Ranking SXSW 2023 Movies

Hey everyone! I am so excited to finally be getting you my thoughts on the SXSW 2023 Film Festival and my ranking on each of the 11 films I saw while in Austin, Texas (12 if you consider Shazam: Fury of the Gods.)

Let me start by saying I had a great trip. It was my 2nd time in Austin and it’s such a fun town. The festival is massive, not only covering movies but music and innovative speakers. My pass was just for the movie portion but I’d like to go back again sometime and go to some concerts and other entertainment while I’m there.

I had heard some complaints from friends who arrived at the festival before I did- waiting in long lines, it taking 3 hours to get their badges- but that wasn’t my experience. I stayed mostly to the suburbs and got into everything I wanted to see whether I had an express pass or not.

I’m so grateful to the Chandler Family for letting me stay with them. It was so cute their little girls made my room a hotel room for my stay complete with a homemade key-card and reader. I honestly miss them and wish they lived closer so I could see the whole family more easily.

May be an image of 2 people and dessert

I also got to see friends attending the festival like Katie Carter and Anthony Digioia as well as my old friend Emily who drove all the way from San Antonio to have lunch. My only wish is that I lived closer to my friends because I miss them so much when I’m gone.

Ranking the Movies

Now let’s get to the movies. Like I said I saw 11 movies at the festival and it was a good mixture of documentaries, shorts, and both big and indie releases. There wasn’t anything that I hated (which is always nice at a festival) but some I liked more than others. Here goes:

11. Is There Anybody Out There?

I have to admit I fell asleep for a portion of this one. Part of that is fatigue on my part but the other part is a documentary that would have been better as a short. I think Ella Glendining is a super cool person and I enjoyed following her journey to find others with a similar disability; however, it starts to feel repetitive after a while, which hurt my interest. It’s not bad just a little on the dry side.

5 out of 10


10. With Love and a Major Organ-

I have mixed feelings on this one. It has some surreal and quirky moments and I appreciate its trying something new and artistic. However, some sequences seemed to be strange for strange sake and I left feeling unclear with what the director Kim Albright was trying to say. It’s set in a world where you can remove your organs, particularly heart, and give it to someone else- usually as some kind of act of revenge. Clearly she’s trying to say something about loneliness and modern-day relationships but I’m not really sure what that is? It’s an interesting movie but one that didn’t quite come together for me.

6 out of 10


9. You Were My First Boyfriend

Here we have another film I think would be better as a short. There’s lots of good ideas in You Were My First Boyfriend and I defy anyone to watch it and not find sequences they relate to, but there are also segments that feel way too long and it lost my interest. For example, director Cecilia Aldarondo spends a long time recreating a Tori Amos music video because it was a favorite of hers as a teenager. What could have been a few sentences about how music impacted her as a teenager ends up as a 20 minute making of a music video. That said, I did like the segment recreating a bullying incident at a sleepaway camp and it reminded me of when I had a similar incident in 8th grade. The title is kind of misleading because the high school crush segment is brief and it is more about her childhood best friend. That part I enjoyed and found quite moving so it was a mixed bag.

6 out of 10


8. Black Barbie: A Documentary-

I hate to sound like a broken record but this is another documentary that would have been better as a short. There’s a lot of good stuff here about Black Barbie but also the history of diversity at Matel and dolls in general. I loved hearing from the creator of Black Barbie and the other Black designers working at Matel over the years. The problem is they spend a lot of time on research with kids playing with Barbies and it starts to feel repetitive and dry after a while. Still, I’m glad this came out the year of the Barbie Movie and I hope people seek it out and have their kids play with all kinds of Barbies and dolls.

6 out of 10


7. Late Bloomers

This is a sweet if a bit overly-long friendship story. Karen Gillan plays a depressed young woman who breaks her hip spying on an ex-boyfriend of hers. While recovering she meets a Polish woman named Antonia who she begrudgingly begins to help and become friends. This helps her understand her own Mother who has Alzheimer’s. I think a lot of people will be able to relate to Karen’s character  and while it does drag at times it has its heart in the right place.

6 out of 10


6. Animated Shorts Program

I am so grateful to Morgan at Rotoscopers for helping me get my press credentials. As such I reviewed the animated shorts over on their site including my ranking of all 10. You can read that here.


