Hi everyone! I figured with the stress of the election everyone could use a laugh in November so it would be fun to have a comedy blind spot pick for this month. I love Monty Python and the Holy Grail, but I’m very sensitive to vomit scenes so had avoided their final film Monty Python’s the Meaning of Life. Now I have seen it and was right to be nervous about the vomit scene- it is a doozy! However, it is also very memorable and while uneven the film has enough laughs to be worth a recommendation. Here is our episode on the film:
Both Manda and I agreed the middle of the film is the strongest especially a series set in war with a very funny gag about the soldiers giving their captain inappropriate gifts for a battlefield (like a grandfather clock!)
There are other jokes that either go on too long or fall flat for a modern audience but I do appreciate the irreverence of all of the pieces. It doesn’t feel safe or scrubbed clean like much comedy does today and even the vomit scene is exhilarating for how bold and crazy it is.
I would definitely recommend other Monty Python films and episodes over this one but if you’ve seen those than give this a watch. It’s wild but entertainingly so.
Smile Worthy
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
Hi friends! I hope you are doing well. I am so behind on film reviews I’m afraid I am going to have to cover a ton on this post and hopefully go back and do some longer reviews later this week. For now the mini reviews will have to do:
ANORA-
Unfortunately having not been admitted into NYFF this year I’ve had to watch the film festivals from a distance and looked with anticipation as I get a chance to see some of the movies getting buzz from these festivals. One such a film is Anora directed by Sean Baker. I recently reviewed his film Tangerine for Blind Spot series.
Going into it this film had been sold for me as an ‘indie Pretty Woman.’ I like indies and Pretty Woman so this seemed promising. I was also told it is a comedy, which after having seen it is completely baffling. I will make sure to not trust any of those people for comedic advise going forward.
Yes, Anora proved to be another movie from 2024 that is highly praised which I did not enjoy. Mikey Madison can be quite charming in the lead role but the plot proved both uninteresting and repetitive, and I was completely uninterested in the relationship between Anora and her new husband Ivan.
I also think the movie ends in a way that was strange and not in an intriguing way. I won’t spoil it for you but it seemed like it was supposed to be empowering in tone but it actually was quite troublesome and bizarre.
Others seem to be enjoying this film more than I do. It looks nice and has some engaging performances but the story was just not something I cared about or became invested in.
Frown Worthy
THE BEST CHRISTMAS PAGEANT EVER-
I was very curious how director Dallas Jenkins would bring together a new adaptation of the classic play/book The Best Christmas Pageant Ever to the big screen. I’ve seen it several times in person and was especially concerned about the portrayal of the Herdmans and how it might be watered down for 2024 kids. Fortunately Jenkins and his team have created a wonderful family film, loaded with heart that seems destined to become a new holiday favorite.
What surprised me the most is how accurate to the play the screenplay was. They even had the Herdman’s smoking cigars which shocked me. Now-days you can barely have villains smoking cigars so that’s surprising.
They also kept the events of the film set in the past and didn’t modernize or update it much to pacify modern audiences. It ended up with big heart and a Christmas message that actually focuses on the sweet and simple message of the birth of Christ. How refreshing is that! I know some can feel anxiety about seeing a faith-based film but this one does it right and I can’t imagine any religious person or Christmas celebrator disliking it. Go see it!
Smile Worthy
HERE-
I don’t think there is a director who has fallen more out of my favor over recent years than Robert Zemeckis. Nobody can take away his incredible win streak in the 80s but movies like his recent Pinocchio or The Witches were so disappointing. Unfortunately his latest Here can be added to that pile of frustration.
Here starts out with an intriguing premise. The idea is a the point of view of the storytelling is looking into the living room of a house over several millennia (going all the way from the dinosaurs to a modern African American family in 2020.)
Unfortunately the whole experience becomes so cloying that after about 30 minutes I found myself ready to leave the theater. It’s liike Zemeckis saw The Carousel of Proect at Disney World and decided to turn it into a feature film. There isn’t enough exploration of the various eras or people we get introduced to so it becomes frustrating and shallow.
