Hey friends! I am off to Sundance today but wanted to pop off a few reviews before heading out for the day. If you want to hear my thoughts on the first movie I saw at Sundance check out my appearance on KSL’s The Movie Show. I was on The Movie Show back in 2002 and it really inspired me so it was a thrill to get to be back on for a quick review of Girls State. I would love to be back so any positive feedback you can leave on their facebook page would be very appreciated.
Speaking of Sundance I finally got to see a documentary from last year’s festival Little Richard: I Am Everything. I really enjoy these types of bio-docs and Little Richard was a fascinating human being that led a fascinating life. I think this documentary did a good job of telling his story with lots of interviews from people who were impacted by his life and music.
The most impactful section was about how his songs were appropriated by white artists like Pat Boone (who they have interviewed in the documentary) with almost no benefit to Little Richard. It’s no wonder he became jaded about the industry when you are treated this way. This aspect makes it a must watch for any music fan.
6 out of 10
Smile Worthy
Which Brings Me to You
Naturally I love me a good rom-com so I was excited when a new one came across my emails called Which Brings Me to You. After watching and enjoying it I agreed to have the director Peter Hutchings on Hallmarkies Podcast to talk about his career and film (see above.) He’s an awesome ambassador of the genre and I really enjoyed talking to him.
Which Brings Me to You is a romantic comedy in the tradition of Definitely Maybe where 2 people meet and we get to hear their backstory of how they met and the people they had to be with that brought them to that point. Lucy Hale and Nat Wolff star as a couple who meet a friends wedding, almost hook up and then spend the evening talking about (and we see reenacted) the relationships they had over the years. The two actors have wonderful chemistry and the banter between them is charming with that spark you want to see in a rom-com. If you get a chance to see it I recommend as these types of adult rom-coms are important to the genre (I think this was a lot better than the recent Anyone But You personally.)
7 out of 10
Smile Worthy
Silent as the Grave
Again in the spirit of Sundance we have the micro-indie mystery Silent as the Grave. The title may make it sound more grizzly than it is. It’s a mystery story about a documentary filmmaker that returns home and starts looking into his uncle’s death. At first he thinks it’s just going to be a fluff piece documentary but then the more clues he digs up the more serious he realizes it is.
This is very low budget but the acting is compelling and because it is supposed to be an indie documentary the approach added to the tone and feel rather than detract. I love supporting small filmmakers with potential and that’s what you have here. It’s available to watch on tubi.
6 out of 10
Smile Worthy
So there you have it. Make sure you are following me on social media for all my Sundance updates and have a great weekend!
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Hey everyone! I hope you are doing well. Last week I had the wonderful experience of being in New York and attending the New York Film Festival (NYFF) for the 3rd year in a row. It’s a long festival and I was only able to attend for 5 days (I could have planned better with the Columbus Day holiday but I did what I could.)
The most exciting part of the trip for me is finding the HI NYC Hostel which has private rooms and dorm-like bunks for incredible deals. I stayed for 5 nights for $417, which is unbelievable for New York! I highly recommend it
Anyway, I was able to see 5 films at the festival and here are my thoughts:
The Delinquents-
First up we have The Delinquents which was a big hit out of the recent Cannes and I left feeling mixed about that film. It’s a long film at over 3 hours and is divided into 2 parts- the first part being a small bank robbery scheme and the second a love story involving both men being in love with the same woman. I vastly preferred the first part over the second.
This is a very cerebral movie to be called a ‘heist movie.’ In fact, all of the films I saw at the festival were what is coined as ‘slow cinema’ but the beginning focusing on the 2 men and the after-effects of their scheme was compelling. It shows the impact of money and the pressure of keeping a secret.
The romance, unfortunately, was so bland and uninteresting that the movie really lost me in the long second part. I really didn’t care about this manic pixie dream girl woman that both men become infatuated with and felt like I was watching them vacation with her for no reason. My friend Conrado enjoyed it way more than I did so maybe you will too but it in the end was a disappointment despite the strong first part.
5 out of 10
Frown Worthy
Janet Planet-
Like I said, all the films I saw at NYFF were on the slow-burn side of things and Janet Planet was certainly no exception but I do think it is overall successful in what it’s trying to do. Playwright Annie Baker has made a simple yet compelling film that follows an 11-year old and her Mother through the a summer in 1991.
There isn’t much plot here but newcomer Zoe Ziegler is charming as the little girl and her relationship with her mother Janet played by Julianne Nicholson feels authentic and real. It will try the patience of some viewers who need more story but I enjoyed following them around for a summer especially with how cute Ziegler is.
