[REVIEW]’One Night in Miami’: 4 Iconic Friends, 1 Night to Talk

It’s always a tricky thing turning a celebrated stage play into a movie. It can be very successful like Amadeus or A Man for All Seasons. Other times it doesn’t carry over well like with August Osage County or marginally so with Fences. There is something about the monologuing and cadence a play needs to be successful which can feel awkward and inauthentic in a film.

The new film One Night in Miami doesn’t totally escape these problems. There are times it feels stagey and the dialogue is clinical rather than the natural discourse of friends. However, the performances are strong enough and the true moments true enough to rise above these problems.

The film tells a fictionalized story of real-life icons Cassius Clay (later Muhammad Ali), Malcolm X, Jim Brown and singer Sam Cooke as they meet for one night following the first championship fight of Clay over Sonny Liston in Miami in 1964. Each man has a different perspective on life, race, publicity, work and the Civil Rights Movement, and none are shy about sharing their views with each other.

Again, sometimes this dialogue can feel stagey or like they are talking to the audience more than their friends in the room. However, the performances are so charismatic that it draws you in anyway. I particularly liked the interchanges between Kingsley Ben-Adir as Malcolm X and Leslie Odom Jr as singer Sam Cooke. They have different perspectives about when to speak out and when to play along, and they both make good points that ring true today.

The filmmaking in One Night in Miami, by first time director Regina King, is appropriately minimal. Most of the film is set in a hotel room with the 4 men talking. You get brief glimpses of Clay fighting, Cooke singing, Malcolm calling his family etc but for the most part it stays true to the origins of the play. This works quite well as nothing on screen distracts you from the performances.

Currently the film is premiering at the Venice Film Festival (the first film directed by an African-American woman to be selected in the festivals history, which is insane it took this long!). I saw it virtually through the Toronto International Film Festival but it will be coming to Amazon Prime and I definitely think it is worth a watch especially for the performances.

7 out of 10

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