Tom Hanks and Robin Wright reteam up with Zemeckis for this one but I just wish they had better material to work with than the thin gruel Here presents. No thanks
Frown Worthy
EMILIA PEREZ-
Anyone who knows me knows I am usually a huge softee when it comes to musical movies. Even if the plot and the characters aren’t perfect I often feel the music helps elevate things to be watchable. That’s why I was intrigued when I heard about the new film coming to Netflix, Emilia Perez. In the film director Jacques Audiard has a million creative ideas that alone could have made for an intriguing movie. The problem is he combined them all into the same movie.
Zoe Saldana plays a lawyer who gets an offer from a cartel drug Lord who needs her help to retire and transition from being a man to a woman. In addition to this premise the movie is also a crime drama, a relationship melodrama and most surprising of all a musical.
Unfortunately despite the Saldana giving the performance her all the experience of Emilia Perez feels muddled and frustrating. It also doesn’t help that the characters are unlikable and give us little reason to root for them and the songs are uniformly forgettable and bland. It all amounts to a tedious 132 minutes I cannot recommend.
Frown Worthy
VENOM: THE LAST DANCE-
Believe it or not I’ve actually been a fan of the previous 2 Venom movies. I enjoyed the buddy comedy elements between Tom Hardy’s Eddie Brock and his Venom creature. They were short and sweet and good for a laugh which in this day of bloated comic book movies was quite refreshing. Unfortunately this latest entry forgot that tradition and became another self-serious bore that is frankly no fun.
Tom Hardy is still enjoyable as Eddie and there are some amusing scenes like a sequence where they take over a horse and fly through the Nevada desert but the film expects us to feel sentimental and even weepie at the end as if this had been an emotional set of films with real stakes. Juno Temple is not engaging as a scientist with an obvious and bland character arc and Chiewetel Ejiofor is given nothing to do as boring grumpy army guy trying to stop the symbiots. There are so many tedious sequences including a long section where Eddie hitches a ride with a group of hippies led by Rhys Ifans and long sections of action I’ve seen a million times in better movies.
I watch these movies to laugh. How can they not understand that? Unfortunately laughs are few and far between in Venom: The Last Dance.
Frown Worthy
THE CARPENTER-
As a critic I try and be open to as many genres as possible including faith-based films. In fact, I recently recommended Faith of Angels by director Garrett Batty. I even interviewed him for Hallmarkies Podcast and enjoyed getting to talk with him and actor John Michael Finley for that film. Unfortunately I cannot be so accommodating for his new film The Carpenter. I hate to be harsh on a small production like this but it truly was a bizarre experience to watch this strange combination of MMA style fighting and Biblical settings. It might be for some people but it definitely wasn’t for me.
I can’t overstate how much boxing is in this Biblical film and yet Jesus is a major character and it includes a long period including seeing the resurrected Lord. I get that the Romans had boxing and sometimes quite brutal fighting but combined with the tone of an inspirational family drama it just felt off. It also didn’t help that all the performances felt modern as did the script and almost no attempt is made to be historically accurate in customs and traditions. For example the lead female Mira is seen at the boxing matches surrounded by the men unchaperoned, which seems highly unlikely.
I am sure the intentions are all for the best with The Carpenter but it was simply too strange a combination of elements for me to recommend.
Frown Worthy
CONCLAVE-
I try to always be authentic with my response to movies but there are times when I wonder why my reaction is different than many of critic friends. Such is the case with the latest Oscar hopeful Conclave. While the performances are well done and the film looks nice I found the picture to be an experience that left me cold and I am completely baffled at anyone calling it a ‘thriller.’
In this fictional tale the Pope has died and Ralph Fiennes is responsible for running the conclave to select the next pontiff. The problem is the script only allows us to really come to know Fiennes’ character and everyone else is only presented intermittently making the whole thing feel procedural and bland. I literally saw almost nothing in this that could be called a thriller.
I guess this is one of those Oscar bait films I just don’t connect with and that’s alright. If it sounds like something you’d enjoy give it a shot. Conclave wasn’t for me.
Frown Worthy
So there you have it. My movie update. Let me know what you think if you’ve seen any of these movies.
