horror

BLIND SPOT 105: VAMPIRES, THE THING

| Rachel's Reviews

Another Halloween has come and gone and I hope you had a great time with your friends and family. My friend Jacks was in town, and we went to a lot of theatre and had a blast. We even had a theatre themed costume (angel and devil Evan Hansen lol)

This month for blind spot I actually ended up checking 2 movies off of my list from director John Carpenter: 1982’s The Thing and 1998’s Vampires. You can hear my discussion with Manda about both movies below:

The Thing

It’s interesting how certain films can grow and evolve over time. This is certainly the case with John Carpenter’s The Thing. When it was first released it received mostly negative reviews including a thumbs down from Roger Ebert (Siskel gave it a mild recommendation.) Since then it has grown in estimation but I had heard it is a very gross movie so I put off seeing it. Now the blind spot series was the perfect chance to check it off my list, and I’m so glad I did. The Thing is a movie that keeps things simple but is extremely effective in that simplicity.

In the film Kurt Russell plays a man named MacReady who as a scientist at Antarctica comes across a parasite-like alien that when implanted in an organism becomes a deadly mimic of its host. This is what makes the film scary because the things they trust are actually infected and the characters don’t realize it until too late.

It’s hard to believe The Thing wasn’t at least respected for the craft on display. The incredible creature designs by Rob Bottin and cinematography from Dean Cundey immerse the viewer in the experience and we are never left bored or distracted from the experience with Bill Lancaster’s incredibly tight screenplay.

That said, I don’t know that the film is saying anything profound like most good scifi horror like this does but sometimes its perfectly fine for a movie to just be a fun time and that’s what The Thing is. I really enjoyed it.

Smile Worthy

VAMPIRES

I would say John Carpenter’s Vampires is less successful than The Thing but it is still overall a fun time for fans of vampire flicks. In both movies Carpenter keeps things simple and entertaining. The Thing just has better central characters than Vampires.

In Vampires James Woods leads the cast with a lot of charisma as he and Daniel Baldwin seek to take down a vampire leader named Valek. There’s some fun action set-pieces and fights that go down and Thomas Ian Griffith plays Valek with a lot of energy.

The problem is so much of the plot depends on Baldwin’s infatuation with a bitten woman he just met named Katrina played by Sheryl Lee. He’s supposed to be a master vampire hunter; thereby, making a lot of his choices nonsensical and frustrating when it comes to Katrina.

Still, Woods has a ton of fun with the role and at under 2 hours Vampires doesn’t wear out its welcome.

Smile Worthy

At this point  I have seen 4 Carpenter films and have recommended all of them (Halloween, Big Trouble Little China, The Thing, and Vampires.) I am sure he has his clunkers but he is definitely one of our strongest directors and certainly one of the best in the horror genre. What’s your favorite Carpenter film?

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[REVIEW] M3GAN or My First Killer Doll Movie is Fun

| Rachel's Reviews

For all of you who have followed my reviews you know I’m fairly new to the horror genre. I grew up thinking I didn’t like to be scared so I mostly avoided the genre and it is only recently that I have been catching up to try and have a more well-rounded portfolio of reviews. Last year I watched Black Phone, Scream, X and Pearl, Barbarian, and The Menu as well as the original Nightmare on Elm Street for my blind spot series (I have also seen Halloween, the original Scream and The Lost Boys.) I am going to continue this trend and watch  more horror this year and the first one up is the killer robot/doll movie M3GAN.

Believe it or not this film by Gerard Johnstone is my first killer doll movie. I’ve never seen a Child’s Play movie or Annabelle or anything else. You can say that makes my opinion less valid because I have nothing to compare it to but it is what it is. Sometimes a fresh perspective can be interesting so perhaps that’s what I can provide?

M3GAN tells the story of little girl and recent orphan Cady (Violet McGraw) who is being raised by her ill-equipped aunt Gemma (Allison Williams) who has designed an interactive doll named M3GAN (Model 3 Generative Android). Cady is paired with M3GAN and Gemma is happy to turn the parenting responsibilities for her damaged niece over to the doll. Of course this creates some attachment problems and since this is a horror movie the doll gets more possessive of Cady by the minute.

First, I will say the viral marketing campaign for M3GAN has been hilarious and brilliant. I think I would have been inclined to see it even if I wasn’t a critic because it was so creative. Also the combination of puppetry, animatronics and motion capture to create the doll is seamless and completely believable. My favorite kind of horror has a dose of comedy and M3GAN gives plenty of humor for the audience. There’s the iconic dance in the trailer but she’s a heroine with lots of sass.

The downsides to the movie is it does take a long time to get going. It’s pretty slow for the first 30 minutes and then it finally gets going. Also without spoilers there is one death to a child that surprised me. I figured, even though he or she is a jerk they would just get hurt and not die. That is surprising! I know a lot of people have complained about the pg13 but as someone new to horror I appreciate there being some entries not as violent for us newbies!

I also thought some of the supporting acting is weak particularly Ronny Chieng as Gemma’s boss. He over-acted whenever he is on screen. Fortunately Williams and McGraw are both good and they are the main characters (along with M3GAN). Aside from being funny, the movie has something to say about parenting and how quick we are to turn those responsibilities over to technology these days.