7 out of 10
Smile Worthy
Perfect Days-
Sometimes all we need in a ‘slow cinema’ film is a captivating lead performance and that’s what we get with Kōji Yakusho in the film Perfect Days. He literally plays a toilet cleaner in Tokyo and for the first part of the film we see him go through his routine of work and other activities including cleaning a lot of toilets. I know you are thinking what could be worse than watching someone clean toilets but we get to know the character Hirayama so well through these mundane actions and it turns out he is a deep thinker and poet who loves classic rock he plays on his cassette tapes.
There are strong homages to the Japanese filmmaker Yasujirō Ozu especially his film Tokyo Story which I recently reviewed for my blind spot series. Particularly in the dream sections it can feel almost too similar and more an imitation rather than a subtle tribute. However, we learn quite a bit about this simple man especially once his niece pays him a visit. So, if it sounds like a film you could tolerate I recommend Perfect Days if only for the lovely lead performance by Yakusho.
7 out of 10
Smile Worthy
Eureka-
I hate being too tough on small films but there are times when a film at a festival is just not on my wavelength and that was the case with Eureka. It tells 3 stories and I particularly found the middle story to be a painful watch that felt like anything but short.
It starts out with a black and white western starring Viggo Mortensen which was alright. I also liked how the director Lisandro Alonso merges the shorts together despite them being different times and filming techniques but the second short about a female police officer on a reservation was dull to the extreme and then the 3rd short involving Native Amazons fighting over a female tribe member did nothing for me. It all felt self-indulgent and annoying. I get what Alonso is trying to say about colonialism but it has to be done in a more interesting way than watching a woman make routine traffic stops. No thanks!
3 out of 10
Frown Worthy
The Taste of Things-
My last film of the festival turned out to be my favorite and one of my favorite movies of the year: The Taste of Things. This is an sumptuous and tender film about two people who express their passion for life and each other through food.
Juliette Binoche is warm and sexy as chef Eugenie who is courted by her colleague in the kitchen Dodin played by Benoît Magimel. They have smoldering chemistry together and the film is so well made. You definitely have to love food, particularly French food and this is not a vegan-friendly film! They will hate it but I loved it.
If you have seen the classic Danish film Babette’s Feast you will have an idea of what to expect with The Taste of Thing. It also reminded me of Mostly Martha in that they all involve characters who express their love through the service of preparing food for their loved ones. I like the fact that both Eugenie and Dodin don’t seem to have much of an employer and seem to mostly cook for themselves. It adds to the escapism of the film and makes their efforts feel more personal than if they were doing it for an employer.
I hope they remember The Taste of Things come awards season because it is truly special and if it comes to a theater near you I highly recommend it.
10 out of 10
Smile Worthy
If you attended the festival I’d love to hear about your favorites and what you have enjoyed most at the theater in 2023!
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Hey everyone! I am so excited to finally be getting you my thoughts on the SXSW 2023 Film Festival and my ranking on each of the 11 films I saw while in Austin, Texas (12 if you consider Shazam: Fury of the Gods.)
Let me start by saying I had a great trip. It was my 2nd time in Austin and it’s such a fun town. The festival is massive, not only covering movies but music and innovative speakers. My pass was just for the movie portion but I’d like to go back again sometime and go to some concerts and other entertainment while I’m there.
I had heard some complaints from friends who arrived at the festival before I did- waiting in long lines, it taking 3 hours to get their badges- but that wasn’t my experience. I stayed mostly to the suburbs and got into everything I wanted to see whether I had an express pass or not.
I’m so grateful to the Chandler Family for letting me stay with them. It was so cute their little girls made my room a hotel room for my stay complete with a homemade key-card and reader. I honestly miss them and wish they lived closer so I could see the whole family more easily.
I also got to see friends attending the festival like Katie Carter and Anthony Digioia as well as my old friend Emily who drove all the way from San Antonio to have lunch. My only wish is that I lived closer to my friends because I miss them so much when I’m gone.
Ranking the Movies
Now let’s get to the movies. Like I said I saw 11 movies at the festival and it was a good mixture of documentaries, shorts, and both big and indie releases. There wasn’t anything that I hated (which is always nice at a festival) but some I liked more than others. Here goes:
11. Is There Anybody Out There?
I have to admit I fell asleep for a portion of this one. Part of that is fatigue on my part but the other part is a documentary that would have been better as a short. I think Ella Glendining is a super cool person and I enjoyed following her journey to find others with a similar disability; however, it starts to feel repetitive after a while, which hurt my interest. It’s not bad just a little on the dry side.
