A Ghost Story Review

In a world of blockbusters it is easy to forget that film can be art. We can ignore plot and/or characters and look at a film as an art piece if in the right hands. This can be very obnoxious like Jean-Luc Godard’s Film Socialisme or it can be powerful like Terrence Malick’s Tree of Life. I have long been a bit of an apologist for these kinds of films but can readily see why some people hate them. The new film A Ghost Story falls in this vein and it is an extremely unusual movie.

The narrative is very simple. Basically a man played by Casey Affleck dies and returns as a schoolyard style ghost with a sheet and 2 eye-holes covering him. He then proceeds to follow his wife played by Rooney Mara looking throughout time for something important. We don’t know what but he watches and waits.

This movie is not for everyone. Just to give you some flavor there is a good 5 minute scene (at least) where Rooney Mara eats a pie and the ghost stares at her.

A Ghost Story was directed by David Lowery who did the enchanting Pete’s Dragon last year, and he is a filmmaker to watch. The movie looks stunning (cinematographer Andrew Droz Palermo should be praised). It’s as gorgeous as anything Emmanuel Lubezki has done for Inaritu or Malick. I also loved it was shot with a unique aspect ratio to give it a vintage feel.

The film is also really short at 92 minutes so that helps you feel more tolerant of its artistic approach and lack of narrative.

My only flaw with the film is I’m not really sure what it is trying to say? It has something to do with being remembered and how life goes on without you but it feels like it was trying to say more than that and I didn’t get it. You could see the ambiguity as a good thing, but I was left a little befuddled by it.  I’ve been surprised with number of reviews claiming A Ghost Story as a powerful treatise on life and human nature  because I didn’t connect with it on that kind of emotional level.

But as a beautiful piece of art I admired it greatly and am still thinking about what it is trying to say and there’s something to that. I’m certainly glad I saw it.

A Ghost Story is not scary at all. If you come in expecting a horror movie you will be very disappointed. It is a pretty mild R rating with just a few swears and mild sensuality. So if it sounds like something might interest you give it a shot. If not then I doubt you will like it.

Overall Grade- B

If you have seen A Ghost Story let me know what you think it is trying to say? I would love your thoughts

 

A Silent Voice Review

2017 has been a weak year for most of us when it comes to animation. There have been a few surprises but aside from Your Name we are waiting for that great animated film. Well, from the ranks of anime we have a contender. It’s not quite Your Name but it is really strong called A Silent Voice or Koe no Katachi.

Based on the popular manga it tells the story of a boy named Shoya Ishida who bullies a deaf girl named Shoko Nishimiya when he is in elementary school. Obviously he is an unhappy child but this spirals out of control as a teenager to severe social anxiety and even suicide. I loved the way they animated this mental health crisis with Ishida surrounded by crowds of Xs over their faces because he is constantly staring at the ground.

You might wonder how can they make the bully the hero or protagonist? Well, that’s what makes this special. They do not glamorize or excuse his behavior at all. It is painful and uncomfortable to see him attack Nishimiya and her disability is not leaned on for sentimentality either. These are two people who had this event happen to them and you follow them to see how it impacts their lives. They are lonely people who society doesnt gel well with and so in a way they need each other desperately.

Ishida ends up expelled and as a high schooler decides to reach out to Nishimiya and try to make amends for what he has done. They both get to very low places but director Naoko Yamada (female director!) does a fantastic job controlling tone and keeping it at least a little bit hopeful.

The character designs are fairly generic anime but their actual personalities are very unique. They both talk in ways I can imagine for someone that age and in that situation. It’s very moving to see Ishida learn to forgive himself and apologize and then make things right and as Nishimiya learns to forgive.

As you can see from the above images, the animation is stunning. The way nature and light is used it makes it feel like there is magic when there isn’t. Just a wonderful coming of age story!

If you don’t like anime I don’t think this will win you over. It’s not one that tries to be mainstream like some of the Miyazaki movies. This is an experimental film that plays with timelines and characters in ways I really liked but it won’t be for everyone. It’s also a very emotional film, which may not be everyone’s cup of tea.

