Current Mini Reviews

Today I recorded a podcast with 2 of the ladies at the Filmotomy Podcast. The topic was a  ‘Film Festival Survival Guide’ and we had a great time discussing all of the tricks of the trade for getting the most out of your festival experience. It all made me a bit nostalgic for my time at Sundance, so I decided to head out to my local arthouse theater (Broadway Centre Cinemas) and watch 3 independent releases. Here are my quick thoughts on all 3:

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The Souvenir-

First up is The Souvenir by director Joanna Hogg. It stars Honor Swinton Byrne as a young film student named Julie who gets caught up in a toxic relationship with an older man named Anthony played by Tom Burke. Anthony is a deep thinker so of course he is also a heroine addict and extremely manipulative. Julie is a naive young girl who gets caught up in the mystique of Anthony and enables his terrible behavior because it feels dangerous and exciting. The Souvenir also stars Tilda Swinton as Julie’s mother and she is in fact Honor’s actual mother so that’s kind of fun.

This film has received huge acclaim from critics and is already scheduled for a sequel shooting this year. All I can say about this film is it is not for me. There are some stunning bits of cinematography (I particularly liked a sequence where we see Anthony and Julie talking not up-close but through a mirror across the room). I also liked Honor and Tilda Swinton’s performances. However, the couple have no chemistry and the story is extremely repetitive. The film is 2 hours long, and I felt every second of it. I didn’t care about either Anthony or Julie and their cycle of abusive behavior was not interesting.  I can see how it would be appealing for others but for me it was a piece of indie slog.

Frown Worthy

4 out of 10

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American Woman-

Next up we have the drama American Woman directed by Jake Scott and written by Brad Ingelsby. This film stars Sienna Miller in one of the best performances of the year.  She plays a woman named Deb who is grinding out her life in suburban Pennsylvania with her sister (Christina Hendricks- who is also strong) living across the street.

For some reason the working class woman seems to be challenging for the movies to portray accurately. They are usually all damage and no joy. In American Woman they avoid this by showing over a decade of Deb’s life with all the joys, sorrows and all the in-between. Some pain is self-inflicted and some is caused by others, but either way it is gripping, and we feel empathy for her.

There were so many times I worried the script was heading into tired twists and then it didn’t, which made me very happy. This is the kind of script and lead performance that will be ignored come awards season and that’s a real shame because it’s great. In my opinion, this is MUCH better than the similarly themed Three Billboards Outside Ebbing Missouri  which won all the awards. Oh well.

8.5 out of 10

Smile Worthy

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All is True-

My last film of the day is the fictionalized look into the latter part of William Shakespeare’s life entitled All is True. There is perhaps no human being on earth more qualified to play the Bard on screen than Kenneth Branagh. He also directed the film and it hopefully won’t put an end to his long career of adapting the works of Shakespeare because this film is an entertaining mess.

If your brand of historical drama is fluffy films like The Other Boleyn Girl or Tristan and Isolde than this might be the movie for you. The actors deserve awards for elevating such hammy dialogue and selling it as if it was one of Shakespeare’s great soliloquies. Judi Dench is particularly great as his humble wife who can’t read and Kathryn Wilder is big and boisterous as their rebellious daughter Judith. They all do what they can with this inane material.

Honestly there were times when it seemed a half step away from a Monty Python or Blackadder sketch. Even Branagh’s ridiculous hairpiece and beard made me laugh. I was entertained by All is True but probably not for the reason the creators intended.

4 out of 10

Frown Worthy

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‘Godzilla: King of the Monsters’ Review (Spoiler Free)

Going into the latest CGI Monsterverse film Godzilla: King of the Monsters I knew I was fighting an uphill battle. Monster movies are generally not my favorite movies, and I haven’t enjoyed either of the last 2 in this franchise. However, I assumed at least the visuals would look good so it would be entertaining on the IMAX. Sadly I was mistaken. It looks like the response is quite divisive on the film but I thought it was awful. You may love it but it was not for me. That’s for sure.

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There are so many problems with Godzilla: King of the Monsters but let me go over a few that especially stuck out. The first and least important problem is the asinine script with characters making nonsensical choices. Yes it’s a dumb monster movie, but we spend a lot of time with these people, so it would be nice if it was at least semi-coherent and logical. Especially Vera Farmiga’s character was a giant continual face palm.

