Current Mini Reviews (MERCHANT IVORY, SUPERMAN: THE CHRISTOPHER REEVE STORY,NEVER LET GO, THE CRITIC)

Hi friends. I hope you are doing well and enjoying movies at the cinema. I have a few to update you on and I will be doing a full detailed review of The Wild Robot coming soon.

MERCHANT IVORY-

First up we have a new documentary called Merchant Ivory about the famed partnership between director James Ivory and producer Ismail Merchant. Of course we all know about their famous projects together like Howard’s End (my favorite) and  A Room with a View but they made 44 films together! I had no idea there were so many. I also didn’t realize how limited the budget was on these films. They all feel so lush and expensive but they had very limited funding. In fact, some of the actors like Emma Thompson say they dreaded being in one of their productions because of how challenging the conditions were but the movies were always worth it. At one point Merchant was even making the catering for the cast of one of his films.

I’ve seen similar documentaries in recent years that felt more like an expose- as if to say ‘see these people weren’t as good a friends as you thought. The documentary on the Sherman Brothers called The Boys comes to mind. While I guess there is some value in such revelations it can feel deflating so it was nice to see how positive Merchant Ivory collaboration was and how the two really balanced each other out.

If you are a fan of their films than I’d recommend Merchant Ivory. It’s a solid entertaining documentary and worth your time.

Smile Worthy

SUPERMAN: THE CHRISTOPHER REEVE STORY

Moving on to another documentary this week we have the highly anticipated Superman: The Christopher Reeve Story. I really wanted to catch this at Sundance but was unable to do so and then the trailer is one of the best of the year so it got me excited to see this film. I’m not the biggest celebrity person but Reeve and his story was something I followed back in the 90s when he had his accident. I even read his book Still Me as a college student and found it very moving.

There are a lot of aspects that really work about this documentary but most importantly it doesn’t just chronicle Reeve’s life but it is the story of a family and how everyone in his life was impacted and responded to his journey. Especially with a man who played Superman in 4 films it would be easy to make this film patronizing and cloying but instead it always feels sincere and moving.

I remember when his wife Dana passed away so soon after Reeve feeling so heartbroken about it and so concerned for their son Will. Needless to say when they get to that section there is not a dry eye to be found in the theater.

It might sound cheesy to say but we sometimes need inspirational stories and here is one from the man who just happened to play Superman in the movies but was a pretty super individual in real life with a very super group of family and friends.

Smile Worthy

THE CRITIC-

As soon as I heard about the film The Critic I knew I had to check it out. A movie about a theatre critic starring Sir Ian McKellen seemed tailor-made for me. Unfortunately it ended up as a disappointment for this critic.

I think the most deflating aspect of the film is it doesn’t really dive into the mind of a critic or the challenges of assessing material like theatre. Instead it spends most of its time on a love triangle and blackmail plot between McKellen, Gemma Arterton, Mark Strong and Ben Barnes. I guess this is based off of a play called Curtain Call by Anthony Quinn and perhaps it works better in that setting but was an underwhelming and frankly boring plot for a film.

Another aspect that was odd in The Critic is it took me a while to figure out when the film was set. In reality it is 1934 but there were times it felt quite modern, other times seemed to be turn of the century, 1950s, 1920s. All the period details needed to be stronger to give a more clear sign of when events are taking place so we can have context for the characters behavior and choices.

The acting is good enough that it’s impossible to pan this film but it could have certainly been much better and I wish it had actually been about the experience of being a critic. It’s a definite missed opportunity

Frown Worthy

NEVER LET GO-

I was actually quite excited to see the new horror thriller Never Let Go because I’m a big fan of its director Alexandre Aja’s last film Crawl (I have a whole theory about how Crawl is the ideal date movie if you ever want to hear it.) Unfortunately despite some good performances Never Let Go is a let down suffering from a muddled mess of a script.

