Happy January! I am so excited to be starting my 5th year doing the Blind Spot project. I can hardly believe I have been keeping it up that long, month by month. So, it seemed appropriate to celebrate this accomplishment by looking at an epic film and few films are more epic than the 1960 historical drama Spartacus.
The biggest thing Spartacus has going for it is how big it is. Particularly the war scenes are truly epic. In a world where we are used to battles populated by cgi soldiers it is refreshing to see so many extras that it looks like ants moving on the hillsides towards each other rather than humans. The scope of every scene and attention to detail really is tremendous and worthy of praise.
Also the acting is top rate. I particularly enjoyed Peter Ustinov as a cold yet jolly Roman leader named Batiatus. I don’t think I’ve ever seen Ustinov in a role that he didn’t shine and bring whatever funny he could to the part. All the other acting is great including Sir Laurence Olivier as Marcus Licnius Crassus and Tony Curtis as Antoninus.
However, that’s where my praise of Spartacus must end. This film is a really long movie to not connect with any of the characters. While the acting is great, the writing and story is pretty bland. I was not drawn into the journey of Spartacus played by Kirk Douglas and found his performance the one miss of the film. I didn’t feel like I got to know him very well, and I wasn’t rooting for him the way that I should for this kind of narrative. Unfortunately, he felt miscast in the role.
The only female of note in the film is Varinia played by Jean Simmons, and I didn’t think she and Douglas had any chemistry. Her story is as bland as Spartacus and despite some daring scenes she just wasn’t interesting to me (the film as a whole is pretty R rated both in violence and sensuality).
It’s hard to completely skunk a movie as handsomely mounted as Spartacus but when I compare it to other epics of its time like Ben Hur, Lawrence of Arabia or The 10 Commandments it doesn’t hold a candle to those films. Those films had compelling characters, terrific action and epic set pieces. I love those films. Spartacus? Not so much.
This Monday January 13th movie fans held their breath in excitement as the nominations for the 92nd Academy Awards were announced in Hollywood. One can certainly argue that too much time and energy is put into the Oscars but it is also a nice way to look back at the year in film and hopefully honor some of the strong films released by both big and small studios. This year I have actually seen all of the nominees for Best Picture, so I thought it would be fun to share my thoughts on each film and what chances each film has to win.
I am thrilled to see an old-fashioned crowd-pleaser like Ford v Ferrari get nominated for Best Picture. What’s great about Ford v Ferrari is that it is not just an underdog racing movie (which is a genre I LOVE!) but it is also a wonderful movie about friendship. Christian Bale is excellent as Ken Miles and Matt Damon is great as his bewildered colleague Carroll Shelby. I loved all the supporting cast especially Noah Jupe and Caitriona Balfe as Bales’ son and wife respectfully. The film is a little too long but it’s a highly entertaining watch. I do think it is a long shot to win and comes in at 9th place in my prediction ranking.
This new version of Little Women has become quite a part of my life lately. I have seen it twice, written my review, and then been on 2 separate podcasts where I discussed and ranked it. I really enjoyed this take on the classic story of Little Women. In particular the non-linear storytelling (which I usually hate) really worked to help make each sisters choices more valid especially Amy and Laurie. I loved all the performances and filmmaking choices like costumes, production design etc. The script got a little too cute at times and I would have preferred they used 2 Amys but it is still one of my favorites films of the year. Unfortunately with Greta Gerwig getting snubbed for Best Director the odds for it winning Best Picture are small and it is at 8th place in my prediction ranking.
Writing satire is probably the most difficult type of screenwriting. The line between clever skewering of society and an unfunny piece in poor taste is incredibly difficult. Director and writer Taika Waititi managed to do just that with his film JoJo Rabbit where we learn that even the worst of ideologies can be driven out of someone (especially a child) by the power of human connection. I laughed. I cried. I was delighted and I recommend anyone watch it and experience something unique at the theater. However, because the subject matter and approach is not for everyone it is unlikely to win and gets 7th place in my prediction rating.