5 out of 10
10. With Love and a Major Organ-
I have mixed feelings on this one. It has some surreal and quirky moments and I appreciate its trying something new and artistic. However, some sequences seemed to be strange for strange sake and I left feeling unclear with what the director Kim Albright was trying to say. It’s set in a world where you can remove your organs, particularly heart, and give it to someone else- usually as some kind of act of revenge. Clearly she’s trying to say something about loneliness and modern-day relationships but I’m not really sure what that is? It’s an interesting movie but one that didn’t quite come together for me.
6 out of 10
9. You Were My First Boyfriend
Here we have another film I think would be better as a short. There’s lots of good ideas in You Were My First Boyfriend and I defy anyone to watch it and not find sequences they relate to, but there are also segments that feel way too long and it lost my interest. For example, director Cecilia Aldarondo spends a long time recreating a Tori Amos music video because it was a favorite of hers as a teenager. What could have been a few sentences about how music impacted her as a teenager ends up as a 20 minute making of a music video. That said, I did like the segment recreating a bullying incident at a sleepaway camp and it reminded me of when I had a similar incident in 8th grade. The title is kind of misleading because the high school crush segment is brief and it is more about her childhood best friend. That part I enjoyed and found quite moving so it was a mixed bag.
6 out of 10
8. Black Barbie: A Documentary-
I hate to sound like a broken record but this is another documentary that would have been better as a short. There’s a lot of good stuff here about Black Barbie but also the history of diversity at Matel and dolls in general. I loved hearing from the creator of Black Barbie and the other Black designers working at Matel over the years. The problem is they spend a lot of time on research with kids playing with Barbies and it starts to feel repetitive and dry after a while. Still, I’m glad this came out the year of the Barbie Movie and I hope people seek it out and have their kids play with all kinds of Barbies and dolls.
6 out of 10
7. Late Bloomers
This is a sweet if a bit overly-long friendship story. Karen Gillan plays a depressed young woman who breaks her hip spying on an ex-boyfriend of hers. While recovering she meets a Polish woman named Antonia who she begrudgingly begins to help and become friends. This helps her understand her own Mother who has Alzheimer’s. I think a lot of people will be able to relate to Karen’s character and while it does drag at times it has its heart in the right place.
6 out of 10
6. Animated Shorts Program
I am so grateful to Morgan at Rotoscopers for helping me get my press credentials. As such I reviewed the animated shorts over on their site including my ranking of all 10. You can read that here.
5. Hung Up on a Dream
Pretty much every festival I attend has a band documentary- usually a classic rock band that is underappreciated. Sundance had one on The Indigo Girls, NYFF had one on David Johansen and the list goes on. SXSW has Hung Up on a Dream which is about the band The Zombies. Of all these band documentaries this one is towards the top. The journey of The Zombies is so unique and I felt like I got to know each of the band numbers. It’s not your typical wild rock n roll life but more of a story where luck often wasn’t on their side but they enjoy the ride anyway. It was cool 2 of the band members were there and had a panel after the movie. They seem like really cool guys and I enjoyed learning about them.
7 out of 10
4. Tetris
Because of my eye issues I don’t play many video games but Tetris is the one exception. I’ve wasted many an afternoon mixing up blocks into rows, so I was fascinated to learn about all that went down in the creation and licensing of the game. Taron Egerton plays Henk Rogers who discovers the game in 1988 and Nikita Efremov plays Alexey Pajitnov who invents the game in the USSR. The movie starts off a little slow. The first 20 minutes feel like nothing but board meetings but then when the USSR, Japan, UK and USA factions all get involved it starts to get more exciting. Eventually it becomes a story of unlikely friendship between Alexey and Henk. It was neat to have the real life Henk and Alexey at the screening but even so this story of international intrigue should entertain any fan of the game.
7 out of 10
3. Peak Season
Bittersweet love stories seem to be the theme of 2023. We had Past Lives, Flora & Son at Sundance and now Peak Season at SXSW. This one is set in beautiful Jackson Hole, Wyoming and follows engaged Amy (Claudia Restrepo) as she finds a friend in local vagabond fly fishing instructor Loren (Derrick DeBlasis) while her fiancé is away. Of course I prefer more traditional romances but this is still very well done. The dialogue feels authentic and natural and the mountains are stunning. I think anyone who loved Cha Cha Real Smooth last year will enjoy this movie- except I prefer this and its ending to that.