The problem is the movie can’t decide what story it wants to tell. It supposedly has the setup of a paranoid Mother, played by Halle Berry, who has survived a dystopia with her boys by never letting go of a rope tied to a protected house. The movie flirts with her being an unreliable narrator. The movie flirts with a lot of things. One child seems to believe the Mother, another does not. It seems like the one who believes is a demonic child we see in horror movies but then he’s not. They seem to imply that the religious angle is hokum but then the power is a visible force. Which is it?  There’s zombies but then there’s not but are there. Again the movie flirts with these ideas and many more but doesn’t finish any of them in a satisfactory way. The last shot of the film is literally more questions.

I don’t mind ambiguity or twists but the film needs to have some focus and consistency in characters and plots. As it is it feels like all they cared about was making things look nice and then just made the script up each day they were on set.

In addition to this frustration Never Let Go puts children and a dog in peril making the experience unpleasant and frankly gross. I would definitely skip this one.

Frown Worthy

 

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‘FAITH OF ANGELS’ Review or How Having Faith in People Pays Off

I would say in the world of film criticism I am more open to the faith-based genre than many of my contemporaries. However, I do recognize the pit-falls the genre has and why so many don’t connect with them. That said, one of the best directors of the genre over the last few years has been Garrett Batty who directed outstanding films like Freetown and  Out of Liberty. What makes his movies stand out is he always focuses on the individual journey over the religious ministry making for a compelling story with humanity whether you’re invested religiously or not. His latest film Faith of Angels is probably the weakest I’ve seen from him but it still tells a good story worth watching.

I had the chance to interview Garrett and star John Michael Finley after I saw the movie for the Hallmarkies Podcast.

Faith of Angels tells the true story of when Joshua Dennis was stuck in an abandoned mine in Tooele, Utah. John Skinner played by Finley hears a distinct prompting to help with the search but he is rebuffed by the sheriff (Cameron Arnett) who fears the involvement of amateurs after a disaster the year before.

My favorite aspect of this film is the journey Skinner goes on. As a person of faith I can relate to the struggle of feeling compelled to do something but having it not make sense to those around you. Is that not the sheer essence of faith? Doing something and believing in something you can’t explain but know is true? This is a very hard concept to make cinematic and the team here did just about as good a job as you could.

The rest of the story with Joshua is gripping enough even if the pacing can drag at times and certain scenes feel repetitive. Still, if you are looking for an inspiring story of a true modern-day miracle Faith of Angels will be just the movie for you. This is a movie you do not have to be Latter-day Saint to enjoy as most of the events are at the cave and non-denominational in nature.

Smile Worthy

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

 

BEETLEJUICE BEETLEJUICE and TRANSFORMERS ONE (Reviews) or Doing Franchise Movies Right

Anyone who follows me on twitter knows I am not someone who moans and complains about original vs franchise filmmaking. I value creativity and whether that comes in an existing franchise or an original idea it does not matter to me. That said, there have been lots of disappointing franchise films this year and I definitely think an IP can be an excuse to be lazy and bland. Fortunately today I am here to 2 franchise films that do not fall into these traps and are worth your time.

BEETLEJUICE, BEETLEJUICE-

I will admit that low expectations may have added to my sense of enjoyment with Beetlejuice, Beetlejuice. It has been a long time since Tim Burton has made a film I’ve enjoyed and usually these long awaited comedy sequels are terrible so I was preparing for the worst. While I completely understand the critiques many of my friends have brought up I still found the film overall entertaining and most importantly funny which is of course the key to a successful comedy.

The script is kind of a mess but I was happy to see they didn’t over-use Beetlejuice and brought him around just when the scenes needed a punch of humor. Catherine O’Hara is back as Delia and she is my favorite part of the film (I love her in the original as well.) I like the dynamic between Delia, Lydia (Winona Ryder), and Astrid (Jenna Ortega) as they all deal with grief differently and manage their relationships with each other in easily relatable ways.

I think what makes Beetlejuice, Beetlejuice work is it keeps moving. It perhaps has one too many plots but I’d prefer that over something that’s stagnant and dull. This is never far from a joke or creative visual setpiece to give those spooky feels. Monica Bellucci is the most wasted but even she looks cool and her transformation into a monster is fun to watch.