Upon its release I was one of the few detractors on Martin Scorsese’s epic mob film The Irishman. There is much to admire in the film especially the terrific period detail and performances. My issue is the story and characters. The lead character Frank Sheeran is an admitted soldier for the mafia, meaning he doesn’t have a lot of moral questioning of what he is asked to do. He dutifully follows orders. It isn’t until the last 30 minutes of a very long movie that introspection happens and things become interesting. It was too little too late and the ponderous pacing made it a tough watch. As far as predictions, The Irishman was a clear favorite back in November, but with the length being a factor, DeNiro not getting nominated, and a general overall lack of awards season buzz all make it an unlikely winner and ultimately 6th place in my prediction ranking.
I must admit I put off watching the new drama Marriage Story from writer/director Noah Baumbach. The idea of seeing a couple go through something as horrible as divorce for 2 hours sounded very unpleasant especially during the holidays. However, I finally watched it and it’s very well done. The writing feels authentic to the characters and I appreciate the script doesn’t pick sides for the male or the female. The acting is tremendous; although, I’m a bit baffled at the awards love being shown to Laura Dern who is fine but nothing extraordinary if you ask me. I think the movie is just too small in scope to win the big prize without a surprise win like Moonlight had a few years ago so it is 5th place in my prediction ranking.
Another movie I put off watching is Todd Phillips origin story of Joker. I was pretty sure with the tone and violence it wouldn’t be my taste and after what happened with Shazam I wasn’t interested in facing the angry mob unless I had to for having an opinion. Once it got nominated I watched it and it’s not for me. Basically the Arthur of the film lives in a dystopian where everyone is underhanded, unkind, cruel and bitter. His story wasn’t interesting to me because there never was a valid option for him to chose a different path. Of course he is going to become a supervillain if everyone treats him like complete garbage. This is not a world I connect with or agree with but I’m not a cynical person. Nevertheless, many do seem to enjoy the film and it got the most nominations, so it could win. However, there’s enough backlash and enough comicbook/blockbuster stigma to prevent it. I have it at 4th place in my prediction ranking.
If I was going to predict a surprise win it would be Parasite. The South Korean thriller by director Bong Joon Ho is the consensus favorite for almost everyone I know. Whether film snob on twitter or everyday moviegoer, we all seem to love Parasite and that’s because it’s a great film. It is entertaining, enlightening, surprising and has something to say without beating you over the head with it. I also think the preferential voting system of the Oscars could help Parasite out the most because even if some don’t have it first almost everyone will have in their top 3. It could be the Green Book of 2020. The downside is some may feel a win in International Film is enough for it and a subtitled film has never won Best Picture before and that is a barrier for some voters. This is why I have it at 3rd place in my prediction ranking.
These last 2 are very tough to decide between when it comes to predictions. 1917 is an incredible, immersive experience telling the story of 2 soldiers in World War 1 as they attempt to deliver a message across the trenches. It is set up like one take and you really feel like you are there with the soldiers which I found emotionally exhausting and moving. I highly recommend seeing it in the theater if at all possible. It just won the Golden Globe so if it wins Best Picture I won’t be surprised at all but I think the Academy voters are just narcissistic enough to pick the movie which is all about them instead. That makes 1917 in 2nd place in my prediction ranking.
In director Quentin Tarantino’s latest film he does a lot of things right to peak Oscar interest. First of all, he gets a top notch cast with Brad Pitt, Leonardo DiCaprio and Margot Robbie. Then he has the film set in Hollywood and it be an alternate history of the life of a tragic figure Sharon Tate. You portray the struggle of being famous and a washed up star, which Hollywood loves (hello Birdman...). You have enough gratuitous violence and humor while showing off Los Angeles in 1969, you’ve got yourself a Best Picture winner. I enjoyed the film well enough but thought it was quite self indulgent especially in the long, excessive driving scenes that went nowhere. This isn’t the best film of the year in my opinion but I think it strokes all of the voters ego enough to win Best Picture and it is my top prediction!
