Current Mini Reviews

For a time period with essentially no new movies coming to theaters I sure have a bunch of films to update you on! Here I am with 9 mini reviews to help you decide what is smile and frown worthy:

Rebecca

On one hand it is hard to fault this handsomely mounted film version of the classic novel by Daphne Du Maurier (which was famously adapted by director Alfred Hitchcock in a 1940 version that won the Oscar for Best Picture). On the other hand, all that potential makes the film all the more disappointing.

The problem with this version of Rebecca is it fails to capture the suspense and chilling atmosphere of the source material. Lily James, Armie Hammer and Kristin Scott Thomas all do a good job in their roles but the movie is just plain bland. To begin with it takes way too long for the story to get to Manderley and then it feels like everyone is going through the motions. I didn’t hate it, but I also wasn’t very engaged. It is shot beautifully, and aside from some wonky fire visual effects, looks great, but that can only take you so far. Instead of making something compelling and mysterious they’ve made something dull and ponderous.

5 out of 10

Frown Worthy

Spontaneous

This film Spontaneous is very difficult to describe and it will definitely be divisive. It stars Charlie Plummer and Katherine Langford (both whom I love and are very talented) in an unusual coming of age love story, For some unexplained reason people in their high school start randomly exploding. At first this is played for laughs which is awkward (I’m not the biggest fan of dark comedies) but then it becomes serious as our 2 leads know that any moment may be their last together.

Spontaneous is not going to be for everyone but if you are looking for something creative and different give it a shot. The leads are so good and it kept me guessing,which is refreshing.

7 out of 10

Smile Worthy

The War with Grandpa

On one hand I can’t in good conscience recommend The War with Grandpa. It’s ridiculous, stupid and most of the jokes don’t land. On the other hand, I didn’t hate the movie. I am a sucker for broad live action family comedies so I am perhaps more forgiving of a film like this than my other critic friends. It’s movies like The War with Grandpa that I wish rottentomatoes had a middle ground score. It’s worth a rental if you like slapsticky family comedies but it’s not great. (I really miss the live action family comedies we used to get from Disney and other studios- broad, silly, fun with a nice message).

Most critics of course hate the film, and I can see why. The whole concept is inane about a Grandfather (Robert Deniro) and a grandson (Oaks Fegley who was so good in Pete’s Dragon) that engage in a war of pranks with each other when Grandpa takes the grandson’s room. However, I did like the cast including Christopher Walken, Cheech Marin and Jane Seymour. I also really liked the little girl who is obsessed with Christmas. Her holiday themed birthday party is the stuff of my dreams!

But it can also be a little too mean for my liking with Grandpa and grandson hurting each other and being really irresponsible. This isn’t the best message for kids, which hurts its value as a family film. It’s too destructive so I can’t recommend The War with Grandpa.

5 out of 10

Frown Worthy (but I didn’t hate it like everyone else)

The Trial of the Chicago 7

After I have just defended The War with Grandpa let me confess I am not the biggest Aaron Sorkin fan. I think Sorkin is great at dialogue, and I never hate his movies, I’m just usually not as excited as most seem to be about them. I find that behind the quippy dialogue are often flat, bland characters that don’t grow and change. His portrayals in particular of Mark Zuckerberg in The Social Network and Steve Jobs in Steve Jobs left me wanting more. They are one-note characters at the start and end of their respective films. His writing, despite the good dialogue, always leaves me a little cold.

Now we have The Trial of the Chicago 7 and despite my having the same problems with Sorkin’s characters, I am more forgiving with this film. It’s easier to accept one-note characters in an ensemble piece where the actors can feed off each other and that’s what they do here. Plus, the real-life events are crazy enough to engage and entertain the audience. The trial moves along nicely and is so surprising that it is fun to watch. All the performances are good including Sacha Baron Cohen, Eddie Redmayne, Joseph Gordon-Levitt, Mark Rylance and more.

The film manages to be relevant without being too on-the-nose like some movies in COVID have been. I also felt the music did not fit in with the period or feel of the film especially at the start. It seemed like something from another movie.