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
Another Halloween has come and gone and I hope you had a great time with your friends and family. My friend Jacks was in town, and we went to a lot of theatre and had a blast. We even had a theatre themed costume (angel and devil Evan Hansen lol)
This month for blind spot I actually ended up checking 2 movies off of my list from director John Carpenter: 1982’s The Thing and 1998’s Vampires. You can hear my discussion with Manda about both movies below:
The Thing
It’s interesting how certain films can grow and evolve over time. This is certainly the case with John Carpenter’s The Thing. When it was first released it received mostly negative reviews including a thumbs down from Roger Ebert (Siskel gave it a mild recommendation.) Since then it has grown in estimation but I had heard it is a very gross movie so I put off seeing it. Now the blind spot series was the perfect chance to check it off my list, and I’m so glad I did. The Thing is a movie that keeps things simple but is extremely effective in that simplicity.
In the film Kurt Russell plays a man named MacReady who as a scientist at Antarctica comes across a parasite-like alien that when implanted in an organism becomes a deadly mimic of its host. This is what makes the film scary because the things they trust are actually infected and the characters don’t realize it until too late.
It’s hard to believe The Thing wasn’t at least respected for the craft on display. The incredible creature designs by Rob Bottin and cinematography from Dean Cundey immerse the viewer in the experience and we are never left bored or distracted from the experience with Bill Lancaster’s incredibly tight screenplay.
That said, I don’t know that the film is saying anything profound like most good scifi horror like this does but sometimes its perfectly fine for a movie to just be a fun time and that’s what The Thing is. I really enjoyed it.
Smile Worthy
VAMPIRES
I would say John Carpenter’s Vampires is less successful than The Thing but it is still overall a fun time for fans of vampire flicks. In both movies Carpenter keeps things simple and entertaining. The Thing just has better central characters than Vampires.
In Vampires James Woods leads the cast with a lot of charisma as he and Daniel Baldwin seek to take down a vampire leader named Valek. There’s some fun action set-pieces and fights that go down and Thomas Ian Griffith plays Valek with a lot of energy.
The problem is so much of the plot depends on Baldwin’s infatuation with a bitten woman he just met named Katrina played by Sheryl Lee. He’s supposed to be a master vampire hunter; thereby, making a lot of his choices nonsensical and frustrating when it comes to Katrina.
Still, Woods has a ton of fun with the role and at under 2 hours Vampires doesn’t wear out its welcome.
Smile Worthy
At this point I have seen 4 Carpenter films and have recommended all of them (Halloween, Big Trouble Little China, The Thing, and Vampires.) I am sure he has his clunkers but he is definitely one of our strongest directors and certainly one of the best in the horror genre. What’s your favorite Carpenter film?
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
Hi everyone! I have some fun updates for you. I know at times I can be perceived as a tough critic but I am going smile worthy on all 4 films I’m reviewing today. What can I say? Sometimes a critic goes through rough patches and then other times we like everything we are seeing. So let’s talk about the movies!
SMILE 2-
Believe it or not I had never seen the first Smile movie before deciding to go to the screening of Smile 2 this week. I’ve been trying to expand out of my comfort zone lately and after watching the first Smile movie I really enjoyed it. It has all of the surprises and scares someone wants in a scary movie but it also has something to say about trauma and mental illness and how quick we are to dismiss people who try and explain what is going on in their heads.
Now we have the sequel in Smile 2 and it’s a pretty different movie so if you didn’t love the first film I’d still give this one a try. On the downside I missed the grounded quality to the original film and feel it is a more thoughtful introspective horror film but that said Smile 2 is a more fun experience. They go for bonkers crazy in this horror film and I was mostly here for it, even if I was squirming in my seat through much of it (I’m a horror wimp!)
Naomi Scott plays a pop star named Skye Riley who comes into contact with the curse from the first film through a drug dealer who we meet in a crazy opening sequence. What’s interesting about Skye is she is a recovering addict so there is a lot of unreliable narrator happening so we as an audience are never sure what is fantasy, reality, drug-induced or an unrelated delusion from her. Either way I found it wild and fun for most of the run time and Scott is excellent in the role, creating a character that we empathize with but also don’t fully trust (like I said unreliable narrator.)
The ending is a little cynical for my taste and some of the scares feel telegraphed but Smile 2 is a fun time. I really enjoyed it.
