Blind Spot 83: THE LOST BOYS

I’m not sure what inspired me to put the 1987 vampire flick The Lost Boys on my Blind Spot list this year. I think I have just been trying to go out of my comfort zone lately and it seemed like an approachable horror film I could try out. Now that I have seen it…I’m so glad I selected it! What an entertaining, enjoyable film, and really not that scary at all.

The Lost Boys is about a teen named Michael (Jason Patric who is so dreamy in this role!) who moves with his brother and mother to a beach town called Santa Clara. While there they become involved with a group of teen hoodlums that turn out to be a vampire gang. In this version of vampires you can be kind of a vampire, and a full fledged immortal vampire.

Kiefer Sutherland plays David the leader of the vampires and he and his friends know how to rock an 80s mullet. Director Joel Schumacher imbeds just enough camp to keep things engaging without going into the full-fledged silliness of his Batman movies of the 90s. These are definitely vampires that belong in an 80s hair metal band but again not complete caricatures.

I really enjoyed Corey Haim as Michael’s brother Sam and Corey Feldman and Jamison Newlander as the Frog brothers who’s special skill is hunting down vampires.

You’d have to be very sensitive to be scared by The Lost Boys. They literally have scenes with bathtubs full of holy water (how did they make so much!) and they certainly got all the local grocery stores garlic supply especially for the ending. Again Schumacher keeps control of all of these details so it made me smile throughout.

If you are like me and need a break from the Christmas movies and awards films give this fun, 80s, teen horror movie a shot. I’m glad I did!

8.5 out of 10

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Blind Spot 82: A NIGHTMARE ON ELM STREET (1984)

Part of the point of this blind spot series is to get me out of my comfort zone and watch  movies I may have been avoiding or putting off. Horror or scary movies definitely fall into that category as I’ve always been a bit of a scary movie wimp. However, I am trying to expand my palate and as part of this series I’ve watched Scream, Halloween, Frankenstein and now A Nightmare on Elm Street.


In watching these scary movies I’ve realized something about myself. I’m actually not that scared by supernatural horror. If I can put some distance between my reality and the horror movie plot I do pretty well. What seems to scare me the most is a scary movie that could actually happen to me. A good example is a film called The Gift from 2015. This is a well done film but it gave me legit nightmares for weeks. The idea of Rebecca Hall’s character being stalked by an old acquaintance of her husband and then what he does to her was terrifying.

So I give this long introduction to explain why I actually had more fun with A Nightmare on Elm Street than I would have guessed. It is gory and graphic. There’s no question about that but it’s all in dreams and over-the-top so it doesn’t feel like something that could actually happen to me. This makes it easier to have fun with the story.

A Nightmare on Elm Street tells the story of a girl named Nancy who lives on a street where a ghost named Freddy Kruger is haunting teens in their dreams and killing them. He is doing this out of revenge for the parents who killed him for being a child murderer.

The production design is the greatest strength of this film and director Wes Craven has a lot of fun with the horror dream kill sequences. Of course, Freddy has the knives as hands but most of the kills are more elaborate than that might imply. One teen is swung around in circles, another is nearly pulled through the tub and a young man is killed in a tornado of blood from his bed. These are all so over-the-top that they weren’t scary but more fun and inventive.

There is something chilling about being haunted through your dreams- a space you have no control of and can only put off for so long. However, I think some of the Invasion of the Body Snatchers movies are a little scarier in that concept because not only do you die but you become this horrible creature that can hurt other people. It’s one thing to die but another to become a monster that hurts the people you love.

Evidently Robert Englund gets into more camp as Freddy in future installments, but he is good in this first film and all the teens are excellent including a young Johnny Depp and Heather Langenkamp as Nancy.

In the end, I’m glad I finally watched A Nightmare on Elm Street, and I can see why it is considered to be a horror classic. I’ve heard the 3rd film is the best of the sequels, but let me know what you think. And what scares you the most in movies? I’d love to know.

9 out of 10

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Blind Spot 81: Purple Rain

One of the fun things about doing this blind spot series is it forces me to sit down and watch movies I’ve heard about but just have never gotten around to seeing. 1984’s Purple Rain is such a film. Of course I know about its existence as one of the iconic rock feature films, and I knew about Prince’s music, but I had never seen the movie. Now I have seen the film and I can see why it was such a touchstone for both 80s music and music in film.

