The 2020 Sundance Film Festival is done! I lived it and finished off the experience watching 26 films in 10 days: a new personal record! I missed 3 films that were on my preview (yes I wimped out and didn’t see either of the horror movies I had planned and 1 movie I swapped out for the Bruce Lee movie Be Water).
Of the 26 there really was only a couple that I loved compared to last year where I had 2 in my top 10 of the year and a dozen or so contenders for those top spots. Also last year I didn’t find the festival to be as R rated, which was a bummer because I invited 2 friends and they didn’t have a great experience. It was just rotten luck. Next year I HAVE to get the locals pass. It makes all the difference in the world.
Anyway, I will do a best and worst video later this week but for now I have 2 more movies I saw on Sunday that I need to review. So here goes:
Director Benh Zeitlin made a huge splash at the festival in 2011 with his movie Beasts of the Southern Wild. If you haven’t seen it that film is a tale of magical realism set in the punch bowl area of New Orleans and it is a breathtaking film. With such success under his belt Zeitlin taking the same style to a new version of Peter Pan seems like a perfect fit but I walked away with mixed feelings.
The strengths of Wendy lie mostly in the style. Just as in Beasts the beautiful cinematography mixed with wonderful music by Dan Romer (who also did Beasts). There are a lot of sequences with children running and playing that take your breath away!
Zeitlin also takes a lot of inspiration from Lord of the Flies and Where the Wild Things Are (a movie I love). But Wild Things works because of its layered script that confronts the loss of childhood innocence where Wendy doesn’t have such a clear message. It’s a lot of pretty images but at a certain point I as a viewer need more story. The story he does give us is kind of garish and stark and left me missing the whimsy that a Peter Pan adaptation should have.
The closest the film gets to whimsy is in a whale that spews magic just like a giant Tinker Bell. They also have some interesting things to say about age and growing up but it gets muddled by all the shouting and action.
Like I said, I have mixed feelings about Wendy. Some people will really hate it and other people will admire the style and creativity that it will capture their hearts. I’m somewhere in-between, but I think the good outweighs the bad. So give Wendy a shot when it comes to the theaters and let me know what you think!
6 out of 10
The last movie of the festival for me was the marriage comedy Downhill, which is based on the French film Force Majeure. I haven’t seen the original film so I can only comment on this version.
On the surface Downhill should be an easy home run. You have 2 actors who have been very funny with Julia Louis-Dreyfus and Will Ferrell and an original film that is evidently quite funny). Unfortunately this film didn’t do much for me as either a comedy or an exploration on marriage.
The concept is our leads play a couple who is coming to Switzerland with their 2 boys for a much needed vacation on the slopes. While there, the mountain experiences a controlled avalanche and Louis-Dreyfus’ character Billie shields her sons in fear and Ferrell’s Pete runs away. This deeply hurts Billie and she has trouble continuing on with the vacation.
All of this could have been funny but Downhill is one of those comedies that mistakes characters fighting a lot for jokes. Fighting can be funny but a lot of the time it is just awkward and dull. It also can make your leads unlikable and hard to relate to. I didn’t really care about either Billie or Pete and found them both frustrating and unsympathetic.
There are a bunch of comedic set-pieces in Downhill that are supposed to bring laughs such as when Billie kisses a hot ski instructor but they usually fall flat. Like I said, the whole thing ended up being dull and uninvolving. I would definitely recommend saving your money and looking for a better comedy than this.
4 out of 10