I can’t recommend A Silent Voice more highly. It’s a wonderful coming of age story about 2 flawed characters that help and forgive each other. It goes to honest and emotional places no other animation is touching this year except for Your Name. It’s the kind of movie once you have seen it sticks with you and you keep thinking about it. Watch it!

Overall Grade- A-

smile worthy

Dunkirk Review

There are few directors that inspire such fanaticism and devotion as Christopher Nolan. Fortunately usually his name is worthy of such adulation. In my opinion, he hasn’t come out with a bad movie yet. His latest film, Dunkirk, is an unusual movie but in the end an amazing experience at the movies.

Watching Dunkirk reminded me of the Civil War reenactments that are popular where I grew up. People gather together to recreate a battle and while they have character names the battle is the important thing not the narrative. Likewise Dunkirk is a reenactment of a battle without a narrative to accompany it. I can see how this would annoy some viewers but it is executed so well that it worked.

Nolan splits up Dunkirk into 3 parts- mole, sea, and air. Each of these segments follow different people and are at slightly different timetables. This means you see the same boat sink 3 times, same plane get shot down 3 times etc. However, each time you are seeing it from different perspectives.

There is Harry Styles as a soldier on the ground looking out for a mole in their midst.  Then Tom Hardy is in the air trying to take down German planes. And finally Mark Rylance commanding a pleasure boat to be one of the many civilians who aided the trapped soldiers at Dunkirk.

Of all the narratives I think Mark Rylance and his sons works the best and is the only point that made me cry. You don’t learn anyone’s names or their backstories but it still moved me the most.

Truth is Dunkirk is an experience more than it is a movie. It works because it is so well made and immersive. You feel like you are on the ground with those troops or on the boat with Mark Rylance. The sound design is so great it can be shocking that it is not real. It makes you want to reach out and help the boys as if they were right beside you. It’s that real.

All the performances are top notch and in pretty much every way it is masterfully made on a technical level. It was an amazing experience to feel war on such a visceral and intimate level.

However, often these experience movies are not the most rewatchable of films. I don’t think every movie needs to be rewatchable but it is something to think about. I don’t think it would have the same impact on the small screen. It wouldn’t be as immersive or real and I might start itching for more character development.

I recommend you go and see Dunkirk in the theaters, in IMAX if possible (the 70mm option wasn’t available for me unfortunately). It’s an experience you won’t soon forget. It’s not a narrative. It’s a reenactment and in that regard it is quite special.

Overall Grade- A-

Valerian Review

Today I had the chance to see Luc Besson’s new film Valerian and the City of a Thousand Planets. It is an epic scifi fantasy film and I really enjoyed it. I’ve read other reviews with all kinds of criticisms and for whatever reason most of those critiques just didn’t bother me. I was thoroughly entertained while watching this film.

As you can probably tell from the trailer, the greatest strength of Valerian is the amazing visuals. Besson has created not only one beautiful world like they do in a movie like Avatar but he has created dozens of worlds and they are all beautiful. I was dazzled by the visuals in this movie. The pacing is also really strong as it clips along from one scene to another it doesn’t give you much time to focus on the problems.I particularly loved a sequence where there is a hologram market that is mixed in with a beach. The team is trying to hunt down an artifact and it switches between the hologram and regular world in very creative ways.

I wouldn’t say the story is the greatest thing ever but I found it unpredictable and fresh. Some have complained about the script but I thought it was fine. Some have complained about the acting but I thought it was fine. Cara Delevingne and Dane DeHaan have good chemistry and I thought they worked playing these investigators.

Rihanna has a brief but moving role as a exotic dancer/immigrant character. The visuals in her dance number were great and then she has to play off some emotion and I thought that worked.

I think what saves Valerian besides the visuals is it never takes itself too seriously. I am one of few who defended Jupiter Ascending but it definitely took itself too seriously at times. This film knows it is a light hearted lark through space and it owns that. I watched it with a big smile on my face from beginning to end.

