkward and plodding. I’m glad I checked it off my blind spot list but it is definitely one I will never watch again.

Blind Spot 30: The Green Mile

June 23, 2018June 26, 2018 | Rachel's Reviews

When I was trying to think of movies to see for this year’s blind spot picks I remembered a conversation I had with a friend who was shocked I hadn’t seen the 1999 film The Green Mile. It just never appealed to me and came out at a time I wasn’t watching rated R movies. So, the blind spot series was the perfect spot to finally cover this well regarded flick. Unfortunately this is one of those classics that didn’t work for me. I can see why it would work for others but I didn’t care for it.

There is a trope in literature and film called the “magical negro”. This is defined as ” a supporting black stock character in American cinema who is portrayed as coming to the aid of a film’s white protagonists and who often possess mystical powers” Director Spike Lee went on to describe The Green Mile as the “super-duper magical negro” and I certainly agree with him.

The Green Mile is based on a novel by Stephen King and tells the story of a prison warden named Paul Edgecomb played by Tom Hanks who gets a new prisoner named John Coffey played by Michael Clark Duncan. John is on death row for the rape and murder of 2 little girls. He is joined by other prisoners played by Sam Rockwell, Michael Jeter and more.

However, John is no ordinary criminal. He has special powers that can heal and make things last forever (and the lights go out). Paul is even cured of a bladder infection and the wife of one of the prison wardens of a brain tumor.

The strength of The Green Mile definitely lies with its performances. Tom Hanks and Michael Clark Duncan are the particular standouts and Duncan was nominated for an Oscar for his work.

Unfortunately the movie can never shake the uncomfortable and trope-filled premise. I do not understand why they didn’t have the prison block more diverse. This would make it feel more like a person with powers instead of the magic black person sent to be a literal savior for the white people (and of course he doesn’t get saved by them at any time). It’s unfortunate.

Adding to all of this The Green Mile is over 3 hours long and very tedious to watch. Not a whole lot happens and the characters are very unpleasant. At about the 30 minute mark I was ready for this uncomfortable experience to be over. I am sure it is a film made with the best of intentions but it’s just not for me.

Blind Spot 29: Gallipoli

May 9, 2018May 9, 2018 | Rachel's Reviews

This month’s Blindspot pick, 1981’s Gallipoli, is an interesting one because it is my best movie buddy Phaedra’s favorite movie. She is a blogger just like me but at least with prestige pictures we often have very different tastes. We can both have fun at silly films like 47 Meters Down (she went with me and enjoyed it!) but let’s just say our picks at Sundance are quite different. LOL. So knowing Gallipoli was her favorite film and that it was a war movie I prepared myself for some intense stuff. What I got was very surprising. Gallipoli is more of a coming of age film than a war movie and despite a very sad ending is surprisingly hopeful.

Gallipoli stars a very young Mel Gibson (you can definitely see how Gallipoli influenced Gibson’s Braveheart and Hacksaw Ridge) as Frank and Mark Lee as Archy. They are young men in 1915 Australia who meet sprinting together. Archy yearns to go to the war where Frank is more blasé about it but eventually agrees to go along for the ride.

After a long walk through the desert the boys enlist and are sent to Cairo and eventually to the Gallipoli Peninsula at Anzac Cove. Surprisingly we don’t see much of the war or any fighting until the final act. Most of the time is spent getting to know Frank and Archy and their friends. In many ways it reminded me of Chariots of Fire in the slice of life portrayal of young boys trying to figure out what they believe in.

When we get to the ANZAC attack it is quite devastating because the characters have been built up so well. The most frustrating part of the bloodshed is that it is based upon a miscommunication between 2 officers, not on any actual need to fight. I don’t want to give away too many spoilers but Frank desperately tries to stop the advancement as a messenger in the final scenes and it is very intense.

In many ways it makes sense that Peter Weir directed Gallipoli. He always has a way of bringing out sincere and moving performances from young actors (Dead Poets Society, Witness) and this is probably his best movie. I was really engrossed in the story and felt attached to Frank and Archy as their journey progressed. There were light moments where you got to know them as people that made the losses of war feel all the more real and devastating. It was very well done.