So there you have it! What do you think of the 9 nominees? Have you seen them? Do you think they are worthy choices or do you feel something better was left out? Let me know and what would you prediction ranking be for the winner? Let me know in the comments!
Hello readers! I hope you are all having a better start to the new year than I am. Unfortunately today I am sick with a wicked case of a sinus infection/virus. In fact, I didn’t get to go to the Doctor Dolittle screening this morning because I was so worried I would fall asleep/cough throughout the film. Nevertheless, I have 3 recent films I need to update you all on my thoughts so here goes.
Like a Boss
Hollywood sure seems to struggle in understanding women. So much of what they make for female audiences feels out of touch with any kind of women I know or interact with. For example, so many seem to suggest women spend way more time worrying about their makeup than most do. Most women have a makeup routine and every once in a while try something new and that’s it.
I was one of the only people who liked 2018’s I Feel Pretty (also set in the world of cosmetics and beauty) because at least it had a little bit of a whimsy which appealed to me. But even I will admit the parts involving the beauty industry and supposed female empowerment fell very flat.
Now we have the latest entry, Like a Boss, starring Rose Byrne and Tiffany Haddish who run (you guessed it) a makeup company. I actually didn’t hate this movie. It had some laughs with Haddish and Byrne hanging out with their girlfriends (an authentic relatable situation and probably helped by improv).
However, all the elements involving business fell flat especially Salma Hayek as an over-the-top beauty mogul. It is not surprising this film is written and directed by men because the complexities of the female experience in business as presented are so reductive and cringe-worthy. I’m not saying a movie like this needs to be realistic but come on? They can do better than this.
Even though I did laugh at the friends scenes in Like A Boss, I can’t recommend you spend the big bucks to go see it in the theater. Go see one of the awards caliber films in theaters instead.
4.5 out of 10
Next up we have another movie I didn’t hate but was pretty meh on: Underwater. This has its fair share of positives including a good performance by Kristen Stewart. They also do a great job in creating atmosphere with cool production and sound design. Everything felt on the same level as Ad Astra last year in that regard. I also liked that the action gets going right away without feeling a need for backstory or exposition to set up the world.
The problem with Underwater is it felt uneven in the storytelling. One minute the creatures would be attacking and then the next they’d be more quiet and observant. One minute Kristen Stewart would be fighting for her life and the next she’d be back on the ship looking through a locker. It felt like some needed transitions were cut in the editing room.
It is also a very derivative film of movies like Alien which takes some of the edge off of certain scenes. There’s definitely a feeling of ‘we’ve been there done all this before and better’.
Still if you see this airing on cable it’s not a terrible watch but I don’t think I can recommend watching it on the big screen. (Also the excuses they have to get Kristen Stewart in her bra and panties for long segments feels a little gratuitous and absurd).
4.5 out of 10
To be perfectly frank I have been putting off seeing the critically acclaimed film Marriage Story despite it being available to watch for several months. Especially at Christmas time the idea of watching a film about divorce did not sound appealing at all.
Well, now I have seen the film and while it isn’t my type of movie it is worthy of praise. Adam Driver and Scarlett Johansson are both excellent as our feuding couple and the script doesn’t pick sides on the divorce. They are both petty and passionate all at the same time.
I’m a little confused at the high praise being given to Laura Dern for her performance as Scarlett’s attorney. She was perfectly fine in the role, but I didn’t see anything outstanding or Oscar-worthy but that’s just me. I do think it would be interesting to see this story from the perspective of people who can’t afford $25,000 retainers for their attorneys. Like what about a divorce between a couple who run a failing convenience story or are both teachers? That might be easier to relate with than these directors/actors.
But nevertheless, it’s a good film. I particularly liked Adam Driver singing ‘Being Alive’ from Stephen Sondheim’s Company both because I love that song but also I had no idea he could sing (what can’t the man do?).