8 out of 10

Smile Worthy

Hubie Halloween

Adam Sandler continues his terrible streak of comedies with his latest for Netflix Hubie Halloween. I knew the minute I heard his annoying babyish voice this movie was going to be rough and it was. It’s somehow not as bad as films like The Ridiculous 6 or The Do-Over, but I still hated it. I hated the characters. The jokes are awful and Hubie is incredibly annoying. There isn’t anyone to root for and you just hope they will all go away by the end of it.

3 out of 10

FrownWorthy

The Last Shift

It seemed to apropos to see the new film The Last Shift on the last day the Regal Cinemas will be open for a while. I was literally seeing The Last Shift on the last shift! This film is a small yet tender story about an older man, played by Richard Jenkins, who has worked at a fast food establishment his entire life. He is now retiring and must train a young Black man named Javon (Shane Paul McGhie) on how to do his job.

As they work together prejudices are revealed, life plays out in both expected and unexpected ways, and they learn a lot from each other. Jenkins and McGhie are excellent in their roles and it’s a nice slice of life film. Some aspects of the ending didn’t work for me and I didn’t like Ed O’Neill’s character, but overall I enjoyed the film.

It’s definitely worth a watch if you can see The Last Shift

7 out of 10

Smile Worthy

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The King of Staten Island

I put off seeing The King of Staten Island because I’m normally not a big Judd Apatow fan, and I find Pete Davidson to be a grating presence on screen. However, after finally seeing it, I have to admit to being pleasantly surprised. This is a sweet coming of age story about a young man who can’t figure out what to do with his life. So instead of doing something he skates by with the bare minimum, waiting for something to inspire him. Then one day he becomes involved with a group of firefighters who knew his deceased father and his life starts to change.

Bill Burr shines as Davidson’s new stepdad figure and Marisa Tomei is good as usual as his long-suffering Mother. The film definitely has the Judd Apatow man-child plot and it is way too long and vulgar but overall the sweetness won me over. Both of the romances in the movie are also really sweet and enjoyable. It’s a genuine, heartfelt, coming of age story.

7 out of 10

Smile Worthy

Then Came You

Most people will probably see Kathie Lee Gifford starring and writing Then Came You and not give the film much of a shot. That’s a shame because it’s an enjoyable rom-com. It’s definitely loaded with tropes and silly moments, but I liked the chemistry between Craig Furgeson and Kathie Lee Gifford. It was nice to see a romance between an older couple and it is surprisingly mature in its humor for this kind of film.

Elizabeth Hurley is not in the movie much so don’t go in expecting a lot from her. It’s mostly a 2 people show with Ferguson and Gifford hating each other at first but falling in love while she scatters the ashes of her late husband in Scotland. If that sounds fun to you than you’ll probably like it. I did. This is not as made for the Hallmark crowd as it might appear with the sensuality, vulgarity and other mature topics discussed so buyer beware on that account.

7 out of 10

Smile Worthy

2 Hearts

2 Hearts will always be remembered as my 2nd critics screening since the start of COVID. I will always be grateful to it for that. However, as a movie it’s a very strange film that I hardly know what to make out of it. On one hand, it’s a typical soapy tragic love story along the lines of A Walk to Remember or Five Feet Apart. In fact, it tells 2 love stories and the unexpected way they influenced each other. For the most part it is well cast and has a nice message about living life to its fullest and the value of organ donation. However,about 2/3rd of the way through they make a narrative choice with one of the couples that is frankly bizarre. I am still quite baffled by it. I can’t share here because of spoilers but it was strange.

There’s a lot of Hallmark movie talent in this film including a few people I have interviewed over at Hallmarkies Podcast. It’s always nice to see these actors getting work in feature films. Some non-Cuban actors playing Cuban roles was a poor decision and the timeline on some things was a little confusing but again 2 Hearts is a harmless movie. It just depends if you can get over the twist, which I’m not sure I can. It was so bizarre.