It’s not a perfect film but none of the flaws stopped me from enjoying the film and having a great time. It’s not confusing like Warcraft or plodding like Independence Day Resurgence. It’s just a fun, scifi movie where we get to investigate a mystery in crazy places.

People love complaining about a lack of originality in Hollywood. Well, here is the chance to support something that is new, fresh and extremely creative. You might not enjoy it like I did but I think you will be glad you took a chance on something new. I am sure glad I did! I can picture this film becoming a bit of a cult classic but don’t wait for that. See it now!

Overall Grade- B+

As far as content there is a stripper scene and some mild violence but it is pretty tame.

War for the Planet of the Apes Review

I just had an exhilarating experience at the movies! I saw all 3 Planet of the Apes movies including the latest film War for the Planet of the Apes. This was a special marathon screening, which allowed me to see it a day earlier than the wide release preview screenings tomorrow. It all worked out perfectly for me because I leave for D23 in the morning and wouldn’t have been able to see it for a couple of weeks otherwise.

Anyway, what did I think of the experience?  Honestly I feel a little overwhelmed and wouldn’t write this review but I know I won’t have any other time to do so because of D23.

Let’s talk about the series. I love this series. It is one of my favorite trilogies. I love the special effects, characters, writing and everything else. On the rewatch they all held up quite well. I still have to debate which is my favorite but they are honestly quite different.

Rise of the Planet of the Apes is a well executed scifi/monster movie with real heart. They were still working on the special effects and the middle lags a bit but the relationships and ending are amazing.

Dawn of the Planet of the Apes is an emotional film while still managing to be entertaining. I love Gary Oldman in it and the moment when he is able to see his children’s photos again I’ll never forget. I love Caesar and Koba’s different perspectives on war and diplomacy. It is full of emotional moments and characters and I love it.

So here we get to the latest entry War for the Planet of the Apes. Wow! It’s tough for me to describe the experience I had. It was honestly different than what I was anticipating. I think Dawn is more of a Rambo-esque war movie so I suppose that is what I was expecting but this is different. It’s a brutal tense prisoner of war movie for most of the film.

I don’t want to give much of the plot away but basically Caesar and his people come into contact with a radical military group led by The Colonel played by Woody Harrelson. At first they play cat and mouse with each other and then it becomes a prison experience and it can be very tough to watch. I haven’t seen a movie this brutal on its characters since Silence, which I hated but this has much more humanity and redemption than that film. It also explores themes of forgiveness, mercy and compassion in powerful ways.

All of the characters get moments to shine even Koba gets a bit of redemption in a way. I particularly loved Maurice (he’s always been a favorite of mine). He adopts a mute little girl along the way and she is a symbol of hope throughout the film.

Director Matt Reeves and his team should be very proud of what they have accomplished with this film. It is the least rewatchable of the apes movies but that’s not a bad thing. It was visceral, brutal and thought provoking. The visuals are flawless. Andy Serkis is amazing playing Caesar and you completely forget these aren’t actual apes but men in motion capture suits.  Congrats to all involved for an amazing trilogy and for ending on such a bold film and hats off to Fox for allowing them to make it. Incredible.

I wouldn’t be surprised if War for the Planet of the Apes is the most divisive of the three films.  I loved it but it is violent and somewhat unrelentingly bleak. They have a comic relief of an ape called Bad Ape but it is few and far between. If you love these characters it can be hard to watch them suffer so much. Also the way it uses music builds anxiety to the max for the viewer. Not everyone will like this.

There is also some fairly heavy handed social commentary with the Colonel building a wall and some other plot points that might annoy people. I thought it was handled well but I can see it annoying others.

All that said, I loved this film. It was an amazing ending for the trilogy and I left feeling like I had seen something truly special. It is challenging but in a good way and the ending was pitch perfect. If you love this trilogy you’ve got to see it!