Something like this is certainly better than other Burton projects like Miss Peregrine’s Home for Peculiar Children– a movie that bored me out of my mind. At least this had me laughing and feeling something with the characters. Perhaps it’s a low bar but as I always say with comedies ‘funny saves all’ and that certainly is the case with this. I can guarantee you won’t ever look at “MacArthur Park” again the same way.

Smile Worthy

TRANSFORMERS ONE

I always try and judge a film for what it’s trying to be. Meaning if something is purporting to entertain toddlers does it do so?  If something is trying to be a rom-com is it romantic? If something is going for high drama as an Oscar contender does it succeed? You get the idea. With the newest animated Transfomers movie entitled Transformers One I don’t see how anyone can argue that it is not successful in being a Transformers origin story prequel. In fact, you can make an argument it is the best film the franchise has ever seen with the only real contender being 2018’s Bumblebee.

The key difference with this film and even Bumblebee is Transformers One is the first in the franchise to rely solely on the bots with no humans of any  kind. Even the animated The Transformers: The Movie from 1986 still had human characters and they are almost always lame. At the very least the whole discovery of the autobot and the various problems of the human characters are not interesting or absorbing.

I much prefer the story we get in Transformers One about 2 friends who go on a little adventure together and end up as Optimus Prime and Megatron- sworn enemies (this is not a spoiler. It’s in all the marketing and how the characters are listed in all the releases). They also don’t realize they can transform until later in the movie so it really is all about the characters and world-building more than action or transforming which is refreshing for this franchise.

The whole movie is refreshing. The animation is vibrant and beautiful and the voice acting by the likes of Chris Hemsworth and Brian Tyree Henry is excellent. It’s also under 2 hours which is a nice change for this franchise. Transfromers: the Last Knight was nearly an hour longer… Kill me now. There are times Transformers One takes itself too seriously and is trying to be too epic in very predictable ways but it’s still an overall entertaining experience that any scifi fan and certainly any Transformers fan will enjoy.

Smile Worthy

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

Current Mini Reviews (FLY, KNEECAP, BEETLEJUICE (1988))

Hi friends! I hope you are having a wonderful Labor Day. I have a few random films to update you on as I enjoy my day off.

FLY-

First up we have Fly. This is a documentary from the National Geographic Documentary folks about base jumpers from across the globe attempting to try and dive into why they love the sport even with the risks. I was impressed with how honest and frank the movie was about those risks. Death and injury are frankly discussed and you could certainly never get  me to jump off these mountains!

There are some incredible visuals and it was neat to see them unfold on the IMAX screen. In many ways this type of documentary is why the IMAX format was made and where it can shine the most as a cinematic experience. My only gripe with Fly is that it is probably 30 minutes too long and some of the points it makes feel repetitive as do the jumps. Still I’m glad I saw Fly and if it comes on Disney Plus I would watch it on the biggest screen you have available.

Smile Worthy

BEETLEJUICE (1988)-

Before the new sequel comes out this week (I see it tomorrow) I had the chance to see the original Beetlejuice on the big screen. I had seen it once before but it had been a bit so I’m grateful to the folks at Brewvies for giving me the opportunity, even if the projection was off!  Anyway, I got a chance to see it and I found it quite entertaining. The jokes for the most part work and the creepy atmosphere is effective.

What surprised me the most, however, is how little Beetlejuice is actually in his own film. He doesn’t appear for about 50 minutes and even then he is only sporadically involved. I have a feeling the new movie won’t take this lesson and we will see tons of Beetlejuice which would be a mistake. A little of that character goes a long way. I guess we’ll just have to see but it’s a fun film. I particularly like the way they are always making fun of Delia’s art. Glenn Shadix is underappreciated as the cutthroat interior designer Otho Fenlock. Very funny. Why can’t we have this Tim Burton back? Please…

Smile Worthy


KNEECAP-

I actually saw Kneecap a few weeks ago but I forgot to include it any of my reviews. That’s not because it isn’t a good film just a clerical error on my part. Anyway, it’s an interesting film because it’s about  a band called Kneecap in Ireland played by the band members themselves, which is usually a recipe for disaster but this turns out pretty well. For non-actors they all do a good job in their roles and do help you root for them to succeed by the end. Michael Fassbender is also excellent as one of the band member’s Dads. The ending particularly concerning his character had me grinning from ear to ear.

