It’s interesting one would think with a new female led action film coming to HBO Max this weekend in Wonder Woman 84 (which I did marginally recommend) I would not be looking to Netflix for pleasurable entertainment. Alas that is the case and fortunately they provided with the dishy new series from producer Shonda Rhimes called Bridgerton.
Based on the romance novels by Julia Quinn Bridgerton is set in a fantasy version of Regency London. As such it has no interest in the plight of the working class or the yorkshire schools. It’s not interested in diving into racism or class problems. Such issues are for other shows and series to tell. This show is made for one reason and one reason alone: to bring pleasure to to the viewers, mainly women.
For example, if a Black woman will get more pleasure out of seeing the handsome Duke of Hastings be a Black man (Regé-Jean Page) than that’s what they are going to do. This isn’t about realism or historical accuracy. It doesn’t waste time explaining casting choices or the setting (it might as well be on another planet and timetable). It’s about eroticism, lust and luxury, which all has to be hid under the “rules’ of the time. That’s very sexy and fun!
The only real look into darker themes is a brief scene where Lady Featherington (Polly Walker) takes her distant cousin Marina Thompson (Ruby Barker) to show her where the working class lives and her response is something to the effect of ‘why are you taking me to see these hard working pleasant people?” Indeed, why? Some may take this as a bad thing, but I find it very entertaining and a welcome escape after a hard year.
I think what makes it work is they go all the way. Any aspect they can make more dishy they do. They have a mysterious gossip paper writer voiced by Julie Andrews narrate the show. They have Queen Charlotte (Golda Rosheuvel) who seems to be from a different era with the powdered wigs and structured dresses of the 18th century not the empire dresses and white gloves of the Regency Era with the rest of the characters. We also have classical music versions of modern songs from the likes of Ariana Grande, Maroon 5 and Taylor Swift.
If this sounds awful to you than you will hate it. If it sounds like trashy romance novel fun than you will love it! It definitely leans into all the tropes of romance novels including strong sexual content so if you aren’t comfortable with erotica don’t watch this show. It’s all part of the fantasy and the fun.
The main focus is on the Bridgerton family of 8 children with eldest daughter Daphne (Phoebe Dynevor) leading the cast. Then we also get Lady Featherington and her 3 daughters including the delightful Penelope (Nicola Coughlan) that will be a treat for any plus size female viewers looking to dive into the story.
My only quibble is I’m not sure why they have Daphne have 3 brothers. I did not care about their stories near as much as the female characters. At the very least they could have been combined into a single brother to follow and that would have been much better.
Earlier this year we had the supposed modern take on Jane Austen’s unfinished novel Sanditon, which was a huge misfire. The attempts to combine camp and gritty realism did not work (especially the terrible ending!). With Bridgerton it’s like they took notes and corrected everything I disliked in the earlier show. Thank goodness! Sanditon apologized for being a Regency story. Bridgerton revels in it!
Throughout the 8 episodes we follow our characters through all the tropes of romance novels. We get a fake relationship, a problematic pregnancy, a scandalous gambler (rakes make better husbands as the series tells us), a marriage of convenience that grows into more, and I could keep going. There is even a dramatic duel over honor at one point!
Just as we are moving out of the purity of the Hallmark season (which also uses all the same tropes to their fullest effect) Bridgerton provides a tantalizing and delicious entry for romance fans everywhere. It is just what this queen ordered!
8.5 out of 10 (This show is a Mature Rating and has strong sensuality. Buyer beware!)
For a time period with essentially no new movies coming to theaters I sure have a bunch of films to update you on! Here I am with 9 mini reviews to help you decide what is smile and frown worthy:
On one hand it is hard to fault this handsomely mounted film version of the classic novel by Daphne Du Maurier (which was famously adapted by director Alfred Hitchcock in a 1940 version that won the Oscar for Best Picture). On the other hand, all that potential makes the film all the more disappointing.