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Second, I’ve long complained that action movies have become one long set of sequences of characters staring at screens. This is no exception. Almost every scene with the humans they are either looking at a glass encasement or staring at a screen. This is not interesting or exciting. Towards the end we have some emotional scenes with characters but they feel under-served because we haven’t gotten to know them beyond seeing them stare at screens.

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Finally, and most surprising, is the disappointing visuals. I think you can see from this gif how cloudy and murky the cinematography is. Every scene is raining and dark so you can’t see what is happening. To make matters worse the point of view is often from the ground up which is difficult when trying to see the action of these big creatures. The editing is also absolutely awful. The fight scenes are constantly cutting away into extreme closeups and mid-shots. Very rarely do you get a good wide shot to really see the fights or the full creatures. Isn’t that why we are there to see monsters fighting?

It wasn’t a big surprise to me when I found out one of the 3 co-editors is the editor for Transformers: the Last Night and Transformers: Age of Extinction- two of the worst edited films I’ve ever seen. And then the cinematographer usually does comedies like The Hangover. It was truly baffling.

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Another annoying aspect is millions of people are dying in scenes in Mexico, San Francisco and Boston, and yet we only seem to care about a handful of humans. It reminded me of San Andreas where the only person the screenplay cares about is The Rock’s daughter and everyone else can die. I think most people would be a little upset if the world was being annihilated and there was mass carnage? Call me crazy. Like I said Vera Farmiga (and Charles Dance) characters were especially bad in this regard.

The only comparison I can make is with 2017’s Geostorm but that film had more of a spirit of fun about it than Godzilla: King of the Monsters and the visuals were fine. This was just a badly made film. You might enjoy it and I hope you do but it’s definitely not for me, and I think I’m done with this Monsterverse for the foreseeable future.

I recommend seeing the Chinese film The Wandering Earth instead. It’s on Netflix and provides much better nutty spectacle than anything you’ll get here

2 out of 10

frown

‘The Secret Life of Pets 2’ Review

If you have been following this blog you know I am not a huge fan of Illumination Studios. In particular their popular yellow gibberish talkers, the Minions, drive me bonkers. Occasionally they will give us a break from our yellow tick-tacks with a Sing or The Secret Life of Pets– my 2 favorite from the studio most of their offerings are mediocre at best. Pets is particularly memorable for me because it was the first time I went on Rotoscopers podcast and it helped inspire me to podcast more. Now we have The Secret Life of Pets 2 and to my surprise I really enjoyed it!

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One of the challenges of these films is how many characters they establish. It almost necessitates a Toy Storyish plot where they can all contribute little bits to the journey. This makes a sequel even more difficult because do you do more of the same or try to come up with something different? I know many were scared from the trailer The Secret Life of Pets 2 would end up being a copy of Toy Story 2, but that is not the case.

Instead they divide up our team into 3 smaller stories with a vague theme tying them together (almost like a package film or TV series). It definitely has an episodic feel and will do very well when aired on television, but I didn’t mind it. I can see how some will want a more over-all plot but each part was strong enough (particularly 2 out of 3) that I left entertained.

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The first plotline involves Max’s owner Katie getting married and having a child named Liam. Max is very protective over Liam and starts scratching himself out of the anxiety he feels. As someone who deals with anxiety this was handled pretty well and may be a good touching point to talk to kids about how to deal with these strong emotions. Plus the relationship between Max and Liam is very sweet and easy to relate with (it’s a dog and a baby. Who can dislike that?).

Max, Duke and the family end up going out to the country where they meet a sheepdog named Rooster voiced by Harrison Ford (I believe his first voice acting role?). Rooster is disgusted by Max’s cowardice and helps encourage him to face his fears and have more confidence. These scenes while predictable were charming and sweet.

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The second subplot is about Gidget (who is my favorite from the first film) trying to retrieve a bumblebee toy Max gave her to guard while he is away. The problem is the toy is stuck in the home of a crazy cat lady with dozens of cats! She even talks Chloe (my other favorite) into giving her lessons on how to be a cat. This section had some nice physical comedy and slapstick that made me laugh.

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The final plot centers around Snowball, the Kevin Hart voiced bunny who is convinced he is actually a super-bunny because of the way his owner plays with him. He meets a new doggie named Daisy (voiced by Tiffany Haddish, who evidently must be in ever animated film this year). Daisy is upset because she saw a baby tiger get taken by a mean man at the circus. Snowball and the team of pets must save the tiger and restore order to the city.

