All 28 SUNDANCE Films I Saw Ranked and Reviewed

Hi everyone! I hope you had a great January and that some of you got to enjoy the experience of the Sundance Film Festival both in person and online. I had a terrific time and saw 28 films this year! I also got to be on KSL Movie Show twice- once on their live show and once on the podcast edition.

The Movie Show

Overall, I’d say the lineup was pretty good this year at Sundance. There wasn’t that much I disliked although last year was perhaps even better but there were a lot of good films.

You can listen to my recap with Louisa Moore (and the 50th episode of Female Film Critics Panel)

But here are my ranking and reviews of all 28 films I saw:

28. Seeking Mavis Beacon-

I was intrigued to watch this documentary, Seeking Mavis Beacon, because I learned how to type using Mavis Beacon software and thought it might be interesting to learn about her backstory. Unfortunately it was clear the research behind Mavis didn’t come to much so instead of just abandoning the project we were subject to their landlord disputes, attending parties and an occasional interview from one of the game developers. I realize it’s got to suck when your documentary topic proves fruitless but sometimes it happens and you have to move on. Don’t do whatever this was…

1 out of 10

Frown Worthy

27. Little Death-

Little Death is the kind of film I despise at Sundance. So shallow and annoying yet so full of its own virtue you can’t stand it or at least I couldn’t. Everything it does or says I’ve seen a million times and yet I’m supposed to be shocked. For example David Schwimmer’s director character has to change his character into a strong female woman and he goes on a rant about how every character is a strong female character. I’ve heard this so many times. What would actually be interesting is if someone commented on how most of these strong female characters aren’t actually made to appeal to women or for women. That would be insightful. Instead it’s more drivel pretending to be brilliant. Every character is unlikable and the animation and other artistic choices are the most basic of Sundance chic. No thank you! The dog is the only thing I liked.

2 out of 10

Frown Worthy

26. Between the Temples-

Sometimes a director, particularly at Sundance, can’t let himself get out of the way of the story. Such is the case with Between the Temples. Director Nathan Silver has a bunch of good ingredients with a funny story and charismatic performers but unfortunately I couldn’t enjoy the film because of the terrible filmmaking choices he makes. Silver has a love of extreme closeups for no reason, which is distracting to the overall narrative and the sound design was frankly bizarre. Whenever someone is eating we hear the food masticating in their mouth. We hear them scratching and slurping up tea. It’s unpleasant and doesn’t add anything of substance to the story. In the end, Between the Temples was a chore to get through and I couldn’t wait for it to be over.

2 out of 10

Frown Worthy

25. Handling the Undead-

There might be something in Handling the Undead that could make for a piece of a good movie but as presented it’s an extremely frustrating watch. It’s definitely the most lethargic and slow zombie movie ever made. In it we have a zombie uprising where there’s a lot of meaningful staring and sad faces, which sure you’d feel that way in a zombie apocalypse but there might also be some urgency? The cinematography and music are beautiful but almost nothing happens for 98 minutes. We are literally watching people stare longingly for over an hour. No thank you.

3 out of 10

Frown Worthy

24. Love Lies Bleeding-

It’s always interesting when a project or director has a lot of hype going into the festival. It feels like they almost never live up to expectations and that is definitely the case with Rose Glass and her new film Love Lies Bleeding. She had a big indie hit in 2019 with Saint Maud, which I finally watched before the festival (I don’t tend to like possession movies) and it is very well done. Unfortunately Love Lies Bleeding can’t decide whether it wants to be an erotic thriller or an over-the-top revenge fantasy. The performances are good by Kristen Stewart and Katy O’Brian but each new plot development got more ridiculous by the minute until the end is full-on absurd fantasy. I can see some will embrace the madness but it was too much for me and didn’t manage its tone well enough.

4 out of 10

Frown Worthy

23. Winner-

I like an inspirational true story as much as the next person but with Reality Winner’s story the filmmakers have the unfortunate task of making someone heroic who does something incredibly stupid. I’m not sure how the other bio-pic of her story fares but Winner feels extremely mediocre and would make more a home as a movie of the week on channels like Lifetime- but they’d make it more salacious and fun. Emilia Jones is good in the lead role and Connie Britton always adds gravitas to whatever she is in but the movie can’t get around the fact what Winner did was at best misguided and like I said stupid.

4 out of 10

Frown Worthy

22. And So it Begins-

Documentaries are tricky because so much of the entertainment value is unpredictable and depends on the charisma of the subject being profiled. Unfortunately And So it Begins is not able to make the Filipino presidential candidate Leni Robredo interesting. It has a few stirring speeches but most of it feels like watching the dry and dull goings-on of a campaign. Most frustrating is I didn’t feel like I actually got to know Robredo and instead was shown the busy-work and bureaucracy in setting up events and talking with the media. It just wasn’t interesting.

4 out of 10

Frown Worthy

21. Didi-

Didi is where we start to get into the more mixed bag experiences of the festival. There are some positives here. Director Sean Wang has captured authentic moments of a Taiwanese American family in 2008 with the awkward interactions between a teen b0y and his friends and family. Unfortunately the tone is all over the place and the teen is very unlikable at times. He’s not just rebellious but outright mean to his Mother and sister and even rude to his friends without a clear motivations for his behavior. It just made the whole thing kind of unpleasant to watch. Coming of age stories are already a tough sell for me and in the end I couldn’t vibe with this teen.

5 out of 10

Frown Worthy

20. Reinas-

Lately it seems to be a favorite theme of indie films to take on relationships between fathers and daughters- usually divorced Dads with their daughters. Aftersun was a good example last year and this year at the festival there were 2 films, both in the Spanish language that were almost identical, Reinas and In the Summers. Unfortunately for Reinas, In the Summers was the better film so it gets higher on this ranking. I honestly don’t know what they were thinking having such similar films in the same category at the festival. The girls are cute in this one but not much else to find compelling.