I am sure if you have been through a divorce Marriage Story will have more emotional resonance. As for me it is good, just not a favorite or something I will ever watch again.
One of my favorite parts of this blog is a special series called Blind Spots I have been doing each month since 2016. The idea behind the series is every month I review a classic or well-regarded film I have not seen- my movie blind spots.
Each year in January I declare what my 12 choices will be. I try to make it a variety of films, genres and styles. For instance, last year I did comedies like Garden State, to anime like Tokyo Godfathers to war dramas likeSon of Saul.
So, now is the time to declare my blind spot picks for 2020! Please let me know in the comments which of these films you have seen and what you think of my list in general! I would also love if you have a blog or youtuber to participate along with me in the project. It’s really fun!
I think the coziness of a Winter month makes for the perfect time to finally check the sprawling epic of Spartacus off of my list. This film is directed by Stanley Kubrick and stars Kirk Douglas, Sir Laurence Olivier, Jean Simmons, Peter Ustinov and more. I love Lawrence of Arabia which came along 2 years later so we will have to see how Spartacus shakes out!
Born Yesterday (1950)
It’s always fun to pick a romantic comedy for February, and I have never seen the 1950 classic Born Yesterday. I love Judy Holliday in Bells Are Ringing and William Holden is super charming. The film is directed by the great George Cukor and it appears to be a political take on the Pygmalion story with Holden being hired to teach the uncouth Holliday social manners. I’m excited to watch it!
Created by the king of cinema Martin Scorsese I finally need to check his most heralded classic Goodfellas off of my list. I’m honestly not that big a fan of mob movies, which is why I’ve never seen this film. However, I am open to the genre if it is a good film. The story of Henry Hill eventually becoming an informant of the mob certainly has a lot of potential to be interesting and one cannot deny the acting talent. I hope I like it better than The Irishman, which was not my cup of tea (shocking I know).
The Three Colors Trilogy
For April I am going to be extra ambitious and watch the Color Trilogy by famed director Krzysztof Kieslowski. These 3 films are named after the colors of the French flag: Blue, White, Red and they each follow ordinary people as they face challenges to the 3 morals the flag represents: liberty, equality, fraternity. Evidently the characters from all 3 films come together in Red to make for a beautiful treatise on human behavior. One article I read said this trilogy was the big hipster status symbol of the 90s and that it ‘still holds up today,’ so I will be the judge of that!
I figure after such a heady April I deserve some fun so for May I am watching the first Lethal Weapon movie (yes I’ve never seen any of the series). In this iconic buddy cop action series Mel Gibson plays the young hothead Riggs and Danny Glover plays the old tired detective Murtaugh. They are forced to work together with some classic 80s hair from Gibson. This film is written by writer/director Shane Black who I am not the biggest fan of but we’ll see if he can win me over or maybe I’m too old for this…
As a huge fan of director Mamoru Hosoda I’m almost ashamed to admit I have never seen Wolf Children. I know many friends who consider this his best film and I’m excited to finally watch it. The story is about a young woman who raises her half-human half-wolf children after their werewolf father dies. My friend Ron said it is his favorite movie of the decade so I definitely have to check this one out!
I figure by the time July comes around I will be in the mood for a comedy and one classic I have never seen is the Goldie Hawn film Private Benjamin. So far on Goldie Hawn 80s comedies I liked Overboard and didn’t like Foul Play so we will see how this film lands. It was written by a young Nancy Meyers and is about a wealthy heiress who joins the army after her husband dies only for a very rude awakening in boot camp. I hope it will be a lot of laughs!
House of the Flying Daggers
After really enjoying director Zhang Yimou’s film Shadowthis year and admiring his film Hero from 2002 I thought it would be fun to watch another one of his famed works House of Flying Daggers. Evidently this is a love story and a martial arts film so that should be right up my ally and from what I’ve seen the production design, fight choreography and cinematography look stunning. I’m excited to watch it!