That said the movie can be grating at times with the continual shouting that never lets up. I get that’s part of this bands style but I would have loved to have gotten to know them better. A few softer subtler moments to endear you to the characters would be nice. As it is it can be exhausting but I still say the good in Kneecap outweighs the bad. If you see it on streaming and can handle a hard R film give it a shot.

Smile Worthy

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

Current Mini Reviews (REAGAN, STRANGE DARLING, YOU GOTTA BELIEVE, ROYAL FACADE)

Hey everyone! I hope you are doing well and enjoying these last days of summer. It’s unfortunately a mixed bag for you at the cinemas this week but a couple flicks that I think are worth checking out if you have time. Let’s talk about them:

STRANGE DARLING-

Strange Darling is a tough film to talk about without giving away major spoilers and so this review may be especially brief. At first I wasn’t sure if it was for me because I usually don’t like slasher movies with women in peril or being pursued. On the surface that seems what this film is but just trust me there is more to it than that.

Willa Fitzgerald plays “the Lady” in question and Kyle Gallner is “the Demon” chasing her. However, the movie is divided into 6 chapters that are told in a non-linear fashion. For example, it opens on chapter 3. This structure keeps the audience guessing until the very end making it highly unpredictable and exciting.

While Strange Darling is definitely an R-rated film it might be able to win over people that don’t normally like horror or slasher movies. It’s just that well written and exciting.

Smile Worthy

YOU GOTTA BELIEVE-

It’s always interesting as a critic when you get a movie early and have a certain response and then when your peers see it they have a very different response. Such seems to be the case with You Gotta Believe. I found it to be a heart warming family sports movie with endearing performances and a nice message but some of my friends have been very harsh on it. I don’t really get it but as they say to each their own.

I enjoyed it enough that I got to interview the real life subject of the film Robert Ratliff and you can find my interview in the link above and my detailed thoughts with friend Mary Richards.

It’s a simple story about a little league team that wasn’t great to start but grew as the season progressed and at the same time their coach and father to Robert is diagnosed with cancer. As they make it to the little league world series they have something to rally around and believe in and come together as a community to support the Ratliff family. I realize this isn’t going to win any Oscars but I found it sweet and endearing with a nice community message. I liked it!

Smile Worthy

REAGAN-

Honestly the  new presidential biopic Reagan I feel a little torn on. I think there is a place for slick old-school, biopics that lean on the positive and heroic. I’m not someone that immediately cries out ‘propaganda piece’ when something paints with a inspirational brush. That said, when such a light approach is taken factors in the movie-making like pacing and writing can be a problem.

That’s where my issue is with Reagan. Dennis Quaid is quite good as Reagan and Penelope Ann Miller is terrific as Nancy. Unfortunately the movie feels a need to tell every detail of Reagan’s life to the point of exhaustion and they have John Voight playing a Russian KGB agent narrating the thing in a baffling and unnecessary choice that weighs the movie down and makes it feel more exposition-heavy than it needs to.

This is also obviously a movie that will not win over anyone who isn’t already convinced of Reagan’s virtue as a president. Even with the handling of the Iran-Contra Affair Reagan comes out on top as the guy who made understandable mistakes but learned from them. There’s no deep discussion about his legacy with the aids crisis or questionable record with Afghanistan. That’s not the kind of movie this is and I’m mostly ok with that but your mileage will definitely vary depending on your political convictions.

In the end, Reagan is serviceable but not much beyond that. Maybe wait for it to come on streaming if it sounds like your type of film?

Frown Worthy

ROYAL FACADE-

I get approached quite frequently by independent producers asking me to check out their romantic comedies and often they are not worth my time or review. However, occasionally there will be one that I enjoy and such is the case with Royal Facade. Now this does not have the budget of something for Hallmark and you can feel it in some of the moviemaking and acting but the leads and script are solid, and I enjoyed it.