8 out of 10
2. Join or Die-
I’ve been a big fan of Robert Putnam’s work since I was a political science undergrad from 1998-2002. If you don’t know he wrote a book called Bowling Alonewhich looked at trends in joining groups and how that impacts all parts of American life including politics. In this movie Join or Die we catch up with Putnam and see how group behavior has changed in the 20 years since his book. If you think about it so much has changed in those decades including obviously online groups and the recent pandemic. I honestly think everyone should watch this movie. It’s put together in an approachable and entertaining way and it’s a conversation we need to be having.
8 out of 10
1. Molli and Max: In the Future-
Naturally SXSW was very proud of the fact this year’s surprise Best Picture winner EEAAO premiered at their festival in 2022. And in my opinion if any film is going to repeat that success it is this quirky sci-fi romcom Molly and Max: In the Future. This film basically takes When Harry Met Sally and puts it in a brightly colored engaging space world. I’m not the biggest sci-fi person but this doesn’t take itself too seriously and has fun with a world of bright colors and 2 friends, Molli (Zosia Mamet) and Max (Aristotle Athari) who meet with an undeniable spark and then proceed to spend the next 2 decades running into each other and almost falling in love. I enjoyed pretty much everything about this fun romance with an engaging script and visual effects that include miniatures, practical effects and CGI/green screen. It all worked quite seamlessly and Athari and Mamet have delightful chemistry. I hope this gets a good rollout because it is charming.
9 out of 10
So there you have it! I had a great time at the festival and saw a lot of terrific movies. I also got to cover my first red carpet for a movie (or series) premiere while I was there which was a wonderful experience. It was for the Disney Plus series A Small Light, which I didn’t get to see yet but had a great time talking to the cast and crew.
What do you think of the movies I saw? Any stand out to you or look interesting? Let me know in the comments section.
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Hey everyone! The 2023 Sundance Film Festival has come and gone and I decided to do things a little differently this year for my coverage. I didn’t get accepted as press for some reason but I had the locals Salt Lake pass which allows me to see anything I wanted playing in Salt Lake City. Instead of doing the daily logs I’ve done in the past I decided to enjoy the experience and stick my immediate film reactions to twitter and instagram.
— Rachel's Reviews- Queen of Movies! (@rachel_reviews) January 19, 2023
I was also trying to think of some way my coverage could stand out and came up with bringing Marcel the Shell along with me to the festival. I’m no Jenny Slate but it was fun
In my attempt to actually enjoy the festival I also was a little pickier this year and only saw movies I had heard good buzz about and thought I had a good chance of liking and to my pleasant surprise I actually did like almost everything I saw. I don’t know if I was just so happy to be back at Sundance after 3 years but it was an entertaining slate this year.
2023 Sundance Ranking and Quick Thoughts
1. Judy Blume Forever– If you’ve followed my writing for any amount of time you know I’m a sucker for a well made documentary and this about novelist Judy Blume is no exception. I was particularly blown away by the letters she received and the correspondence she had with thousands of children over the years.
10/10
2. You Hurt My Feelings– Director Nicole Holofcener actress Julia Louise-Dreyfus reunite (I love their work in Enough Said) for this very funny comedy about marriage and the lies we tell the people we love. This is going to be released by A24 and I hope it doesn’t get dismissed as one of their artsy films because it’s quite approachable and funny. I even recommended it to my parents who hardly see any movies. Especially married couples will be able to relate to this story and its wonderful dialogue. The letter left at the end for Tobias Menzies shrink character is particularly hilarious.
9/10
3. Radical– We’ve seen this type of inspirational teacher story because but this is done so well and Eugenio Derbez is so strong it worked very well. It tells the true story of a teacher in a deeply poor failing school in Juarez, Mexico and it will bring on the tears so be ready. The kids are all great as well as strong supporting performances from the adults playing the other teachers and parents. I loved it
9/10
4. Theatre Camp– Everyone knows I’m a theater geek so this comedy about a struggling theater camp was made for me. Evidently a large percentage of it was improv and the actors like Ben Platt, Molly Gordon and Patti Harrison (who I have loved in everything I’ve seen her in) are all up for it. If you are expecting a lot of Amy Sedaris you might be disappointed but if you want some good natured laughs it’s a great choice.