War movies are a great choice for blind spot because they are the kind of thing I don’t usually watch without a push. So for September I think it is finally time for me to watch the Francis Ford Coppola film Apocalypse Now. Released in 1979 this film has an incredible cast including Marlon Brando, Robert Duvall, Martin Sheen, Dennis Hopper and more. It is about a battalion during the Vietnam War who are sent on a secret mission into Cambodia to assassinate a renegade officer. I learned a lot about the making of the movie in the documentary I saw last year called Making Waves: The Art of Cinematic Sound and I’m looking forward to seeing it.
One of my goals for next year is to try and get over some of my reservations when it comes to horror films. If I want to be a full time film critic I know I will need to watch more horror movies and I have been told by several good friends that the original Halloween film by director John Carpenter isn’t very scary. I’ve seen some scary movies like Scream, Psycho, and others so let’s hope I make it through this one! Ahhhh!
The Last Unicorn
Honestly the number of classic animated films I haven’t seen is narrowing but there are still some and one of them is The Last Unicorn. This anime released in 1982 tells the story of a unicorn that goes on a journey with a wizard to defeat an evil King that wants to kill all the unicorns. It evidently has some scary and bonkers scenes that were quite shocking for 1980s audiences so I’m anxious to see what I think! The animation looks beautiful and it is a musical with voices of Mia Farrow, Alan Arkin, Angela Lansbury and more on the dub. We will see what I think!
Remember the Night
My December pick is a Christmas classic I just learned about this year: Remember the Night. I don’t know how it flew under my Christmas-movie-loving radar but it is from 1940 and stars Barbara Stanwyck (who is one of my favorite Christmas movies Christmas in Connecticut) and Fred MacMurray (who is a scoundrel in the Christmas film The Apartment!). It is written by the great Preston Sturgess who was the king of romantic comedy writing in the 40s. Evidently it is about an attorney (MacMurray) who ends up going on a road trip of some kind with a petty shoplifter (Stanwyck) while heading home for Christmas. Sign me up!
So there you have it! That’s my 12 films for the 2020 Blind Spot Series. If you have a blog or youtube channel I encourage you to participate in the project. It’s a lot of fun and very rewarding at the same time.
What do you think of my choices? Have you seen any of them? I would love to hear your thoughts!
Let me state upfront that I am by no means a fan of the horror genre. However, I am a fan of Christmas movies, and am trying to expand my palette as a critic. So when I heard that the remake of Black Christmas was coming out and it was PG13 I jumped at the chance to see it. Unfortunately jumping out of my comfort zone was not rewarded as I was presented with a sloppy, poorly written, unfunny film that evidently has little to nothing to do with the original 1974 classic.
I know there are some women who connected with this film and found watching it to be a cathartic experience for their own suffering at the hands of men. That is not my experience in life and it certainly isn’t my experience with this movie. In fact, from my perspective the movie waters down the stories of women so we are no longer unique beings with different opinions, tastes and experiences. Instead, it’s like we are all made from a mold that’s been approved by feminist think tanks.
What particularly annoyed was a character who is viewed as the traitor of the women, only to be then rejected by the men she so stupidly followed. She dared to go against the correct definition of femininity and paid the price! All the characters who question the activist character suffer in the end. In fact, it’s kind of interesting that a film with such overtly political messages would also have so little actual diversity of thought…
All the men in this film are problematic and all the women are expected to respond to the men in the same way. I kept thinking of the quote from the new Little Womenwhen Meg says ‘just because my dreams are different than yours doesn’t make them less important’. This film tries to stand as a feminist mantra to young women but what about the tomboy or the shy girl who doesn’t want to be a kick-butt female against the evil men? At least last year’s Anna and the Apocalypse had some variety of men and women fighting zombies!
The other problem with Black Christmas is it isn’t scary at all, and I’m a super horror movie wimp. If I’m not scared that’s really bad. Most of the kills come to people we don’t care about and in ways that don’t provide any real dread. Everything is so predictable and bland that it’s not entertaining as some kind of escapist revenge feminist fantasy. It’s actually kind of dull.