4 out of 10

Frown Worthy

So there you have it! What do you think of these films? What score would you give them? Let me know in the comments section

[REVIEW] ‘Bill & Ted Face the Music’: More Laughs Please Dude

I recently saw an interview with actors Alex Winter and Keanu Reeves where they talked about the great affection they have for their popular characters Bill and Ted from the franchise that bears their names. The first film Bill & Ted’s Excellent Adventure came out in 1989 and was a surprise hit. Then the quite possibly funnier sequel Bill & Ted’s Bogus Journey was released in 1991. Like Winter and Reeves, a generation has grown up with a fondness and affection for these two silly boneheads and have asked for a sequel to follow up on them in the new millennium.

Now after nearly 20 years we finally have it in Bill & Ted Face the Music which is available on VOD and in theaters starting today. Unfortunately while all involved clearly have the best of intentions with this sequel, it sadly falls prey to the problems of most long-awaited comedy sequels. Almost everything the screenplay puts our heroes through falls flat leaving little laughs and not much else to enjoy.

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In Face the Music Bill and Ted are told by The Great Leader (Holland Taylor) they must create a song, which will save the world. This causes our heroes to go back and forward through time mostly meeting up with various versions of themselves. They also go to therapy with their wives with a few laughs from Jillian Bell as their exasperated marriage counselor.

The problem with Face the Music is it is simply not funny. There are a lot of winks to the former films. Those pretty much all fall flat. The dude dialogue of the duo can be amusing but it’s hard to believe they couldn’t come up with more for them to do than running into versions of themselves.

Brigette Lundy-Paine and Samara Weaving play their daughters and I kind of wish the movie was about them instead of their Dads. They are going around time collecting famous musicians, which was a nice homage to the plot of the first film. (It’s a wink to the original without it being a pointless unfunny cameo).

I did enjoy the music in Bill & Ted Face the Music and the message at the end is nice. Unfortunately by then I was bored and ready for it to be done. I have friends who are anxiously awaiting this film, and I sincerely hope they enjoy it more than I did. We all can certainly use some laughs but I honestly laughed more at The Personal History of David Copperfield which I saw on the same night. However, if you see Bill & Ted Face the Music and find it funny let me know. I would love to hear your experience in the comments.

In the meantime party on dudes!

4 out of 10

Frown Worthy

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Blind Spot 55: ‘Private Benjamin’ or I Like the Army Parts

 

This month for blind spot I thought it would be fun to tackle a comedy with a little bit of patriotism and 1980’s Private Benjamin seemed like the perfect choice. It’s a film I have heard about for years but never gotten around to seeing. It is written by Nancy Meyers who would go on to write and direct many films including The Parent Trap remake, The Holiday and more. A lot of people put her on the same level as Nora Ephron but I disagree. Her films have cute moments but nowhere near the wit and charm of Ephron’s writing.

In Private Benjamin Goldie Hawn plays a woman named Judy Benjamin who is tricked into joining the army when her husband dies on their wedding night. As a pampered heiress she isn’t used to the rigors of the army and the film rings a lot of comedy out of her being a fish out of water in this environment. Hawn does a good job of making the diva-like Judy likable and much like Cher in Clueless we are rooting for her despite her popular girl trappings.

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Unfortunately this time in the army is only a small part of the film. The last chunk of the Private Benjamin devotes itself to Judy getting engaged to a french man named Henri (Armand Assante). The movie lost all of its bite and wit in these rather tedious sections. I did not care about this relationship and was itching for her to get back to the army where she was growing and becoming a better person. It really bummed me out that the movie took such a turn.

I also was not a big fan of the rated R material in Private Benjamin. I feel like it almost never made anything funnier and came off as gratuitous in certain scenes. In addition, a plot thread with Judy’s officer attempting to rape her felt like it belonged in a different movie. It’s like the film couldn’t decide if it was going to be a grounded story of women in the army or a silly romantic comedy with runaway brides and slapstick antics. Either is fine but you can’t pull off both.