The problem with this version of Rebecca is it fails to capture the suspense and chilling atmosphere of the source material. Lily James, Armie Hammer and Kristin Scott Thomas all do a good job in their roles but the movie is just plain bland. To begin with it takes way too long for the story to get to Manderley and then it feels like everyone is going through the motions. I didn’t hate it, but I also wasn’t very engaged. It is shot beautifully, and aside from some wonky fire visual effects, looks great, but that can only take you so far. Instead of making something compelling and mysterious they’ve made something dull and ponderous.
5 out of 10
This film Spontaneous is very difficult to describe and it will definitely be divisive. It stars Charlie Plummer and Katherine Langford (both whom I love and are very talented) in an unusual coming of age love story, For some unexplained reason people in their high school start randomly exploding. At first this is played for laughs which is awkward (I’m not the biggest fan of dark comedies) but then it becomes serious as our 2 leads know that any moment may be their last together.
Spontaneous is not going to be for everyone but if you are looking for something creative and different give it a shot. The leads are so good and it kept me guessing,which is refreshing. The more I think about it the more I love it
7 out of 10
The War with Grandpa
On one hand I can’t in good conscience recommend The War with Grandpa. It’s ridiculous, stupid and most of the jokes don’t land. On the other hand, I didn’t hate the movie. I am a sucker for broad live action family comedies so I am perhaps more forgiving of a film like this than my other critic friends. It’s movies like The War with Grandpa that I wish rottentomatoes had a middle ground score. It’s worth a rental if you like slapsticky family comedies but it’s not great. (I really miss the live action family comedies we used to get from Disney and other studios- broad, silly, fun with a nice message).
Most critics of course hate the film, and I can see why. The whole concept is inane about a Grandfather (Robert Deniro) and a grandson (Oaks Fegley who was so good in Pete’s Dragon) that engage in a war of pranks with each other when Grandpa takes the grandson’s room. However, I did like the cast including Christopher Walken, Cheech Marin and Jane Seymour. I also really liked the little girl who is obsessed with Christmas. Her holiday themed birthday party is the stuff of my dreams!
But it can also be a little too mean for my liking with Grandpa and grandson hurting each other and being really irresponsible. This isn’t the best message for kids, which hurts its value as a family film. It’s too destructive so I can’t recommend The War with Grandpa.
5 out of 10
Frown Worthy (but I didn’t hate it like everyone else)
The Trial of the Chicago 7
After I have just defended The War with Grandpa let me confess I am not the biggest Aaron Sorkin fan. I think Sorkin is great at dialogue, and I never hate his movies, I’m just usually not as excited as most seem to be about them. I find that behind the quippy dialogue are often flat, bland characters that don’t grow and change. His portrayals in particular of Mark Zuckerberg in The Social Network and Steve Jobs in Steve Jobs left me wanting more. They are one-note characters at the start and end of their respective films. His writing, despite the good dialogue, always leaves me a little cold.
Now we have The Trial of the Chicago 7 and despite my having the same problems with Sorkin’s characters, I am more forgiving with this film. It’s easier to accept one-note characters in an ensemble piece where the actors can feed off each other and that’s what they do here. Plus, the real-life events are crazy enough to engage and entertain the audience. The trial moves along nicely and is so surprising that it is fun to watch. All the performances are good including Sacha Baron Cohen, Eddie Redmayne, Joseph Gordon-Levitt, Mark Rylance and more.
The film manages to be relevant without being too on-the-nose like some movies in COVID have been. I also felt the music did not fit in with the period or feel of the film especially at the start. It seemed like something from another movie.
8 out of 10
Adam Sandler continues his terrible streak of comedies with his latest for Netflix Hubie Halloween. I knew the minute I heard his annoying babyish voice this movie was going to be rough and it was. It’s somehow not as bad as films like The Ridiculous 6 or The Do-Over, but I still hated it. I hated the characters. The jokes are awful and Hubie is incredibly annoying. There isn’t anyone to root for and you just hope they will all go away by the end of it.