5 out of 10

Frown Worthy

19. 10 Lives

10 Lives is our animated entry for the festival and I honestly wanted to like it more than I did. The animation is fairly generic cheap CG and the story feels played out. It perhaps hurts that it is similar in structure to Puss N Boots: The Last Wish (at least the very beginning of that film) and you all know how much I loved that one. In tphis case our cat comes back to earth as different animals which could have been funny but it again felt played out. It’s harmless for little kids but pretty generic.

5 out of 10

Frown Worthy

18. Rob Peace-

Next up we have Rob Peace and this is a tricky situation because it is a well made film. The acting is solid throughout and it is based on a true story so I don’t know how much room they had to work with for the story. However, every beat felt so predictable and played out it was frustrating to watch. As each part of the story unfolded I kept saying to myself what was going to happen and then sure enough it did. It just would be nice to get more stories from the Black experience and to tell them in more cinematically unique ways. This one is what I would call serviceable but totally unmemorable.

5 out of 10

Frown Worthy

17. In the Land of Brothers-

In the Land of Brothers tells 3 stories of Afghan refugees living in Iran which is a people and situations I know nothing about so it was intriguing on that level. However, all 3 stories werevery depressing and it might have been nice to throw in 1 with a little bit of hope for a little bit of variety. My favorite was the last which was about a marriage in a tough spot. They are all slice of life type stories but are well made and it would be interesting to see what these directors could do with a feature.

5 out of 10

Frown Worthy

16. Brief History of a Family

A lot of people at the festival were comparing Brief History of a Family to Saltburn but I didn’t see Saltburn so perhaps that helped in my enjoyment. It’s an impeccably well made film with a beautiful look to it and great performances but I don’t know if I totally got what it was going for in the story. It’s about a young man in China who begins to be attached to another set of parents (everyone only has 1 child because of the one child only policies) and this causes conflict with the couples actual son and with his parents. Still it’s one that I would be interested to watch again outside of the festival.

6 out of 10

Smile Worthy

15. In the Summers

Like I said, of the 2 films In the Summers was the better father/daughter journey over Reinas so it gets the higher placement. Like all of these stories, you have a flawed father who is abusive and angry but still loves his daughters in the best way he can. You have different actresses playing the girls over the years and they do a good job with the young performers and making them all feel like the same characters. I don’t know how I feel about how much Spanish they chose to not translate or subtitle in the movie. I feel like I missed out on a lot of the dialogue and important character interactions because of that choice. My response after I saw In the Summers is that it is ‘very sundancy’ and so I’m not surprised it won awards. It’s just strange they pitted it against another very similar film.

6 out of 10

Smile Worthy

14. Freaky Tales

This anthology of 80’s themed horror shorts got a ton of buzz at the festival and while I enjoyed them I don’t know how buzzworthy they really were. My favorite were the first and fourth. The first is about a group of punk kids who decide to fight the local skinheads (literally in a battle style combat scene) and then the fourth was about an NBA player who takes on some of those same thugs who try to steal from his house. He’s known as Sleepy Floyd but he does anything but sleep on them! These shorts are very bloody and they have a nice sense of humor. There’ s also a really fun cameo that everyone will get a kick out of in the 2nd short. These are enjoyable enough with a nice style and sense of humor to them but nothing outstanding.

6 out of 10

Smile Worthy

13. Frida-

Next up is a documentary Frida about the painter Frida Kahlo who was quite the personality. When I first saw this on the schedule I thought maybe it might be destined for the PBS Masters series but Kahlo has quite the tongue and isn’t afraid to use it! It was funny and surprising but does make you wonder where this can eventually land. They did all they could in this documentary to add animation in Kahlo’s style and make it as entertaining as possible but it still felt a little dry. Still, if you are interested in Kahlo and her art it’s a must watch.

6 out of 10

Smile Worthy

12. Girls State-

Girls State was a fun way to start off the festival especially because I saw Boys State a few years ago at the festival. I also got to give my review to the KSL Movie Show, which was a fun surprise. This is similar to Boys State but it isn’t quite as cynical. They did a very good job picking the girls to be featured and they try to show the differences between the 2 organizations. There is even one girl who starts doing an investigation into the differences between Boys State and Girls State. However, I did start to feel manipulated as I know so little information about both programs- perhaps the boys programs has a lot more applicants and interest? There could be reasons the programs are different besides just sexism. Still, it’s interesting to see the type of rhetoric effective on young girls and what is of concern to them right now.

6 out of 10

Smile Worthy

11. Skywalkers: A Love Story-

Next up we have another documentary Skywalkers: A Love Story that is about 2 legitimately crazy people and their love story. It’s too bad it is going straight to Netflix because these daredevils and their stunts are incredible to watch on the big screen. This tells the story of a couple Angela Nikolau and Vanya Beerkus who climb to the tops of high buildings and post about it on their social media. The pictures they get hanging off of poles and rooftops are unbelievable. Don’t watch this one if you have a fear of heights! Fortunately it is also a compelling love story as the title suggests. Think Free Solo but with actually nice people at the lead.

7 out of 10

Smile Worthy

10. Suncoast-

Starting the top 10 of the festival we have Suncoast which is another moving coming of age story. This time about a mother and daughter but it is also a story of loss and the burdens of caregiving. Nico Parker is excellent as a teen who has a terminally ill brother who has moved to the same hospice care center that Terri Schiavo was at in 2005 when her family battled whether to take her off of life support. Laura Linney lays Parker’s mother and she is a very flawed character but it is understandable under such a stressful situation.

We also have a Schiavo protestor and activist played by Woody Harrelson that I kept thinking was going to be a more untrustworthy character but he wasn’t. It was just unusual to have an adult man be so interested in a teen like Parker. However, the less compelling part was her various interactions with a new cooler group of friends who are actually quite accepting and kind (not the mean girls you think they will be at the beginning.) Still, this one is worth seeing for the good performances and a few very effective moments that got the tears flowing. It’s on hulu now and I think definitely worth a watch.