Smile Worthy
THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE-
I was able to see the latest Looney Tunes movie virtually through the Animation is Film Festival. If you are in or near LA this weekend I highly recommend attending the festival in person- especially if you get to see incredible films like this and take part in panels. I should have several more films to review soon from the festival and I want to thank them for letting me attend virtually. I hope I can go next year.
Anyway The Day the Earth Blew Up: A Looney Tunes Movie is a gem that made me so happy to watch. I love the Looney Tunes and even the weaker Space Jam movies give me some joy because I love these characters so much. Fortunately this latest entry is much better than either Space Jammovies and has the zany energy you want from this franchise.
The setup is that some aliens are planning to take over earth with a mind-controlling chewing gum that turns its chewers into zombies. We then have our leads Daffy Duck and Porky Pig taking on the evil plot; however, before that we get lots of bits about Porky and Daffy’s childhood and early days. My favorite bit is a segment with all their failed jobs. That’s just funny to have Daffy Duck trying to be a barista and losing it with someone’s overly-complicated latte order.
This does stay focused on Porky and Daffy so if you are looking for Bugs Bunny or Tweedy Bird you might be disappointed, but I loved it. I can’t wait for kids to get reintroduced to The Looney Tunes and everyone to have a wonderful time together. The vocal performances are all excellent (and not distracting celebrities like we sometimes see.) Look out for it to come out in February. It’s delightful.
Smile Worthy
GIRL HAUNTS BOY-
I’m grateful to my friend Kristen for profiling Girl Haunts Boy on her content and interviewing the stars because it probably would have gone under my radar otherwise as I don’t always watch many YA Netflix films. I’m so glad I did because this is a very sweet and endearing little coming of age romance and perfect for this Halloween season.
In the story Cole moves into a new apartment in 2024 and meets a ghost from the 1920s named Bea. She is stuck in limbo because of a magical ring she took before unexpectedly dying in an accident. Cole has stopped singing or being happy because of his grief from the loss of his Dad and Bea reminds him of the power of memories and living your best life by making more of them. It’s a very tender and lovely little script and story.
I love friendship stories and that’s basically what you have here. Both of the leads are extremely likable and we even get a song from star Michael Cimino at the end. I am sure some might be skeptical but trust me. Girl Haunts Boy is one of the good ones on Netflix.
Smile Worthy
MY HERO ACADEMIA: YOU’RE NEXT-
I believe I have seen each of the My Hero Academia movies and managed to enjoy all 4 but still have yet to start watching the show. This latest My Hero Academia: You’re Next may be the final tipping point to get me to watch once the holiday season is finished. I just really like the characters, lore and story. They also do a pretty good job making these entries approachable for non-TV watchers with a little prologue at the beginning to fill us all in. Not all anime does this and I appreciate it.
In this entry we have Giulio and Anna are taking on a power-hungry villain named Dark Might who is imitating All Might but only as a lust for power not to help anyone or be a good person. He also creates a fighting arena that leads to a lot of fun action.
One of the nice things about My Hero Academia is even if one doesn’t enjoy the plot the action and animation is so well done there is plenty to enjoy. Particularly the opening and closing action setpieces are as good if not better than anything we have gotten from Marvel for some time. This You’re Next entry doesn’t have the gravitas of some of the other films but it is still entertaining and well animated.
If you are looking for a gateway into anime My Hero Academia: You’re Next is a great place to start.
Smile Worthy
So there you have it! 4 more reviews. Let me know if you’ve seen any of these and what you think.
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
Hi friends! I’ve been super busy this week starting a new part-time job at a local school but still managed to get lots of movies and live theatre in. You can read my theatre reviews and logs here. Today I have 5 movie reviews to catch you up on. What have you been watching? I hope you have been catching some of the big and small releases that are worth seeing. Here we go:
SATURDAY NIGHT-
I’ve long been a big fan of director Jason Reitman with his film Juno being an all time favorite. Naturally I was pretty excited for his new film Saturday Night about the first broadcast of Saturday Night Live and for the most part he delivers a pretty fun movie.