3 out of 10
The Last Shift
It seemed to apropos to see the new film The Last Shift on the last day the Regal Cinemas will be open for a while. I was literally seeing The Last Shift on the last shift! This film is a small yet tender story about an older man, played by Richard Jenkins, who has worked at a fast food establishment his entire life. He is now retiring and must train a young Black man named Javon (Shane Paul McGhie) on how to do his job.
As they work together prejudices are revealed, life plays out in both expected and unexpected ways, and they learn a lot from each other. Jenkins and McGhie are excellent in their roles and it’s a nice slice of life film. Some aspects of the ending didn’t work for me and I didn’t like Ed O’Neill’s character, but overall I enjoyed the film.
It’s definitely worth a watch if you can see The Last Shift
7 out of 10
The King of Staten Island
I put off seeing The King of Staten Island because I’m normally not a big Judd Apatow fan, and I find Pete Davidson to be a grating presence on screen. However, after finally seeing it, I have to admit to being pleasantly surprised. This is a sweet coming of age story about a young man who can’t figure out what to do with his life. So instead of doing something he skates by with the bare minimum, waiting for something to inspire him. Then one day he becomes involved with a group of firefighters who knew his deceased father and his life starts to change.
Bill Burr shines as Davidson’s new stepdad figure and Marisa Tomei is good as usual as his long-suffering Mother. The film definitely has the Judd Apatow man-child plot and it is way too long and vulgar but overall the sweetness won me over. Both of the romances in the movie are also really sweet and enjoyable. It’s a genuine, heartfelt, coming of age story.
7 out of 10
Then Came You
Most people will probably see Kathie Lee Gifford starring and writing Then Came You and not give the film much of a shot. That’s a shame because it’s an enjoyable rom-com. It’s definitely loaded with tropes and silly moments, but I liked the chemistry between Craig Furgeson and Kathie Lee Gifford. It was nice to see a romance between an older couple and it is surprisingly mature in its humor for this kind of film.
Elizabeth Hurley is not in the movie much so don’t go in expecting a lot from her. It’s mostly a 2 people show with Ferguson and Gifford hating each other at first but falling in love while she scatters the ashes of her late husband in Scotland. If that sounds fun to you than you’ll probably like it. I did. This is not as made for the Hallmark crowd as it might appear with the sensuality, vulgarity and other mature topics discussed so buyer beware on that account.
7 out of 10
2 Hearts will always be remembered as my 2nd critics screening since the start of COVID. I will always be grateful to it for that. However, as a movie it’s a very strange film that I hardly know what to make out of it. On one hand, it’s a typical soapy tragic love story along the lines of A Walk to Remember or Five Feet Apart. In fact, it tells 2 love stories and the unexpected way they influenced each other. For the most part it is well cast and has a nice message about living life to its fullest and the value of organ donation. However,about 2/3rd of the way through they make a narrative choice with one of the couples that is frankly bizarre. I am still quite baffled by it. I can’t share here because of spoilers but it was strange.
There’s a lot of Hallmark movie talent in this film including a few people I have interviewed over at Hallmarkies Podcast. It’s always nice to see these actors getting work in feature films. Some non-Cuban actors playing Cuban roles was a poor decision and the timeline on some things was a little confusing but again 2 Hearts is a harmless movie. It just depends if you can get over the twist, which I’m not sure I can. It was so bizarre.
4 out of 10
So there you have it! What do you think of these films? What score would you give them? Let me know in the comments section
Hey everyone! I’ve got some more mini reviews for you of films I’ve been seeing over the last few weeks. I have certainly been extremely busy with content to make and movies to watch and it’s not even Christmas yet!
Lapsis is a film I saw as part of the virtual Fantasia Film Festival 2020. It is a very interesting sci-fi film starring Dean Imperial as a man in future dystopian-like world who is desperate for work. His brother is sick and the bills are piling up so he decides to get a job laying cable for a giant corporation. As he embarks on an Appalachian trail type odyssey he grows to realize the reach of the company is bigger and stronger than he ever imagined including little robots he must compete with who are also laying down cable along with the humans.
