As shown in my review of the recent film The Wrong Missy most Netflix comedies are not my cup of tea. However, in the case of The Lovebirds I had more hope as it is an acquisition by Netflix not an original film. Indeed, Paramount originally planned to release The Lovebirds into theaters before COVID19 closed everything down.
The film also stars Issa Rae who I recently enjoyed in The Photograph and Kumail Nanjiani who was so great in The Big Sick with the same director Michael Showalter. So how did it turn out? Were my high expectations met? Honestly not really but it had just enough laughs and chemistry to give a mild recommendation.
The plot of The Lovebirds is similar to 2018’sGame Nightbut not nearly as funny. Both movies are about a couple who want a simple night of fun and end up in a mad-cap race for their lives with all kinds of violence and over-the-top comedic set pieces. In this case Jibran (Nanjiani) and Leilani (Rae) are a couple who have lost their mojo after 4 years together. Unfortunately just as they are breaking off their relationship they hit a man with their car and then one thing after another happens until they end up in all kinds of shenanigans including a sftrange cult ceremony of some kind.
Most of my favorite parts of the movie came from the dialogue particularly from Nanjiani. He was just manic enough to make me laugh without being shrill or annoying. Nanjiani and Rae also have wonderful chemistry together, and I bought them as this established couple struggling with their relationship.
The problem with The Lovebirds is not all the comic-action set-pieces worked. In particular there’s a sequence where the 2 are tortured by Anna Camp and forced to chose between getting hot bacon grease on them or get kicked by a horse. This kind of body humor isn’t for me and it went on way too long.
I also didn’t love the long sequence at the cult. Basically whenever the plot or the action was supposed to carry the film it didn’t work for me. When they relied on the dialogue and the witty banter between the 2 leads it did.
The Lovebirds earns its R rating with vulgar language and violence so it will not be for everyone. Although obviously I had problems with it, I did laugh out loud quite a few times and that’s enough to give it a mild recommendation. No masterpiece but if you are looking through Netflix for a comedy you could certainly do worse.
Hey everyone it’s time for another one of my quick set of mini reviews for you. All 3 that I am talking about today are from Netflix and in the grand tradition of that illustrious streaming service I didn’t really love any of them. One is an abomination and the other 2 are just ok. So here goes.
The Wrong Missy
Let’s get the abomination The Wrong Missy out of the way. We have the new film from Happy Madison productions starring David Spade as a man who amazingly has 2 women desperately in love with him. One is a super model played by Molly Sims and the other is an insane person played by Lauren Lapkus.
One day he mistakenly invites the wrong woman to a company retreat and then we are treated to Lapkus portraying one of the most annoying and obnoxious characters in recent memory. She is vulgar, pushy, irritating and not the least bit funny. Then like all Happy Madison productions we are supposed to buy that these 2 fall in love despite them being hateful and awful to each other the entire film.
The attempts for laughs include a threesome with poor Sarah Chalke, a long shark cage scene where the big laugh is Lapkus vomiting chum for a cgi shark and several scenes where characters fall humorously off of 2 story buildings/cliffs unharmed. What on earth? It is so obvious the only effort here is to get a free vacation and it shows. Comedy deserves better. Netflix watchers deserve better. Humanity in quarantine deserves better. No thank you!
1 out of 10
It feels ridiculous to talk about a film like Becoming after The Wrong Missy and to give both films rotten on RT, yet here I am. Becoming is a documentary that follows former first lady Michelle Obama on her recent book tour. Along the way we learn a little bit about her time in the White House and her adjustment after leaving office. We also see her speaking before large crowds and meeting and encouraging youth across the country.
The frustrating part of this documentary is it is so safe! The Obama’s production company Higher Ground have made 2 excellent documentaries Crip Camp and American Factory, so I was expecting more from this film about Michelle. It’s a perfectly pleasant puff piece on the First Lady but it never once challenges her or digs deeper into her private life. I’ve frankly seen biographies on the E! channel that told me more about a celebrity.
I hope her book is more insightful because this told me nothing I didn’t already know about Michelle Obama and isn’t that the point of this type of documentary? For a better example of a well done film watch The Last Dance currently airing on ESPN (or any of the 30 for 30. They are much better than this).