While it is directed well by Reitman the true star of the film is the terrific cast including Kim Matula playing Jane Curtain. It was fun for me to see her because I interviewed her a couple of years ago for Hallmarkies Podcast. The various impressions of the original cast are spot on with Ella Hunt playing Gilda Radner, Dyla O’Brien as Dan Aykroyd and JK Simmons in a memorable turn as comedian Milton Berle.
The main aspect holding Saturday Night back is the decision to present the film in real time as the 90 minutes before the first episode airing. This requires us to believe an outlandish number events all happened within this 90 minute time period. Because there is so much it makes things happening feel a little phony and fake but it was all done with such energy and personality that it didn’t bother me too much.
Smile Worthy
PIECE BY PIECE-
Next up we have the new animated documentary, Piece by Piece, about the career of Pharrell Williams. Director Morgan Neville has taken the creative approach to interview Pharrell and then present the footage in a Lego animated style. This is fresh and fun and gives energy to interviews that frankly would be pretty dry on their own. I was surprised how nuts and bolts the interview is sticking mostly to the business-side of recording tracks and releasing albums. Kids might find it boring after a while.
Still, it’s fresh and unique enough that I’d recommend watching it. There are also other good animated documentaries you should check out like The Tower, Waltz with Bashir, and Flee.
Smile Worthy
WE LIVE IN TIME-
I always try and judge a movie within the genre that it is trying to be in. For example, is a horror movie good at scaring, is a comedy funny? In the case of We Live in Time I ask myself is it good at being a romantic weepie in the spirit of Nicholas Sparks adaptations or even something like Love Story or Penny Serenade?
I would say it does a good job of telling a story within that genre. It’s very predictable but the key elements are all there for this kind of story. Andrew Garfield and Florence Pugh have terrific chemistry and there are amusing scenes with a meet-cute car accident and some steamy scenes as they fall in love. There is also one of the most memorable birthing scenes of recent memory.
It all leads to Pugh’s character getting cancer which is par for the course for this genre. They give it some A24 touches with a non-linear storytelling structure and some more nudity than you typically see in these movies, so there’s that. We Live in Time is a movie that is exactly what is advertised. If you like this kind of film you’ll like it. It’s as simple as that.
Smile Worthy
MEGALOPOLIS-
I’ve long made the argument that cinema is more a branch of literature than it is a branch of art. At least successful cinema. It is much more story dependent than it is visual dependent. I know many disagree with me but then we get projects like Megalopolis from director Francis Ford Coppola and he proves my point. I’m not sure what Coppola was trying to say with this bizarre self-funded mess but a coherent story was clearly not a priority.
I guess it has something to do with America being like the Roman Empire full of avarice and greed. But this isn’t Rome or America it’s New Rome and there’s a special new metal called Megalon that can stop time. Adam Driver plays a man named Cesar and he has various relationships throughout and is also an architect (I guess.)
Anyway, I have no idea what Coppola is trying to say with Megalopolis and it was so incoherent I was mostly bored and disengaged. The other couple in the theater with me got up and left after about 45 minutes and I don’t blame them one bit. Let’s just say some art projects should just stay within a family.
Frown Worthy
SIX DAYS IN AUGUST-
Finally I have a new film for Latter-day Saint members called Six Days in August. While it is not officially made by the church it has history and doctrinal content that will be confusing for non-members. For example, a whole section at the end is about members waiting at the temple to get their endowments before they leave Nauvoo. Non-members will have no idea what this means or why it is so important to the characters they are seeing.
I don’t have a problem with a film being made for a target demographic as long as it is made well and I’d say this one is. The filmmakers do not shy away from darker elements of this part of church history and this keeps it from feeling like a propaganda piece. For example, Joseph Smith (Paul Wutrich) and his followers are shown destroying the press which was printing unfavorable things of them. We also see early polygamy in a pretty honest uncomfortable light (even if I’m sure some against the church would go even further.)
I wish screenwriter Mark Goodman got to the 6 days of the title sooner and built up Brigham Young (John Donovan Wilson) more as opposed to spending so much time with Smith. Why was he more worthy by God than Sidney Rigdon (Joseph Carlson)? Nevertheless, I think for the target demographic Six Days in August is well made and tells an interesting period of LDS church history.
Smile Worthy
So there you have it! If you’ve seen any of these films let me know what you think.