I also thought all the production values were strong in Gallipoli. The cinematography was striking capturing the dry, deserts of both Australia and the Anzac Cove. It also had fantastic music featuring both modern electronic and classical orchestrations. The war scenes felt convincing, which helped build the tension well and drew me into the story. I recently watched a WW1 movie called The Journey’s End and it was so dull, so I know this is not an easy task to achieve.

What makes Gallipoli a hopeful film is promise and potential we see in Frank, Archy and their friends. Yes they were put in a war and that is awful but seeing that potential and getting to know these characters is still a good thing. Hopefully we can see the joy and dreams in young people today and do a better job at not snuffing it out far too early. Even the imagery of Archy running throughout the film (and in the closing shots) is hopeful.

Gallipoli is a great movie, and it should be talked more about as such. I think it is even better than Saving Private Ryan to be honest (both good films). It develops its characters better and builds up to the battle instead of starting with it. This makes you more invested (and devastated) with what is happening. There was a humanity in Gallipoli that moved me because it wasn’t just a clinical exercise but a story of 2 young men who wanted to run but ended up being unable to outrace the foolish decisions of their generals.

Blind Spot 28: The Cat Returns

April 23, 2018April 23, 2018 | Rachel's Reviews

When I announced my 2018 Blind Spot picks I was planning on reviewing one of the last Studio Ghibli films for me to check off my list, The Cat Returns, in June but it ended up being the Studio Ghibli Fest selection for April, so I am swapping my picks and will review The Green Mile in June instead of April. (On a side note, if you aren’t seeing the Studio Ghibli Fest films you totally should! It’s an amazing opportunity to see these anime films on the big screen).

So what did I think of The Cat Returns after seeing it on the big screen? Well, while not the greatest Studio Ghibli film by any measure, I was thoroughly entertained by the creative and strange story of a young girl and her adventures in a world of cats.

The Cat Returns is directed by Hiroyuki Morita and is his only feature for Studio Ghibli . It is evidently based on a manga and is a pretty strange story. Like many Ghibli films, it focuses on a young girl as the lead character. Her name is Haru and one day she saves a cat from being hit by a truck. Unbeknownst to her she has rescued Lune, Prince of the Cat Kingdom. In an effort to repay her she is taken to marry Lune, and she even starts to develop cat-like qualities such as whiskers and a tail.

Fortunately there are two cats who come to her defense and help her find a way out of the Cat Kingdom before it is too late: a suave debonair cat named the Baron (also featured in Whisper of the Heart evidently) and an overweight white cat named Muta.

These characters were a lot of fun. I thought the Baron had a bit of a Sherlock Holmes vibe to him. He is cocky, not very self-aware and loves to make a special kind of tea. Muta is a curmudgeon who gets a lot of the comic relief of the film.

The Cat Returns is definitely an odd film, but I found the world-building to be very unpredictable in an appealing way. It is also witty and unlike some Ghibli films, it doesn’t take itself too seriously. This is just a strange, comic fantasy, and I enjoyed it on that level. At 75 minutes it also doesn’t outstay its welcome and become boring.

The music by Yuji Nomi almost seemed too orchestral and grand for such a silly story but it is beautiful. The animation is of course great, and I loved the way the characters moved and flowed through scenes. Plus, there is something cute about all these cats!

It doesn’t have the emotional complexity that the great Studio Ghibli films like My Neighbor Totoro or Princess Mononoke have, but I still enjoyed The Cat Returns. It’s a fun little creative, strange romp through a world of cats! It kind of reminded me of Porco Rosso in a way- a comedy with anthropomorphic animals/human merging in together in unusual ways.

I did see it with the English dub that has Anne Hathaway playing Haru, Cary Elwes as the Baron and Peter Boyle as Muta. They all do a good job and are perfectly fine in their roles.

Overall Grade- B

Only one more Studio Ghibli film for me to see (Whisper of the Heart) and I will be finished their entire canon!

What do you think of The Cat Returns?