4 out of 10
A Secret Love
Finally on Netflix we have a new documentary called A Secret Love that tells the story of a lesbian couple Terry Donahue and Pat Henschel who have been together for over 65 years. As the title suggests they had to express their love in secret and were seen by most of the world as roommates rather than spouses.
The film tells the couple’s story in 2 narrative threads: one is about their young life with Terry as a female baseball player in the late 40s. Then we see them in a modern setting trying to work with Terry’s family to sell their home and make the move to assisted living. I preferred the historical segments much more over the modern sequences.
A part of me thinks these sections needed to be their own separate movies. In the modern I was confused by the responses of the family members particularly to Pat, which the documentary didn’t flesh out well. Most of the time was spent arguing over moving when I wanted to know more about the relationships. The historical sections were more focused perhaps because bigoted family members were dead and easier to expose/talk about.
Nevertheless, it is still a tremendous couple and worth a watch just to see how they have lived their lives on the outside all these years. It could have been better but I still recommend it.
5.5 out of 10
So there you have it! My reviews of 3 films from Netflix. Let me know if you see any of these and what you thought of them. Sure love ya!
PS. I will be having a review of the new Valley Girl remake over at Backseat Directors coming soon so keep an eye over there!
If you are an animation fan there is perhaps nothing more exciting than what is happening over at Netflix. In recent years they have been gathering a group of talented animators and collaborators unmatched by any other studio. This is true for series like Hilda and Disenchantment and feature films like last year’s Oscar-nominated Klaus (also my favorite movie of 2019!). What’s especially exciting is they are experimenting with new animation styles and bringing back traditional artistry like 2D animation.
Unfortunately they can’t all be winners and their latest entry The Willoughbys wasn’t my cup of tea. I love the animation and appreciate some of the moments of heart, but its hurt by an uneven tone and a story that fails to produce laughs or provide us with memorable characters.
The Willoughbys is based on a novel by Lois Lowry, and I can imagine the humor working well on the written page. A lot of the jokes are of the dark and dry variety, which is very tough to pull off and not feel mean-spirited. It’s similar to the challenges found in adapting Roald Dahl to the big screen. His books are so strange and dark that when you translate them to screen you have to add a lot of whimsy to make the stories palatable. It’s the same problem with The Willoughbys, and I don’t think they succeeded in finding that balance.
The Willoughbys tells the story of the eponymous family who have the most horrible parents since the Mom and Dad in Madeline. They are disgusted by their children and have no interest in taking care of them. One day they find a new baby and the parents tell the kids to get rid of the baby and not come home until they do. In revenge they decide to send their parents on a ‘murderous vacation’ so they can be on their own and be orphans.
I can see why some kids will like this style of comedy. I used to love playing orphans with my friends and pretending to take care of ourselves without need of parents. It was an empowering game. However, the tone in The Willoughbys is too all over the place to work on that level and the humor almost never made me laugh. I also didn’t feel like I got to know any of the children very well.
If you look at a similarly structured film in Coraline, I get to know her way better than any of the kids here. Coraline also has a much more consistent tone which makes the scary and funny parts work much better than anything we see in The Willoughbys. I’m rooting for Coraline in a way I never am for these kids who are more props for jokes than compelling characters.
All that said, if you are jonesing for something to watch on Netflix you could do worse than The Willoughbys. It’s not awful. I just didn’t think the script was sharp or funny enough for a recommendation. I would strongly recommend you watch Hilda or Klaus instead of spending time with The Willoughbys.
Hey everyone! The first day of Sundance has come and gone and overall it was a decent start to the festival. I am trying this year to not get caught up in festival hype and am going to try to be as objective as possible. Today I saw 2 documentaries both from Netflix (I am kind of irritated by how co-opted the festival has become by Netflix but that’s a topic for another day). I really liked one of these documentaries and the other I was pretty meh on but it was serviceable. So here goes:
This film had a lot of buzz going into it before Sundance. It is a documentary about the civil rights movement for those with disabilities but it is also produced by the Obamas who had a big hit with last year’s American Factory. I think for the most part Crip Camp lived up to the hype. It was a lot different than I was expecting. I thought it was going to be a lot more about the camp but it is mostly a step by step retelling of the disability rights movement from 1977 on.