Watching Black Christmas reminded me of a cheap knock off of Buffy the Vampire Slayer. It’s like they got to female empowerment and stopped. For a movie to be empowering we have to be presented with characters we care about, with dialogue that feels authentic to those characters. Otherwise we can read an article or watch a documentary and be done with it. Fiction needs to draw us in with more than just a message.
Black Christmas fails because of its sloppy script, poor production values and total lack of scares. Avoid it and support female stories with rich and dynamic characters. 10 Cloverfield Lane, The Babadook or the Happy Death Day movies are 3 recent examples that do a far better job. Even Coralinedoes a much better job of showing a layered interesting female character in a horror environment. Check them out instead.
Also if you want a truly feminist film watch the documentary Maiden from this year.
If you have been following my writing for any amount of time you know I am a huge fan of Little Women, both novel and many film adaptations. In fact, it was the first big book I was proud of reading and finishing. I remember relating to all 4 March sisters and crying when Beth died and hoping I could be wild and independent just like Jo. It’s the best!
Unfortunately the film versions have been more than a little disappointing lately with a weak adaptation from PBS and a terrible modern adaptation at the theaters last year. So as you can imagine I approached this new version by director Greta Gerwig with a mixture of excitement and fear. Fortunately, for the most part, I enjoyed it and definitely recommend it for families during this Christmas season.
There are many strengths to this new version of Little Women. To begin with, most of the casting is strong. I especially liked Saoirse Ronan (who I’ve loved ever since Brooklyn) as Jo. She brought the independent spirit while keeping the character easy to relate with and likable. I also enjoyed Emma Watson as Meg and admire her for taking a small part in an ensemble film when she certainly could demand more.
Laura Dern is also strong as Marmee and Meryl Streep is fun as the crotchety Aunt March (although it’s weird for me to think of Meryl as so old!). Chris Cooper also puts in nice work as Mr Lawrence and Timothy Chalamet is a decent Laurie (a very difficult role to cast because you can’t make him too charming or you are mad at Jo nor too nerdy or there’s no romantic tension. It’s tough).
For the most part the big beats of the story are done well and I particularly think Jo and Laurie shippers will like the choices made. The film also looks beautiful with lovely period details in locations and costumes.
The mixed aspects of LittleWomen mostly come from 2 areas. The first is the non-linear storytelling. Normally I am not a fan of this narrative choice as I think it breaks up any momentum the characters have (Man of Steel…) and I feel some of that here. However, because you see Amy and Laurie together very early on it makes the transition from him and Jo, to him and Amy, a lot more believable and effortless.
The other problem is the decision to cast 1 actress to play Amy instead of 2 like they did in the 1994 film. Although not as absurd as the 1949 version with Elizabeth Taylor as Amy, 23 year old Florence Pugh looks weird trying to play a 12 year old. This awkwardness is enhanced by the non-linear storytelling where you are flipped around from young and older versions of the character while the actress looks the same at all ages. Florence Pugh is fine in the role but I just think they should have cast 2 for the character like they did in the 1994 version.
There aren’t many outright cons for this version of Little Women; however, I have a couple. The first one is I wasn’t crazy about Eliza Scanlen as Beth. Claire Daines is so much better in the 1994 version, and I think the non-linear storytelling hurt our connection to Beth and the mounting tension and stress on her family her illness brings the most.
I also thought the final scenes with Jo were a little too cute and overtly modern for my taste. The character is a classic example of the independent female archetype. She does not need extra scenes with her being snarky or clever to prove the point.
Other than that I enjoyed Little Women. I hope it will inspire a new crop of young girls to read the book and hopefully appreciate their families more each day.
When you get to see this version please let me know what you think.
Sometimes with all the hubbub around the Oscars this time of year we as cinephiles can get a little snobby about what makes a great film. Yes the art-pieces are an important and vital part of this artform we love but so is the crowd-pleasing entry that makes the audience stand up and cheer. This is why I am always happy when I see films like Hidden Figuresand Black Panther received Best Picture nominations. Despite what some people say making entertainment for the masses is not easy and when it is done well it should be celebrated.
