‘PRODIGY’ (2018) REVIEW

It’s always a fun experience to go into a film knowing as little as possible about it. It is one of the things I love about attending the Sundance Film Festival. Occasionally a movie will get some hype during the festival but most of the time I know only the name and a brief summary.

Recently I had a similar experience watching a small indy film called Prodigy, which has just landed on Netflix US for all subscribers to enjoy. At first I thought it was the 2019 horror movie The Prodigy, which I didn’t have a ton of interest in  (I’m not a big horror movie fan). Fortunately, this film, Prodigy, turned out to be an entertaining scifi thriller that does a lot with a very small budget.

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Prodigy stars Richard Neil as a psychologist named Fonda who is sent to a government facility to psycho-analyze a mysterious young girl named Ellie (Savannah Liles). She is straight-jacketed and under constant observation for her erratic behavior. Both Fonda and Ellie’s past comes into play  and they develop a little bit of chemistry as they talk.

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I won’t tell you any more of the story but Prodigy is one of those films that feels more like a play than a movie and I don’t think that’s a bad thing. Most of the time is spent between 2 characters talking and yet the tension builds to some satisfying and surprising moments.  I also thought Neil and Liles do a good job in their roles.

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Where the movie fails is with the other characters and some of the script. In particular a military man who becomes angry at Fonda’s methods, and a man who is operating the observational room they are in, had some very cringy dialogue. It’s also not a very cinematic movie in its production and special effects, so it is perhaps best at a place like Netflix.

That said, I enjoyed watching Prodigy. It’s a clever scifi thriller with 2 good performances so if you are jonesing for something fresh and new to watch on Netflix give it a shot.

7 out of 10

smile worthy

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