Blind Spot 26: The Palm Beach Story

February 10, 2018 | Rachel's Reviews

February is the month of romance, so I thought it would be fun to pick a classic romantic comedy for my blind spot selection. There aren’t many romcoms I haven’t seen but one I hadn’t gotten around to is The Palm Beach Story by director Preston Sturges- the king of the 1940s romantic comedy! Fortunately, it proved to be not only romantic but also somewhat shocking (for the day) in its themes and story.

The first thing to keep in mind with The Palm Beach Story is to watch the opening credits! There is a montage throughout them that comes into play later in the movie. It’s a neat touch that starts things off feeling fresh and inventive.

Claudette Colbert is amazing as Gerry, a woman struggling with a marriage that can’t seem to get above water financially. Her husband Tom (Joel McCrea) has grand ideas but can never make a steady paycheck. Through various contrivances Gerry ends up on a train down to Palm Beach where she hopes to meet a rich man who can be her second husband.

To her great fortune she meets a man named John D. Hackensacker III (Rudy Vallee) who becomes smitten and insists on showering her with all kinds of clothing and gifts. Of course when Tom hears about this he is furious and goes to Palm Beach to try and stop it.

Things get further complicated when Hackensacker’s sister Princess Centimillia (Mary Astor) becomes interested in Tom (who Gerry says is her brother Captain McGlue!). With so many half truths it gets pretty nutty and even a little surprising. It’s also very easy to see how this film influenced movies like White Christmas and Some Like It Hot in many ways.

As with all of Preston Sturges’ movies the true star is the terrific script. He was so great at crafting frank and honest dialogue spoken from compelling characters. The banter between McCrea and Colbert is snappy and very fast paced but thankfully the actors are up for the task. Colbert is as good here as she is in It Happened One Night, and she has good chemistry with McCrea. They even manage to keep her likable despite her taking advantage of Hackensacker and not being very honest. Not an easy task!

I was impressed with how modern the script was in both tone and candor. Sex, marriage, divorce, infidelity, loneliness and depression are all discussed in ways that must have made the censors blush back then. Sturges even asks the question ‘is marriage necessary or a good thing?’. Of course, the answer is yes but it’s still a bold question for 1942. Later on in Unfaithfully Yours he will explore these themes even more, but I appreciated there was nothing cloying about the relationships in this script.

The only real downside is not all the physical comedy worked for me. All the actors are up for it but I preferred the more dialogue-based humor. Also, I don’t know that I completely buy the ending, but I don’t know that we are supposed to. I think it is meant to be a little bit of a poke at traditional romances with perfect happily ever afters. He even adds an ‘or not’ at the end to reinforce his point.

I definitely recommend checking The Palm Beach Story out if you like classic romances with great dialogue. It’s a wonderful choice for Valentine’s Day and a whole lot of fun! Also, studios should take a look at this film and consider remaking it or paying homage to it. The story and script is definitely still relevant and it would be interesting to see the themes of marriage explored even more so with modern characters.

Overall Grade- A–

Blind Spot 25: The New World

January 23, 2018 | Rachel's Reviews

Everyone who has read this blog knows I am not a big fan of the Walt Disney version of the Pocahontas story. It has its positives but a bossy lead character, terrible villain and sappy romance sink it for me.

As a contrast, I have wanted to watch the 2005 Terrence Malick version of the story called The New World, so it was a natural fit for my Blind Spot series!

I have long been a bit of a Terrence Malick apologist. For the last few years he has created films free from structure that are essentially art pieces. I enjoy most of them but I understand why many do not. However, here in The New World he actually has a narrative and he executes it beautifully. I wish he would go back to narratives just to shake things up for a little while!

As you can see in the clips above the true star of this film is the incredible cinematography by Emmanuel Lubezki. He does all of Malick’s movies, and this is one of his most beautiful. I love the way he uses water, nature and light to convey the mood of a scene. This film doesn’t have a ton of dialogue and so the cinematography is essential to helping us understand what the characters are going through whether it be trauma or love.

Obviously the story of Pocahontas can be a sensitive one to retell but Malick evidently did his research and the tribal leaders were happy with the results.He even has the characters speak an extinct form of the Powhatan language that had to be reconstructed for the film.