As you can tell this film has an intriguing premise and for the most part I enjoyed it. The only major flaw with it is the ending is very abrupt. It feels like they ran out of funding and couldn’t finish the movie. Up until then I was really digging the strange take on work in the gig economy. Still there is enough good before the ending for me to recommend giving Lapsis a shot.
6 out of 10
Phineas and Ferb The Movie: Candace Against the Universe
I am only minimally familiar with the Phineas and Ferb program. I’ve watched a few episodes here and there and recently tried to get caught up with mos the first season. From what I’ve seen it’s a delightful show with a nice sense of humor and playful character designs.
Recently they released a new movie based on the show called Phineas and Ferb the Movie Candace Against the Universe. Despite my lack of familiarity with the characters I really enjoyed this movie. It had a lot of humor that worked, a playful sense of whimsy and as someone with 2 brothers a character in Candace I can definitely relate with. I didn’t feel confused as a non-watcher of the show. The animation is bright and colorful and the music is catchy. Your kids will love it.
7 out of 10
The Blech Effect
The Blech Effect is a documentary that tells the story of investor David Blech as he is about to go to prison for investors fraud. It was for the most part a fine documentary and it is interesting to see the preparation that goes into someone getting ready for a correctional institution. At one point they even have a prison consultant who’s assigned to tell David what the first day of prison life will be like.
The aspect I didn’t like is them painting him as a victim of the system. In particular the repeated use of his young autistic son as a reason to spare him punishment. I am sure raising a son with autism has its challenges but it’s not an excuse for committing crimes or a reason for leniency.
4 out of 10
The Lost Husband
On the surface The Lost Husband looks like a Nicholas Spark-like narrative with our heroine getting back to her roots while overcoming grief. Unfortunately it is missing key aspects that make those movies, sappy as they might, work.
The film stars Leslie Bibb as a widow who moves into a farmhouse with her aunt Jean (Nora Dunn). Farm living proves to be therapeutic for the city girl especially with hunky farm aid played by Josh Duhamel. The problem is the romance is barely developed and the big reveal does not pay off. It makes the entire film very bland and boring where it could have been good.
3 out of 10
When I finished watching the new drama Shooting Heroin I was left more than a little befuddled. The very dark film about a group of citizens that take back their small town from the ravages of addiction has the feel of a faith-based films but then it is loaded with f-bombs, drug abuse and violence. I can’t help but think who was this made for?
The story of the film revolves around Adam (Alan Powell), Hazel (Sherilyn Fenn) and Edward (Lawrence Hilton- Jacobs). All have lost loved ones to opioid addiction and they all do a good job with their performances. Addiction is a horrible blight on humanity and it impacts every family sooner or later. It took 2 of my cousins. So I was with this movie as far as messaging but the tonal shifts didn’t work. It’s not awful but just messy.
There will be a lot of people who find the new Charlie Kaufman film I’m Thinking of Ending Things to be brilliant and one of the best movies of the year, and I can totally see why. It’s bold, creative and clearly trying to say something about deep themes of life, death and relationships. It also has strong performances from Jessie Buckley (who I adored in last year’s Wild Rose), Jesse Plemons, Toni Collette, David Thewlis and more. All of these factors could make it a compelling work of art.
Unfortunately just like with any art there are going to be people who do not connect with it and it doesn’t inspire. With this film I am one of those people. If it does move you I totally get it but people are asking for my experience in this review. I can’t lie and say something moved me when it did not.
Let’s get into it. I’m Thinking of Ending Things stars Buckley as a ‘young woman’ who is going to meet her boyfriend Jake’s family for the weekend. She has very mixed feelings about this trip because she wants to break up with him. We then get 2 main portions of the film: First, when she arrives at the house and strange things start happening, and second, when those strange things continue on as they are driving home. That’s all I can really say without spoilers.
As these strange things happen our ‘young woman’ is confronted with themes of aging, life, death and more but none of it seemed very deep or interesting and Kaufman repeats himself a lot. By the third or fourth time seeing an aging parent, for example, you want to say ‘I get it!’ He also doesn’t make his characters very likable which makes the whimsy less enchanting.