For whatever reason I have found a lot of the comedies from the 80s don’t transfer well. I’m sure there is a piece that could be written about this but Private Benjamin was at best a mixed bag. I enjoyed the boot camp scenes but pretty much everything else fell flat. Evidently a remake with Rebel Wilson is in the works and that might be interesting. Hopefully it will be more successful than the recent remake of Hawn’s other iconic 80s film Overboard. We’ll see.

4 out of 10

frown

[REVIEW] ‘Irresistible’ or Don’t Forget to Be Funny

Most of my readers know I am a traditional conservative who did not vote for our current President Donald Trump. This puts me in a bit of a weird position when it comes to observing the current political landscape. I side with Republicans when it comes to many issues particularly fiscal ones, but I cannot abide the moral failings of our leader and the many reprehensible things that have happened since 2016. On the other hand, I also disagree with most of the positions of the Democrats and so I am stuck in the middle with nowhere to turn to.

irresistable

Being an independent-of-the-moment should make me primed to enjoy political satire and comedy. Ideally I should be able to see truth in the humor of both the left and the right; however, unfortunately the tension of this moment seems to have made both sides either too nervous or distracted to make good comedy. This is a real shame as comedy can be an important tool in critiquing and even challenging our leaders to do the right thing and listen to the people. You can see this going all the way back to Charlie Chaplin challenging Hitler in The Great Dictator.

Anyway, I say this to make clear my problem with the new film Irresistible by writer/ director Jon Stewart has nothing to do with my disagreeing with its politics. The film actually does a pretty good job of poking fun at both parties equally. Unfortunately, the problem is I just didn’t find it to be funny. To be more specific, I laughed twice over 2 media related gags and that’s it. Everything else fell completely flat.

The problem with Irresistible isn’t that different than the problem most faith-based films have. Stewart wants to reveal a big flaw in the American political campaign system so he made a movie exposing this flaw to the American people. This attempt is perfectly admirable, but just as with faith-based films, it is not enough to have a compelling message in a movie. You must craft a narrative around that message which will appeal to the audience. Story first. Message second!

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Not that Irresistible doesn’t have its strengths. All the acting from folks like Steve Carrell and especially Chris Cooper as a Vietnam War vet are well done. The problem is the script doesn’t give the actors anything to do. Most of the time I was watching campaign stops mixed with board meetings, and if you know anything about me nothing is more boring in a movie a than board meeting (with a tie going to staring at screens).

Most of the attempts at jokes involve the media. Carrell and Rose Byrne’s characters trying to manipulate the 24 news cycle in their favor and most of these jokes are not funny because they are more observations than actual humor. I honestly had more laughs with last year’s Long Shot: a movie I would barely count as political satire.

Again it’s more about the message than an entertaining script. If we want to learn more about the mechanics of the campaign finance system and how it can be corrupted we can read an article or watch a documentary. Watching Irresistible just makes us bored and less likely to want to learn more about this important subject.

If you want to see a well done political satire there hasn’t been much lately but some classic examples are Dr Strangelove, Wag the Dog, In the Loop, Thank You for Smoking, and Dave. As far as current politics you are probably better off watching an episode of The Simpsons or The Daily Show than spending time with Irresistible. I’ve been told VEEP is good but have never seen it myself.

3 out of 10

Frown Worthy

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[REVIEW] ‘Playing with Fire’ and Longing for the Family Comedy

Honestly this post will feel more like an editorial than a review. I don’t have that much to say about the latest comedy Playing with Fire. It’s one of those films that think being made for kids is synonymous with making it stupid. Of course, the truth is the reverse: anything made for children needs to be twice as clever and engaging.

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There are a few hard earned laughs from Keegan-Michael Key but he needs to be careful as he runs the risks of over-exposing and diluting his talent in projects like Playing with Fire. I also thought the kids were pretty cute; although the teenager Brynn is played by Brianna Hildebrand who is 23 and it shows.

Unfortunately there are many more things I did not like. First of all, the film has bad timing with its release coinciding with the fires in Southern California. It feels in poor taste to show firefighters acting like morons when they are risking their lives at this very moment.