This was the least successful of the 3 plots. First of all, I felt bad  the circus  is once again dragged through the mud. Most circuses took very good care of their animals and there aren’t many reported instances of abuse or neglect. It would be illogical of them to do so since they need the animals to perform in the show. I don’t think the circus is much worse than any other zoo experience, and yet they are usually the evil villains (Dumbo was a better, more fair approach). However, this portrayal of the circus wasn’t really my problem. It’s that Snowball is irritating and the villains are bland. I got a little sleepy to be honest in this section.

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While some may not care for the episodic nature of the story in The Secret Life of Pets 2, I didn’t mind it. The characters are cute and there are enough laughs and heart to keep my interest. The  vocal performances are all good (Patton Oswalt does a good job subbing out for Louis CK) and like I said, the message on overcoming fears is really sweet.

Alexandre Desplat deserves a huge shout-out for the music. It really helped sell the comedic and action- filled scenes, making me smile. The ending credits are also very sweet and heart-warming.

I have no doubt The Secret Life of Pets 2 will make a boat-load of money but for once it is deserved. The pets are adorable and the 3 sections (especially 2 out of 3) are charming and helpful for kids. I still wish Illumination would challenge themselves artistically more but there’s value in a simple comedy where characters learn simple lessons. I walked out having had a pretty good time.

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Overall Grade- 7 out of 10

Current Mini Reviews

It’s time for another edition of my Current Mini Reviews where I give shortened reviews of recently released films. If you are new to the site you are going to think I’m a super big grumpy pants because I didn’t like any of the movies being covered. Sometimes that’s the way the movie Gods see fit to provide, and it’s a good thing because it makes me grateful for the great films! So here goes:

The Sun is Also a Star

First up is The Sun is Also a Star. This is a romantic YA drama based on the book by Nicola Yoon. I actually read the book and enjoyed it. I thought both Natasha and Daniel were well developed and interesting characters and that helped me care about the instalove gimmick. Unfortunately as you can see in my youtube review the movie did not work. The director used too many gimmicks with spinning cameras and heavy-handed narration that got in the way of the characters. Without their development the romance felt very corny. The two leads are pretty people but the script didn’t work for me.

Frown Worthy

3.5 out of 10

A Dog’s Journey

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Don’t worry this is not a sequel to A Dog’s Way Home, which came out in January, and I gave a marginal recommendation to. No, this is a sequel to the 2017 film A Dog’s Purpose, which I didn’t enjoy, but this manages to be even worse. This is a PG family film, and we get multiple dog deaths, human deaths, parental abuse, alcoholism, a toxic teenage relationship, car crashes and cancer. Good grief! The only thing I liked about the movie aside from the cute doggies was the relationship between Kathryn Prescott and Henry Lau. I’d watch them in another movie- maybe a light-hearted romantic comedy and not this massive downer…It makes Old Yeller look like a laugh-fest.

Frown Worthy

2 out of 10

The Dead Don’t Die-

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Last year I loved the delightful indie zombie Christmas musical Anna and the Apocalypse. It was creative, funny and sweet. It even made Best Films of 2018. So when I saw a trailer for The Dead Don’t Die I got very excited. The trailer was hilarious, and I love the cast. My hope was it was going to be a Wes Anderson meets Zombieland film. Unfortunately I was very disappointed. The Dead Don’t Die was an unfunny, self-indulgent, frustrating experience. The cast is woefully wasted, and they strain for the few laughs the script offers. The metaphors are also rammed in to the ground by narrators and characters breaking the 4th wall. It is my first film from director Jim Jarmusch but the critics at Cannes and other places don’t seem to be enjoying it either, so it appears to be a just a big miss. It’s frustrating because it had so much potential and it all falls flat.

Frown Worthy

3.5 out of 10

Wine Country

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In recent years Hollywood has produced several popular comedic films starring and geared towards women. Whether it is the Bad Moms movies, Girl’s Trip or Bridesmaids these films have an audience. Unfortunately the successes for that audience are few and far between. In the latest from Netflix, Wine Country, a lot of funny women are brought together for little to no laughs. It boggles my mind that so many talented people like Amy Poehler, Maya Rudolph, Rachel Dratch, Ana Gasteyer and more could all get together and produce so few jokes. It felt like an R rated version of a sitcom episode stretched into nearly 2 hours. I also am so tired of the trope that women doing raunchy or outlandish things is inherently more funny than when a man does the same things. It’s so lazy and that’s how I would describe Wine Country. Buyer beware!