7 out of 10

Smile Worthy

9. Will & Harper-

Next up we have a sweet documentary most anyone will love called Will & Harper. It follows Will Ferrell as he takes a roadtrip with his longtime friend Harper Steele who has recently transitioned as a trans woman. It perhaps has 2 stops too many and is a bit too long at 114 minutes but I love stories about friendship and so I really enjoyed this one. It warms the heart.

7 out of 10

Smile Worthy

8. A New Kind of Wilderness-

When I first saw the blurb for A New Kind of Wilderness I didn’t know if it would be for me because there have been a lot of ‘living off the grid’ documentaries at Sundance and usually they aren’t for me. However, I’m really glad I saw this one because that’s actually not what it was about. It follows a family in Norway who have to transition away from their idyllic homeschool-led off the grid lifestyle when the Mother and primary breadwinner of the family dies of cancer.

In the end it becomes a story about grief and loss and how it can wound us not just emotionally but practically as well when a person is suddenly gone- especially someone as important as a Mother. It was neat to have the entire family there at the screening and the whole thing had huge heart. I cried my eyes out.

7 out of 10

Smile Worthy

7. The Greatest Night in Pop-

I have to admit I am not the biggest fan of the 1985 anthem “We are the World” but I saw The Greatest Night in Pop because it fit into my schedule and I’m so glad I did. This is an extremely entertaining and well put-together documentary that is more about capturing a moment than this particular song.

Director Bao Nguyen does a wonderful job combining new and archival interviews along with footage from the recording studio to bring the night of the recording to life. Getting together so many stars of the day was a feet and managing to make a listenable song is pretty impressive. One of my favorite moments is when Stevie Wonder helps Bob Dylan have the confidence in his solo and When Stevie helps Ray Charles find the bathroom- the blind literally leading the blind!

This is just extremely well done. I highly recommend it.

7 out of 10

Smile Worthy

6. Your Monster-

If any of you saw the recent Lisa Frankenstein and were disappointed you might find Your Monster to be more your cup of tea. It combines elements of romantic comedy and horror more successfully and makes for a fun campy watching experience. Melissa Barrera plays a recently dumped woman who finds a monster (Tommy Dewey)in her closet who just might be the key to her getting over her breakup.

This film doesn’t take itself too seriously and the two leads have an odd but effective chemistry. Some of the antics with the best friend and ex get a little old but still I had a great time with this and if you can handle some blood particularly at the end I recommend it.

7 out of 10

Smile Worthy

5. Thelma-

Readers of my reviews know I love movies about old people- the crankier the better so Thelma had my name written all over it. June Squibb plays a 90-year-old Thelma who goes on a revenge outing with her best friend played by Richard Roundtree to retrieve money scammed from her. The story gets very ridiculous especially by the end but everyone involved is so charming you cannot help but have a good time. I loved Parker Posey and Clark Gregg as her daughter and son-in-law and Fred Hechinger as her insecure but loveable grandson. Thelma also doesn’t overstay its welcome at only 97 minutes. Watch it with your Grandma. They will love it. I wish I could watch it with mine.

7 out of 10

Smile Worthy

4. A Real Pain-

A Real Pain is an interesting film because it has a lot of elements that might normally turn me off. Kieran Culkin and Jesse Eisenberg (who directs and writes) play cousins who go on a Poland Holocaust tour to honor their beloved Grandma. Culkin’s character is a lot of personality and a little of him goes a long way but the movie knows that and gives us enough breaks to make it palatable. It’s also mercifully short at just 90 minutes so we don’t get too sick of him.

The part I connected with most was the love both men have for their Grandma, who we never see, but that love spoke to me and was something I could relate with as I was very close to my Grandma Wagner. In the end, A Real Pain is a heartfelt and poignant film anyone who has an annoying cousin or loved their grandma will be able to connect with.

8 out of 10

Smile Worthy

3. Luther: Never Too Much-

Next up we have the biggest surprise for me at the festival in the documentary Luther: Never Too Much. I went into it knowing nothing about the singer aside from a few of his songs especially “A Whole New World” from Aladdin but I left really relating with his story and journey as a human being. There’s nothing particularly special about the structure of this documentary. It’s your standard bio-doc of a musician but they did an excellent job of showcasing Vandross’s work but also his internal struggles and challenges.

I connected most with his being a singer of cheesy love ballads who had never fallen in love himself. As someone who covers cheesy romantic movies for my job but have never fallen in love I could relate to this story. We never talk about the people who never fall in love in this world but there are lots of us who it never happens to and I appreciate this documentary addressing that honestly. Of course, it may be that Vandross was closeted gay man but he never came out in his lifetime so that is an added layer.

Again this is not any great feet of filmmaking but I just connected with Luther Vandross as a person and so it was a special experience at the festival for me.

9 out of 10

Smile Worthy

2. Hit man-

Hit man was definitely one of my most hyped films of the festival. Having had big runs at other festivals and coming from director Richard Linklater I was pretty sure I would like it and I did. It’s one of his more lighthearted romps compared to something more serious like Boyhood but it is slick and extremely well put together.

It tells the fictious account of a real life undercover hitman in Texas played by Glen Powell and what happens when his undercover persona becomes his real persona. Powell is incredibly charismatic and he has terrific chemistry with Adria Arjona (and some very sexy scenes!) This is not to be realistic or tense but zippy engaging little comedic thriller. It’s just a shame it is going straight to Netflix because its very entertaining and theatergoers would love it. Stupid Netflix

9 out of 10

Smile Worthy

1.Ghostlight
Finally we have a movie practically made for me, Ghostlight. It tells the story of a family deep in grief who are struggling to move on with their lives. The father stumbles into a community theater production of Romeo & Juliet which starts to change this rough and gruff construction worker. What’s really special about this film, aside from the pitch perfect script, is that the family (Mother, father, daughter) are played by an actual family- the Kupferer family. This allows them to have natural chemistry and we really feel like we go on a journey with these people as drama and community helps them cope with tremendous loss.