Also the film is chocked full of product placement which is always especially distasteful in a movie for children. It’s not bad enough they make a movie that does nothing for their creativity or intellects but they have to sell them SPAM, Kleenex and My Little Pony every 5 seconds?

The oldest child is also very reckless causing hundreds of thousands of dollars in damage while committing felonies. I’d think she’d be a little grateful for someone saving her life but she sure has a strange way of showing it!

disney live action

All this said, the biggest problem with Playing with Fire is it is just not funny enough. As I was watching it I kept thinking back to the live action Disney films from the 50s and 60s. Sure not all of them were classics but I miss them.

Now we mostly get remakes from Disney live action and even outside of Disney most family comedies are animated now. Whatever happened to films like Blackbeard’s Ghost, The North Avenue Irregulars, The Parent Trap, That Darn Cat etc. Even Herbie or The Absent-Minded Professor are much better than most family comedies we see today.

I would so love to get these small budget family films back! We don’t need fancy special effects or expensive actors. Just well written scripts the whole family can enjoy. Why is that so hard?

Instead we get Playing with Fire and I think that’s a real shame

2 out of 10

Frown Worthy

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Uncle Drew Review

Over the years, there have been many humorous sports movies. I’ve laughed at everything from Dodgeball to Caddyshack to Major League. I even love Fever Pitch with Drew Barrymore and Jimmy Fallon. Whether it is focusing on the players or the fans, there is something about the intensity of sports that can provide great fodder for laughs. Unfortunately for Uncle Drew, the writing fails to live up to this tradition of funny sports movies and it failed to make me laugh more than a passing chuckle. The film is based on a series of Pepsi ads and that’s where it should have stayed.

Uncle Drew stars Lil Rel Howery as Dax, a man who grew up in an orphanage with nothing to inspire him but the NBA. Unfortunately, as a teen, he has an embarrassing defeat on the basketball court at the hands of rival Mookie, played by Nick Kroll. As revenge, Dax becomes a coach and decides to enter a team in the streetball  tournament called The Rucker Classic.

After a long introduction, Dax ends up without a team and he begrudgingly recruits a local legend, Uncle Drew, to join his roster. Drew, played by Kyrie Irving (just like in the Pepsi ads), then gathers his senior citizen friends including Chris Webber, Reggie Miller, Nate Robinson, and Lisa Leslie to join the team. The first hour of the film is Dax being introduced to the characters who have a variety of old people problems – one is blind, one is in a wheelchair, one has a grudge against Drew, etc. None of this was interesting and it certainly wasn’t funny. There is even an especially egregious scene where Preacher (Chris Webber) is baptizing an infant and it is swapped out for a doll and then close-ups of the baby in the most awkward ways. I was cringing during the entire scene.

Eventually we get to the big game and it plays out fairly predictably. As I was leaving the theater, a woman was saying, “it was a love letter to basketball,” so clearly the sentiment paid off for her but, as only a marginal basketball fan, I wasn’t moved by the story.

However, the biggest strength to Uncle Drew is the makeup. They do a very good job making Kyrie Irving and company look old. It doesn’t look like prosthetics and feels convincing.

Other than that. Uncle Drew is not for me. The biggest problem is none of the jokes landed. I laughed one time at a joke about the Chris Webber character. That’s it. I realize humor is subjective but my theater had nothing but a few courtesy chuckles. So I wasn’t the only one not laughing.

Also a few characters meant to be funny came across as very irritating. I realize, for example, Nick Kroll is meant to be an antagonist but he was extremely grating as Dax’s rival. More annoying was that ‘humor,’ often in supposed comedies, when characters complaining about each other is supposed to be funny. All that does is make your characters shrill and unlikable. You see this a lot with the nagging female trope; it’s not funny and usually comes across as more than a little sexist. Tiffany Haddish is billed as a lead character but she’s really not in the film much and was an overbearing harpy the entire time. It certainly didn’t make me laugh. 

In fairness, the basketball stars all do a serviceable job with what is given to them. There is a particularly nice moment of reconciliation between Kyrie Irving and Shaquille O’Neal that is well done and sweet.