This was probably my own fault for not having done enough research into the film so I don’t fault it much. I might have liked to get more information about the people who started the camp and why but they did a good job introducing us to important figures of the movement who had all been to the camp as teenagers. I also learned about the 504 protests that occurred years before the Americans with Disabilities Act. It was very interesting. Judy Heumann is especially impressive as the movement’s leader and I’d love for a movie to be made about her life some day (only if they actually cast an appropriate actor and not an able-bodied actor!).
Crip Camp does have some vulgar language and nudity but it does teach a lot of important lessons so it will be up to parents if they want their kids to watch it. I’m certainly glad I saw it
8 out of 10
Next up is Miss Americana about country turned pop singer Taylor Swift. I like Taylor well enough but these kind of celebrity documentaries are a bit of a tough sell for me. I’m just not someone enamored or impressed by celebrity. She’s just a human who has a job singing. That’s it.
If you want a music documentary with lots of singing and behind the scenes looks at Taylor than this is perfectly serviceable. It does it’s job and fans will be happy with it.
As far as anything more it didn’t do much for me. They try to make a big deal of her decision to endorse the democratic candidate in the midterm elections in Tennessee. I have no doubt it was an empowering moment for her personally. However, the documentary tries to compare this action to that of the Dixie Chicks coming out against George Bush in 2003.
This seems like a big stretch to me when the Dixie Chicks were still solidly country music singers and Taylor hasn’t been one for years and it was at the height of the Iraq war. Now a celebrity coming out to support a democrat against Trump is hardly world altering decisions. If anything doing such an action helps a celebrity’s career not the reverse these days.
If it was me I would be far more interested to learn more about her song writing process because that is where she shines as an artist. We see a lot of her recording new songs and working on rhymes but I wanted more. I was also disappointed we didn’t hear anything about the early managers who have made it impossible for her to sing her early songs because of a terrible contract they tricked her into signing. Why did we hear nothing about that?
Anyway, I am being hard on Miss Americana because I think it could have been much better. As it is, it’s fine. If you want a celebrity documentary with lots of Taylor singing and chatting with her cat than you’ll love it. It’s as simple as that.
It’s always a fun experience to go into a film knowing as little as possible about it. It is one of the things I love about attending the Sundance Film Festival. Occasionally a movie will get some hype during the festival but most of the time I know only the name and a brief summary.
Recently I had a similar experience watching a small indy film called Prodigy, which has just landed on Netflix US for all subscribers to enjoy. At first I thought it was the 2019 horror movie The Prodigy, which I didn’t have a ton of interest in (I’m not a big horror movie fan). Fortunately, this film, Prodigy, turned out to be an entertaining scifi thriller that does a lot with a very small budget.
Prodigy stars Richard Neil as a psychologist named Fonda who is sent to a government facility to psycho-analyze a mysterious young girl named Ellie (Savannah Liles). She is straight-jacketed and under constant observation for her erratic behavior. Both Fonda and Ellie’s past comes into play and they develop a little bit of chemistry as they talk.
I won’t tell you any more of the story but Prodigy is one of those films that feels more like a play than a movie and I don’t think that’s a bad thing. Most of the time is spent between 2 characters talking and yet the tension builds to some satisfying and surprising moments. I also thought Neil and Liles do a good job in their roles.
Where the movie fails is with the other characters and some of the script. In particular a military man who becomes angry at Fonda’s methods, and a man who is operating the observational room they are in, had some very cringy dialogue. It’s also not a very cinematic movie in its production and special effects, so it is perhaps best at a place like Netflix.
That said, I enjoyed watching Prodigy. It’s a clever scifi thriller with 2 good performances so if you are jonesing for something fresh and new to watch on Netflix give it a shot.
It’s time for another edition of my Current Mini Reviews where I give shortened reviews of recently released films. If you are new to the site you are going to think I’m a super big grumpy pants because I didn’t like any of the movies being covered. Sometimes that’s the way the movie Gods see fit to provide, and it’s a good thing because it makes me grateful for the great films! So here goes:
The Sun is Also a Star
First up is The Sun is Also a Star. This is a romantic YA drama based on the book by Nicola Yoon. I actually read the book and enjoyed it. I thought both Natasha and Daniel were well developed and interesting characters and that helped me care about the instalove gimmick. Unfortunately as you can see in my youtube review the movie did not work. The director used too many gimmicks with spinning cameras and heavy-handed narration that got in the way of the characters. Without their development the romance felt very corny. The two leads are pretty people but the script didn’t work for me.
