Like most cinephiles I have been quite depressed waiting for theaters to reopen again since the COVID19 shut-down. I am one of the lucky ones that has been able to go to drive-in movies and see one film in an indoor theater (Harry Potter and the Deathly Hollows Pt 2). You can see all about my experience here:
In the meantime, we have to be content with the films going on streaming and VOD. To see all my reviews of TV and Film check out my RT site. The latest release, which was meant for theaters, is director Nisha Ganatra’s The High Note. While not platinum release, it was an entertaining enough film to recommend and support.
First thing I want to clarify is Tracee Ellis Ross’s character Grace Davis is a supporting role to Dakota Johnson’s Maggie in the film. The trailer had me believing she was if not the main character at least 50/50 but there are long stretches where you don’t even see her and it is all about Johnson and her boyfriend/client David played by Kelvin Harrison Jr. Nevertheless, the cast is all really good in this and they help elevate somewhat basic plotting.
The story of The High Note centers around Maggie who is a beleaguered assistant for Grace who dreams of becoming a music producer of her own and nourishing new talent with her great ear for mixing and arranging songs. Unfortunately, any attempts she makes to step out on her own are quickly pushed down by Grace’s manager played by Ice Cube. Then one day she meets aspiring singer David and things start moving forward in her career.
I think most people will agree the best parts of The High Note are when Ross and Johnson get to interact together. The dialogue, for the most part, is pretty good and their conversations felt authentic and true to what the characters would be experiencing in real life. This is not always the case in these types of films where the journey to stardom can feel so phony (Bohemian Rhapsody for instance had some of the corniest stale dialogue I’ve heard in a long time in a film). Here these characters feel true and believable and that is refreshing.
Of course, Ross has a great guide for her performance in her Mother Diana Ross and she channels her quite effectively. She’s not the singer her Mother is but she’s good enough to sell the scenes. I oddly had a harder time buying Johnson as the music producer because I didn’t care for the synthesized sound she added to the tracks but what do I know about R&B music!
If you are looking for something outside the box and super original The High Note won’t be for you but if you are up for a sweet, enjoyable film with good performances than you will enjoy it. It’s fairly generic and predictable but I enjoyed the ride and recommend the film. If you can see it at a drive-in or local opened theater please go and support those venues. If not, rent it, pop some popcorn, take a big breath in and relax with a movie.
Isn’t that what we all need right now anyway?
6 out of 10
2 thoughts on “[REVIEW] ‘The High Note’ is a Good Enough Note”
As you say, it’s probably a good film for right now, escapist, warm hearted and with a couple of strong female leads.