It’s also not a downer but can be quite funny and charming with Dolly de Leon playing our older Juliet actress who is paired with the gruff father. I know it is a bit on the nose, but it all worked for me. I was moved to tears multiple times and it made me immediately want to recommend it to friends and family- particularly all my theatre friends! I would be shocked if Ghostlight doesn’t end up in my top 10 of 2024 films (although I have no idea why it is called Ghostlight).

9 out of 10

Smile Worthy

So there you have it! I know it took me over a month to finish this ranking but I sincerely had a great experience at the festival and saw a bunch of films I’ll not soon forget. Which ones look the most intriguing to you? I would love to hear what you think. Happy movie-watching!

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Ranking SXSW 2023 Movies

Hey everyone! I am so excited to finally be getting you my thoughts on the SXSW 2023 Film Festival and my ranking on each of the 11 films I saw while in Austin, Texas (12 if you consider Shazam: Fury of the Gods.)

Let me start by saying I had a great trip. It was my 2nd time in Austin and it’s such a fun town. The festival is massive, not only covering movies but music and innovative speakers. My pass was just for the movie portion but I’d like to go back again sometime and go to some concerts and other entertainment while I’m there.

I had heard some complaints from friends who arrived at the festival before I did- waiting in long lines, it taking 3 hours to get their badges- but that wasn’t my experience. I stayed mostly to the suburbs and got into everything I wanted to see whether I had an express pass or not.

I’m so grateful to the Chandler Family for letting me stay with them. It was so cute their little girls made my room a hotel room for my stay complete with a homemade key-card and reader. I honestly miss them and wish they lived closer so I could see the whole family more easily.

May be an image of 2 people and dessert

I also got to see friends attending the festival like Katie Carter and Anthony Digioia as well as my old friend Emily who drove all the way from San Antonio to have lunch. My only wish is that I lived closer to my friends because I miss them so much when I’m gone.

Ranking the Movies

Now let’s get to the movies. Like I said I saw 11 movies at the festival and it was a good mixture of documentaries, shorts, and both big and indie releases. There wasn’t anything that I hated (which is always nice at a festival) but some I liked more than others. Here goes:

11. Is There Anybody Out There?

I have to admit I fell asleep for a portion of this one. Part of that is fatigue on my part but the other part is a documentary that would have been better as a short. I think Ella Glendining is a super cool person and I enjoyed following her journey to find others with a similar disability; however, it starts to feel repetitive after a while, which hurt my interest. It’s not bad just a little on the dry side.

5 out of 10


10. With Love and a Major Organ-

I have mixed feelings on this one. It has some surreal and quirky moments and I appreciate its trying something new and artistic. However, some sequences seemed to be strange for strange sake and I left feeling unclear with what the director Kim Albright was trying to say. It’s set in a world where you can remove your organs, particularly heart, and give it to someone else- usually as some kind of act of revenge. Clearly she’s trying to say something about loneliness and modern-day relationships but I’m not really sure what that is? It’s an interesting movie but one that didn’t quite come together for me.

6 out of 10


9. You Were My First Boyfriend

Here we have another film I think would be better as a short. There’s lots of good ideas in You Were My First Boyfriend and I defy anyone to watch it and not find sequences they relate to, but there are also segments that feel way too long and it lost my interest. For example, director Cecilia Aldarondo spends a long time recreating a Tori Amos music video because it was a favorite of hers as a teenager. What could have been a few sentences about how music impacted her as a teenager ends up as a 20 minute making of a music video. That said, I did like the segment recreating a bullying incident at a sleepaway camp and it reminded me of when I had a similar incident in 8th grade. The title is kind of misleading because the high school crush segment is brief and it is more about her childhood best friend. That part I enjoyed and found quite moving so it was a mixed bag.

6 out of 10


8. Black Barbie: A Documentary-

I hate to sound like a broken record but this is another documentary that would have been better as a short. There’s a lot of good stuff here about Black Barbie but also the history of diversity at Matel and dolls in general. I loved hearing from the creator of Black Barbie and the other Black designers working at Matel over the years. The problem is they spend a lot of time on research with kids playing with Barbies and it starts to feel repetitive and dry after a while. Still, I’m glad this came out the year of the Barbie Movie and I hope people seek it out and have their kids play with all kinds of Barbies and dolls.

6 out of 10


7. Late Bloomers

This is a sweet if a bit overly-long friendship story. Karen Gillan plays a depressed young woman who breaks her hip spying on an ex-boyfriend of hers. While recovering she meets a Polish woman named Antonia who she begrudgingly begins to help and become friends. This helps her understand her own Mother who has Alzheimer’s. I think a lot of people will be able to relate to Karen’s character  and while it does drag at times it has its heart in the right place.

6 out of 10


6. Animated Shorts Program

I am so grateful to Morgan at Rotoscopers for helping me get my press credentials. As such I reviewed the animated shorts over on their site including my ranking of all 10. You can read that here.


5. Hung Up on a Dream

Pretty much every festival I attend has a band documentary- usually a classic rock band that is underappreciated. Sundance had one on The Indigo Girls, NYFF had one on David Johansen and the list goes on. SXSW has Hung Up on a Dream which is about the band The Zombies. Of all these band documentaries this one is towards the top. The journey of The Zombies is so unique and I felt like I got to know each of the band numbers. It’s not your typical wild rock n roll life but more of a story where luck often wasn’t on their side but they enjoy the ride anyway. It was cool 2 of the band members were there and had a panel after the movie. They seem like really cool guys and I enjoyed learning about them.