Despite some positives, Uncle Drew just wasn’t funny. It was always an uphill climb to transform a 30 second Super Bowl ad into a feature film but with a good script this could have worked. Sadly, it was a bit of a chore to sit through and one of the worst studio films I’ve seen this year. As they say, “funny solves all” and this was depressingly lacking in funny.

I Feel Pretty Review

Last night I had the chance to see the latest Amy Schumer comedy I Feel Pretty. I walked into the theater having only heard negative reviews but trying to have an open mind as usual. I also had no bias against Amy Schumer as this is the first movie or TV show I’ve seen her in. What was my response? Well, I am happy to say I really enjoyed I Feel Pretty. It is a sweet and consistently funny romantic comedy film that I think critics are being way to harsh on.

The conceit of I Feel Pretty reminded me of a Penny Marshall film from the 90s. In fact, they even show a clip of Marshall’s film BIG, which inspires some of the magic that takes place.

Amy Schumer plays a 30-something woman named Renee who is happy enough with a boring but decent job and a nice group of friends; however, she has settled on not trying for the great life she wants because of massive insecurities she feels about her appearance.

Some have criticized I Feel Pretty and claimed it is ‘fat shaming’ given Amy Schumer is only overweight by Hollywood standards. However, I disagree. The film is not saying that Schumer is fat. They are saying that Renee feels insecure about her entire body. She feels insecure about her skin, hair, clothes, weight everything. In contrast, I Feel Pretty also shows women who are bigger than Schumer who do not struggle as much with body imaging and women slimmer that have their own insecurities, so I found it to be quite accurate to the struggles most women have.

I loved Aidy Bryant (who was also great in The Big Sick) and Busy Phillips as her best friends. They were not as insecure as Renee but still had their own struggles. I also like that they told her the truth when she is too much of a diva on them. They in many ways were the most confident characters of the movie.

There have been many body-switching comedies over the years (a favorite genre of mine) but one thing I liked that I Feel Pretty does differently than most is they never actually body swap. We never see the beautiful woman that Renee is seeing in the mirror. This is an improvement upon films like Shallow Hal where we see Gwyneth Paltrow in the fat suit and then her beautiful self. Seeing Renee feeling confident, empowered and beautiful as just Renee helped convey the message that she was the best version of herself all along.

There are a couple of scenes where Renee is shown as too fat to ride a bike at a gym that are a little over-the-top, but I didn’t care as they worked into the plot quite nicely.

I really liked Rory Scovel as Ethan, the new boyfriend Renee gets because of her confidence. She assumes she is way above him and that’s impresses him. He’s the one who is shy and insecure and a confident Renee teaches him to loosen up. I thought they had pretty good chemistry and were sweet together.

Michelle Williams is practically unrecognizable as a cosmetic heiress who is insecure about her voice and who envies Renee’s speaking abilities and innovative ideas. I’m so used to seeing her as an indie darling that it was fun to see her flex her comedic chops again.

My only criticisms are minor. I kind of wish they hadn’t set the movie in the fashion world because it created a strange dynamic. Renee is confident because she believes she is beautiful but at the same time the very industry she is working for is partly responsible for her lack of confidence in the first place. At the end there is a rousing speech but it would have been more inspiring if it wasn’t also a product pitch for makeup. It’s an odd juxtaposition.

But overall, I thought I Feel Pretty was charming. It made me laugh a lot and the message was very sweet.If I had a teenage daughter I would take her to see this film, and I think we would have a lot of laughs. We would also talk about the importance of confidence and how no matter what we look like we have value to God and this world. It worked for me! I guess you could say I feel pretty 🙂

There is some nudity and sensuality and a little language. PG-13 film.

Overall Grade- B+

Pitch Perfect 3 Review (Some Spoilers)

Let me start by saying to most people Pitch Perfect 3 is just a lame comedy but to me it hurt my heart quite a bit. I don’t have many live action comedies I like these days. Most are so vulgar and obscene that I don’t even bother seeing them let alone loving them. However, the original Pitch Perfect was an exception to this rule. It was funny, empowering and had some great music, and I loved it so much.