Frown Worthy

2 out of 10

So there you have it. 4 pretty terrible films all in the same month! I bet you’re not so jealous of my job now! If you get to see any of these movies let me know what you think. Thanks

‘Aladdin’ 2019 Review

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If you have been following this blog for a long time than you know I’m not the biggest fan of these Disney live action remakes. A few I have enjoyed (Mary Poppins Returns, Pete’s Dragon, Cinderella) but even when I enjoy them the overall movement away from animation is not my favorite. Plus, when it goes bad it goes really bad (Maleficent, Alice in Wonderland, Beauty and the Beast). So naturally when I heard about a remake of the Disney classic Aladdin I was pretty skeptical. I was made more skeptical when they hired director Guy Ritchie, who I have not been a fan of, to helm the project. Then the casting looked questionable (how do you replace Robin Williams, one of the great vocal performances ever?) and the trailers were uneven at best.

Nevertheless, I always try to set all that baggage aside and go into a movie with an open mind (otherwise why bother?). So what was the result of this live action Aladdin? I’d say it is a decidedly mixed bag. It’s not awful and it’s not a classic like the original. It’s squarely middle of the road entertainment. Nothing more, nothing less.

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Let’s start with the positives. The best part about the film is the performances of Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are not only good charismatic actors but they had great chemistry and are pretty decent singers. I really enjoyed the ‘One Jump’ sequence from Massoud and Scott has a power ballad called ‘Speechless’ that felt a little out of place musically but was still a pretty good, well sung piece (written by La La Land’s Pasek and Paul). I also thought they nailed the ‘A Whole New World’ because of their chemistry and good singing. It was everything I could have wanted in that sequence.

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I also enjoyed Will Smith when he wasn’t the blue Genie that we know and love. My friend Jen, who attended the screening with me, said she thought he was playing the part of Hitch, acting as matchmaker between a nervous Aladdin and confident Jasmine. These scenes are funny and well produced. They even have Genie getting some of his own plotlines, which I surprisingly didn’t hate.

The trailers are also misleading on how devoted to the original the remake is. It is not a shot-for-shot remake, which many were afraid of, but instead, tries its own thing. The pacing could be a little tighter in spots but overall the story and script worked. Plus the Alan Menken music is always a treat.

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Unfortunately I also had problems with this new version of Aladdin. The biggest fall in 2 camps: blue Genie sequences and the portrayal of Jafar.

Like I said, I enjoyed the scenes of Will Smith playing matchmaker and mentoring Aladdin as a normal looking version of himself. However, I did not like him as the blue Genie. First of all, he looked ridiculous with cgi that was only slightly better than the first trailer. That said, my biggest problem was they took all the funny out of these scenes. I wonder if they were afraid of fans comparing him to Robin Williams? Unfortunately their solution was to make ‘Friend Like Me’ and ‘Prince Ali’ flat and bland with hardly any jokes or energy to them. It felt like glitzy cruise ship renditions more concerned with checking off boxes instead of digging into a deep manic energy to make us laugh and smile. Also Will Smith doesn’t have a broadway style singing voice, so they should have embraced his more hip-hop style rather than produce weak versions of these iconic tunes.

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My other problem with Aladdin is the portrayal of Jafar by Marwan Kenzari. He had a lot of the trappings of Jafar but the performance was very annoying and whiny. I’ve always thought of Jafar as a pretty bold but sniveling villain and this was just irritating. It also didn’t help that Iago as a live action character was window dressing instead of the comic relief that makes the animated Jafar so full of dry menacing wit.

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I really struggled whether to go smile or frown worthy on this Aladdin. I’m about split down the middle on it but it so pales in comparison to the original animated classic that I’m not going fresh on this one. It’s not awful and has its charms, but I’d still say stay home and watch the original. Tough call but:

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Overall Grade 5 out of 10

If you want to hear Stanford and I talk all about the original Aladdin check out our Talking Disney podcast episode:

Blind Spot 41: ‘Brief Encounter’

I always like to have a little bit of variety on this Blind Spot project and this month we are going back to 1945 and taking a look at the romantic drama Brief Encounter.

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Starring Celia Johnson and Trevor Howard, Brief Encounter tells a simple story of 2 strangers that meet in a train station ‘refreshment room’ and become fascinated with each other. Then they meet several more times until a relationship develops. Unfortunately with them both being married they cannot pursue their love so it is doomed to remain unrequited.