7 out of 10

4. Tetris

Because of my eye issues I don’t play many video games but Tetris is the one exception. I’ve wasted many an afternoon mixing up blocks into rows, so I was fascinated to learn about all that went down in the creation and licensing of the game. Taron Egerton plays Henk Rogers who discovers the game in 1988 and Nikita Efremov plays Alexey Pajitnov who invents the game in the USSR. The movie starts off a little slow. The first 20 minutes feel like nothing but board meetings but then when the USSR, Japan, UK and USA factions all get involved it starts to get more exciting. Eventually it becomes a story of unlikely friendship between Alexey and Henk. It was neat to have the real life Henk and Alexey at the screening but even so this story of international intrigue should entertain any fan of the game.
7 out of 10


3. Peak Season

Bittersweet love stories seem to be the theme of 2023. We had Past Lives, Flora & Son at Sundance and now Peak Season at SXSW. This one is set in beautiful Jackson Hole, Wyoming and follows engaged Amy (Claudia Restrepo) as she finds a friend in local vagabond fly fishing instructor Loren (Derrick DeBlasis) while her fiancé is away. Of course I prefer more traditional romances but this is still very well done. The dialogue feels authentic and natural and the mountains are stunning. I think anyone who loved Cha Cha Real Smooth last year will enjoy this movie- except I prefer this and its ending to that.

8 out of 10


2. Join or Die-

I’ve been a big fan of Robert Putnam’s work since I was a political science undergrad from 1998-2002. If you don’t know he wrote a book called Bowling Alone which looked at trends in joining groups and how that impacts all parts of American life including politics. In this movie Join or Die we catch up with Putnam and see how group behavior has changed in the 20 years since his book. If you think about it so much has changed in those decades including obviously online groups and the recent pandemic. I honestly think everyone should watch this movie. It’s put together in an approachable and entertaining way and it’s a conversation we need to be having.

8 out of 10


1. Molli and Max: In the Future-

Naturally SXSW was very proud of the fact this year’s surprise Best Picture winner EEAAO premiered at their festival in 2022. And in my opinion if any film is going to repeat that success it is this quirky sci-fi romcom Molly and Max: In the Future. This film basically takes When Harry Met Sally and puts it in a brightly colored engaging space world. I’m not the biggest sci-fi person but this doesn’t take itself too seriously and has fun with a world of bright colors and 2 friends, Molli (Zosia Mamet) and Max (Aristotle Athari) who meet with an undeniable spark and then proceed to spend the next 2 decades running into each other and almost falling in love. I enjoyed pretty much everything about this fun romance with an engaging script and visual effects that include miniatures, practical effects and CGI/green screen. It all worked quite seamlessly and Athari and Mamet have delightful chemistry. I hope this gets a good rollout because it is charming.

9 out of 10


So there you have it! I had a great time at the festival and saw a lot of terrific movies. I also got to cover my first red carpet for a movie (or series) premiere while I was there which was a wonderful experience. It was for the Disney Plus series A Small Light, which I didn’t get to see yet but had a great time talking to the cast and crew.

What do you think of the movies I saw? Any stand out to you or look interesting? Let me know in the comments section. 

 

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SXSW LOG 2022: DAY 2 (FACING NOLAN, I LOVE MY DAD, 32 SOUNDS)

After an amazing first day of SXSW day 2 was definitely more of a mixed bag. I again only watched 3 movies because of other responsibilities I have but I hope to be able to catch up with more films on Monday and Tuesday. We will see how it goes!

Let’s talk about some movies:

Facing Nolan

I don’t have tons to say about Facing Nolan. It’s a perfectly serviceable biodoc about pitcher Nolan Ryan. It’s the kind of film you’d see on an average episode of ESPN’s 30 for 30 series and fans of Ryan and baseball will undoubtably enjoy it. I like biodocs. It’s fun to learn about people and what made them the people they are but if you are looking for something that transcends the genre this isn’t it (and it doesn’t have to be it).

I did appreciate the variety of subjects interviewed including former President George W Bush. Like I said, baseball fans will especially enjoy Facing Nolan, so it does its job.

6 out of 10

Smile Worthy

I Love My Dad

It’s interesting how we all accept Mrs Doubtfire as a sweet family comedy because we grew up with it and it has such a likable tone and actors. However, when you actually think about it it’s kind of creepy. It’s a similar dynamic with I Love My Dad. It’s a comedy about a man lying to his ex and his son in order to ingratiate himself in his son’s life. It’s just replaced prosthetics and make-up with internet catfishing. Unfortunately, Patton Oswalt’s character takes things so far his character is irredeemable. The more I thought about the film the grosser it became.

Oswalt plays a man who is estranged from his son and decides to start catfishing him as a beautiful young lady in order to boost his confidence (the son is suicidal at the beginning). Like I said, it starts out sweet and innocent enough but then when it gets to sexting and other lewdness it’s weird and I don’t think I could ever forgive a father for doing what Oswalt does.

I Love My Dad ends up feeling like more of a horror movie than a family comedy.

4.5 out of 10

Frown Worthy

32 Sounds

I have no doubt Sam Green’s new documentary 32 Sounds will be used in film school classes for decades to come, and such instructional settings is probably where it belongs. It’s unlike any movie I’ve ever seen with interactivity that feels novel and fresh…for a few minutes and then I was ready to move on.

32 Sounds strives to teach the viewer about sound in film and how it impacts the movie-going experience. They start the film asking the viewer to watch with headphones or at a theater if possible. Then there are various exercises they ask the viewer to participate in. The viewer are asked to respond to different sounds or think about what memories different sounds bring to the surface.

It’s definitely an interesting experiment in film but probably best as an instructional youtube series than a long feature film.

5 out of 10

Frown Worthy

Are you attending the festival? What did you think of these 3 films? Would love to hear your thoughts. 

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SXSW Log 2022: Day 1 (Your Friend Memphis, Skate Dreams, Crows Are White)

Hey everyone! I hope you are all doing well and having a great weekend! Yesterday marked my first day attending the virtual edition of the SXSW film festival. I thought long and hard about attending the festival but with a New York trip already planned for March I didn’t feel like I could do it. Unfortunately that means I miss out on some of the films being screened but there are still many worthwhile films to watch.

For the first day I watched 3 documentaries and I’d actually recommend all 3. They are each very different from each other but found them all rewarding and worth watching.