There isn’t a ton of plot to Purple Rain but what they do have is interwoven nicely into the music. The story is about a singer named The Kid played by Prince who comes from a troubled and abusive home and he is trying to make a name for himself playing at a club called The First Avenue Nightclub. The Kid has a huge ego and spars with the female members of his band and a rival band called The Time led by Morris Day. We also get a lot of relationship drama between The Kid and his girlfriend Apollonia (Apollonia Kotero). This film definitely earns its R rating with some pretty steamy scenes so not for the squeamish in that department.


There are long sequences of Prince singing along with Morris and the other bands. If you don’t like their music than this movie isn’t for you. The highlight is the “Purple Rain” number which is a song the girls in the band wrote showing The Kid is finally working with his band, not fighting against them.

There are some scenes in the film of domestic abuse both from The Kid’s father and from he towards Apollonia. It can be tough to watch and I don’t know if the redemption is enough to forgive such violent behavior, but they try to show the arc for both within the film. There is also a lot of cheesy scenes and over-the-top 80s fashion but that’s mostly part of the fun of it all. cor

If you haven’t seen Purple Rain I recommend it as a piece of 80s pop culture with some great music and corny romance. At the very least check out the soundtrack. It’s legendary!

7 out of 10

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Blind Spot 80: In the Heat of the Night

As a movie fan there are always those films you hear about, and know the big quotes from that you haven’t actually seen. The Best Picture winner In the Heat of the Night is one of those films. Of course, I have seen the iconic scene where Sidney Poitier’s character says “They call me Mr Tibbs” to Rod Steiger’s Sheriff Gillespie. With such memorable moments it really is an ideal film to pick for this Blind Spot series.

It’s funny this trailer makes In the Heat of the Night look like an action film, which it really isn’t. It has some police procedural moments but it is mostly characters sitting around a hot police station arguing. I know it is based off of a popular novel but it feels more like something from a play. It has that all set in one room quality of films like 12 Angry Men and Fences for long segments.

The story centers around Poitier’s Tibbs who is in Sparta, Mississippi when he is stopped by police to help with a murder investigation. Tibbs is a homicide investigator and the local police led by Steiger’s Gillespie aren’t trained in how to investigate such crimes. Of course being a powerful Black man in Mississippi in the 1960s is fraught with peril for Tibbs and he knows it (obviously, he’s a smart man so he knows to be afraid).

One of the most powerful and shocking scenes is when Tibbs is slapped by a man they are questioning named Endicott and he slaps him right back. Evidently Poitier insisted this be a part of the scene to director Norman Jewison and I’m glad they kept it in. It’s such an intense moment and when Endicott says “I could have had you shot for that” we all know he is right. It’s chilling.

My only real qualm with the film is the fighting back and forth between Gillespie and Tibbs starts to feel repetitive after a while. It could have benefited from a slightly tighter edit because some of those scenes aren’t teaching us anything new about the characters and start to lose their efficacy because we’ve seen them several times already.

Other than that, In the Heat of the Night is an extremely well directed and acted film. I appreciate it doesn’t try to have inspirational moments and keeps characters messy and complex. There are many scenes that still feel relevant today as we still struggle with police treatment of Black men and women. Poitier and Steiger are fantastic as well as all the supporting work. I can see why it won 5 Oscars. A classic.

8 out of 10

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Blind Spot 79: The Life Aquatic with Steve Zissou

When it comes to director Wes Anderson’s work I’m a bit of an agnostic. Some of his films I really enjoy like his animated films, with The Grand Budapest Hotel and Moonrise Kingdom being my favorites. Then there are others which I am more lukewarm on like Rushmore and The French Dispatch. This month’s Blind Spot entry belongs in the latter with The Life Aquatic with Steve Zissou. It has some of Anderson’s quirky style but I mostly found it dull without an engaging story.

This film centers on Steve Zissou (Bill Murray) of the title who leads his eccentric group of explorers under the sea to film nature documentaries like a Jacques Cousteau type of character.

Included in the crew is Zissou’s estranged wife Eleanor (Anjelica Houston), his son Ned (Owen Wilson)  and a pregnant reporter covering the shoot named Jane (Cate Blanchett), among many other characters (Willem Dafoe, Jeff Golblum, Michael Gambon and more all have small roles on the ship).