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
I have to admit I was reticent to see The Substance because everyone kept talking about how disgusting it was and how it is the ultimate ‘body horror’ film. While it is true that the movie is pretty gross it also has something to say and is endlessly debatable with friends, which is always fun.
In the film Demi Moore plays an aging actress named Elisabeth Sparkle who is portrayed kind of like a Suzanne Somers type who is being phased out of her popular exercise show by her beast of a boss named Harvey played by Dennis Quaid. In a moment of desperation she decides to try a mysterious product she gets sent called The Substance which promises to transform her into an “enhanced” version of herself.
This “beautiful” clone is the much younger Margaret Qualley (named Sue), and she is immediately successful in this exercise show and becomes a favorite of executives like Harvey. Unfortunately the more Elisabeth switches the more her original body begins to deteriorate and things begin to spiral out of control.
There are some places one could nitpick with The Substance. This exercise show Elisabeth and Sue are supposedly stars in makes no sense for 2024. Harvey keeps talking about network television as if this is the 1980s. Also Elisabeth is conveniently isolated. You’d think she’d at least have an agent or manager checking in on her. And the New Years Eve special that becomes a focus of the final makes no sense but none of that matters because the overall conceit and what it’s saying about beauty works so well.
Moore is fearless in the role giving her whole body and soul into the performance and Qualley is believable as Sue. Director Coralie Fargeat also creates very chilling visual effects and sound design to make the transformations feel real and visceral.
Another aspect that really impressed me about The Substance is how careful Fargeat is in her screenplay to connect beauty with love and acceptance. Every time Elisabeth thinks of Sue she is reminded that people love Sue. In giving up Sue she not only gives up a superficially beautiful thing in her life but the adoration and love of people she cares about. I’m sure this is why they don’t show any family or friends with Elisabeth- to make the way she’s treated as Sue even more of a contrast. It’s very true that human beings often conflate physical beauty with virtue usually to disastrous consequences (how many charming dictators have come to power over the years…)
So yes, The Substance is disgusting and especially pushed my needle fearing tolerance to its limit but it also has a lot to say. In particular Fargeat challenges the viewer with questions about how we treat all women, not just celebrities, and how desperate we can be for love and acceptance. The beauty is almost secondary to the need to be cared for and noticed and that’s what Elisabeth seeks out most of all and makes, even at the end, taking the substance worth it.
Smile Worthy
Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.
Hi friends! I hope you are all doing well. I have 5 movies to report for you today, and I have to be honest all 5 are varying degrees of boring. They all have their positives but even if I lean positive none of them are slam dunks. So here goes:
WOLFS-
When I first heard that Wolfs was going straight to Apple Plus and getting little to no theatrical release I was shocked. It looked really funny, had a massive budget and stars 2 of the biggest names in Hollywood, George Clooney and Brad Pitt. Unfortunately, as is often the case, when I saw the film it was obvious why this choice was made as it is such a disappointing film from all involved.
You’d think a movie with such stars playing clean up men for crimes that’s directed by Jon Watts would have some charm to it. That it would be a little bit entertaining but it plays everything super serious without a lick of fun to be had. It was like they were offering a lecture about the life of a fixer and we were all going to have to take notes for a quiz after.
They desperately need a Guy Ritchie or Quentin Tarantino to give this film some energy and life. As is I couldn’t wait for Wolfs to be over, and I was watching it while eating lunch at home… That says something. Everyone just took the paycheck on this one unfortunately. I think it was Gene Siskel who used to say ‘I’d rather watch a documentary about these people having lunch.’ That is certainly the case with Wolfs!
Frown Worthy
THE OUTRUN-
It’s always frustrating when a weak film is led by a gutsy performance. Such is the case with The Outrun. It is a film starring Saoirse Ronan playing a girl named Rona who comes back home to the Orkney Islands in Scotland to help her continue to recover from rehab for alcoholism. We then get a non-linear story that is incredibly repetitive with nothing new or insightful to say about addiction, recovery or anything else.
Movies about addiction are incredibly difficult to make riveting because the experience is so narcissistic and selfish but the structure of The Outrun magnifies this by interrupting whatever narrative arc we are getting to go back to earlier days of partying and getting drunk. The only way we can often tell what time period we are in is the change in Ronan’s hair color and it all feels so unsatisfying.