BRIEF ENCOUNTER

Brief Encounter is directed by David Lean and he, with cinematographer Robert Krasker, do a stunning job crafting this film. The black and white photography is beautiful with great use of shadows and light. You feel an intimacy with the couple like you are somehow eavesdropping on their conversations instead of watching a movie. It kind of reminded me of the Before Sunrise movies in that regard. I think it also helps that we don’t have traditional movie stars in the lead roles but more ordinary looking humans. It makes their connection feel more grounded and real.

If you are worried this is a movie that justifies cheating, it doesn’t. In fact, the ending with Laura and her husband is actually quite touching. It’s just a moment between two people and that’s it. If it was made today it would probably be tawdry and tasteless but here it strikes just the right note.

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My only flaw with Brief Encounter is it is perhaps too brief. They go from strangers bumping into each other to declaring their undying love very quickly. In that sense, it feels a little hard to believe. We understand why Laura is tempted by a new and exciting love but are not entirely sure why this love with Alec fits that bill. I wish there were a few more scenes where we got to know both of them more and could understand their connection better.

That said, I definitely recommend checking out Brief Encounter. It is currently available to stream on the Criterion Channel which is a service I highly recommend. They not only have great films but tons of special features on most of the films.

(Also David Lean is such an incredible director. It’s hard to believe the person who made this also directed Lawrence of Arabia!)

Overall Grade

7 out of 10

smile worthy

Pokémon: Detective Pikachu Review

I think like most people when I first heard of a live action Detective Pikachu movie I rolled my eyes. As an animation fan it can be very irritating when it seems like the great answer to updating a property is to abandon animation and make it live action (Disney I’m talking to you!). In addition most of the live action/animated hybrids have been terrible. With the exception of Paddington, it is usually a terrible idea to have a cg creature in the human world. Naturally we were all concerned and then the trailers came out and to my surprise the film looked pretty good. Ryan Reynolds looked funny and the world building with the pokemons looked adorable, so I went into seeing Pokémon: Detective Pikachu with pretty high expectations. Unfortunately I ended up with very mixed feelings on the film. It’s not a total loss but it could have been so much better!

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It’s movies like Pokémon: Detective Pikachu that make the binary system of rottentomatoes difficult because it does have many positives. First of all, the world-building is really strong. It kind of reminded me of Zootopia in the way the world was full of creatures and captured that crime-noir feel while still being kid-appropriate.

The design of all the pokémon was creative and adorable and will no doubt delight fans of the franchise (I have seen 2 Pokémon movies but would not consider myself a fan).

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Ryan Reynolds is great as the voice of Pikachu and Justice Smith does a serviceable job as our orphan looking into the strange death of his father. There is also a really nice heart to the film, and while inconsistent I did laugh a few times.

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The problem with Pokémon: Detective Pikachu lies with the script. At only 104 minutes it feels much longer and there are stretches where nothing seems to be happening but bland action and reveals that don’t amount to much story-wise. The mystery isn’t set up well because the villain is obvious from the start and the clues aren’t interesting to put together. Again to use Zootopia as an example, I was way more invested in the clues and mystery of that film than in Detective Pikachu.

It’s always hard for me to know what kids will like but I suspect a lot of them will get fidgety especially during the middle section of Pokémon: Detective Pikachu. I know both my friend and I were struggling a little bit to stay invested. I’ve seen it many times before where the team behind a movie gets so caught up in world-building they forget to craft a script worthy of that world. Such is the case here. (There is some action such as fighting and a car crash depicted multiple times that might scare very little kids but nothing too bad content-wise).

But it’s not a disaster by any means. I would recommend seeing Pokémon: Detective Pikachu at a discount theater if you have one in your community. It’s got enough fun moments to justify a watch but I just wish the mystery had been handled better. Perhaps if they make a sequel they can improve upon that aspect? I’d definitely be interested in them taking another swing at it!

Smile Worthy (Just barely)

✮✮.5 out of 5

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‘UglyDolls’ Review

Before I start my review I wanted to give a shameless plug for my new patreon account! If you enjoy what I do hear on the blog please consider supporting me for as little as $2 a month. We have benefits set up and would be beyond grateful for the support. Thank you in advance https://www.patreon.com/hallmarkies

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Now let’s get into reviewing the latest animated film UglyDolls. Looking like a mixture of Boss Baby and Trolls (both films I wasn’t in love with) I went into the screening of UglyDolls more than a little bit nervous. However, I should have noticed it is made by Kelly Asbury, a director I find to be very underrated. I particularly thought his Smurfs the Lost Village got way more hate than it deserved (still has some of the most beautiful CG animated backgrounds in recent memory).