For his latest documentary, Zissou is trying to hunt down a “jaguar shark” that killed his friend Esteban. Unfortunately, Anderson’s script meanders away from this central plot too often making it hard to stay invested. To be frank, I tried watching the film 3 times and each time found myself fighting sleep and I wasn’t that tired. The story just didn’t do it for me.

The production design of the ship is impressive and the cinematography by Robert Yeoman is full of whimsy but none of that matters if the story isn’t interesting. Same goes for the performances which are all well done.

I would recommend one of Anderson’s other films over this one like Moonrise Kingdom or Fantastic Mr Fox. Those have far better stories than this underwater tale.

4 out of 10

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Blind Spot 78: Mystic Pizza

I like to have a good variety on this blind spot series. After all only watching prestige films would get boring. It is for that reason I decided to pick 1988’s romantic comedy-drama Mystic Pizza for my June blind spot selection. It’s a classic of the genre perhaps best remembered for introducing us all to Julia Roberts but for some reason I had never seen it until today.

I’m also really excited about the new musical version of the film just introduced last year at the Ogunquit Playhouse. I wonder if it will end up on Broadway eventually?

As for the movie I enjoyed the friendship between the 3 young women (Roberts, Lili Taylor, Annabeth Gish) working at Mystic Pizza (where the pizza has a magic combination of ingredients only known by owner Leona played by Conchata Ferrell). Each of the girls has different dreams with Kat (Gish) being the boldest wanting to get out of town and become an astrophysicist.

Where the movie was less interesting was in the various romances. They were all fine but very generic and I would have preferred it just be a movie about 3 friends. Jojo (Taylor) is struggling to commit with her fiancé Bill (Vincent D’Onofrio). Kat is falling for her married employer Tim (William Moses) and Daisy (Kat’s sister) is seeing rich kid with a Porsche Charles (Adam Storke).

Mystic Pizza streaming: where to watch movie online?

One odd aspect of the film I found distracting is Bill and Charles looked a lot alike to the point where I thought Jojo and Kat were dating the same person early on in the script. They even dressed the same with similar beige colored coats.

There is also a subplot with the pizza parlor struggling and a food critic coming to judge the pizza that was cute. All the women have nice chemistry and there are nice performances particularly from Gish.

In the end, Mystic Pizza is a pleasant watch, but I enjoyed it more when it was focused on the girls and less on the romance. I think it has the ingredients to make a good musical so it will be interesting to see where that goes.

What do you think of this film? Is it one you have nostalgia for? Would love to hear in the comments section

6 out of 10

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Blind Spot 77: Barry Lyndon

There’s always something intimidating about a Stanley Kubrick film. You know you aren’t going to get something run-of-the-mill or mainstream. It’s going to challenge me and be fresh and inventive. He’s an impressive director because he tackled so many different genres from comedy (Dr Strangelove) to scifi (2001: A Space Odyssey) to the film we are talking about for this blind spot choice Barry Lyndon– a historical period piece.

To be honest, as a big fan of period pieces I expected to like this film more than I did. I came away from it feeling it is handsomely mounted and well-made, but emotionally distant and bland.

I’m not saying Barry Lyndon is a bad movie. It just didn’t do a lot to excite me or draw me into the story. I think it is one of those classics I’m glad I’ve seen but can’t ever imagine watching again.

It tells the story of Barry Lyndon who is a rogue in 18th century England who fights in war and then woes a rich widow to take advantage of her social status and connections.

Barry Lyndon is over 3 hours which usually isn’t a problem for me with period pieces. I recently watched the 2006 Jane Eyre and the 1995 Pride and Prejudice which are both over 4 hours with enthusiasm. The problem was I just didn’t feel that attached to Barry or any of the other characters. Again, it wasn’t bad. Just not that engrossing or interesting.

I can see why it won Oscars for score, costumes, art direction and cinematography. All of that is exemplary and very well done. The acting is also excellent by Ryan O’Neal, Marisa Berenson, and more.

I appreciated the intermission, and I did enjoy the second half more than the first because war movies aren’t my favorite but again the characters and story left me flat. Someday they should do a movie from Lady Lyndon’s perspective because she is treated terribly by Barry and others. The narrator (Michael Hordern) sometimes gives us insight into her and other characters, but I could have used even more.