8/10
5. Flora and Son– family stories and non-traditional romances were a big trend this year at Sundance and this sweet little movie from one of my favorite directors, John Carney, is one of the best. The only reason it’s not higher is Flora (Eve Hewson) is a lot to take in at the start of the movie, very rude and caustic to everyone around her, but we see her grow and change until we end up rooting for her. Jack Reynor is great as her ex-husband, Oren Kinlan is the ‘son’ of the title and is funny as an aspiring rapper, and Joseph Gordon-Leavitt is charming as the LA guitar teacher Flora becomes friends with online. The music wasn’t quite as strong as Carney’s other films but still a heart-warming little movie perfect for Sundance.
8/10
6. Aliens Abducted My Parents and Now I Feel Kinda Left Out– Despite its unwieldly title this is a very endearing family comedy about a teenage boy Calvin (Jacob Buster) who is trying to find his parents after they were abducted when he was 6. Emma Tremblay plays Itsy the new girl at school and she and Calvin have a lovely friendship. Obviously the story in this film is unique but it’s also funny and some emotional moments. In some ways it reminds me of Napoleon Dynamite but not as deadpan in the humor. One of the best family films they’ve had at the festival in a long time
8/10
7. Fairyland– Another family story at the festival. This one about a father (Scoot McNairy) and daughter (Emilia Jones among others) growing up through the 80s and 90s in San Francisco. McNairy is excellent and the script covers a lot of time without it feeling maudlin or boring. Geena Davis appears as the more conservative Grandmother but I appreciate she is written with nuance and not a one-note cliché we often see. It seems like others didn’t enjoy it as much as I did but I found it quite moving.
8/10
8. The Disappearance of Shere Hite– As the title suggests I had never heard of Shere Hite before this documentary which is fascinating because she was such a prominent figure of her time with her book on female sexuality called The Hite Report. My only question is for someone who seems so shocked by the media’s depiction of her she went on a lot of salacious shows and said shocking things. I think the documentary could have dove into that more. If she wanted to be treated like an academic why is she going on Maury Povich and shows like that. Still it was an interesting watch
7/10
9. Fair Play– They are billing this corporate drama as a thriller and that’s a stretch but it is well made and acted. Phoebe Dynevor and Alden Ehrenreich are terrific as a toxic couple who both work at the same investment firm in New York. When Dynevor’s character gets the big promotion jealousy and envy start to ruin their relationship. This film does have shocking scenes of violence and rape but it builds tension very well and I was genuinely unsure with what was going to happen and how it would end.
7/10
10. Squaring the Circle (The Story of Hipgnosis)– This is a fun, light documentary about the 1970-80s company Hipgnosis which created some of the most iconic rock album covers for the likes of Paul McCartney and Pink Floyd. Nothing outstanding here but I like these kind of behind the scenes documentaries and the interviews are well done and engaging.
6/10
11. The Persian Version– Another film about family at the festival and overall it had enough heart to enjoy but it tries to tackle to much and ends up feeling messy. Director Maryam Keshvarz tells the story of her Iranian-American family particularly herself and her Mother. I think she should have focused just on the Mother but there’s enough good here to recommend.
6/10
12. Past Lives– It seems like I’m more mixed on this bittersweet romance than my friends. Greta Lee, Yoo Teo and John Magara are very strong as the leads, but I found the experience very stressful to watch because I didn’t want her to cheat on her husband who I enjoyed so much. I couldn’t help but wish the movie was telling a different story while I was watching it but that’s me putting my traditional rom-com loving self onto the movie. For what it is, it does tell a bittersweet love story well, but I just found it stressful to watch.
6/10
13. L’immensità– This film is a spotlight film from the Cannes Film Festival last year. It’s another family story at the festival and is very well made and acted by director Emanuele Crialese. He captures the feel of 1970s effectively and Penelope Cruz is fantastic as the unhappy housewife and mother who still loves her children despite being in an unhappy marriage. All 3 kids are excellent including trans child actor Luana Giuliani. It’s a bit ambling and repetitive but I still enjoyed it.
6/10
14. Blueback– You all know how much I love the ocean and this movie about a Mother/Daughter diving team in Australia has amazing underwater footage. The story is sweet and Mia Wasikowska is good as the grown-up daughter with Eric Bana having a great time as the pirate-esque fisherman friend of the family. However, it should have just been the younger girl’s story because anything involving the Mother and her stroke is very saccharine and didn’t feel accurate to what little I know about how strokes work (for example, she just starts talking in full sentences out of the blue after not being able to for months.) Still, the water imagery and main relationships worked enough for me to recommend.
6/10
15. The Longest Goodbye– In all the films I’ve seen about space travel there aren’t that many which tackle the psychological toll on the astronauts and that’s what this film tries to do. It comes from the perspective of preparing an astronaut for a trip to Mars, which if attempted would take 3 years in space. Everything is interesting in this film but it was on the dry side and was a little dull.