The story taps into screwball comedy roots with a man (Isaac Akers) who happens to look like a famous celebrity, who happens to be in town for a shoot, and then unbeknownst to all involved a princess is also on the lamb trying to get a break from her busy princessing duties. As you can imagine when they meet there are all kinds of mistaken identities and misinformation.

If you can handle something with a low budget filming with some terrible camera-work, awkward moments from extras and things like that there’s a story and 2 leads that are entertaining in Royal Facade. I encourage the filmmakers to keep going and will look forward to what they come up with next.

Smile Worthy

So there you have it!

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

 

Blind Spot 103: FAR FROM THE MADDING CROWD (1967)

Ever since it came out in 2015 I’ve been a big fan of the adaptation of Far From the Madding Crowd by director Thomas Vinterberg. In my opinion it is one of the most underappreciated films of the last decade and I only love it more with each rewatch (I gave it only a B+ on my initial watch but it has only grown in my estimation since.)  That said, I was always told that it really isn’t that great when compared with the 1967 version by director John Schlesinger. This is why I added the classic film to this year’s blind spot selections. Now I have seen both films and… I still like the 2015 film better! In basically every regard I think the 2015 film is superior to the 1967 classic.

Since this is a review of the 1967 film let’s talk about that version first. Schlesinger has made a beautiful film that feels right at home with the epic brand of storytelling popular at the time. There are many stunning sequences such as the fire being on hay and the devastating suicide of the sheep. They also have a talented cast with Julie Christie, Terence Stamp and Alan Bates.

The movie does take its time having every detail from the book such as an extended sequence when Troy is at the circus and more time between Boldwood and Bathsheba. Modern viewers will be surprised by the amount of time focused on Troy instead of Gabriel, who is more of an after thought in this version. We are supposed to buy that Troy is both in love with Fannie that he makes life miserable for everyone else but also so prideful that he rejects her after she goes to the wrong chapel for their wedding. This makes for a difficult and unlikable character to have as your lead for a 3 hour movie.

I personally love the approach by Vinterberg much more. By focusing on Gabriel and his long-seated love for Bathsheba we have a great love story instead of depressing melodrama. It also doesn’t hurt that Carey Mulligan and Matthias Schoenearts have incredible chemistry and they keep this friends-to-lovers story simmering for the much shorter 2 hour runtime. I see little in the additional hour of the 1967 film to justify so much more time especially with the characters they chose to focus on.

2015’s Far From the Madding Crowd is also beautifully filmed by Charlotte Bruus Christensen giving everything a hopeful energy especially when combined with Craig Armstrong’s stirring score. It makes for an overall moving journey we just don’t get in the 1967 film. The earlier movie may be more accurate to the book but where’s the heart and soul? I’d take the 2015 version any day!

I wouldn’t say the 1967 version of Far From the Madding Crowd is a bad movie. It’s serviceable. I just like the 2015 much better!

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

CURRENT MINI REVIEWS (SKINCARE, BORDERLANDS, THE CROW)

Hey everyone! August is known in the movie world as being a bit of a dumping ground but sometimes you can find a diamond in the rough. Today I have 3 movies to report on and one I enjoyed more than most but it’s by no means a top-tier film. Sometimes you take what you can get with these releases and the good outweigh the bad in a particular offering. So here goes:

SKINCARE-

Skincare is a hard movie for me to review because I think it fulfilled its goals pretty well but it’s not a film I enjoyed. On one hand it seems wrong to fault a film for scaring me but on the other it didn’t provide enough catharsis or excitement for me to do anything with that feeling of unease.

This is a horror film where Elizabeth Banks plays a woman named Hope who runs a skincare brand in Los Angeles and is unsettled when a new competitor moves in next door. Immediately she starts getting threats online and in person and the tension builds as she. I think for anyone who is a public figure, even small-scale public figure, the idea of being stalked and terrorized is really scary, especially for a single woman like myself who is often alone with no protection of any kind. Skincare really monopolizes on those insecurities and I was very anxious watching things play out for Hope.

There are elements that are very predictable, but I liked the overall style of the film and it definitely captures Los Angeles and the vibes down there well. I think I would have enjoyed it more overall if Hope had gotten some vindication at the end and there was more of a satisfying payoff. As it was I was left feeling just unpleasantness with little fun to be had. I can see why it would be appealing to some. It’s just not for me.