5. Hung Up on a Dream

Pretty much every festival I attend has a band documentary- usually a classic rock band that is underappreciated. Sundance had one on The Indigo Girls, NYFF had one on David Johansen and the list goes on. SXSW has Hung Up on a Dream which is about the band The Zombies. Of all these band documentaries this one is towards the top. The journey of The Zombies is so unique and I felt like I got to know each of the band numbers. It’s not your typical wild rock n roll life but more of a story where luck often wasn’t on their side but they enjoy the ride anyway. It was cool 2 of the band members were there and had a panel after the movie. They seem like really cool guys and I enjoyed learning about them.

7 out of 10

4. Tetris

Because of my eye issues I don’t play many video games but Tetris is the one exception. I’ve wasted many an afternoon mixing up blocks into rows, so I was fascinated to learn about all that went down in the creation and licensing of the game. Taron Egerton plays Henk Rogers who discovers the game in 1988 and Nikita Efremov plays Alexey Pajitnov who invents the game in the USSR. The movie starts off a little slow. The first 20 minutes feel like nothing but board meetings but then when the USSR, Japan, UK and USA factions all get involved it starts to get more exciting. Eventually it becomes a story of unlikely friendship between Alexey and Henk. It was neat to have the real life Henk and Alexey at the screening but even so this story of international intrigue should entertain any fan of the game.
7 out of 10


3. Peak Season

Bittersweet love stories seem to be the theme of 2023. We had Past Lives, Flora & Son at Sundance and now Peak Season at SXSW. This one is set in beautiful Jackson Hole, Wyoming and follows engaged Amy (Claudia Restrepo) as she finds a friend in local vagabond fly fishing instructor Loren (Derrick DeBlasis) while her fiancé is away. Of course I prefer more traditional romances but this is still very well done. The dialogue feels authentic and natural and the mountains are stunning. I think anyone who loved Cha Cha Real Smooth last year will enjoy this movie- except I prefer this and its ending to that.

8 out of 10


2. Join or Die-

I’ve been a big fan of Robert Putnam’s work since I was a political science undergrad from 1998-2002. If you don’t know he wrote a book called Bowling Alone which looked at trends in joining groups and how that impacts all parts of American life including politics. In this movie Join or Die we catch up with Putnam and see how group behavior has changed in the 20 years since his book. If you think about it so much has changed in those decades including obviously online groups and the recent pandemic. I honestly think everyone should watch this movie. It’s put together in an approachable and entertaining way and it’s a conversation we need to be having.

8 out of 10


1. Molli and Max: In the Future-

Naturally SXSW was very proud of the fact this year’s surprise Best Picture winner EEAAO premiered at their festival in 2022. And in my opinion if any film is going to repeat that success it is this quirky sci-fi romcom Molly and Max: In the Future. This film basically takes When Harry Met Sally and puts it in a brightly colored engaging space world. I’m not the biggest sci-fi person but this doesn’t take itself too seriously and has fun with a world of bright colors and 2 friends, Molli (Zosia Mamet) and Max (Aristotle Athari) who meet with an undeniable spark and then proceed to spend the next 2 decades running into each other and almost falling in love. I enjoyed pretty much everything about this fun romance with an engaging script and visual effects that include miniatures, practical effects and CGI/green screen. It all worked quite seamlessly and Athari and Mamet have delightful chemistry. I hope this gets a good rollout because it is charming.

9 out of 10


So there you have it! I had a great time at the festival and saw a lot of terrific movies. I also got to cover my first red carpet for a movie (or series) premiere while I was there which was a wonderful experience. It was for the Disney Plus series A Small Light, which I didn’t get to see yet but had a great time talking to the cast and crew.

What do you think of the movies I saw? Any stand out to you or look interesting? Let me know in the comments section. 

 

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SXSW LOG 2022: DAY 2 (FACING NOLAN, I LOVE MY DAD, 32 SOUNDS)

After an amazing first day of SXSW day 2 was definitely more of a mixed bag. I again only watched 3 movies because of other responsibilities I have but I hope to be able to catch up with more films on Monday and Tuesday. We will see how it goes!