6/10
16. Polite Society– I will not be surprised if we hear a lot about this film going forward and its director Nida Manzoor. It has a ton of energy and its lead Priya Kansara is charming as are all the actors (another family story.) The story is a bit all over the place and couldn’t balance its competing tones but it still had enough fun for me to recommend. I appreciate they made her terrible at martial arts until the one moment where she summons all her powers to defeat the villain. I think people who loved EEAAO will like this wacky movie.
6/10
17. Fancy Dance– We have another story about family, this one a mystery and drama. Lilly Gladstone plays Jax a Native American woman who has been searching for her missing sister for years and tryign to raise her high strung niece (Isabel Deroy-Olson) at the same time. Gladstone is very good in the lead role and the ending worked for me but it did have some pacing issues that make it lower on my ranking.
6/10
18. The Amazing Maurice– this was the only animated feature film of the festival and overall I enjoyed it. The story is based on a popular Terry Pratchett novel about a cat that becomes friends with a group of talking rats and they figure out a cheap way of making money. I like the animation and the voice-work is first rate including Hugh Laurie, Emilia Clarke and Gemma Arterton. The story felt a little muddled and didn’t do much for me but it’s alright (and it’s getting a 2000 theater rollout starting this weekend!) If your kids enjoy animated films about animals they will have a good time.
6/10
19. Pretty Baby: Brooke Shields– This documentary is actually 2 episodes of a show that will be released on hulu. For the most part I found the first part to be more intriguing and compelling than the 2nd. It tells the story of actress Brooke Shields and her work in Hollywood from a very young age. She has many positive experiences but she is also exploited, sexualized as a minor and dealing with an alcoholic Mother/manager. The second part while still containing some compelling stuff felt like it dipped into an advertisement for her Beginning is Now website than a movie. Still, there are definitely enough good parts to recommend especially that first part.
6/10
20. It’s Only Life After All– Another documentary about folk rock stars: The Indigo Girls. I knew almost nothing about them before watching so learning about their journeys is fascinating. I also enjoyed seeing how their platonic friendship played out over the years. The problem was the focus on the activism (while commendable) felt repetitive and took away from time spent about the music. I’m still amazed they have never been on SNL after all these years of writing hits. They even had an Indigo Girls skit. Shame on you SNL!
6/10
21. Shortcomings– Shockingly this is the only film from the festival I will be going rotten on (a miracle for Sundance!) and it’s not a terrible film, just not for me. The problem is Justin H Min plays Ben an annoying, insufferable 20-something who thinks he knows how everyone should live their lives and what they should like particularly when it comes to movies. Nobody is good enough for this guy and the problem is the movie isn’t funny enough to pull off such an unlikable lead character. Sherry Cola is great as his best friend but she can’t save it.
5/10
So there you have it! All 21 films I saw at Sundance. What do you think about these movies? What sounds the most intriguing to you? I would love to hear in the comments section.
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There has been a lot of buzz out of NYFF over Till and in particular Danielle Deadwyler’s performance as Mamie Till. I saw the film at a screening here in Utah the day I came back from New York and for the most part I was impressed. There will be some who claim it’s too safe, but I appreciate what it is trying to do.
Director Chinonye Chukwu made a choice to focus on Mamie and her grief rather than depicting the violence of the situation. Of course, Mamie’s son Emmett Till was murdered by supremacists for whistling at a white woman in Money, Mississippi in 1955. Mamie insisted his casket be left open for all to see what the men had done and then she testified at the trial where the murderers were acquitted by an all-white male jury.
I recently complained about She Said feeling too safe and sanitized, so I understand why some will claim that here. However, that movie felt self-congratulatory and self-important in a way I didn’t love. That’s not the case here. We are meant to focus on Mamie and her strength and courage and Deadwyler does a fantastic job with her portrayal.
— Rachel's Reviews- Queen of Movies! (@rachel_reviews) October 18, 2022
Till is a movie I can see playing in schools for years to come and as such the PG-13 has value. It’s important we have the violent films, but also key to have ones that can help introduce teens (13 and up) to history and begin important discussions that are unfortunately still topical to this day.
I vividly remember watching a TV movie called Race to Freedom: The Underground Railroad (ad) at school and it having a big impact on me. I’m sure it’s not the greatest film as far as production values and gritty realism but it was effective in introducing me to American history and making our heroes comes alive.