Such is my experience with the new film from director James Mangold, Ford v Ferrari. In this film, he has crafted an immensely satisfying story of an unlikely friendship (theme of 2019) and the battle to build the ultimate racing car that brought them together.
Based on a true story Matt Damon plays Carroll Shelby an ex-racer who is tasked by the Ford Motor Company to design a car that can compete, even beat, Ferrari at the Le Mans 24 hour race in 1966. He then recruits the more reckless driver and car-maker Ken Miles (Christian Bale) to drive the car and lead the team. Both actors are excellent in their roles but they are also surrounded by a talented cast including Jon Berenthal as Lee Iacocca, Josh Lucas, Noah Jupe, Ray McKinnon and more.
I especially loved Caitriona Balfe as Miles’ wife. She was funny, unpredictable and brought a lot to a role that could have been a one-note long-suffering wife. Tracy Letts is also great as Henry Ford II especially in a scene where he unwittingly endures a test-run on the race track.
Most people will probably praise the racing scenes in Ford v Ferrari, and they are excellent, but the real star lies in the script and performances. I was so drawn into the characters and story and by the end I wanted to stand up and cheer. I love underdog sports movies and Ford v Ferrari is a very satisfying entry in the genre. But add to it a story of the friendship between Shelby and Miles that felt real and authentic and we have a winner!
I even liked this movie despite watching it in a theater that felt more like a sauna. It’s rated PG-13 but a mild one. I certainly would feel comfortable taking the whole family and seeing Ford v Ferrari. It’s that good. The only major problem is it is a bit too long at 2 hr 32 min but I didn’t feel the length much. Other than that, it’s a wonderful film everyone will enjoy. The story is interesting, the acting is great, script is well done and the racing scenes work.
As a critic who has seen over 200 films both TV movie and feature film it is impossible to write full reviews of every movie I have seen. This means it is time for one of my famous ‘Current Mini Reviews’ posts! This is where I give my brief thoughts on a film I’ve seen and let you know whether it is smile or frown worthy so here goes!
Rascal Does Not Dream of a Dreaming Girl-
This is a movie version of the anime, and I must own I should have watched the series before seeing it. Some anime do a great job of welcoming newcomers into the films (like My Hero Academia was the best) but then others assume only fans are interested which I can understand. Nevertheless, I liked the many worlds premise that brings multiple versions of a girl named Shoko into conflict (and love) with a boy named Sakuta. It was interesting with beautiful animation. Even being a greenie I’d say it is worth a watch.
6 out of 10
Making Waves: The Art of Cinematic Sound
I had the great opportunity to review this cool new documentary called Making Waves: the Art of Cinematic Sound for rotoscopers.com. In fact I even got to interview the director Midge Costin. I really enjoyed learning more about the incredible work sound designers and editors do behind the scenes to make everything pop on the big screen.
8 out of 10
The Addams Family-
Unlike most it seems, I enjoyed the animated take on The Addam’s Family. My review (make sure you are subscribed to my youtube channel for all my reviews)
7 out of 10
This is another film I was blessed to review at rotoscopers.com and interview the director Ji Zhao. Based on the Chinese ‘Legend of the White Snake’ they have created a modern fantasy adventure with quite possibly the most beautiful CG animation ever. It has some grown up moments and is a bit uneven in tone but I still really enjoyed it and found it very new and innovative.
7 out of 10
One Piece Stampede-
This is another anime based on a series but the plot is simpler so I didn’t have much trouble following it. Some of the animation of this film, especially the extreme closeups wasn’t my favorite, but I liked the energy in it. It reminded me of an anime take on Mad Max Fury Road with all these pirates racing to find a buried treasure. It’s definitely not for people with sensory problems or anything like that but worth a watch.