I went to a college where acapella music was kind of a big deal, so that music will always be nostalgic for me, but even beyond that nostalgia these girls were good singers, and the arrangements were creative. I also loved the characters particularly Rebel Wilson’s Fat Amy who wasn’t just a fat joke but owned who she was and was hilariously self-confident. Anyway, I loved the first movie and it will always be special to me.

And then there was the second movie, which I probably gave more of a pass to than I should have. It had just enough funny parts but it was a decent step down in quality. Of course, it made a ton of money so we all knew there would be a Pitch Perfect 3 . Honestly, the resulting film is not a pretty scene you guys.

Pitch Perfect 3 kind of sucks and it makes me really sad.

The cast of the Bellas are all back and they are all trying. There is chemistry there and some of the singing is good (but a little boring this time). The problem is the plot is super weak and it’s not funny at all. I don’t know what they were thinking with this story. I felt embarrassed for these actors especially John Lithgow who should be banned from Australia with the accent he tries to pull off.

Basically the Bellas reunite and go on a USO tour which is also a competition for some rapper. Most of that is very boring with terrible jokes sprinkled in usually about how fat Amy is. Fat Amy has gone from empowering to a complete joke. Then in a completely baffling second act the girls get abducted and Fat Amy becomes an action hero taking out bad guys with karate chops. I just sat there thinking ‘what have you done with my sweet little comedy?”

All of the relationships from the previous films are abandoned except for the Bellas and Becca (Anna Kendrick) immediately abandons her dreams of producing music because pop stars are difficult to work with- what the heck? There was never any sense of her wanting to be a solo singer or that being a dream of hers in the previous films. Literally she doesn’t even want to join the bellas because it will detract from her producing work.

But all of that wouldn’t matter if it was funny but the humor was insultingly bad. They don’t even get any laughs from Gail and John commentating. It just sucks. My advice is to buy the album and listen to a few songs and watch the first movie again. Pitch Perfect 3 deserves to be pitched in the trash. To use a pun from the movie- it is acaterrible.

Blind Spot 21: Manhattan

I went into this month’s Blind spot pick, Manhattan, with kind of low expectations. Despite it being a well regarded film amongst critics and film snobs nobody I know seems to like it much. So perhaps it was these low expectations that left me feeling surprised at how much I liked it. Manhattan is a funny look at how we ruin things by idolizing them. Whether it be relationships, sex, art, literature or even New York City itself, when we place things on a pedestal we take the joy out of what we are admiring.

I can see why many don’t like Manhattan. It has Woody Allen’s classic mannerisms which can be annoying to some. It also has him in a relationship with a 17 year old which can be awkward especially with Woody Allen’s own background.

My favorite part of Manhattan is the script. It shows how ridiculous we are when we love something (or are infatuated). This scene I particularly loved when the group of pedantics are criticizing everything they think is ‘overrated’.

There were a lot of scenes like that which made me laugh and could have been easily criticizing modern internet culture today  just as much as New Yorkers in 1979. These people are trying so hard to appear smart that  it is funny.

Manhattan is also a beautiful movie with amazing black and white photography. I think it is even more stunning than Annie Hall. I don’t know if I can think of a Woody Allen film that looks as good. Maybe Midnight in Paris but this might be even better.

We also see this idolization with Meryl Streep’s character who was Woody Allen’s ex but left him to be with a woman. She looks stunning in this film but she is writing a whole memoir on her relationship with Allen. This is definitely Allen puffing his own ego up but it is also about how we place past relationships on a pedestal and puff them up to protect us from new pain.

My only big problem with Manhattan is I never felt invested in the romance with Mariel Hemingway. She is so sincere and he is more than a little creepy. I think that is intentional but it also wasn’t as funny as scenes with Diane Keaton and others.

In the end Manhattan is about looking at things in our lives the way they really are and taking off the rose colored glasses. But not only that- it shows how silly we all are with those glasses on.

If you would like to purchase Manhattan click here

Overall Grade- A-

PS I didn’t even think of the fact I watched Manhattan on 9/11. How perfect