I had read Barry Lyndon is “one of the best and most influential films ever made” so maybe my expectations were too high? I guess I can see production-wise but the characters and story were nowhere near on that level in my opinion. If it’s a favorite of yours let me know why and what I missed.

6 out of 10

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Blind Spot 76: ‘LOGAN’

Those who are familiar with my reviews know I’m not a fan of garish violence. It can be used well but it’s usually not something I am drawn to or love. This is part of the reason I never saw the 2017 film Logan. At the time of its release I also wasn’t a full time critic so I didn’t see films that didn’t appeal to me. This is why Logan made for a good blind spot pick and one I can finally check off my watch list!

Logan tells the story of Wolverine (or Logan) played by Hugh Jackman. The year is 2029 and mutants have mostly been eliminated and Logan’s powers of self-healing are dwindling. One day he is responsible for taking a girl Laura to Canada who has special powers. He and Professor X  (Patrick Stewart) take the journey and have all kinds of problems along the way.

My initial impressions of Logan as being an incredibly violent film are accurate. It’s one of the most violent films I’ve ever seen. However, I do think the violence is needed for the plot and it captures the spirit of a western well. The west was a brutal place and so is 2029 in this film.

I liked the bond between Logan and Laura especially as she became more animated throughout the film. Their fights with her talking in Spanish are really funny and the chemistry between the 2 works.

I also really enjoyed Richard E Grant as the villainous Dr Rice. Patrick Stewart is wonderful as Professor X as he always is but this time he is desperate and not the confident character we know and love.

All the production values are excellent in Logan and like I said it feels like a modern-day western, which is refreshing and original. The acting from Hugh Jackman is also the best we’ve ever seen from him portraying the character. It’s raw and intense and he does a wonderful job.

I still don’t think I’d ever watch Logan again because the violence is too much for my taste. However, I can see why it is considered a classic and why comic book  movie fans love it so much.

7 out of 10

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Blind Spot 75: Shaun of the Dead

Hey everyone! This month’s blind spot, Shaun of the Dead, is a film I have been wanting to check off my list for a while. I didn’t see it when it came out because I was on my mission in 2004 and didn’t watch movies during that time. Plus, I am admittedly squeamish when it comes to violence and I knew this was a bloody comedy. However, the whole point of this series is getting me out of my comfort zone and I did enjoy Anna and the Apocalypse, Pride and Prejudice and Zombies and Warm Bodies so I figured let’s give it a go.

Well, maybe zombie romances are my thing because I quite enjoyed Shaun of the Dead. In fact, I have long felt Edgar Wright was a little overrated (thought his Scott Pilgrim and Baby Driver were just ok and really didn’t care for Last Night in Soho). Now after seeing this film I feel like i finally get it and the appeal of what he does.

The story centers around the title character Shaun (Simon Pegg) who begins the day getting dumped by his girlfriend Liz (Kate Ashfield) and putting up with his leach of a friend Ed (Nick Frost) who has been slumming on Shaun’s sofa for 5 years! To say Ed is high maintenance would be an understatement. Then a little thing called a zombie apocalypse happens to complicate Shaun’s life. Despite having been dumped Shaun goes to save Liz along with her friends and his Mum (Penelope Wilton- who is always great) and his step-dad Phillip (Bill Nighy). Together they make an eclectic team that is figuring out how to fight off zombies along the way.

You have to give a lot of the credit for Shaun of the Dead to Pegg who pulls of the comedic and more emotional moments quite well. He also has an easy chemistry with both Frost and Ashfield and the film has a nice message about the importance of friends even if they drive you crazy at times. Shaun of the Dead is also paced very well. The characters are constantly either fighting the zombies or figuring out a way to keep them out of whatever structure they are in. Shaun in particular is scrappy and figures out creative ways to kill the zombies- at one point they try to use his record collection to kill them without much luck.

There is also a very effective scene using Queen’s “Don’t Stop Me Now” to perfectly punctuate the action. Wright is excellent at using his soundtrack to add energy and spice to his films and this no exception.

I actually think Shaun of the Dead would make a good date movie. It has a friendship and romance at its core and has humor and action to entertain everyone. I enjoyed it a lot more than I thought I would so if you can handle an R rated film (for language and violence) I’d say give it a watch!

8.5 out of 10

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