In contrast to I’m Thinking of Ending Things is a movie called A Ghost Story which is also abstract and strange and has a similar message about the fragility of life and permanence of death. However, A Ghost Story keeps its metaphor simple and it is only a blessed 92 minutes. I often think arthouse films would be better as shorts as opposed to features but either way I’m Thinking of Ending Things is way too long at 134 minutes. Especially the last act when they are driving lost me, and I was ready for it all to be over.
Some people may throw up their hands in frustration and say ‘well Rachel you just didn’t get it’ and maybe they are right? Most of it I got, but not all of it. I don’t understand, for example, why we needed a long scene in a blizzard getting ice cream which is then immediately thrown away. I don’t understand why we need an animated pig and a naked man at a certain point? You may see that and its ambiguity and love it! Not knowing what is happening may intellectually excite you. I can respect that. It just wasn’t my experience.
If you loved I’m Thinking of Ending Things please explain what moved you in the comments section? What did you love about it? Where does it rank for you in the Kaufman canon? As for me I would pass on this one unless it sounds like your kind of thing than go for it.
Longtime readers of mine will know I love Sherlock Holmes. In fact, my entire family enjoys it especially my father who had a particular affinity for the Jeremy Brett version in the 1990s. I wasn’t a big fan of the Guy Ritchie directed films with Robert Downey Jr because he was too much a James Bond type figure dodging bullets and outrunning explosions. Sherlock to me is a character of high intellect not physical strength so it missed the mark. Then the BBC series Sherlock with Benedict Cumberbatch was wonderful for 2 seasons and then went downhill especially series 4 which was garbage.
One of the things I hated about Sherlock series 4 is his sister Eurus who basically puts him in a house with puzzles like some kind of Saw rip-off. I hated the story, and I hated her character. So when I saw Netflix was making a new series about a female Holmes family member named Enola Holmes I was both intrigued and terrified.
Fortunately Enola Holmes is charming addition to the Sherlock Holmes mythology and a promising start to a new series of hopefully many films. In this story Enola played by Millie Bobby Brown of Stranger Thingsfame is a much younger sister of the famed detective Sherlock Holmes. He is played here by Henry Cavill who is fantastic in the few scenes we see him in. Sam Claflin plays Mycroft Holmes and his performance didn’t work as well. He’s too angry and mean for the light-hearted tone of this film. Helena Bonham Carter is perfect as the mother of the whole clan.
Millie Bobby Brown is very good in this role and the script allows her to break the fourth wall and be cheeky and modern. It’s a lot of fun. For the most part this is a film the entire family can watch together and both boys and girls will really enjoy our smart but strong young female detective.
The only problems I have with Enola Holmes is the actual case wasn’t very interesting. This is basically an origin story movie so the film is more concerned with establishing all the key players and parts of Enola’s life and personality. The mystery involving her missing mother didn’t really do it for me. I’d like in the next film for her to get a case to solve and while she’s doing so she can find love and adventure along the way.
I also feel the movie gets too violent towards the end to be an ideal family film. Multiple characters are shot and there’s a lot of tension which is a bummer because most of the movie is appropriate for all ages.
Nevertheless Enola Holmes is a fun ride with a heroine we all need right now. She’s bold, she’s funny and she’s more than a little sarcastic. It comes to Netflix September 23 so put it on your calendar. You’ll love it!
Hey everyone! I have 3 quick reviews for you 2 that are on Netflix (what would we do without streaming services in this time of quarantine?). I would love to hear what you have been streaming and if there is anything I should be checking out. Make sure you are following me on my channel Rachel’s Reviews, which I have been putting more work into lately and at the Hallmarkies Podcast which has a lot of fascinating interviews and episodes recapping romcoms and stuff like the excellent recent Baby-Sitters Club series.
I also have a patreon account I haven’t mentioned much on this page. For as low as $2 a month you can get all kinds of perks including live watch-alongs with behind the scenes talent and chances to special request podcasts and Family Movie Night videos. If you love what I do here and would like to give back I would really appreciate it. Check out the site here.