Let’s talk about some movies:

Facing Nolan

I don’t have tons to say about Facing Nolan. It’s a perfectly serviceable biodoc about pitcher Nolan Ryan. It’s the kind of film you’d see on an average episode of ESPN’s 30 for 30 series and fans of Ryan and baseball will undoubtably enjoy it. I like biodocs. It’s fun to learn about people and what made them the people they are but if you are looking for something that transcends the genre this isn’t it (and it doesn’t have to be it).

I did appreciate the variety of subjects interviewed including former President George W Bush. Like I said, baseball fans will especially enjoy Facing Nolan, so it does its job.

6 out of 10

Smile Worthy

I Love My Dad

It’s interesting how we all accept Mrs Doubtfire as a sweet family comedy because we grew up with it and it has such a likable tone and actors. However, when you actually think about it it’s kind of creepy. It’s a similar dynamic with I Love My Dad. It’s a comedy about a man lying to his ex and his son in order to ingratiate himself in his son’s life. It’s just replaced prosthetics and make-up with internet catfishing. Unfortunately, Patton Oswalt’s character takes things so far his character is irredeemable. The more I thought about the film the grosser it became.

Oswalt plays a man who is estranged from his son and decides to start catfishing him as a beautiful young lady in order to boost his confidence (the son is suicidal at the beginning). Like I said, it starts out sweet and innocent enough but then when it gets to sexting and other lewdness it’s weird and I don’t think I could ever forgive a father for doing what Oswalt does.

I Love My Dad ends up feeling like more of a horror movie than a family comedy.

4.5 out of 10

Frown Worthy

32 Sounds

I have no doubt Sam Green’s new documentary 32 Sounds will be used in film school classes for decades to come, and such instructional settings is probably where it belongs. It’s unlike any movie I’ve ever seen with interactivity that feels novel and fresh…for a few minutes and then I was ready to move on.

32 Sounds strives to teach the viewer about sound in film and how it impacts the movie-going experience. They start the film asking the viewer to watch with headphones or at a theater if possible. Then there are various exercises they ask the viewer to participate in. The viewer are asked to respond to different sounds or think about what memories different sounds bring to the surface.

It’s definitely an interesting experiment in film but probably best as an instructional youtube series than a long feature film.

5 out of 10

Frown Worthy

Are you attending the festival? What did you think of these 3 films? Would love to hear your thoughts. 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

SXSW Log 2022: Day 1 (Your Friend Memphis, Skate Dreams, Crows Are White)

Hey everyone! I hope you are all doing well and having a great weekend! Yesterday marked my first day attending the virtual edition of the SXSW film festival. I thought long and hard about attending the festival but with a New York trip already planned for March I didn’t feel like I could do it. Unfortunately that means I miss out on some of the films being screened but there are still many worthwhile films to watch.

For the first day I watched 3 documentaries and I’d actually recommend all 3. They are each very different from each other but found them all rewarding and worth watching.

Here are my quick thoughts:

Your Friend, Memphis

Like many indie documentaries I do think Your Friend, Memphis would be better as a short. It’s subject Memphis DiAngelis is compelling but the events of his life can drag in spots (as would be the case with most of our lives). Memphis has cerebral palsy but he doesn’t want that to define him. Film is his passion but his struggle to be taken seriously is often met with patronizing speeches if not outright

I appreciate Your Friend, Memphis avoids maudlin or inspirational disability weepie traps but some of the time spent on his crush with a singer named Seneca don’t go anywhere and could have been lessened or removed. Still I overall recommend Your Friend, Memphis and would be a good double-header with The Peanut Butter Falcon from 2019.

6 out of 10

Smile Worthy

Skate Dreams

Anyone who might have been tempted to say ‘skate like a girl’ as a term of derision will want to shut their mouths after seeing the new documentary Skate Dreams. In the film director Jessica Edwards chronicles the history of female skateboarding and it’s engaging interviews and great skating footage make for an entertaining watch.

For some this might be old news but I knew nothing about the start of this sport so I found the stories of early skaters to be very interesting. It was also honest about the challenges and blessings of increasing popularity including the recent addition of the sport to the Olympics.