3.5 out of 10
A Dog’s Journey
Don’t worry this is not a sequel to A Dog’s Way Home, which came out in January, and I gave a marginal recommendation to. No, this is a sequel to the 2017 film A Dog’s Purpose, which I didn’t enjoy, but this manages to be even worse. This is a PG family film, and we get multiple dog deaths, human deaths, parental abuse, alcoholism, a toxic teenage relationship, car crashes and cancer. Good grief! The only thing I liked about the movie aside from the cute doggies was the relationship between Kathryn Prescott and Henry Lau. I’d watch them in another movie- maybe a light-hearted romantic comedy and not this massive downer…It makes Old Yeller look like a laugh-fest.
2 out of 10
The Dead Don’t Die-
Last year I loved the delightful indie zombie Christmas musical Anna and the Apocalypse. It was creative, funny and sweet. It even made Best Films of 2018. So when I saw a trailer for The Dead Don’t Die I got very excited. The trailer was hilarious, and I love the cast. My hope was it was going to be a Wes Anderson meets Zombieland film. Unfortunately I was very disappointed. The Dead Don’t Die was an unfunny, self-indulgent, frustrating experience. The cast is woefully wasted, and they strain for the few laughs the script offers. The metaphors are also rammed in to the ground by narrators and characters breaking the 4th wall. It is my first film from director Jim Jarmusch but the critics at Cannes and other places don’t seem to be enjoying it either, so it appears to be a just a big miss. It’s frustrating because it had so much potential and it all falls flat.
3.5 out of 10
In recent years Hollywood has produced several popular comedic films starring and geared towards women. Whether it is the Bad Moms movies, Girl’s Trip or Bridesmaids these films have an audience. Unfortunately the successes for that audience are few and far between. In the latest from Netflix, Wine Country, a lot of funny women are brought together for little to no laughs. It boggles my mind that so many talented people like Amy Poehler, Maya Rudolph, Rachel Dratch, Ana Gasteyer and more could all get together and produce so few jokes. It felt like an R rated version of a sitcom episode stretched into nearly 2 hours. I also am so tired of the trope that women doing raunchy or outlandish things is inherently more funny than when a man does the same things. It’s so lazy and that’s how I would describe Wine Country. Buyer beware!
2 out of 10
So there you have it. 4 pretty terrible films all in the same month! I bet you’re not so jealous of my job now! If you get to see any of these movies let me know what you think. Thanks
Believe it or not there are other movies out in theaters besides Avengers: Endgame. I have already reviewed Missing Link and Breakthroughon this blog but I thought I would give you my quick reviews of 5 other films that might be worth your time to check out:
First up the anime film Penguin Highway. Directed by Hiroyasu Ishida this creative and original science fiction mystery will delight audiences of all ages and shouldn’t be missed. It reminded me a lot of the Netflix show Stranger Things with a young boy investigating the strange appearance of penguins in his town.
The relationship between the boy and a woman who comes along with the penguins is a little strange but if you like unpredictable, fresh storytelling you’ll love this film
8 out of 10
I will eventually do a full review of Disneynature’s latest film Penguins for my Disneynature series on this blog but until then you should definitely check it out. The penguins are so cute especially our lead penguin Steve who is perpetually behind all the other penguins. It’s so cute!
Ed Helms does a good job as the narrator and kids will love seeing this little penguin romance. Some of the music cues were a little much for me but that’s a minor flaw in a very adorable nature film.
7 out of 10
The Perfect Date
Netflix continues in its attempt to take over the romantic comedy world particularly for teenagers with The Perfect Date. Noah Centineo is super charming, and I’d be in love with him if I was 16. That’s really who this movie is made for, teenagers who want to swoon over Noah Centineo. There’s nothing wrong with that but the script needed work.