Anyway, on to the review:
In many ways Extraction is the polar opposite of what I cover on the Hallmarkies Podcast. This is wall-to-wall action that is incredibly violent with a very thin story to keep the narrative going. That said, just as in Hallmark films, Extraction knows what it is trying to be and isn’t really grasping for Best Adapted Screenplay Oscar anytime soon. This is for folks who like Rambo movies with a lot of carnage delivered by likable actors, which Hemsworth is.
Some have complained it is a white savior narrative and I guess I can see that but I thought the Indian/Bangladesh characters were pretty kick butt as well as Hemsworth but who knows? I also heard complaints about the color grading but that didn’t bother me at all.
The action scenes in Extraction are tremendous with one particularly impressive 12 minute long-take sequence that stands out. And even though the violence becomes numbing after a time it was entertaining on that spectacle level. If you are expecting a nuanced discussion of war move on. This is dopey well-done action and that was enough to keep me entertained; although it could have easily been 20 minutes shorter and been better for it. Still enough for a mild recommendation if it seems like your kind of film.
5.5 out of 10
Next up is a movie I think I’m supposed to like on Netflix called Desperados. It’s a road trip movie with 3 single women who go to Mexico to try and save one of their relationships to a hunky Robbie Amell. Unfortunately those 3 women are a chore to spend 105 minutes with.
I’m not kidding I hated every single minute of this supposed romantic comedy. I hated all the jokes. I hated the shrill obnoxious women. I hated how what is supposed to be empowering is actually demeaning. This movie even made me hate dolphins. It was brutal to get through and all I can think to say is Anna Camp fire your agent. After this and your cringy appearance in The Lovebirds you have had a terrible Summer 2020 even outside of quarantine! How many actors can say that?
1 out of 10
Finally is my favorite film of the 3 and one of my favorite films of 2020 and to my surprise it is a horror film called Relic. I normally don’t like being scared but am better when it is a supernatural scare or there is a little bit of comedy to lighten the mood. Movies like Get Out and A Quiet Place really work for me! Relic is that kind of scary movie. No murderers or exorcists just a haunted house and a creepy old lady the occupants do not understand.
What makes Relic special is like Get Out, it adds a metaphor to the scares which makes everything more powerful. In this case Emily Mortimer and Bella Heathcote come to help when their Mom/Grandma played by Robyn Nevin turns up missing. What they don’t understand is she has become possessed by a spirit in the house and it is making her body decay like the wax candles she is constantly carving around the house.
Anyone who has dealt with a family member going through dementia can relate to what these people are going through (obviously to an extreme). When someone you love forgets who you are it can seem like they are a new person, almost possessed of a different spirit. Their personalities can change and the whole experience is very unsettling. Obviously that doesn’t stop us from loving our family members but it is very difficult. Relic captures that real life fear extremely well and I really enjoyed it. It’s also unpredictable with good acting and atmosphere for a small horror film. It reminded me a little bit of a cross between The Others and Get Out.
Back in the old days when I was in middle school there wasn’t much of a YA reading scene (at least to my knowledge) but there were several popular authors (ala Cynthia Voigt and Judy Blume) and popular series (Sweet Valley High, Nancy Drew) with my favorite being The Baby-Sitters Club by Ann M Martin. What I loved about the series is the independent spirit of the girls forming their own business and also becoming a strong group of friends. It satisfied both my youthful needs for independence and connection in one set of novels. My friends and I even started our own club inspired by the books!
With this history you can imagine my excitement when I heard about the new series on Netflix coming this year. Well, excitement mixed with trepidation after what Netflix did with my beloved Anne of Green Gables in the abhorrent Anne with an E, which I hated. That show lost all the spirit of the novels and the characters in a weird mixture of melodrama and supposed grittiness. What would they do with my Baby-Sitters Club?
Well, I am delighted to reassure you all that not only is The Baby-Sitters Club a worthy adaptation of our beloved novels but it is one of the best live action family series I’ve seen in a long time. I absolutely loved just about everything they did in this series and I don’t see any reason why other fans won’t also be very pleased with it.