If you like skateboarding at all Skate Dreams is a winner.

7 out of 10

Smile Worthy

Crows Are White

The final documentary of the day Crows Are White proved to be something special. Ahsen Nadeem’s film starts out as a simple story following the monks of Mt Hiei, Japan but then morphs into a personal story about his own faith journey and the acceptance he years for from his traditional parents.

While I do think the film drags on in sections (although even the slower parts can still be delightful like a whole scene with a monk going gaga over ice cream sundaes), when it works it really works. There is a scene where Nadeem finally is honest with his parents and you want so much for him to be accepted by them, so when he isn’t it’s quite devastating. I loved the dynamic between Nadeem and his wife and the ending is very fulfilling.

There are parts in Crows Are White that feel staged but never so much it took me out of the moment or made the story feel illegitimate.  This is a moving, emotional story that is worth searching out and supporting.

8 out of 10

Smile Worthy

I’d say day 1 was a pretty good start to SXSW. Hopefully in day 2 I will get some narratives to recommend. If you saw any of these films let me know what you think! 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

TIFF Day 6 Log: (Nobody Has to Know, Charlotte, The Middle Man)

Hey everyone! Another day of TIFF has come and gone and I must admit the 3 movies I have to report on today were all disappointing. It’s always a bit hard being critical of these independent films that clearly have so much love and care put into them. Nevertheless, I have to share my opinions as a film critic, so let’s see what I thought!

Nobody Has to Know

I feel like when you describe the premise for Nobody Has to Know it sounds more interesting than it actually is. The film is written, directed and stars Bouli Lanners and it certainly is an ambitious project. He plays Phil a man who loses his memory after a stroke. A woman named Millie comes to his aid but she also says they had a relationship before the stroke. Phil doesn’t know whether to believe her and we as an audience are skeptical as well. Is this a desperate ploy for companionship or a real connection Phil’s forgotten?

Nobody Has to Come explores these questions with good cinematography and performances. Unfortunately the pacing is very sluggish and the film meanders away from the core premise a lot. Maybe in a theater it would have kept my interest better but at home it did not. The acting is excellent and it is beautifully shot. Unfortunately the script let’s down an interesting premise.

To be frank Nobody Has to Come was simply dull. So I admire what they tried to do but can’t recommend it in the end.

4 out of 10

Frown Worthy

Charlotte

Being an animation buff I was obviously looking forward to both of the animated films at TIFF. I love indie animation and have a whole podcast once a month where my friend and I focus on indie and obscure animation. Unfortunately both of the animated films (not including Flee which I saw at Sundance and loved) ended up disappointing me during this festival- particularly Charlotte.

This film tells the story of Charlotte Salomon who was a German-Jewish artist murdered at Auschwitz concentration camp after completing her series of over 700 paintings. Indeed, the most captivating part of Charlotte is the addendum at the end talking about Salomon’s works in a traditional documentary fashion. It’s a problem if a section at the end is more effective than the entire rest of the movie!

The animation is pretty bad in Charlotte which feels awkward in a movie about an artist. And while the voice cast is impressive the voices didn’t match with the characters. Keira Knightley does a good job as Charlotte but her voice seems too old for a young artist in her 20s. None of them fit!

But the main problem is the story, which manages to feel bland and ordinary when it should be exceptional. Like I said the brief documentary at the end is much better than the story we get in the entire film. You’d honestly be better off reading an article on Salomon and giving Charlotte a pass. It’s a real shame because it had a lot of potential if it was executed better.

3 out of 10

Frown Worthy

The Middle Man

I’m not the biggest fan of dark humor. Every so often in something like The Addams Family it can work but for the most part it falls flat and ends up being more disturbing than elevating. The Middle Man, a new absurdist kind-of dark comedy is such a film and I really disliked it. Not for me.

The Middle Man tells the story of Frank who has been hired to be the ‘middle man’ for their community which has a bizarre number of accidents (he’s not with the military or anything like that). It’s a weird dystopian without being a dystopian.