He’s charming but the story is so strained and there is no chemistry between him and either of the leading ladies. It also feels like a cheap copy of Ferris Bueller’s Day Off without any of that movies emotional heft. If you’re not a 16 year old I’d say pass.
4 out of 10
Penguin Highway isn’t the only new anime we’ve gotten this month. We’ve also gotten the sweet ghost story Okko’s Inn. Based on a series of mangas, Okko’s Inn tells the story of a little girl who goes to live with her Grandma at an Inn after her parents die. She soon learns the Inn is inhabited by a series of mischievous ghosts who want to get her into trouble.
Okko’s Inn feels very episodic and is definitely made for very small children. Adults may find it a little cloying but its heart was in the right place so I enjoyed it. If you want to talk to your kids about grief and how to set goals (Okko decides to become a junior Innkeeper) than this would be a fun one to show them.
6 out of 10
About 30 minutes into the new romantic comedy Long Shot I was groaning pretty loudly inside. The characters were annoying me and it seemed like the most tired of tropes to have the gorgeous blonde bombshell fall for the schlep who can’t seem to understand you don’t wear a hideous windbreaker to a swanky party. Ugh.
BUT…then something happened and it started to win me over. I think the key point is when they actually start a relationship is where it begins to work. The build up I was irritated but the actual balance of a liberal writer dating the secretary of state started to entertain me. Seth Rogen and Charlize Theron have decent enough chemistry but it’s the script that makes it all work. The commentary on feminism, work, politics and dating feels believable and is very funny. I particularly thought the ending in all its romcom glory is earned.
O’Shea Jackson as Rogen’s best friend stole the show. Hilarious.
This is an R rated film with lots of language and some sexuality so be forewarned.
So day 7 of the Sundance Film Festival proved to be a unique one! It started out with quite possibly my favorite venue of all: my house! I was planning on seeing director Dan Gilroy’s new film Velvet Buzzsaw at the festival on Sunday but then I heard it was already playing on netflix so I figured why bother? Especially since I had done a midnight movie the previous night I needed to take a lighter day today. Watching the first movie at home proved to be the perfect solution!
The next 2 movies were at the library and I must say those seats at the library are mighty uncomfortable after 2 long movies. My knees are still aching! Luckily tomorrow I have my screening of Lego Movie 2: the Second Part in the morning and then 3 movies at The Grand Theater which is pretty comfortable (and free parking!). In fact, all my remaining screenings are at either The Grand or the Rose Garden theater. Not the most comfortable but better than the Library.
Anyway here are my thoughts on today’s movies
It’s an interesting experience watching Velvet Buzzsaw in the midst of the Sundance Film Festival. There is perhaps no better place to view films that truly espouse to be abstract art rather than narratives than at Sundance (see We are Little Zombies below or The Last Black Man in San Francisco for examples). Some of these artpiece films work for me and then others are frustrating experiences. Either way what’s even more frustrating is when you have the pedantic hipster types who try to tell you how to you should be responding and what classifies as ‘true art’. Velvet Buzzsaw tries to take aim at these irritating art snobs with a mixture of dark humor and horror and it meets with mixed success.
What can’t be argued is the tremendous cast they have assembled for this film. Jake Gyllenhaal, Toni Collette, Rene Russo and Zawe Ashton all do good work as stuffy art buyers/critics. They all seem to be having fun playing such stuffy characters and it helps elevate the material. I laughed quite a few times at the pompous behavior of these characters. It kind of made me wish the Christopher Guest crew had taken on the world of art criticism (movies like Best in Show or For Your Consideration have similarly self-obsessed characters).
Then you have the horror elements. A rich man dies leaving behind some beautiful artwork the team is dying to own. What they don’t know is this art is cursed and it kills the owners (think Final Destination). These kills were pretty creative, and I enjoyed seeing how each of our snobs was taken down.
However, there are problems with Velvet Buzzsaw. While I did laugh some, a lot of the humor falls flat, and you have the feeling it isn’t as creepy or as funny as it thinks it is. After a while, it starts to feel repetitive and that the actors are reaching for moments that the script isn’t delivering. It all feels a little undercooked if I’m honest- like it needed a few more times in the editing/writing room before it was greenlit.