Here are my quick thoughts:

Your Friend, Memphis

Like many indie documentaries I do think Your Friend, Memphis would be better as a short. It’s subject Memphis DiAngelis is compelling but the events of his life can drag in spots (as would be the case with most of our lives). Memphis has cerebral palsy but he doesn’t want that to define him. Film is his passion but his struggle to be taken seriously is often met with patronizing speeches if not outright

I appreciate Your Friend, Memphis avoids maudlin or inspirational disability weepie traps but some of the time spent on his crush with a singer named Seneca don’t go anywhere and could have been lessened or removed. Still I overall recommend Your Friend, Memphis and would be a good double-header with The Peanut Butter Falcon from 2019.

6 out of 10

Smile Worthy

Skate Dreams

Anyone who might have been tempted to say ‘skate like a girl’ as a term of derision will want to shut their mouths after seeing the new documentary Skate Dreams. In the film director Jessica Edwards chronicles the history of female skateboarding and it’s engaging interviews and great skating footage make for an entertaining watch.

For some this might be old news but I knew nothing about the start of this sport so I found the stories of early skaters to be very interesting. It was also honest about the challenges and blessings of increasing popularity including the recent addition of the sport to the Olympics.

If you like skateboarding at all Skate Dreams is a winner.

7 out of 10

Smile Worthy

Crows Are White

The final documentary of the day Crows Are White proved to be something special. Ahsen Nadeem’s film starts out as a simple story following the monks of Mt Hiei, Japan but then morphs into a personal story about his own faith journey and the acceptance he years for from his traditional parents.

While I do think the film drags on in sections (although even the slower parts can still be delightful like a whole scene with a monk going gaga over ice cream sundaes), when it works it really works. There is a scene where Nadeem finally is honest with his parents and you want so much for him to be accepted by them, so when he isn’t it’s quite devastating. I loved the dynamic between Nadeem and his wife and the ending is very fulfilling.

There are parts in Crows Are White that feel staged but never so much it took me out of the moment or made the story feel illegitimate.  This is a moving, emotional story that is worth searching out and supporting.

8 out of 10

Smile Worthy

I’d say day 1 was a pretty good start to SXSW. Hopefully in day 2 I will get some narratives to recommend. If you saw any of these films let me know what you think! 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

TIFF Day 6 Log: (Nobody Has to Know, Charlotte, The Middle Man)

Hey everyone! Another day of TIFF has come and gone and I must admit the 3 movies I have to report on today were all disappointing. It’s always a bit hard being critical of these independent films that clearly have so much love and care put into them. Nevertheless, I have to share my opinions as a film critic, so let’s see what I thought!

Nobody Has to Know

I feel like when you describe the premise for Nobody Has to Know it sounds more interesting than it actually is. The film is written, directed and stars Bouli Lanners and it certainly is an ambitious project. He plays Phil a man who loses his memory after a stroke. A woman named Millie comes to his aid but she also says they had a relationship before the stroke. Phil doesn’t know whether to believe her and we as an audience are skeptical as well. Is this a desperate ploy for companionship or a real connection Phil’s forgotten?

Nobody Has to Come explores these questions with good cinematography and performances. Unfortunately the pacing is very sluggish and the film meanders away from the core premise a lot. Maybe in a theater it would have kept my interest better but at home it did not. The acting is excellent and it is beautifully shot. Unfortunately the script let’s down an interesting premise.

To be frank Nobody Has to Come was simply dull. So I admire what they tried to do but can’t recommend it in the end.

4 out of 10

Frown Worthy

Charlotte

Being an animation buff I was obviously looking forward to both of the animated films at TIFF. I love indie animation and have a whole podcast once a month where my friend and I focus on indie and obscure animation. Unfortunately both of the animated films (not including Flee which I saw at Sundance and loved) ended up disappointing me during this festival- particularly Charlotte.

This film tells the story of Charlotte Salomon who was a German-Jewish artist murdered at Auschwitz concentration camp after completing her series of over 700 paintings. Indeed, the most captivating part of Charlotte is the addendum at the end talking about Salomon’s works in a traditional documentary fashion. It’s a problem if a section at the end is more effective than the entire rest of the movie!

The animation is pretty bad in Charlotte which feels awkward in a movie about an artist. And while the voice cast is impressive the voices didn’t match with the characters. Keira Knightley does a good job as Charlotte but her voice seems too old for a young artist in her 20s. None of them fit!

But the main problem is the story, which manages to feel bland and ordinary when it should be exceptional. Like I said the brief documentary at the end is much better than the story we get in the entire film. You’d honestly be better off reading an article on Salomon and giving Charlotte a pass. It’s a real shame because it had a lot of potential if it was executed better.

3 out of 10

Frown Worthy

The Middle Man

I’m not the biggest fan of dark humor. Every so often in something like The Addams Family it can work but for the most part it falls flat and ends up being more disturbing than elevating. The Middle Man, a new absurdist kind-of dark comedy is such a film and I really disliked it. Not for me.

The Middle Man tells the story of Frank who has been hired to be the ‘middle man’ for their community which has a bizarre number of accidents (he’s not with the military or anything like that). It’s a weird dystopian without being a dystopian.

It’s hard for me to explain why I found this movie to be so irritating. Maybe it’s because it is so repetitive? Maybe it is because it is pretentious and dealing with topics like death and grief in such a trite way? Maybe it’s because it dragged on and was so obviously pleased with itself? Either way it was not for me. It reminded me of Kajilionaire which I also hated with its unlikable characters and repetitive frustrating script. However, most people seemed to like that film so maybe they will like this? Like I said- it’s not for me.

2 out of 10

Frown Worthy

So there you have it 3 frowns. No fun when that happens. I hope you had better luck if you are covering TIFF or with whatever you are watching. I hope the festival finishes out on a run of good movies after this weak batch. Take care!

