Ikiru marks the 3rd film I have seen from acclaimed director Akira Kurosawa (I’ve previously seen Throne of Blood and Seven Samurai) and of the 3, it might be my favorite. In what feels like a Japanese version of Death of a Salesman, Ikiru paints a fascinating portrait of business life in Japan and how one man tries to stand out after learning of his imminent death.
Ikiru is about a middle-aged man named Kanji Watanable. He has worked as a bureaucrat for 30 years and with a dead wife and selfish son/daughter-in-law he doesn’t have much to live for or be excited about. One day he finds out about a proposal to turn a cesspool into a community park and he thinks he might be able to make a difference.
Then he finds out he has stomach cancer and decides to make the building of the park his legacy. Unlike America, Japanese society often values group effort over individual accomplishment. This makes Watanabe’s subordination to get this park an extraordinary effort. His coworkers are shocked by his actions and after he dies they marvel at his boldness.
Watanabe also receives inspiration from a young girl who he has drinks with. He asks her ‘how do you have such love of life?’ and she says she simply loves her job making toys because the toys make children happy; thereby, giving her life the value of making the children of Japan happy (you see more of a group rather than individual accomplishment).
Like Death of a Salesman there is a melancholy to Ikiru because his accomplishment (especially to modern American eyes) is so small; however, I related to the emotions that Watanabe experiences. It reminds me of the great quote from You’ve Got Mail ‘I lead a small life. Valuable but small and I don’t know if I do it because I like or because I haven’t been brave?’ That is the question of Ikiru and to his credit Watanabe decides to be brave.
At the end of the movie his associates enthusiastically determine to follow his example and do bold things; however, upon returning to work they lose their conviction and life continues on as before. It’s sad how often the road more traveled, not less, is the choice of so many.
The cinematography in Ikiru is stunning. The way Kurosawa and cinematographer Asakazu Nakai use the black and white to capture loneliness and melancholy is breathtaking. I loved the way rain and snow looks in contrast to the black sky. Beautiful.
I also thought all of the acting was strong especially from the lead Takashi Shimura. Again, he has a Willy Loman quality to him with his shoulders slumped over at all times except when he is swinging in his park.
As for downsides, the film does lose steam when Watanabe dies and becomes a little repetitive. Also I wasn’t crazy about the music, which seemed a bit too bubbly for the sober story. Other than that, it was a great film! I definitely recommend it!
One thought on “Blind Spot 33: Ikiru”
Rachel, I strongly recommend that you put Ran and Dersu Uzala near the top of any “Kurosawa films to see” list you might have. Ran is an excellent adaptation of King Lear, and Dersu Uzala is just a well-done story about a soldier and the man he gets to know out in the wilderness of Russia.