Like I said, I can see Till having that kind of legacy in classrooms. It effectively portrays the grief Mamie experienced without relishing in the evil of the perpetrators. We see Emmett’s body without watching the lynching taking place and that has value particularly for younger viewers who will be able to relate with Emmett.
There are parts of Till that feel like a TV movie (which I’m fine with) particularly in the production values and supporting performances but Deadwyler and Whoopi Goldberg as Alma, Mamie’s Mother, elevate everything. If you have middle and/or high school age child take them to see Till and have a discussion with them about what happened to Emmett and how we can make our world better even today. That conversation is what will make Till a great film more than anything you’ll see on the screen.
Hey everyone! Yesterday I finished up my last day at the NYFF and am now having a leisurely weekend in the city with my friends. After the movie I met up with Conrado and we had a nice lunch while recording a special episode of The Criterion Projecton the festival which will air on Monday. It was a lot of fun so don’t miss the episode.
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The festival picked an interesting film to close things off: The Inspection by director Elegance Bratton.
I’m not sure why the movie is called The Inspection (something with boot camp or marines would make more sense but whatever) but in the film Bratton tells his own experience as a gay Black marine in boot camp in the mid-2000s. Going into the film I was expecting something more traumatic and negative but it actually was more inspirational and positive about his experiences.
Trauma is there but most of the time his trauma is the same as anyone going through boot camp. We get to see how grueling that experience is but he gets out of it and is a better man with a band of brothers who support him.
Gabrielle Union plays his Mother and her character is the most devastating aspect of the film for French. I definitely give her a lot of credit for taking on such an unlikable, cruel character.
Jeremey Pope is strong as French as are the other recruits with him in boot camp.
For some The Inspection will be too conventional and simple, but I appreciate Bratton sharing his experience with us. It’s an inspiring story that will make you cheer by the end. In a way that was quite refreshing especially for an indie festival.
6 out of 10
Smile Worthy
So I’ve seen 8 films at the festival. Thank you to NYFF for admitting me as press and for any of you reading these logs. I would love to hear what of the films I’ve written about stand out to you and that you might seek out.
Hey everyone! I had another great day at NYFF including getting to meet one of my online friends Alli. We went to this wildly overpriced seafood restaurant (they charged $9 for a little bowl of rice!) but had a good time (it was quite stressful trying to navigate New York in the rain! A kindly doorman helped me get a cab. Thank you!).
Anyway, I saw 2 movies at the festival and they were interesting watches. No panels today but I still had a good time. So here goes:
Return to Seoul
I’ve always been someone that believes adoption can be a beautiful and wonderful experience but there’s no question it carries with it an array of emotions and challenges. Return to Seoul dives into that with the lead character Frederique or Freddie coming back to Seoul to meet her birth parents (she was adopted by a French family).
The film makes some big time jumps so you get to see Freddie through different periods of her life each time trying to balance her French and Korean sides. It’s all beautifully filmed with good performances particularly from Park Ji-Min who plays Freddie.
The only challenge is Freddie is a young selfish character who can be frustrating to watch at times. I don’t mind an unlikable character but particularly in the last section where she’s a soulless business-woman it was a lot to take in. The pacing is also of the indie-variety that may be challenging for some viewers.
Overall Return to Seoul is a memorable look at one woman’s look into her complicated identity.
7 out of 10
Smile Worthy
She Said
As seems to be the case lately, I feel torn on the new movie from director Maria Schrader depicting the Harvey Weinstein investigation, She Said. It’s a perfectly well done journalism film in the spirit of All the President’s Men (which I admittedly don’t love) and Spotlight. The performances are good, the reporters Jodi Kantor and Megan Twohey are admirable people who are good at their jobs.
However, it all felt a little too tidy and safe for my liking. Only Hollywood could make a movie about the Harvey Weinstein scandal where basically only he and his bland board of directors are at fault. Despite the fact that actors like Jane Fonda have admitted they knew what was happening and didn’t do anything (the problem was more than just one man, it was systematic). When Ricky Gervais got upset at the Golden Globes he may have been uncouth, but he was right about the way so many knew what was happening and did nothing.
Hollywood loved Harvey and some of the actors who are portrayed as heroic in the film could have done more to help others avoid this and other horrible men. I understand that’s up to them in their journey as a victim but it just rubbed me the wrong way how the movie didn’t acknowledge the greater Hollywood problem.
That said, the investigation by the 2 journalists is done well. Carey Mulligan and Zoe Kazaan bring a lot of personality to the roles (although I wish they hadn’t acted like postpartum depression is solved by…working hard?) Anyway, Jennifer Ehle steals the show, as she usually does, playing a victim Laura Madden who was one of the few allowed to testify because she wasn’t under a NDA gag order from a settlement.