They do portray a love story between John Smith and Pocahontas which is not historically accurate but it is done in a more realistic way to the time period. It feels more authentic and real than the Disney version.

Colin Farrell does a good job as John Smith and has good chemistry with Q’orianka Kilcher as Pocahontas. She works both in the tribal scenes and when she gets taken to England to live. I love that she isn’t a preachy character like in the Disney film but happy, joyful, strong, soft and sweet. She’s a person you can completely understand why men fall in love with her.

Christian Bale plays John Rolfe, Pocahontas’ husband in England in an understated role.

The music by James Horner is one of his best. I love the way he uses birds and other sounds of nature as part of the actual score.

The only downside to The New World is it is long. (There are 3 versions 135, 150, 172 minutes. I watched 135). Malick is a director that can definitely be self-indulgent at times and he probably could have cut down on a few of the pretty twirling in nature scenes to make things a little tighter.

Oh well! A few slow moments are well worth it for the beautiful experience Malick gives us in The New World. It’s definitely worth seeing and it makes me happy the Pocahontas story was done so well at least once.

Overall Grade- A-

2018 Blind Spot Picks

December 16, 2017December 31, 2017 | Rachel's Reviews

I know I should be giving you my written reviews for Last Jedi and Coco and I apologize for being woefully behind. (I do have reviews of those and Ferdinand on my youtube channel and will be a writing machine over the Christmas holiday because my family is all abandoning me LOL). However, I am not in the mood to write a review tonight but will instead give you my next 12 picks for the Blind Spot series!

The Blind Spot series is something I have been doing for the last 2 years where each month I watch a movie I’ve never seen before that is highly regarded and give you my thoughts. Nobody has seen every movie and I certainly have my fair share of big gaps. Participating in this series allows me to fill in some of those gaps and have a little fun while I’m at it. I encourage all of you to participate if you have a blog or youtube channel! It’s a ton of fun.

So here are my next round of picks:

January

The New World- Director and Writer Terrence Malick

It’s a new year so why not start with A New World? I have long been a Malick defender as he makes art pieces over traditional narratives but here is a narrative about Pocahontas that I have long wanted to see. I love Collin Farrell and am not a big fan of the Disney version so this will be nice to see.

February

The Palm Beach Story- Director and Writer Preston Sturges

February seems like the perfect time to catch up on my Preston Sturges viewing. If you don’t know Preston Sturges was the king of romantic comedies in the 40s, so that is of course right up my ally. In The Palm Beach Story he directs Claudette Colbert and Joel McCrea in a comedy where a couple decides to divorce so she can marry a millionaire to help support his big inventions.

March

The Seventh Seal- Director and Writer Ingmar Bergman

I have a confession. I have never seen an Ingmar Bergman film. As a film fan of course I know the name but have never seen any of his films. Well, that changes this year with The Seventh Seal. I don’t know much about the film except it is about a knight playing chess with Death personified and that Roger Ebert declared it ‘one of the masterpieces of cinema’. That’s good enough for me to give it a watch!

April

The Green Mile- Director and Writer Frank Darabont from Stephen King novel

Based on the Stephen King novel, The Green Mile is one of the few Tom Hanks films I haven’t seen. It tells the story of a death row corrections officer during The Great Depression. It was nominated for best picture and best supporting actor for Michael Clarke Duncan, so I look forward to watching it.

May

Gallipoli- Director Peter Weir

Gallipoli is my friend Phaedra’s favorite movie. Enough said. I will watch it! It’s directed by Peter Weir and stars a young Mel Gibson about 2 Australian sprinters who are sent to fight in Turkey during World War 1.

June

The Cat Returns- Director Hiroyuki Morita

In 2018 I will finish watching all the Studio Ghibli films. One that remains on my list is The Cat Returns. It is about a young girl that gets engaged to a cat prince in a magical world where she must rely on a dapper cat statuette come to life to save her. It looks like a ton of fun!

July

The Last Emperor- Director and Writer Bernardo Bertolucci

I had long heard about The Last Emperor but hadn’t seen it probably because it is nearly 3 hours long. However, it won 9 Academy Awards including best picture and it is time to check it off my list! This epic film tells the story of the last emperor of China Pu Yi.