Ronan gives it her all fully committing to the role and all the drunken antics that are required but I grew weary of it and the nearly 2 hours felt very long. I’d unfortunately skip The Outrun.
Frown Worthy
WHITE BIRD-
It often seems like there are years between trailers and the release of films but in the case of White Bird there literally have been years. The first trailer was released in June of 2022 and I have seen it countless times at this point. I guess it is based on a novel by RJ Palacio who wrote the book Wonder (which I wasn’t a big fan of back in 2017. You can read my review here) Given it was a bully narrative the whole idea of ‘a wonder story’ always seemed bizarre but with Helen Mirren and Gillian Anderson I was curious to see what it’s all about.
Unfortunately White Bird feels like it came out of a recycle bin in the WWII movie-making factory. Everything here we’ve seen in other movies done better and while the Nazis were the ultimate bully it’s connection to Wonder is weak at best. If you are watching the movie for Helen Mirren don’t hold your breath. She is simply the narrator and is in the film very briefly. The main protagonists are 2 teens, Sara (Ariella Glaser) and Julien (Orlando Schwerdt), but I wasn’t engaged in their love story or the lessons Julien gives Sara while she hides out from the Gestapo.
Lionsgate has certainly had a rough year of releases and this needs to be added to the pile. There are just so many better movies on this same topic. I’d skip White Bird.
Frown Worthy
btw this image is not in the film
JOKER: FOLIE Á DEUX-
As I was walking out of the screening for Joker: Folie à Deux my fellow critics all seemed to have very negative feelings about it. I don’t know if they are just bigger fans of the original film than I was or if I’m just such a musical-loving nut that I left with much more mixed feelings. While I don’t think it all comes together in a satisfying film I do appreciate the swing director Todd Phillips and team took and it is an interesting watch merely for the strange choices it makes.
This sequel bounces off the first movie with Arthur Fleck going to trial for murdering 5 people and a young devotee named Harley Quinn (or Lee) becomes obsessed with him and the movement he inspired. One of the strangest aspects of this film is it seems to be apologizing for the original. It’s frequently referred to as “that TV movie made about me.” As a devotee of TV movies myself they don’t often garner multiple Oscar nominations and even wins so this was a very odd decision. It seems like Phillips and the team were distancing themselves from the incels that the very film was commenting on and yet perhaps also inspired. Like I said, it was a very odd choice.
My biggest hope for this movie was the musical component. I obviously love musicals and you can read my theatre reviews here but Joker: Folie à Deux makes odd choices in this department as well. We’ve heard Joaquin Phoenix sing in other films including Walk the Line and Brother Bear but here they have him straining to hit every note making the classic big band songs sound uncomfortable and strange. I was anticipating getting a lot of joy out of downloading the soundtrack and listening to the tunes but I wouldn’t want to with the way they were sung. And since the songs aren’t part of the plot or the bad singing (they are complete fantasy sequences) this was so baffling? Aren’t you going to want people to be humming the tunes out of the theater? Otherwise what’s the point? It’s a fantasy so he could sound completely different from the character? The songs with Lady Gaga were more pleasant but do absolutely nothing to endear us to her character so I’d just rather buy one of her albums than watch this movie again.
Joker: Folie à Deux does look nice and have some good moments but I was mostly puzzled by the whole experience. I have no idea what it was trying to say or do and each decision it makes is both fascinating and bizarre at the same time. In the end, its an odd time at the movies, but not one I’m eager to revisit any time soon.
Frown Worthy
MONSTER SUMMER-
Now for my one recommendation of this post. It’s for the scrappy little family horror film Monster Summer. If you are looking for a fun way to introduce your family to horror and scary movies it’s a pretty decent time.
In a small island town spooky events start happening and 4 kids start the investigation into what is going on. Mel Gibson plays a writer who’s son vanished years before and Lorraine Bracco hams it up as the woman who just might be a witch.
It is probably best to wait until streaming to watch Monster Summer as there are sections that drag but I was impressed with how scary it got for the target demographic. The kids are in strong peril and there may be more than one crazy person with a hatchet after them. It feels more like something that belongs on Nickelodeon or Disney Channel but if you go into it with those expectations you’ll have a good time with it.