Frown Worthy

BORDERLANDS-

Borderlands is one of those movies you watch and just wonder- how? How did so much time and effort get put into something with so little story to back up that work? How could they not get the script better before spending millions on a project like this? Evidently it went through development hell and one has to wonder if the script was better at one point to attract someone like Cate Blanchett but this thing is truly a rough sit.

The thing is it’s not even interesting bad. It’s just bland with its visual style really the only thing to recommend it. The plot feels non-existent. I guess Cate Blanchett’s Lilith is hired to find the daughter of a kingpin named Atlas, who she then finds with relative ease. Then they spend the rest of the movie hanging around the desert occasionally fighting with various mercenaries and listening to quips from a robot.

It’s a tremendous cast but some of them seem there against their will (particularly Jamie Lee Curtis.) I suppose it’s a blessing it is under 2 hours but that’s about all I’ve got here. There just is no story to talk about in Borderlands! It unfortunately deserves to be the box office bomb that it is.

Frown Worthy

THE CROW-

I must admit until this Saturday I had never seen the 1994 cult classic film The Crow starring Brandon Lee. I should have made it a blind spot pick but it was an interesting experience to watch that film and then go to the new version literally directly afterwards. There’s no question the original is the stronger film with more of a unique visual aesthetic and stronger script, but I actually enjoyed the new version as well. It isn’t a homerun or anything but enough good to give it a recommendation.

This iteration of The Crow has Bill Skarsgard as Eric Draven who falls head-over-heels in love with the mysterious Shelly played by FKA Twigs. They become spiritually bonded and he promises he will find her if she ever is taken away. When they are both killed by the evil Roeg, Eric is sent on a mission to ‘right the wrongs’ and bring his lady love back from the darkness she’s been sent to.

As you can tell the story is not the selling point of this film. The villain is super bland and the fact it is being played by Danny Huston is tiresome. He’s played this same role so many times it’s getting old. And even though I overall enjoyed the romance they do spend too much time on it. To the point when I’m sure the young men who this film was made for are getting anxious to get back to the action.

That said, the action is pretty entertaining. It’s bloody and visceral and I had a good time watching it. Particularly a sequence at an opera house is really fun. And I think Twigs and Skarsgard had nice chemistry together, and I was invested in them as a couple.

Perhaps my newness to the original helped my feelings for The Crow? I’m not sure but the romance and action were well done enough with likable leads that I had a good time with it. Your mileage may vary.

Smile Worthy

So there you have it. 3 August movies! Have you seen any of these movies? What did you think of them?

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

‘Alien: Romulus’ or is it the Crowd-Pleaser of the Summer?

At times writing a review is a tricky thing. It’s not always easy to encapsulate the experience I’ve had with a film and know whether to recommend it to my readers or not. Everyone knows I’ve had a rough year when it comes to blockbusters so frankly I’m just glad when I enjoy something at all these days even if I’m not in love with it (small victories!) Such is my experience with the newest release Alien: Romulus. It’s from director Fede Álvarez and overall I’d say it’s an entertaining, well-made little thriller that should be a crowd-pleaser for the R-rated sci-fi horror loving crowd. It definitely has its flaws but I’ve seen it twice and had a good time at both watches.

The reason I had to see it twice is a complicated one. First, I went to the critics screening at one of our local IMAX theaters. I’m not sure what is the problem at Megaplex but the IMAX screens are terrible. Sure the screen is large but the sound is always a mess blaring it too loudly or with a mix that is off. This was the case on Monday and at first it seemed like I was the only one bothered by this but then some of the other critics mentioned it. It’s a real problem.

My experience was so impacted I went to see the film again at the XD Dolby screen at Cinemark and overall had a much improved experience. That said, Álvarez has decided to go with the Christopher Nolan brand of muddled sound design that I will never understand. Particularly with the male characters it is challenging to comprehend what they are saying. An AI character named Andy played by David Jonsson is almost completely incomprehensible which is a problem because he is meant to be the emotional heart of the film.