August

The Young Girls of Rochefort- Director and Writer Jacques Demy

I love the Umbrellas of Cherbourg so I want to check off more of Jacques Demy off my list and so in August I will watch The Young Girls of Rochefort. This stars Catherine Deneuve who is also in Cherbourg along with Francoise Dorleac and Gene Kelly. It is about two sisters who head to the city in search of romance and are hired at a carnival. Kelly plays an American musician one of the girls falls for

September

Ikiru- Director and Writer Akira Kurosawa

In September I will move over to Japan and acclaimed director Akira Kurosawa’s film Ikiru. I have seen Throne of Blood and Seven Samurai and enjoyed both of those. Ikiru is another long movie from Kurosawa but it sounds like a very good film. It is about a bureaucrat wasting away at a terrible job (a theme I love) that finds out he has cancer and must come to terms with his life.

October

Scream- Director Wes Craven

Yes, believe it or not I have never seen Scream. I just have never been that into horror movies so it didn’t appeal to me. Over the last few years I have been trying to expand out of my comfort zone so, I think October will be a good time to check this horror classic off of my list. This is a horror comedy I am told so hopefully it will be fun.

November

Whisper of the Heart- Directed by Yoshifumi Kondo Screenplay by Hayao Miyazaki

Whisper of the Heart is the final Studio Ghibli film for me and I will have seen the entire canon. It is one of the only films not directed by Miyazaki or Takahata but it definitely has their influence. It’s a love story between a girl who loves reading books, and the boy who checks out all the library books she chooses. That sounds adorable and I can’t wait to watch it.

December

Desk Set- Director Walter Lang

I must admit I didn’t love another pairing of Katherine Hepburn and Spencer Tracy called Adam’s Rib, but hopefully I will like Desk Set better. It is set during the holidays and it is about 2 strong personalities who must work together to modernize Hepburn’s computer machine and her entire studio. This seems a surprising plot for 1957 so I am intrigued to watch it. I’m running out of Christmas movies I haven’t seen so hopefully this will be a good one!

So what do you think of my list? Have you seen any of these films? Let me know your thoughts and I look forward to a fun 2018!

Blind Spot 24: We’re No Angels

December 7, 2017July 25, 2023 | Rachel's Reviews

It is very exciting we have reached my last Blind Spot pick for 2017. I hope you have enjoyed the 12 films I have reviewed this year and I look forward to picking 12 more for next year. If you have a blog I encourage you to participate in the series and finally check some of those films off your list you have been wanting to see.

Unfortunately it’s too bad I can’t end the year on a more positive note. My pick for this month is a supposed Christmas film called We’re No Angels. This is the original 1955 version not the 1989 remake. I know other people love this dark comedy but it was not for me. I honestly found it pretty hard to get through.

The story is about 3 convicts (Humphrey Bogart, Aldo Ray, Peter Ustinov) who escape from prison just before Christmas. They go to a shop and after spying on their daughter (Joan Bennett) they decide to steal from the family and then escape off of the island. Things get complicated when a snobby relative (Basil Rathbone) comes in and wants to take over the store.

I said in my 3 Billboards review that dark comedies are not my thing and it is true here. I know these men are supposed to be bad guys, convicts, but I found them uncomfortable, awkward, perverted and not the least bit funny. They literally are staring at the family and daughter through a window for a good chunk of the movie. They bicker and are cruel in ways that didn’t amuse me at all.

The only person who worked for me a little was Peter Ustinov who always gives a funny/strange performance. But even he couldn’t save this film because the writing wasn’t good and the characters are so unlikable.

Basil Rathbone’s character is supposed to be a character of ridicule but I frankly thought the 3 anti-heroes were much worse. They are manipulative, cold and worst of all boring. This movie is dull and sorely lacking in charisma or fun. It certainly has no Christmas charm or cheer.

I can see how those that like dark comedies will enjoy it but it was not for me. I really didn’t enjoy it and will never watch it again. The costumes were nice so I guess there is that but I can’t think of anything else to praise.