Still, I’d say the good outweighed the bad and if you can handle some strong R rated content it’s worth a watch.
6 out of 10
The next film I saw is an Indian export called Photograph that I have very mixed feelings on. Directed by Ritesh Batra, it has many elements I love. First, it is a classic romance where a poor man who takes photographs for tourists asks a young successful businesswoman to pretend to be his girlfriend for his nosy Grandma. There is nothing I love more than a fake fiance plotline in a romantic comedy.
As they pretend to be a couple their chemistry grows and there were many sweet moments between the 2. However, this relationship is SLOOOOOW going, which I was fine with, but then the director fails to give us the payoff this kind of story needs at the end to be satisfying. He spends a majority of the film getting a special gift for her and then the camera pans away before we get to see her get the gift, which was very disappointing.
If you are going to have something as conventional as a fake fiance plotline, the least you can do is give us a conventional happy ending. I am sure some people like the ambiguity of the ending, and I can see why, but for me I wanted a little bit more closure. It felt like the pilot of a tv show instead of a movie.
Photograph is beautifully shot and acted but I don’t know if I can quite go fresh with it. The pacing and the ending were just too frustrating. She needed to get the cola gosh darn it!
5 out of 10
WE ARE LITTLE ZOMBIES
Now there are art films and then there are ART FILMS! Japanese director Makoto Nagahisa’s We are Little Zombies is about as big an example of the latter as you are going to get. As such, some people will find it exhilarating, and others like myself, will find it exhausting and even nauseating. That’s just the way bold art works sometimes!
We are Little Zombies is about a group of 4 orphans that decide to form a band because they all hate their parents and are angry at the world. As they play we get 3 new songs that are fun and there are some witty moments particularly from each of the 4 kids.
However, we also get long sequences with blaring music, strobe lights, flashing nonsensical imagery and complete randomness. At one point they are in a womb waiting to be birthed. At another point they steal a car and are zooming around the countryside eating strawberries. Then they become famous musicians and are on covers of magazines. It’s non-stop and exhausting.
Like I said, I’m sure some will enjoy this film. I felt like I was going to vomit after the first hour, and I would have left if I wasn’t crammed in the middle of the row. It’s especially problematic at the very long runtime of 2 hours. It simply was not for me.
So it is time again for one of my current mini reviews wrap up! As per usual this won’t include any films I did a full review for but I only have so much time so mini reviews will have to do for some films!
Make sure you check out my podcast where me and my friends dive into all kinds of content including television like Doctor Who, monthly Talking Disney and Obscure Animation, animated news and movie previews and wrap-ups.
So let’s talk about the movies I’ve seen!
DC Super Hero Girls: Legend of Atlantis-
I’ve really enjoyed the previous 2 DCSHG films and while this wasn’t as strong it was still an enjoyable outing for our girls. This film is about a Book of Legends being stolen from Super Hero High so the girls go under water to Atlantis where they meet Mira and Siren and fight the thief. The animation is very bright and colorful. The voice work is great. It’s empowering and has a nice message. If you have kids, they will love it.
71 out of 119
Goosebumps 2: Haunted Halloween-
I actually enjoyed the first Goosebumps film more than most (but I have no attachment to the original books) and while this was not as bad as the trailers made it look it wasn’t particularly strong. It particularly suffered from the comparison to the recent House with a Clock in Its Walls, which I greatly enjoyed. If you find it on cable it’s harmless but a little of the ventriloquist dummy Snappy goes a long way. I’d say there is about 45 minutes of the movie where Snappy is the only villain. Jack Black is hardly in the movie. It just wasn’t very creative or fun scary.