Overall Grade- A


The Big Sick Review

It’s late but I wanted to quickly let you guys know about a delightful movie I just saw called The Big Sick. I’d heard good things about it but it honestly exceeded my expectations and is without a doubt one of my favorites of the year and one of the best comedies (not just romcoms) I’ve seen in a long time. It’s one of the few movies of recent memory that I have no negatives on.

Part of what makes The Big Sick work so well is it is based on a true story of lead actor and writer Kumail Nanjiani’s relationship with his wife Emily Gordon. This gives a warmth and heart to the movie that makes it feel very special. Zoe Kazan steps in to play Emily and the chemistry is effortless and easy to believe.

The script is a real star. There is a bit of profanity but it feels natural to the characters and how they would talk. Kumail is trying to be a stand up comic and at the same time deal with his strict Pakistani parents who are constantly trying to match him with a bride. The dialogue between all involved feels natural and hilarious while never being crass or vulgar.

I loved all the supporting performances but I honestly think Ray Ramano and Holly Hunter are nomination worthy as Emily’s parents. I wouldn’t mind seeing a whole movie just about their characters. There are so many ways they could have been cliches but they felt like actual unique human beings.

I also loved how it handled Kumail’s family and didn’t patronize them or turn them into caricatures as would have been easy to do. Coming from a strict religious family I related quite strongly to them and the situation Kumail was going through. It was handled just right! His stand up friends were also great. It was simply awesome!

There obviously is an illness involved but I will let you find that all out on your own. This movie made me laugh. It made me cry and it was a very late showing I was engrossed the entire time. I LOVED it!!

Check it out for yourself and let me know what you think.

Overall Grade – A+

GO SEE IT!!

Are We Pre-Judging Emoji Movie Too Much?

It’s no secret I am not the biggest fan of Sony Animation and their upcoming release The Emoji Movie looks like a dubious enterprise. It has on its surface all the trappings of a cheap attempt to monetize a trend while it’s still hot instead of doing something creative. It also feels very derivative of other movies like Wreck-it Ralph, Inside Out, Lego Movie and more.

However, today they released the opening sequence and it is very pun heavy but honestly it doesn’t look that bad.

Could The Emoji Movie be good? Is that possible? Maybe? It’s hard for me to get over a literal piece of  poo as a character in a movie. That’s the biggest stumbling block for me. Plus, their initial Meh trailer was one of the worst trailers I’ve ever seen.

On the other hand, the last trailer wasn’t that bad and the idea of a world inside a phone could be clever? This is the year where I liked a movie with a character named Professor Poopypants and another movie about talking cars aging, so it could happen? They have a good voice cast and there was a bidding war over this script so somebody saw potential there. (Yes, there really was a bidding war over The Emoji Movie).

You also have this lovely image to give you nightmares:

What do you think about The Emoji Movie? Is there any hope for it or does it look like garbage? Are you planning on seeing it?  I guess at least this is the one movie where Sony product placement makes sense. I expect to see many a Sony phone throughout.

Spider-Man Homecoming Review

Yesterday I had the chance to see the latest big budget superhero movie- Spider-Man Homecoming. This film is important as it is the 3rd reboot for the character in recent years and the first time Sony and Marvel are working together for a film. Spider-Man is now part of the MCU as many fans dreamed and over-all he makes a promising addition to that world. While Spider-Man Homecoming doesn’t reinvent the wheel, it is a solid, entertaining superhero movie aimed at teenagers. Let’s talk about the positives. First of all, the casting is uniformly strong. We all got a taste of Tom Holland as Spider-Man in Captain America: Civil War but here we get introduced to him as Peter Parker and he’s great. Unlike previous versions, Peter feels like a kid here. He’s learning in every aspect of life- from asking the pretty girl out to figuring out where his role in the world is. He feels real and human, which is no easy task for a character climbing walls and fighting bad guys.