It’s hard for me to explain why I found this movie to be so irritating. Maybe it’s because it is so repetitive? Maybe it is because it is pretentious and dealing with topics like death and grief in such a trite way? Maybe it’s because it dragged on and was so obviously pleased with itself? Either way it was not for me. It reminded me of Kajilionaire which I also hated with its unlikable characters and repetitive frustrating script. However, most people seemed to like that film so maybe they will like this? Like I said- it’s not for me.

2 out of 10

Frown Worthy

So there you have it 3 frowns. No fun when that happens. I hope you had better luck if you are covering TIFF or with whatever you are watching. I hope the festival finishes out on a run of good movies after this weak batch. Take care!

TIFF Day 1 Log: As in Heaven, Petite Maman

Hey everyone! I hope you are doing well. This week has been very busy with all my normal busyness plus getting ready for the beginning of TIFF (The Toronto International Film Festival). I am blessed to be accepted as accredited press with the ability to participate in the digital festival (I hope to go in person next year but I was too afraid of getting caught in Canada with a surprise attack of COVID to go this year.

Unfortunately the festival had a rough first day with the digital player not working on any browser. This caused them to reschedule some of the screenings and I was only able to get 2 films in. On the plus side I was able to get ahead on other projects so I should be able to watch more movies this weekend.

Anyway, here are my thoughts on the 2 movies I did get to see today as part of the festival

As in Heaven

As in Heaven (Du som er i himlen in Danish)

First time filmmaker Tea Lindeburg tells a story about a young girl named Lise who is trying to help her family get through the long couple of days of her Mother being in labor and enduring a difficult pregnancy. Her and her children struggle with the thought of losing their mother and Lise hopes to someday escape the small world of her farm.

This movie is beautiful with some of the most striking cinematography I’ve seen in a long time. I also felt like I connected with the characters as my Mother had difficult pregnancies when I was a teenager (obviously this is a period piece but I still connected with the worry).

It will definitely be too slow for some as there isn’t a ton of plot. It’s a fly on the wall kind of movie where you watch and experience life with the people in the film. It also has some pretty grisly birthing scenes so viewer beware! Still I was moved by As in Heaven and I recommend it to anyone who can handle the pacing and challenging subject matter.

8 out of 10

Smile Worthy

Petite Maman

One of my most anticipated films of the festival was Céline Sciamma’s Petite Maman. I really enjoyed her film Portrait of a Lady on Fire from 2019 and this more modern story of 2 young girls looked very sweet.

Unfortunately, now that I’ve seen it I must own to being quite disappointed. Nearly everyone else I know seems to be loving this so maybe my hype hurt my experience but I didn’t see anything special in this film.

I was right about the 2 girls being cute. They are adorable little girls and the child actors do a great job playing and having fun together. They don’t feel like the too precocious child actors you sometimes get in Hollywood films. We all know kids just like these girls.

The problem is with the script. Nothing really happens. You spend a weekend with the girls as they help pack up one of their recently deceased Grandmother’s homes. That’s it. They pack things, eat cereal, build forts. It’s cute but not enough to sustain a feature film. It’s once again an indie festival film that would have been much better as a short.

It’s interesting because both Petite Maman and As in Heaven are slice of life narratives but the latter worked more because the stakes are so much higher if the family loses their mother. In Petite Maman it’s cute but the emotional weight isn’t there. Like I said, I’m definitely in the minority on this one but that’s part of the festival experience. I always have a couple festival favorites I don’t love.

5 out of 10

Frown Worthy

So there you have it. Hopefully tomorrow I will have many more films to log! Happy movie viewing!

SXSW DAY 4 LOG (Lily Topples the World, The Fallout, Swan Song)

Hi everyone! And now I am back for my final update on the SXSW festival. Honestly the festival started out rough but by the end I enjoyed most of the films I saw. There weren’t that many I adored and can see ending up on my top 10 of the year but I am still glad I attended the festival. I hope next year I can go in person but for now I’m grateful to have been able to attend in this virtual environment.

Thank you to all the volunteers and workers who made the festival a success and all the creatives who put their films out for us to judge and enjoy. I am very grateful!

So here are my final movies

Lily Topples the World

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Before watching this documentary I had never heard of domino toppling as a thing and these kind of ‘feature an odd hobby/career’ docs are always a lot of fun. Lily Topples the World tells the story of Lily Hevesh and how she creates incredible displays with dominoes that are toppled with the toppling being part of the art.