Like I said, I feel torn on She Said. It’s fine but its weaknesses irritated me. It could have been a lot more daring and had something to say (Mulligan’s Promising Young Woman was divisive but far more evocative.) I think someone outside of the Hollywood system would have been a better choice to tell this story. Then it wouldn’t feel so sanitized and safe.
Another day of NYFF 2022 has come and gone and it was mostly notable for the fact I got to see my friend Austin Burke and watch 2 just ok movies.
So here’s my thoughts:
Armageddon Time
This film comes from director James Gray and is semi-autobiographical about his life growing up in Queens in the 1980s going to a private school run by Maryanne Trump (the former president’s sister played by Jessica Chastain).
Gray always paints a nice palate to his films with cinematography by Darius Khondji and he does so here. It feels more 1970s than 80s but I’m not an expert so I trust the costume designer did their homework. The cast is very strong with Anthony Hopkins probably earning his next Oscar nomination for his supporting work as the Grandfather who fled Nazi Germany after his parents were murdered in front of him.
The child named Paul is played well by Banks Repeta and his friend Johnny is Jaylin Webb. Anne Hathaway and Jeremy Strong play Paul’s parents Esther and Irving.
With a title like Armageddon Time you’d think the movie would be more exciting but it’s really a by-the-numbers coming of age story. Nothing new here but it’s not bad. If you are fan of this genre than you’ll enjoy it. I actually often find that to be the case with Gray’s movies. They are usually serviceable but nothing more.
6 out of 10
Smile Worthy
Personality Crisis: One Night Only
Some people may not know that Martin Scorsese has done a number of music-based rock documentaries including No Direction Home about Bob Dylan, Shine a Light about The Rolling Stones and The Last Waltz about The Band. Now his latest entry in the genre carries the unwieldly title Personality Crisis: One Night Only about the lead singer of the New York Dolls, David Johansen (aka Buster Poindexter).
The most interesting part of this documentary for me is it’s actually the second documentary I’ve seen about members of the New York Dolls. Another one called New York Doll came out in 2005 and is about band member Arthur Kane and how he went from punk rocker to Mormon senior missionary. It’s a fun watch:
This film, Personality Crisis, is more your standard music documentary. The most interesting part is probably Johansen exploring his Dolls persona and his Buster persona (the personality crisis of the title).
They do give long stretches of singing which I’m sure fans will especially enjoy. Obviously this is the perfect documentary to have at NYFF and I suspect it will end up on a streaming service eventually such as Apple Plus or HBO Max. If you have a chance to see it there I’d recommend it like I said especially if you are a fan of either of Johansen’s identities.
Hey everyone! Day 2 of NYFF has come and gone and I actually only saw one movie- of course it was a 4.5 hour movie so it counts for a lot!
Trenque Lauquen Pt 1 & 2
Evidently Laura Citarella is known for making lengthy epics focused on a personal quest or mystery but Trenque Lauquen is my introduction to her. Going into the screening was more than a little intimidating at 280 minutes including an intermission it was a lot to prepare for. Plus the summary by NYFF made the experience seem more than a little pretentious. Imagine then my surprise when the film, while definitely a long sit, is actually quite charming and accessible. I enjoyed it a lot more than I thought I would.
Trenque Lauquen begins with 2 men that are looking for a woman named Laura who they both claim to be in love with. When we meet this woman we start to understand her backstory and how she wandered away from her friends and family. Laura (Laura Paredes) works for a radio station with Ezekiel (Ezequiel Pierri) and in part 1 they begin to research a love story between 2 lovers in the past with clues hidden in library books around town. As they search their bond grows and they even share a kiss.
Part 2 was a little more dry with a pregnant woman and a magical lake that somehow connects to Laura and Ezekiel. However, If you are looking for traditional linear storytelling this isn’t the film for you but if you are open to hanging out with some characters as they ask questions and ponder the world around them you might just enjoy Trenque Lauquen.
Pierri and Paredes bring a subtle power to their roles as the lovelorn (or love-confused) Ezekiel and Laura respectively. They make for characters we want to spend time a leisurely morning with even if they give us more questions than answers in their quest for love.
![Trenque Lauquen [2022] 'Venice' Review](https://i0.wp.com/www.highonfilms.com/wp-content/uploads/2022/09/Trenque-Lauquen-2022-Venice-Review-1024x576.jpeg?resize=764%2C430&ssl=1)