The script is really well done and if I was a teenager I would love this movie to pieces. I particularly liked the dynamic between Peter and his friend Ned played by Jacob Batalon. They felt like actual friends and had terrific chemistry together. I liked how they were constantly amazed at the tech gadgets designed by Tony Stark and Vulture. It felt genuine to see them get a gun or the Spidey-suit and say ‘cool’ with excitement like a real teen boy would probably do. Both of the female characters were misses to me, but I guess they did the job they were asked to do well enough. It’s not the fault of the actresses their parts were under-written. Oh well.

I also loved Tony Stark in Spider-Man Homecoming. I know some were worried this would be the next Iron Man movie but that is not the case. He is used just enough, and I was happy to see a return to the old Tony I know and love from Iron Man 1, 2, and the Avengers. The last 3 films (Iron Man 3, Avengers Age of Ultron and Civil War) he’s been so brooding and angry. While I don’t know if his behavior makes sense given what happened in Civil War, I don’t care. I was happy to have Tony Stark back in my life!

Unfortunately there were some negatives for me in Spider-Man Homecoming. First, I had some issue with the action sequences. There are 2 big set pieces that are fun but they didn’t feel like Spider-Man action. They felt very static to me and more like an Iron Man set piece than Spider-Man. There is very little of him swinging through the city like I want to see. I get what they were going for but if I was a teen and could swing through the city I would probably take full advantage of that! There are a lot of scenes of Peter crashing into pools and backyards and that was fine but I missed the awe of real Spider-Man scenes. Also, some action uses too much shaky cam and was a little hard to tell what was happening.

There are also characters that could use more development. Donald Glover’s role turns out to basically be a cameo. The Shocker support team for Vulture were pretty bland and Zendaya was underused as Peter’s sullen friend (and a reveal from her was meh). Also, Tony Revolori as Flash was very annoying and didn’t work for me at all.

Michael Keaton has gotten a ton of positive reviews for his role as the Vulture, and he is solid as always but I can’t help but feel it is a bit over-praised. To me he seemed like the classic standard Marvel villain. They love having the ‘man in a suit’ who gives into greed and becomes the antithesis of our hero. This is the case here except a blue-collar variety. Vulture is another business man who is wronged by Tony and the Avengers and seeks revenge. This is nothing new or that compelling. Also, there is a ‘reveal’ (this is Marvel we are talking about) that I called after the last trailer. I literally wrote down ‘Vulture will be …..’ and sure enough he was. Evidently others find this a shocking moment but I did not.

Don’t get me wrong. Vulture is by no means a bad villain and Keaton gives a good performance. The MCU has had far worse but people putting him up with Loki are nuts. He is more like Yellow Jacket in Ant-Man if you ask me.

There are also some Sony trademarks that were noticeable like the rampant product placement. For example, even though Peter is only 15 they just had to find a way to have an Audi car chase scene. Oh well…

One of my friends on twitter described Spider-Man Homecoming as a ‘great slumber party movie’ and I think that is true. I can picture high school students enjoying this and relating to it quite strongly, and that’s great! All demographics should have their superhero movies and now teens have one for them. It didn’t have near the emotional resonance of Wonder Woman but I certainly liked it much better than Guardians of the Galaxy vol 2. It could have been a little bit better but I was entertained and that’s what I want out of a superhero movie. Nice job working together Sony and Marvel and I look forward to more team-ups in future Spidey films!

Everyone will want to know where I fit this in my Spider-Man movie rankings. I’d say it’s 2nd or 3rd place but I need more time for it to sink in. Where would it rank for you?

As far as content it’s pretty safe. There are penis jokes and violence but nothing out of line of a standard MCU movie. Little kids might get a little bored with the high school plot but it won’t be offensive or scary for them.