The biggest strength to the series is the writing. Taking inspiration from the novels each of the 5 main girls is granted their own episode or chapter where they are the lead narrator. Kristy played by Sophie Grace is the brainchild behind the club and a very independent young lady that bristles at the thought of her mother remarrying.
Then you have the artistic Claudia (Momona Tanada), free spirited Dawn (Xochitl Gomez), shy Mary Ann (Malia Baker), and sophisticated Stacey (Shay Rudolph). They all face their own unique challenges that feel authentic and real without resorting to unnecessary and overbearing trauma like Anne with an E did.
The conflict is especially impressive when we consider the writers have only 23 minutes to get their lead character’s story across as well as building the over-all narrative of the group.
I also really enjoyed the casting including Alicia Silverstone as Kristy’s Mom. She walks the tricky balance of defending her own choices while still giving her daughter space to grow and accept the big changes in their lives. Again, it was real and authentic and something anyone can relate with.
The show is also sweet with great chemistry on the part of all of the girls. You don’t have to be a teenage girl to love this show. If you ever were a teenager or ever faced the toils of growing up you will enjoy it. It’s honest and heart-felt without resorting to the cheap gags or sitcom antics of shows typically made for this age demographic.
There are also characters for younger kids like little Karen Brewer (Sophia Reid-Gantzert) who would go on to receive a spinoff series in the novels and I can see that happening here in TheBaby-Sitters Club Little Sister series (they also have graphic novels of the main and Little Sisters series). She’s a funny, strange and superstitious character that smaller children will really enjoy.
What’s great about a show like The Baby-Sitters Club is it can be appreciated on many different levels. It tackles different issues teens are facing from having your period, to parents splitting up, to bullying but it also can be enjoyed on a basic entertainment level. This is because they took the time to write dynamic interesting characters we can relate to. I can think of so many family home evening discussion you could have with this show while still being very entertained.
As far as flaws the 2 episode arc at the camp was a little more over-the-top and less grounded than the rest of the episodes but I was with fine with it. A few of the side characters dipped into caricature like Claudia’s sister Janine. But in fairness she comes right out of the books and was based on Ann M Martin’s actual relationship with her sister, so I’ll allow it (one classic novel this episode is based on is literally called Claudia and Mean Janine). I also thought Mary Ann’s Dad (Marc Evan Jackson) took me out of the realistic tone and was a bit silly in his neurosis for the show.
Other than that I absolutely loved The Baby-Sitters Club. It was clearly made with love and I hope that families embrace it and it becomes the hit it deserves to be.
As shown in my review of the recent film The Wrong Missy most Netflix comedies are not my cup of tea. However, in the case of The Lovebirds I had more hope as it is an acquisition by Netflix not an original film. Indeed, Paramount originally planned to release The Lovebirds into theaters before COVID19 closed everything down.
The film also stars Issa Rae who I recently enjoyed in The Photograph and Kumail Nanjiani who was so great in The Big Sick with the same director Michael Showalter. So how did it turn out? Were my high expectations met? Honestly not really but it had just enough laughs and chemistry to give a mild recommendation.
The plot of The Lovebirds is similar to 2018’sGame Nightbut not nearly as funny. Both movies are about a couple who want a simple night of fun and end up in a mad-cap race for their lives with all kinds of violence and over-the-top comedic set pieces. In this case Jibran (Nanjiani) and Leilani (Rae) are a couple who have lost their mojo after 4 years together. Unfortunately just as they are breaking off their relationship they hit a man with their car and then one thing after another happens until they end up in all kinds of shenanigans including a sftrange cult ceremony of some kind.
Most of my favorite parts of the movie came from the dialogue particularly from Nanjiani. He was just manic enough to make me laugh without being shrill or annoying. Nanjiani and Rae also have wonderful chemistry together, and I bought them as this established couple struggling with their relationship.