TIFF Day 1 Log: As in Heaven, Petite Maman

Hey everyone! I hope you are doing well. This week has been very busy with all my normal busyness plus getting ready for the beginning of TIFF (The Toronto International Film Festival). I am blessed to be accepted as accredited press with the ability to participate in the digital festival (I hope to go in person next year but I was too afraid of getting caught in Canada with a surprise attack of COVID to go this year.

Unfortunately the festival had a rough first day with the digital player not working on any browser. This caused them to reschedule some of the screenings and I was only able to get 2 films in. On the plus side I was able to get ahead on other projects so I should be able to watch more movies this weekend.

Anyway, here are my thoughts on the 2 movies I did get to see today as part of the festival

As in Heaven

As in Heaven (Du som er i himlen in Danish)

First time filmmaker Tea Lindeburg tells a story about a young girl named Lise who is trying to help her family get through the long couple of days of her Mother being in labor and enduring a difficult pregnancy. Her and her children struggle with the thought of losing their mother and Lise hopes to someday escape the small world of her farm.

This movie is beautiful with some of the most striking cinematography I’ve seen in a long time. I also felt like I connected with the characters as my Mother had difficult pregnancies when I was a teenager (obviously this is a period piece but I still connected with the worry).

It will definitely be too slow for some as there isn’t a ton of plot. It’s a fly on the wall kind of movie where you watch and experience life with the people in the film. It also has some pretty grisly birthing scenes so viewer beware! Still I was moved by As in Heaven and I recommend it to anyone who can handle the pacing and challenging subject matter.

8 out of 10

Smile Worthy

Petite Maman

One of my most anticipated films of the festival was Céline Sciamma’s Petite Maman. I really enjoyed her film Portrait of a Lady on Fire from 2019 and this more modern story of 2 young girls looked very sweet.

Unfortunately, now that I’ve seen it I must own to being quite disappointed. Nearly everyone else I know seems to be loving this so maybe my hype hurt my experience but I didn’t see anything special in this film.

I was right about the 2 girls being cute. They are adorable little girls and the child actors do a great job playing and having fun together. They don’t feel like the too precocious child actors you sometimes get in Hollywood films. We all know kids just like these girls.

The problem is with the script. Nothing really happens. You spend a weekend with the girls as they help pack up one of their recently deceased Grandmother’s homes. That’s it. They pack things, eat cereal, build forts. It’s cute but not enough to sustain a feature film. It’s once again an indie festival film that would have been much better as a short.

It’s interesting because both Petite Maman and As in Heaven are slice of life narratives but the latter worked more because the stakes are so much higher if the family loses their mother. In Petite Maman it’s cute but the emotional weight isn’t there. Like I said, I’m definitely in the minority on this one but that’s part of the festival experience. I always have a couple festival favorites I don’t love.

5 out of 10

Frown Worthy

So there you have it. Hopefully tomorrow I will have many more films to log! Happy movie viewing!

SXSW DAY 4 LOG (Lily Topples the World, The Fallout, Swan Song)

Hi everyone! And now I am back for my final update on the SXSW festival. Honestly the festival started out rough but by the end I enjoyed most of the films I saw. There weren’t that many I adored and can see ending up on my top 10 of the year but I am still glad I attended the festival. I hope next year I can go in person but for now I’m grateful to have been able to attend in this virtual environment.

Thank you to all the volunteers and workers who made the festival a success and all the creatives who put their films out for us to judge and enjoy. I am very grateful!

So here are my final movies

Lily Topples the World

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Before watching this documentary I had never heard of domino toppling as a thing and these kind of ‘feature an odd hobby/career’ docs are always a lot of fun. Lily Topples the World tells the story of Lily Hevesh and how she creates incredible displays with dominoes that are toppled with the toppling being part of the art.

These installations are stunning and she has found a way to make a career out of it both on youtube and working for corporate clients like the Seattle Lottery.

Lily is also an adoptee from China and it was interesting to hear about her experiences and how she identifies and doesn’t identify as an Asian American. The documentary does feel a little stretched out and would have probably been better as a short but I still enjoyed it and especially loved watching all the artwork on display.

7 out of 10

Smile Worthy

The Fallout

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This outstanding drama is written and directed by actress Megan Park in her debut film! (Megan is a veteran of many Hallmark films so it was so cool to see her have such a successful debut). The Fallout tells the story of a young woman who is dealing with the aftermath of a school shooting at her high school. The scenes of the school shooting are intense and visceral and lead actress Jenna Ortega is fantastic. (She is also in the new comedy Yes Day on Netflix that I also enjoyed. She has huge star potential!)

This film could have felt manipulative and frustrating but I bought what it was selling. It is moving and the various responses to the trauma felt real and authentic. Julie Bowen is excellent as her Mother and Shailene Woodley is her therapist and they all work great.

8.5 out of 10

Smile Worthy

Swan Song

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Swan Song is an endearing film about a man in a nursing home who breaks free for a weekend to do the hair of a beloved past client of his who has passed away. Udo Kier is wonderful in the lead role and he is the reason to see this film. I don’t know if I have ever seen him before but he’s charismatic and charming.

My favorite part about this film is how it captures the sense of longing we feel for those that have passed who we miss so much. They might be in a better place but we miss them just the same.

7 out of 10

Smile Worthy

SXSW Day 3 LOG (Best Summer Ever, Fruits of Labor, Aliens on Stage, Inbetween Girl, The Drovers Wife)

Hi everyone! So I am days late in my SXSW logs but I am here to play catch up. I just got so busy between watching all the films and all the stuff I have to cover for my podcasts that I missed my daily coverage of the films.

Anyway, let’s get to it and talk about some movies

Best Summer Ever

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Anyone who knows me knows I am a sucker for a musical. Even cheesy low budget musicals I defend like the DCOMS on Disney Channel I think are sweet and entertaining. As such I was excited for Best Summer Ever. I also love that it features an inclusive cast with disabled actors. I think that is fantastic. Unfortunately everything from the writing, to the acting, to the story felt painfully amateurish. Most importantly there wasn’t a memorable song in the show. I was hopeful this would be this year’s Anna and the Apocalypse but that film had good songs and was well put together.