Overall Grade- B

The Beguiled Review

Yesterday I had the chance to see one of the most buzz worthy films of the summer: The Beguiled, directed by Sophia Coppola. Heavily praised out of Cannes Film Festival and by many critics I went into it with some enthusiasm. I even watched the original 1971 film for Hit Me With Your Best Shot to get ready.  Coming out of the film I wasn’t all that thrilled with it. The Beguiled is ok but not as good as the original and Coppola makes a lot of weird choices I didn’t understand that made it more languid and removed much of the tension. This was a thriller without any thrills.

beguiled5

Let’s start with the positives. First of all, The Beguiled is a gorgeous film and it is worth seeing for the stunning cinematography, lighting, production design and costumes alone. All of these aspects are significant improvements upon the original. I love how it felt like candlelight and it reminded me of The Others (a favorite of mine) in the way it used light and shadow to create mood.  If it isn’t nominated for best costumes at the Oscars that will be a real travesty.

I also think the acting is all good. It’s what Coppola does with the performances that is the problem. All of the ladies do a decent job with what they are given. I have issues with Colin Farrell’s character but it isn’t really his fault. Again, he does a good job with what he is given.

beguiled2

Now to talk about the problems…and unfortunately that begins with the way Farrell’s character is written. In the 1971 film Corporal John McBurney is an obvious predator that fixates quickly on the most plain girl in the house, Edwina (more on her in a minute). He does this at the same time the more striking Alicia is throwing herself at him. This builds tension so much more than the over-all nice guy this version shows. I didn’t really buy most of the decisions he makes here as they seemingly came out of nowhere.

For example, one scene that is missing from the original is where McBurney tries to seduce the house slave. She is the only one who is in on his game and will have nothing to do with him. It makes it clear this is not a nice man, which makes the tone feel scary as you worry about the women of the house. In this version, Coppola decided to eliminate the slave character completely. I understand why she did it for PC reasons, but I think it hurt McBurney’s character development and made all the girls feel similar since there was no contrasting presence.

beguiled3Now getting to the girls. The character development for them is sadly also lacking. Edwina is supposed to be very plain and Kirsten Dunst is far too pretty to play this part. The plain appearance is important because like I said it makes McBurney’s advances more creepy and his seductions more alluring to the homely Edwina. Here her decisions don’t seem to match with the rest of her character or personality and her stunning dresses don’t help in making her feel mousy either!

beguiled4

It goes the same with the other women. Alicia is not developed at all when in the original she is a real vixen tempting McBurney. The school matron Martha played by Nicole Kidman is also written very flatly. In the original she is a sexual deviant with a strange twisted past. Here she is a nice Southern lady trying to protect her girls. It just doesn’t have the same tension or thrills because their choices are way more predictable and obvious.

I appreciate that Coppola wanted to make a story about women but why not write them as complex characters with interesting backstories and motivations? Or if you aren’t going that route make the situations the stock characters are in scary and fun. Neither is the case here. I wonder if she felt afraid to make her characters more flawed, as the original does, for fear of it not being seen as empowering or a feminist film? Who knows but I don’t get it?

It’s hard without spoilers but there is also a scene where Martha is forced to make a decision and in the original film it is clear she does not need to make that choice. However, here it is the opposite. It is portrayed that if she does not make the choice McBurney will die. This does not work because McBurney’s anger at these ‘crazy women’ seems unjustified when in the original it is definitely not. According to this film they’ve just saved his life but he turns into an insane person. It’s a scene (and final 3rd of the film) that should have been full of tension but it’s not  because all the ambiguity has been lost.

beguiled6

This will sound weird but this version is oddly more pg13ish than the original. More often than not, it plays it safe and doesn’t explore darker themes or twisted character motivations like it could have. It makes it kind of boring and predictable.

All that said, it’s not an awful movie. It is pretty and worth watching for the visuals alone but I just can’t figure out why Coppola made choices that seemed to neuter her gothic thriller? Watch this film and then watch the original, and I think you will see what I mean. This is a nice looking film but a thriller it is not.

Overall Grade- C+


As far as content there is a little bit of blood and brief sensuality but I’m not even sure why it is rated R to be honest. It seemed about the same as My Cousin Rachel and that is a pg-13. The original is way more R rated.