At least this sound design wasn’t as large of a problem in Alien: Romulus as it was in Tenet which also had an incomprehensible plot where this is relatively straightforward. The film is set in-between the events of Alien and Aliens and focuses on a woman named Rain (Cailee Spaeny) who along with her group of friends and ‘brother’ Andy are trying to get away from the mining corporation they’ve been working for and get to a distant planet Yvaga. Desperate they decide to commandeer an abandoned vessel which then of course they find it to be infested with xenomorphs- face hugger, chest exploders and fully standing adult varieties.

Enjoyment of this movie is pretty simple. If the chase between the xenomorphs and the team is engaging for you than you’ll like it. If it feels too same-old than you will not care for it. It certainly won’t win you over with its deep characters or sci-fi metaphors. They try with a plot reveal and extended cameo but that completely falls flat. I’m not enough of a franchise expert to catch all of the Easter eggs but basically Alien and Prometheus come into play so you want to watch both of those before seeing the film.

I must admit the second time seeing the film it was less engaging. It all felt more predictable and less gripping/scary. However, I do appreciate it is one of the few action blockbusters of recent memory to be under 2 hours and not feel bloated. Álvarez keeps the pacing going so we are never left wondering about the more lazy elements of the script.

In the end despite the sound issues and the lazy plot reveals I had a good time with Alien: Romulus. It’s well made, paced and acted and captures the horror feel of that first Alien film. Especially if you are a big fan of the franchise you’ve got to check it out.

Smile Worthy (but don’t see it in the imax!)

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IT ENDS WITH US (Review) or If You Like This You’ll Like It But I Didn’t. Also She’s Terrible at Flowers…

A movie like It Ends with Us is difficult for me to talk about as a critic. On one hand I did not enjoy it at all. That said, I do think it is an improvement upon the book, which I really disliked so fans of the book, which there are many, will probably love it. It might seem like a strange comparison but in a way it is similar to Dune. A book and world I can’t stand but I can’t deny the films are good translations of that material and will make its many fans very happy. Can you really criticize something for being what it is supposed to be? It would be like criticizing a cake for not being a pie. It’s supposed to be a cake and that’s what it is.

Anyway, that’s a long intro to my thoughts about this film. The story based on the popular Colleen Hoover novel is about a woman named Lily Blooms who you guessed it is a florist. She is played by Blake Lively and she is a stunning human who does what she can with the role. They also got Isabela Ferrer to play young Lily and the two look identical. The casting director deserves major props in that department.

Lily comes from a broken home with an abusive Dad she hates. Then we see in flashback her first love with a man named Atlas (Brandon Sklenar and young Alex Neustaedter) and he is a fairly blank slate (in the book he’s more controlling and manipulative) but he does provide the only safe space for her in the film without estrogen present.

I disliked the book because I felt it was another female-centric narrative where all men are trash and the only solution is for women to free ourselves of them. I don’t believe this is true nor do I find it particularly helpful for victim women who will be led to believe abuse is inevitable and loneliness is the only option. It’s certainly not something I find entertaining or edifying in any way as a single woman.

Like I said, the movie gives more humanity to Atlas so at least there is that but it still feels too ‘men suck, women rule’ for my taste.

Justin Baldoni makes for a hunky version of Ryle and the unreliable narrator aspect of Lily’s character is interesting especially certain sequences like a fall down the stairs but they wait a long time for him to get obviously violent so some viewers may feel whiplash with his character. I get that’s part of the point but it can feel frustrating when the movie seems to be saying we are fools for believing in the long romantic sections. I hate that!

The movie is well directed and made with Lively looking like a movie star. Jenny Slate is also fantastic as Ryle’s sister and Lily’s best friend.

It is kind of ironic that Lily is a terrible florist. Her designs look dead and like they are out of something from Corpse Bride not a chic Boston floral designer. I guess in a way that’s symbolic of the movie. It is presented as beautiful and empowering but looks dead and ugly. Either way It Ends with Us  is not for me. If it’s for you more power to you. I hope you enjoy it.

Frown Worthy

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