80 out of 119
Liz and the Blue Bird-
One of my favorite films of 2017 is Naoka Yamada’s A Silent Voice. It was a beautiful, emotional movie about the relationship between an ex-bully and the deaf girl he seeks forgiveness from. Naturally, I was very excited for Yamada’s next effort Liz and the Blue Bird and it’s a good movie but it didn’t wow me like I hoped it would. It’s about 2 girls who are part of a band (part of an anime series called Sound Emporium). It was a little unclear what their relationship is but there were touching moments and the fairytale (told alongside the main story) of Liz and a mystical blue bird is lovely. As I said in my longer review for rotoscopers.com “while it is not in the same league as A Silent Voice, it is as sweet and pleasant film that’s worth a watch”
55 out of 119
Now I admit I didn’t really do my homework on this movie. I knew it was an R rated film but I didn’t know what MFKZ met and I think the advertising was a little deceptive (it means something NSFW). If I had done the research I usually do I wouldn’t have seen it; however, I did, and I hated it! It’s not that the movie has adult themes. I’m fine with that. The problem is the story is complete chaos. Nothing makes sense. Everything is flying at you and assaulting your eyes (and ears). It was exhausting. I know some people think chaos is creative but it usually is just chaos to me. This year I really enjoyed a movie called The Night is Short Walk on Girlwhich is bonkers crazy but there is still enough consistency with the characters, character design and tone that it worked for me. This was just miserable.
111 out of 119
Tito and the Birds
I actually got the chance to interview the director and producer of this beautiful animated film over on rotoscopers. It is a dystopian story about a world where fear is a disease. This fear spreads quickly through the town and the children are left to try and find the antidote. The animation style has an oil painting aesthetic that is unique and beautiful. The message can get a little heavy handed at times, but I still enjoyed it. Wouldn’t be surprised if it comes up as an indie animated film nod for this year’s Oscars.
27 out of 119
I’m one of the few people who thought the trailer for Night School looked funny. I enjoy Kevin Hart on occasion and it seemed like a cute premise. Unfortunately, I did not enjoy the film. Tiffany Haddish continues to not impress me (I realize I haven’t seen Girls Trip). Her character is shrill and overbearing (and worst of all not funy). It was rough!
107 out of 119
The Nutcracker and the 4 Realms-
I was really pulling for this movie for a couple of reasons. First, if it was good it might encourage Disney to make more creative films over their remakes. Second, there has never been a good Nutcracker movie and as a huge Christmas movie fan that’s a problem. Honestly the best Nutcracker movie is Barbie as Nutcracker (for real). This movie had almost no conflict and the visuals were not unique or fun enough to save it on their own. There are long segments where Clara is just watching things happening (literally on stage). Then she is told what to do in long scenes of exposition. It just couldn’t escape from the weight of its own boredom.
98 out of 119
I know the production history of this film was rocky but my love for Queen and their music still had me hopeful a serviceable biopic would come out of all that mess. Unfortunately the songs and a good lead performance are the only things to recommend this pedestrian effort. The script was terrible especially the dialogue. It reminded me of one of those music biopic movies they used to have on VH1. Some might argue they had to keep it predictable because they were dealing with true events but they didn’t even stick to the true events so that’s no excuse. I refuse to believe that an icon like Freddie Mercury was this bland and by the numbers rockstar we’ve seen a million times. I was very frustrated while watching this film. Save your money or watch A Star is Born again. It may be fictional but it reads way more real and nuanced than this film
101 out of 119
The Holiday Calendar-
You guys know I love Christmas movies and The Holiday Calendar is one of Netflix’s holiday offerings this year. It’s about a woman who gets a magical advent calendar that predicts good things happening in her life. This is very predictable, but I thought it was sweet. I particularly liked the lead guy Quincy Brown. They keep the lead girl, Kat Graham, a little too unlikable for too long, but I still overall enjoyed it.
67 out of 119
Jane and Emma-
This is a faith-based film about the relationship between Emma Smith (Prophet Joseph Smith’s wife) and a black convert named Jane Manning. It zips around all over their relationship while remaining grounded on the night before Joseph’s funeral as they were caring and protecting the body. I think non-Latter-day Saints might found some elements strange but it is written by Melissa Leilani, who I have interviewed, and she did a good job developing the characters. The acting is also solid and affecting. It’s well made and something I think all of my faith should see. Emma deserves her moment of vindication this film gives her. Many of my church have long vilified her for not going West and that’s not fair. Plus, Jane’s story is fascinating as she faces some persecution for being black from Saints who were at the same time being persecuted.
38 out of 119
So there you have it! The latest slate of mini reviews. Let me know what you think of them and my rankings. How would you rank them? Is there anything I haven’t seen which you would recommend (I’ve been a bit overwhelmed with Hallmark stuff as of late). I would love to have your recommendations!