The problem with The Lovebirds is not all the comic-action set-pieces worked. In particular there’s a sequence where the 2 are tortured by Anna Camp and forced to chose between getting hot bacon grease on them or get kicked by a horse. This kind of body humor isn’t for me and it went on way too long.
I also didn’t love the long sequence at the cult. Basically whenever the plot or the action was supposed to carry the film it didn’t work for me. When they relied on the dialogue and the witty banter between the 2 leads it did.
The Lovebirds earns its R rating with vulgar language and violence so it will not be for everyone. Although obviously I had problems with it, I did laugh out loud quite a few times and that’s enough to give it a mild recommendation. No masterpiece but if you are looking through Netflix for a comedy you could certainly do worse.
Hey everyone it’s time for another one of my quick set of mini reviews for you. All 3 that I am talking about today are from Netflix and in the grand tradition of that illustrious streaming service I didn’t really love any of them. One is an abomination and the other 2 are just ok. So here goes.
The Wrong Missy
Let’s get the abomination The Wrong Missy out of the way. We have the new film from Happy Madison productions starring David Spade as a man who amazingly has 2 women desperately in love with him. One is a super model played by Molly Sims and the other is an insane person played by Lauren Lapkus.
One day he mistakenly invites the wrong woman to a company retreat and then we are treated to Lapkus portraying one of the most annoying and obnoxious characters in recent memory. She is vulgar, pushy, irritating and not the least bit funny. Then like all Happy Madison productions we are supposed to buy that these 2 fall in love despite them being hateful and awful to each other the entire film.
The attempts for laughs include a threesome with poor Sarah Chalke, a long shark cage scene where the big laugh is Lapkus vomiting chum for a cgi shark and several scenes where characters fall humorously off of 2 story buildings/cliffs unharmed. What on earth? It is so obvious the only effort here is to get a free vacation and it shows. Comedy deserves better. Netflix watchers deserve better. Humanity in quarantine deserves better. No thank you!
1 out of 10
It feels ridiculous to talk about a film like Becoming after The Wrong Missy and to give both films rotten on RT, yet here I am. Becoming is a documentary that follows former first lady Michelle Obama on her recent book tour. Along the way we learn a little bit about her time in the White House and her adjustment after leaving office. We also see her speaking before large crowds and meeting and encouraging youth across the country.
The frustrating part of this documentary is it is so safe! The Obama’s production company Higher Ground have made 2 excellent documentaries Crip Camp and American Factory, so I was expecting more from this film about Michelle. It’s a perfectly pleasant puff piece on the First Lady but it never once challenges her or digs deeper into her private life. I’ve frankly seen biographies on the E! channel that told me more about a celebrity.
I hope her book is more insightful because this told me nothing I didn’t already know about Michelle Obama and isn’t that the point of this type of documentary? For a better example of a well done film watch The Last Dance currently airing on ESPN (or any of the 30 for 30. They are much better than this).
4 out of 10
A Secret Love
Finally on Netflix we have a new documentary called A Secret Love that tells the story of a lesbian couple Terry Donahue and Pat Henschel who have been together for over 65 years. As the title suggests they had to express their love in secret and were seen by most of the world as roommates rather than spouses.
The film tells the couple’s story in 2 narrative threads: one is about their young life with Terry as a female baseball player in the late 40s. Then we see them in a modern setting trying to work with Terry’s family to sell their home and make the move to assisted living. I preferred the historical segments much more over the modern sequences.
A part of me thinks these sections needed to be their own separate movies. In the modern I was confused by the responses of the family members particularly to Pat, which the documentary didn’t flesh out well. Most of the time was spent arguing over moving when I wanted to know more about the relationships. The historical sections were more focused perhaps because bigoted family members were dead and easier to expose/talk about.
Nevertheless, it is still a tremendous couple and worth a watch just to see how they have lived their lives on the outside all these years. It could have been better but I still recommend it.
5.5 out of 10
So there you have it! My reviews of 3 films from Netflix. Let me know if you see any of these and what you thought of them. Sure love ya!
PS. I will be having a review of the new Valley Girl remake over at Backseat Directors coming soon so keep an eye over there!