These installations are stunning and she has found a way to make a career out of it both on youtube and working for corporate clients like the Seattle Lottery.

Lily is also an adoptee from China and it was interesting to hear about her experiences and how she identifies and doesn’t identify as an Asian American. The documentary does feel a little stretched out and would have probably been better as a short but I still enjoyed it and especially loved watching all the artwork on display.

7 out of 10

Smile Worthy

The Fallout

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This outstanding drama is written and directed by actress Megan Park in her debut film! (Megan is a veteran of many Hallmark films so it was so cool to see her have such a successful debut). The Fallout tells the story of a young woman who is dealing with the aftermath of a school shooting at her high school. The scenes of the school shooting are intense and visceral and lead actress Jenna Ortega is fantastic. (She is also in the new comedy Yes Day on Netflix that I also enjoyed. She has huge star potential!)

This film could have felt manipulative and frustrating but I bought what it was selling. It is moving and the various responses to the trauma felt real and authentic. Julie Bowen is excellent as her Mother and Shailene Woodley is her therapist and they all work great.

8.5 out of 10

Smile Worthy

Swan Song

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Swan Song is an endearing film about a man in a nursing home who breaks free for a weekend to do the hair of a beloved past client of his who has passed away. Udo Kier is wonderful in the lead role and he is the reason to see this film. I don’t know if I have ever seen him before but he’s charismatic and charming.

My favorite part about this film is how it captures the sense of longing we feel for those that have passed who we miss so much. They might be in a better place but we miss them just the same.

7 out of 10

Smile Worthy

SXSW Day 3 LOG (Best Summer Ever, Fruits of Labor, Aliens on Stage, Inbetween Girl, The Drovers Wife)

Hi everyone! So I am days late in my SXSW logs but I am here to play catch up. I just got so busy between watching all the films and all the stuff I have to cover for my podcasts that I missed my daily coverage of the films.

Anyway, let’s get to it and talk about some movies

Best Summer Ever

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Anyone who knows me knows I am a sucker for a musical. Even cheesy low budget musicals I defend like the DCOMS on Disney Channel I think are sweet and entertaining. As such I was excited for Best Summer Ever. I also love that it features an inclusive cast with disabled actors. I think that is fantastic. Unfortunately everything from the writing, to the acting, to the story felt painfully amateurish. Most importantly there wasn’t a memorable song in the show. I was hopeful this would be this year’s Anna and the Apocalypse but that film had good songs and was well put together.

I don’t want to be too hard on this film because obviously they had the best of intentions but it just didn’t come together for me

3 out of 10

Frown Worthy

Fruits of Labor

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This documentary follows several teens working in the strawberry fields with dreams to graduate from high school and improve their lives. I enjoyed following the girls and seeing their lives play out but the director is heavy handed with cheesy metaphors of butterflies coming out of their cocoon. The director needs to trust their audience that we can figure out the meaning behind what is happening.

For the girls alone I will give it a passing recommendation but it could have been a lot better.

5 out of 10

Smile Worthy

Alien on Stage

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I am a huge lover of local small theater productions and I’ve missed those so much in this pandemic. As such, this documentary about a group of friends who put on a stage production of Ridley Scott’s Alien was good for my soul. I loved seeing them come together to make the clever sets and costumes and then when they get picked to perform at the West End in London it is such a happy moment! I love this group and love their story! I highly recommend checking this film out.

8 out of 10

Smile Worthy

The Inbetween Girl

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This has sweet moments and I liked all of the performances. However, I have a hard time relating to young adult, coming of age movies with such intense relationships. It’s so different from my experience. Shouldn’t teens be having fun going on dates and enjoying time together? Shouldn’t it be the exception to the rule that have intense relationships with a boyfriend or girlfriend?  It might not be fair to make my own experience the standard but at certain point I need to connect with melodrama of a coming of age story and I didn’t with this film.

Most of the film is about the lead girl cheating with a friend of hers who is dating a frenemy of hers. Something about it didn’t feel authentic or true but I’m sure others will connect with it. It’s not a terrible movie but not something I became invested in.