Now I have seen the film and am delighted to say I enjoyed it. Of course it has its flaws but overall I liked UglyDolls. It tells the story of a world where dolls are made in a factory and chosen for a special kid to own. The dolls that don’t fit the correct specifications are rejected and sent to Uglyville, which is where we find our heroine: the plucky Moxy (Kelly Clarkson). She is dying to get out of Uglyville and find her special friend but nobody has ever left the town before and they don’t feel restless like Moxy.

Of course, this is a story arc we’ve seen many times before but Clarkson does a good job with the vocals and her character isn’t pushy like the lead troll in Trolls; Nor was she aggressive and angry like in The Angry Birds Movie. She’s pretty happy doing her own thing and if people follow that’s their choice.

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Eventually Moxy ends up at the Institute of Perfection where normal dolls (not stuffed dolls like Moxy) are being trained to take on the gauntlet that proves they are ready for the human world. There is our wannabe Trump copycat leading the Institute named Lou. With his dictatorial attitude and fear of outsiders he can be a little grating but is a serviceable villain.

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What makes Ugly Dolls work is the infectious songs (All original songs except one song in the middle that is randomly a cover). They have good singers performing and the staging was energetic and joyful. Animated musicals like Strange Magic can be tough to pull off but this one worked for me.

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I also thought the overall message of acceptance and tolerance was really sweet and Moxy as a character was likable and fun to spend time with. The animation had a tactile quality to it I enjoyed and overall it will entertain and enrich particularly small children.

There are moments with Lou where things get a little too mean for very small kids and the world-building is kind of strange. Humans are present but I was a little unclear how the gauntlet worked and how long these dolls had been there waiting to be delivered to a child. Also why didn’t the UglyDolls go to be with other stuffed dolls not have human-like dolls in the same factory area. It was a little confusing.

However, that is definitely over-thinking it. UglyDolls has a sweet message with some catchy tunes and appealing animation. If you go see it with your kids they will really enjoy it and you’ll have an ok time as well. It’s a sweet, fun little movie worth checking out

6.5 out of 10

smile worthy

Blind Spot 40: ‘Scott Pilgrim vs the World’

It seemed appropriate during the month of an epic comicbook movie release I should finally watch one of the most popular entries from the genre I have yet to have seen for my blind spot series: Edgar Wright’s Scott Pilgrim vs. the World.

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Released in 2010, Scott Pilgrim vs. the World is based on a graphic novel called Scott Pilgrim by Bryan Lee O’Malley. It tells the story of a dopey 22 year old kid named Scott (Michael Cera) who enters a video game world when he plays with his band the Sex Bob-Omb. He goes through many women, but he in particular loves a multi-haired girl named Ramona Flowers (Mary Elizabeth Winstead). In order to be with her he must defeat Ramona’s 7 evil exes in the video game using music and sometimes a little action.

For the most part I enjoyed watching this film. It is very well cast with a crop of young talent that would go places including Chris Evans, Anna Kendrick, Brandon Routh and Jason Schwartzman. The visual effects and style of the film is unique and continually surprised me. It both feels like you are inside a video game and a comicbook at the same time. scott pilgrim5I also thought Scott Pilgrim vs the World was pretty funny. The big set up jokes like Brandon Routh having super vegan powers really paid off and made me laugh. I also really liked Kieran Culkin as Scott’s gay roommate. He was very funny.

What I didn’t like as much is Scott is kind of the worst. He’s selfish, inconsiderate and doesn’t respect women. He goes through them like candy and yet they all seem more than willing to put up with such nonsense. The main excuse the movie seemed to give is he is lovable and nerdy but that’s not a very good excuse. I got the feeling we were supposed to judge Ramona for having so many ex-boyfriends when we saw Scott go through multiple girlfriends in just a few days!

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All that said, Scott Pilgrim vs. the World is a pretty fun movie. The soundtrack is great and it has a ton of fresh energy to it. If you are tired of the same old story it’s definitely worth a try. I think I prefer it to the other Edgar Wright film I’ve seen Baby Driver.

6.5 out of 10

Smile Worthy

(This is my 40th Blind Spot pick! What a fun series it has proven to be!)

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