I don’t want to be too hard on this film because obviously they had the best of intentions but it just didn’t come together for me

3 out of 10

Frown Worthy

Fruits of Labor

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This documentary follows several teens working in the strawberry fields with dreams to graduate from high school and improve their lives. I enjoyed following the girls and seeing their lives play out but the director is heavy handed with cheesy metaphors of butterflies coming out of their cocoon. The director needs to trust their audience that we can figure out the meaning behind what is happening.

For the girls alone I will give it a passing recommendation but it could have been a lot better.

5 out of 10

Smile Worthy

Alien on Stage

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I am a huge lover of local small theater productions and I’ve missed those so much in this pandemic. As such, this documentary about a group of friends who put on a stage production of Ridley Scott’s Alien was good for my soul. I loved seeing them come together to make the clever sets and costumes and then when they get picked to perform at the West End in London it is such a happy moment! I love this group and love their story! I highly recommend checking this film out.

8 out of 10

Smile Worthy

The Inbetween Girl

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This has sweet moments and I liked all of the performances. However, I have a hard time relating to young adult, coming of age movies with such intense relationships. It’s so different from my experience. Shouldn’t teens be having fun going on dates and enjoying time together? Shouldn’t it be the exception to the rule that have intense relationships with a boyfriend or girlfriend?  It might not be fair to make my own experience the standard but at certain point I need to connect with melodrama of a coming of age story and I didn’t with this film.

Most of the film is about the lead girl cheating with a friend of hers who is dating a frenemy of hers. Something about it didn’t feel authentic or true but I’m sure others will connect with it. It’s not a terrible movie but not something I became invested in.

4 out of 10

Frown Worthy

The Drover’s Wife: The Legend of Molly Johnson

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Watching this film was a bit of a risk for me because I am normally not the biggest fan of westerns. However, it had buzz around the festival so I decided to give it a shot. I recently enjoyed News of the World so you never know with any genre. Unfortunately, The Drover’s Wife was no News of the World.

I guess it is adapted from a play and I don’t think that would be my kind of play. The whole film is so unceasingly bleak and unpleasant. I didn’t enjoy it at all. It’s well made and the performances are good but it was not for me. I couldn’t wait for it to end.

4 out of 10

Frown Worthy

SXSW Day 2 Log (I’m Fine, Twyla Moves, US vs Reality Winner, Here Before, Tom Petty, Recovery)

Hey everyone! After a rough start to the South by Southwest Film Festival Day 2 proved to be much better. In fact, I liked all 6 films I watched today to one degree or another. Hooray!

So let’s get started with the recaps!

I’m Fine (Thanks for Asking)

I have to say COVID is proving to be a better setting for storytelling than I might have guessed. In this first entry writer, director and star Kelley Kali gives us a day in the life of a grieving widow trying to get housing for herself and her daughter during the pandemic. She travels around down in roller skates and does various gig work and gets more desperate as the day goes on.

It’s a sobering film but Kali is such a likable presence on screen it keeps us invested. It kind of reminded me of the first act of Moonlight in a lot of ways. Some will find the slice of life concept to be a dull but I enjoyed it.

7 out of 10

Smile Worthy

Twyla Moves

Twyla Moves is a documentary done by PBS for their American Masters series (it actually airs this weekend on TV). I really enjoy American Masters and this goes right along with what they do. It kind of reminded me of Ailey about Alvin Ailey from Sundance 2020 (which was also for AM).

This one is about choreographer Twyla Tharp who I had never heard of but is absolutely incredible. They listed off her resume and she had major projects every year since the 70s including films like Hair and Amadeus. I kind of wish it had gotten into more of her backstory and personal journey but it stays mostly in the professional realm but still fun to watch.

6.5 out of 10

Smile Worthy

United States vs Reality Winner

From the minute I heard federal secrets dropper Reality Winner’s name I wanted to learn more about her and that’s what this documentary does. It’s fairly basic in its presentation but the story is so strange and compelling it doesn’t need much manipulation to work. If you want to learn more about Reality than give this one a watch.

5.5 out of 10

Smile Worthy

Here Before

If you are looking for an artsy thriller at the festival Here Before may be the movie for you. It stars Andrea Riseborough as a woman who becomes convinced her new neighbor is actually her dead daughter reincarnated. This is a beautifully made film with an excellent performance by Riseborough (who is almost always good even in Birdman which I do not like). The pacing is very slow in this one and there were times my attention drifted away but still enough good to recommend.

6.5 out of 10

Smile Worthy

Tom Petty, Somewhere You Feel Free

Obviously this Tom Petty film will be a must watch for fans of him and his music. However, I also think it will be interesting to anyone who has a love of music and is curious to go BTS of the making of an album. In this case it is his ‘Wildflowers’ album and of course everything is touched by the knowledge of his sudden passing in 2017.

If you are looking for Tom’s backstory or how he became a musician that’s not what this is. It’s a showcase of the making of an album and all the people and hours of work that went into it. As a lover of music I enjoyed learning about the process and hearing lots of great Tom Petty songs!

7 out of 10

Smile Worthy

Recovery

My friend Jonathan actually told me this movie was premiering at the festival. It stars Mallory Everton (who also cowrote and directed) and Whitney Call. They are both stars of the comedy skit youtube show Studio C and they bring that zany energy to this hilarious comedy.

Recovery is definitely a hair edgier than what you get on Studio C but it should be fine for adults. It’s about 2 sisters who have to go get their Grandma from a nursing home infected with COVID. A comedy like this comes down to the writing (which is very funny) and the chemistry which these 2 have in spades. I loved i! You may think it’s too soon to laugh at COVID but give it a chance. I bet you will find yourself cracking up just like I did.

It’s definitely the best of the festival so far. I loved it!

8.5 out of 10

Smile Worthy