4 out of 10

Frown Worthy

The Drover’s Wife: The Legend of Molly Johnson

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Watching this film was a bit of a risk for me because I am normally not the biggest fan of westerns. However, it had buzz around the festival so I decided to give it a shot. I recently enjoyed News of the World so you never know with any genre. Unfortunately, The Drover’s Wife was no News of the World.

I guess it is adapted from a play and I don’t think that would be my kind of play. The whole film is so unceasingly bleak and unpleasant. I didn’t enjoy it at all. It’s well made and the performances are good but it was not for me. I couldn’t wait for it to end.

4 out of 10

Frown Worthy

SXSW Day 2 Log (I’m Fine, Twyla Moves, US vs Reality Winner, Here Before, Tom Petty, Recovery)

Hey everyone! After a rough start to the South by Southwest Film Festival Day 2 proved to be much better. In fact, I liked all 6 films I watched today to one degree or another. Hooray!

So let’s get started with the recaps!

I’m Fine (Thanks for Asking)

I have to say COVID is proving to be a better setting for storytelling than I might have guessed. In this first entry writer, director and star Kelley Kali gives us a day in the life of a grieving widow trying to get housing for herself and her daughter during the pandemic. She travels around down in roller skates and does various gig work and gets more desperate as the day goes on.

It’s a sobering film but Kali is such a likable presence on screen it keeps us invested. It kind of reminded me of the first act of Moonlight in a lot of ways. Some will find the slice of life concept to be a dull but I enjoyed it.

7 out of 10

Smile Worthy

Twyla Moves

Twyla Moves is a documentary done by PBS for their American Masters series (it actually airs this weekend on TV). I really enjoy American Masters and this goes right along with what they do. It kind of reminded me of Ailey about Alvin Ailey from Sundance 2020 (which was also for AM).

This one is about choreographer Twyla Tharp who I had never heard of but is absolutely incredible. They listed off her resume and she had major projects every year since the 70s including films like Hair and Amadeus. I kind of wish it had gotten into more of her backstory and personal journey but it stays mostly in the professional realm but still fun to watch.

6.5 out of 10

Smile Worthy

United States vs Reality Winner

From the minute I heard federal secrets dropper Reality Winner’s name I wanted to learn more about her and that’s what this documentary does. It’s fairly basic in its presentation but the story is so strange and compelling it doesn’t need much manipulation to work. If you want to learn more about Reality than give this one a watch.

5.5 out of 10

Smile Worthy

Here Before

If you are looking for an artsy thriller at the festival Here Before may be the movie for you. It stars Andrea Riseborough as a woman who becomes convinced her new neighbor is actually her dead daughter reincarnated. This is a beautifully made film with an excellent performance by Riseborough (who is almost always good even in Birdman which I do not like). The pacing is very slow in this one and there were times my attention drifted away but still enough good to recommend.

6.5 out of 10

Smile Worthy

Tom Petty, Somewhere You Feel Free

Obviously this Tom Petty film will be a must watch for fans of him and his music. However, I also think it will be interesting to anyone who has a love of music and is curious to go BTS of the making of an album. In this case it is his ‘Wildflowers’ album and of course everything is touched by the knowledge of his sudden passing in 2017.

If you are looking for Tom’s backstory or how he became a musician that’s not what this is. It’s a showcase of the making of an album and all the people and hours of work that went into it. As a lover of music I enjoyed learning about the process and hearing lots of great Tom Petty songs!

7 out of 10

Smile Worthy

Recovery

My friend Jonathan actually told me this movie was premiering at the festival. It stars Mallory Everton (who also cowrote and directed) and Whitney Call. They are both stars of the comedy skit youtube show Studio C and they bring that zany energy to this hilarious comedy.

Recovery is definitely a hair edgier than what you get on Studio C but it should be fine for adults. It’s about 2 sisters who have to go get their Grandma from a nursing home infected with COVID. A comedy like this comes down to the writing (which is very funny) and the chemistry which these 2 have in spades. I loved i! You may think it’s too soon to laugh at COVID but give it a chance. I bet you will find yourself cracking up just like I did.

It’s definitely the best of the festival so far. I loved it!

8.5 out of 10

Smile Worthy