Hey everyone! I did it! I made it through the last 4 movie day of the Sundance Film Festival. I really thought about skipping the first movie today but last minute I decided to finish out my goal and went. I ended up barely making the passholder line grouping but I’m so glad I did because I wound up loving that film most of all! Go figure!
I actually left feeling positive about all 4 films today. I’m not sure if Sundance has just worn me down but they were all entertaining and free from the extreme content a few other films have had, which was a nice relief.
Now I only have 2 more tomorrow and I will be done and will have watched more films than I did last year (25 in 2019, 26 in 2020)!
Here’s my thoughts on today’s movies:
Dick Johnson is Dead
I was a little skeptical going into director Kirsten Johnson’s experimental documentary, fearing it would be too much of a gimmick. The idea is she is profiling her father as if he had passed away when in fact he is alive. They even have a mock funeral which her father views from the balcony above the grievers (including his very emotional best friend). They all know it is a fake funeral and yet their emotions are very true and real.
In fact, that’s the way I would describe this movie: true. Kirsten and her Dad speak openly about the process of getting older, losing memory, and the pain of grief. As someone who lost both my Grandmas last year this really rang true for me and I was crying something fierce!
Fortunately with the tears is a lot of laughs as we see the bond between father and daughter and wish we could meet the wonderful Dick Johnson. Kirsten also stages fake deaths with her Dad as part of the experiment, and it becomes a kind of ‘cinematic therapy’ for both of them. It really worked for me!
Dick Johnson is Dead will be on Netflix soon so keep an eye out for it. It’s a real gem.
9 out of 10
(Also her Q&A was amazing. Probably the best of the festival)
As host of the Hallmarkies Podcastyou all know I love a good romance, and we don’t get enough of them in the theaters these days. We especially don’t get as many that are as old-fashioned as the new film Sylvie’s Love, written and directed by Eugene Ashe.
In the film Tessa Thompson stars as the title’s Sylvie who falls in love with a young saxophonist named Robert (Nnamdi Asomugha) in 1950’s Harlem. Her father owns a record store and her Mother is set on her daughter marrying a high class boy. This first half of Sylvie’s Love is what works the best as young love blossoms with all the requisite flirting and stolen kisses.
The second half of the film is less effective as the script lays on the soapy melodrama too thickly even for me. We have several separations that don’t seem necessary and then reunions that feel even less plausible. There will be a lot of people rolling their eyes at the cliches and corny moments but the chemistry was good enough between the 2 leads that it worked well enough for me.
I also loved all the period details and wonderful music. I would compare it to something like The Notebook. Cheesy, full of melodrama but the chemistry between the couple and overall quality of filmmaking carries the day making an enjoyable time at the cinema.
6.5 out of 10
Next up we have the very unusual quasi-biopic Tesla. This is a hard movie to describe but I will do my best. It tells the story of famed inventor Nikola Tesla played by Ethan Hawke but in a format that is both traditional and modern at the same time (quite literally).
The film let’s us know right away it is going to be different by employing a narrator (Eve Hewson playing Ann Morgan) who breaks the 4th wall and tells us why Tesla was such a mixture of brilliance and self-sabotage. We also get flights of fancy where fake realities are put before us such as a funny scene where Tesla and Edison (Kyle MacLachlan) are eating ice cream instead of fighting.
There are also scenes where we see modern gadgets to show the end-product of Tesla’s ideas and even a very wacky scene where a boozy Tesla ends up singing at a modern karaoke bar.
The backgrounds and production design in Tesla is also intentionally fake looking with artificial sets and obvious green screen. It may be Sundance brain talking but I found the choices intriguing and usually quite funny. Occasionally they’d push things too far but for the most part it was different but not in the confrontational way that some arthouse films can be.
If you are looking for something new and creative check out Tesla. I will be very curious to hear what people think!
7 out of 10
Before watching this documentary I had certainly heard of The GoGo’s, and I enjoyed their hits like ‘Can’t Stop the Beat’ and ‘Vacation’. However, I had no idea they started from such punk rock origins. They always seemed more pop-influenced from what little I knew about them. So it was really interesting to watch this film The GoGo’s and learn about their formation as a punk band and how they became the first all-girl band to reach first place on the charts.
This documentary admittedly is a fairly standard rock band bio-piece but it is nonetheless entertaining. They have all the major characters there and the interviews are honest and amusing. We get to hear a lot of music and hear lots of stories of excess, music and drugs.
The only fault I’d have with The GoGo’s is we don’t get to learn much about the girl’s relationships outside of the band. There’s one point where they mention 2 of the ladies dated but that’s all we hear about their sexuality, love-lives or anything like that, which would have been nice to get a peak into.
Other that than that The GoGo’s is a lot of fun and worth a watch in the next few months if you get Showtime.
7 out of 10