Smile Worthy
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As many of you may know I am 43, single with no children of my own. As such I’ve always felt a little separated from the human experience of mothering or nurturing children. At times I’ve even wondered if I have what it takes to raise a child as clearly it is not something God saw in the cards for me to experience?
It is this personal questioning that made me especially appreciate the beautiful film from DreamWorks: The Wild Robot. This is a wonderful movie that explores the power of shepherding another life and how the act of parenting changes us.
The parent in question here is Roz a robot marooned on an island with seemingly no humans in sight. As she explores her environment she looks for a purpose but comes up empty until she meets a little gosling geese Brightbill. She is told she needs to help her new charge eat, learn how to swim and fly and in order to fill this purpose she must grow and change even though her programming may fight such orders.
There are many things that impressed me about The Wild Robot but what stood out the most is director and writer Chris Sanders boldness to not feel a need to dumb down the story for kids. This is a grown up story. We don’t really get Brightbill’s perspective. How many animated films are there that focus on the parents and their journey? I can think of 2 off the top of my head, and they are both anime films- Tokyo Godfathers, and Wolf Children. Both are examples of films with huge humanity and such is The Wild Robot. It may be about a robot but at its core it’s about someone changing from the act of parenting.
The technicals of the film are also superb with some of the most beautiful animation I’ve seen from DreamWorks and the pitch-perfect voicework. Everyone fit so well into their characters that I was not distracted by celebrities like Lupita Nyong’o or Pedro Pascal. The sound design was also lush and created an immersive natural experience when combined with the animation.
My only real critique of the film was the score by Kris Bowers didn’t always fit with the actions happening on screen and the use of songs by Maren Morris feels out of place.
Other than that 2024 will be hard-pressed to produce a film I like more than The Wild Robot. I found it oddlly comforting that if Roz could find a way to raise Brightbill maybe I would have what it takes if ever given the chance? What a wonderful thought from a stunning animated film. I highly recommend watching it in the theater if you get the chance. An all time classic.
Smile Worthy
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One of my favorite parts about doing this Blind Spot series is that it forces me to watch movies I’ve been intimidated by or nervous to watch. It’s been especially fun this year because my BFF Manda has joined me on my podcast to talk about each of the selections! This month’s pick, The Plague Dogs, is one I’ve been intrigued by but a little nervous to watch because of the disturbing imagery and themes. Now I’ve seen it and I was right to be anxious (if anything it was actually more disturbing than I anticipated) but it is definitely a bold and shocking film worth seeing .
Make sure you check out our recap tomorrow:
The Plague Dogs is interesting when placed in context of the animated films of the early 80’s and late 70’s. This was the era when Ralph Bakshi, Don Bluth and other darker themed animators were making a name for themselves. Even Disney explored darker themes with films like The Fox and the Hound,The Black Cauldron and live action Watcher in the Woods and Return to Oz. Animator Martin Rosen was part of this movement and his films Watership Down and The Plague Dogs stand out as some of the best.
While both films are based on Richard Adams books and can both be quite violent, Watership Down has more of a mythical, lyrical quality where The Plague Dogs seems more gritty and that is probably why it feels more shocking. It’s one thing for harsh things to happen to bunnies forming their allegorical societies and another for it to be realistic dogs on the run from the “white coats” trying to give them the bubonic plague.
One of my friends describes The Plague Dogs as “misery porn,” and I don’t know if I would go that far. Both Rowf and Snitter have hopeful moments that help you root for them and the ending could be interpreted hopefully depending on how you take it. However, it is definitely intense. That’s for sure.
The voice acting led by John Hurd is excellent and the animation next level. They had an incredible team behind it including Brad Bird and the great Retta Scott. My only real criticism of the film is the absolutely terrible score by Patrick Gleason. The synthetic saxophone beats would feel more at home at a lounge club than a gritty drama.
Evidently there are 2 versions of the film. I saw the 103 minute version which you can watch on tubi
What do you think of The Plague Dogs and what’s your favorite animated film from this darker period?
Smile worthy (it feels weird to say smile worthy to such a grim film but I would recommend it)
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