6 out of 10
This film by Korean director Bong Joon-ho lived up to the festival hype in spades. In fact, there isn’t much to fault with it. The writing is fantastic, as well as the acting, production design and score. The premise is at the same time heartbreaking, thrilling and funny. It has a message about class warfare without beating you over the head with it (like what was done in this year’s disappointing The Dead Don’t Die). The director trusts the viewers and the film he has crafted enough to not feel the need to hold your hand through every metaphor of the story. It’s definitely a movie that has stayed with me and one I hope to be able to watch again soon.
9 out of 10
As someone who podcasts about made for TV movies it was a little jarring to see a movie like Christmas Jars on the big screen. It is definitely designed for television with even the noticeable ad breaks left in. That said, I did enjoy the film. It gave me everything I want from this kind of movie. It was sweet with a nice message about community and Christmas. The girl lies more than she needs to and the liar reveal trope is one of my least favorites but I liked everything else enough to forgive those elements. For a pretty melodramtic Christmas tearjerker it can also be quite funny (although its depiction of journalism is ridiculous I still found it funny). Christmas Jars will definitely be something families can watch together for a cheesy batch of Christmas feels!
6 out of 10
Anyone who follows this site knows I am frequently a defender of low budget CG animated films. Something like Sgt Stubby American Hero or Son of BigfootI have championed when other people won’t even give them a chance. So, I was willing to give Arctic Dogs a shot but unfortunately it is one of the worst animated films I’ve seen in a long time. People might criticize something like Ugly Dollsbut at least there was clear effort put into that film. This is just lazy with no creativity to the story and nothing to inspire or move children. I hated pretty much everything about it. Avoid it at all costs and support better animated films like White Snake.
0 out of 10
So there you go! Let me know what you thought of these films if you got to see them. Thanks always for reading!
As host of the Hallmarkies Podcast I feel there is an assumption I will automatically love anything billed as a ‘holiday romcom‘. Well, if you are a listener to my podcast you’d know that I dislike many films we review, as is the case with any genre a critic is partial towards. We aren’t doing our job if we blindly like everything presented to us for entertainment.
This explanation is to hopefully help quell some surprise my readers might feel that I did not like the new film from director Paul Feig, Last Christmas. Unfortunately most of the reasons I did not like it are spoilery but let’s just say it fails at both the rom and the com of a romcom (and I have issues with the holiday part as well).
Last Christmas stars Emilia Clarke as Kate, a disaster of a human who has struggled to get her life together after receiving the gift of a heart transplant the year before. She works at a year-long Christmas shop for Michelle Yeoh (who gets some of the only laughs of the film with her strange cabbage loving relationship).
Kate is simply the worst. It’s always a tough dynamic to pull off when either of our leads in a romcom are unlikable. You have to make that switch to nice person at just the right moment or we as an audience don’t want him or her to succeed in love because they are a terrible human being. Kate even outs somebody at one point which I found shocking for a movie in 2019 (and the penance wasn’t near enough for such a betrayal IMO).
Henry Golding is super dreamy (of course) but he leaves for long unexplained stretches, which hurt the chemistry and seems especially bizarre as the plot reveals itself. Speaking of said plot it is so groan-worthy and leaves our heroine with a very unsatisfying ending. Without spoilers let’s just say between this and Me Before You Emilia Clarke has the strangest set of 2 romcoms imaginable.
To my surprise, I also felt focusing on George Michael music was a mistake. The problem is he only has one Christmas song so most of the soundtrack is holiday-free. Sure they are surrounded by the trappings of Christmas but they participate in none of the tropes of the genre such as picking a tree, wrapping gifts, visiting Santa, baking cookies etc. Most of what they do could be done at any time of year just with different decor. All the Christmas in the movie feels like window-dressing without the heart the holiday offers these films.
A lack of Christmas spirit and romance makes Last Christmas an unsatisfying and disappointing holiday romcom. What should have been sweet and funny ends up being groan-worthy and frustrating. Too bad but at least I’ve got 100 other Christmas movies to enjoy this holiday season (not exaggerating).