All in all, I’d say my first killer doll movie was a success. If you are wanting to dive into a fun, silly horror movie give M3GAN a shot. From this newbie I’d say it’s a good time at the cinema.

6 out of 10

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Blind Spot 83: THE LOST BOYS

| Rachel's Reviews

I’m not sure what inspired me to put the 1987 vampire flick The Lost Boys on my Blind Spot list this year. I think I have just been trying to go out of my comfort zone lately and it seemed like an approachable horror film I could try out. Now that I have seen it…I’m so glad I selected it! What an entertaining, enjoyable film, and really not that scary at all.

The Lost Boys is about a teen named Michael (Jason Patric who is so dreamy in this role!) who moves with his brother and mother to a beach town called Santa Clara. While there they become involved with a group of teen hoodlums that turn out to be a vampire gang. In this version of vampires you can be kind of a vampire, and a full fledged immortal vampire.

Kiefer Sutherland plays David the leader of the vampires and he and his friends know how to rock an 80s mullet. Director Joel Schumacher imbeds just enough camp to keep things engaging without going into the full-fledged silliness of his Batman movies of the 90s. These are definitely vampires that belong in an 80s hair metal band but again not complete caricatures.

I really enjoyed Corey Haim as Michael’s brother Sam and Corey Feldman and Jamison Newlander as the Frog brothers who’s special skill is hunting down vampires.

You’d have to be very sensitive to be scared by The Lost Boys. They literally have scenes with bathtubs full of holy water (how did they make so much!) and they certainly got all the local grocery stores garlic supply especially for the ending. Again Schumacher keeps control of all of these details so it made me smile throughout.

If you are like me and need a break from the Christmas movies and awards films give this fun, 80s, teen horror movie a shot. I’m glad I did!

8.5 out of 10

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Blind Spot 82: A NIGHTMARE ON ELM STREET (1984)

| Rachel's Reviews

Part of the point of this blind spot series is to get me out of my comfort zone and watch  movies I may have been avoiding or putting off. Horror or scary movies definitely fall into that category as I’ve always been a bit of a scary movie wimp. However, I am trying to expand my palate and as part of this series I’ve watched Scream, Halloween, Frankenstein and now A Nightmare on Elm Street.


In watching these scary movies I’ve realized something about myself. I’m actually not that scared by supernatural horror. If I can put some distance between my reality and the horror movie plot I do pretty well. What seems to scare me the most is a scary movie that could actually happen to me. A good example is a film called The Gift from 2015. This is a well done film but it gave me legit nightmares for weeks. The idea of Rebecca Hall’s character being stalked by an old acquaintance of her husband and then what he does to her was terrifying.

So I give this long introduction to explain why I actually had more fun with A Nightmare on Elm Street than I would have guessed. It is gory and graphic. There’s no question about that but it’s all in dreams and over-the-top so it doesn’t feel like something that could actually happen to me. This makes it easier to have fun with the story.

A Nightmare on Elm Street tells the story of a girl named Nancy who lives on a street where a ghost named Freddy Kruger is haunting teens in their dreams and killing them. He is doing this out of revenge for the parents who killed him for being a child murderer.

The production design is the greatest strength of this film and director Wes Craven has a lot of fun with the horror dream kill sequences. Of course, Freddy has the knives as hands but most of the kills are more elaborate than that might imply. One teen is swung around in circles, another is nearly pulled through the tub and a young man is killed in a tornado of blood from his bed. These are all so over-the-top that they weren’t scary but more fun and inventive.

There is something chilling about being haunted through your dreams- a space you have no control of and can only put off for so long. However, I think some of the Invasion of the Body Snatchers movies are a little scarier in that concept because not only do you die but you become this horrible creature that can hurt other people. It’s one thing to die but another to become a monster that hurts the people you love.

Evidently Robert Englund gets into more camp as Freddy in future installments, but he is good in this first film and all the teens are excellent including a young Johnny Depp and Heather Langenkamp as Nancy.

In the end, I’m glad I finally watched A Nightmare on Elm Street, and I can see why it is considered to be a horror classic. I’ve heard the 3rd film is the best of the sequels, but let me know what you think. And what scares you the most in movies? I’d love to know.

9 out of 10

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Blind Spot 70: Frankenstein 1931

| Rachel's Reviews

I think because I have never been a big horror movie person I have a ton of blind spots in that genre including the Universal monster movies. This is why I really wanted to include Frankenstein 1931 in my blind spot this year. Strangely I have seen Young Frankenstein which is a parody of this film but not seen the original. I have also read the book several times and seen the Kenneth Branagh version from 1994 (and I’ve seen Frankenweenie!). Now I have seen the1931 film and I loved it! It’s an extremely well made film with several scenes that really got to me.

Frankenstein 1931 is directed by James Whale and stars Colin Clive as Henry Frankenstein and Boris Karloff as Frankenstein’s monster. It’s a simple story and at 71 minutes it doesn’t waste much time. Dr Frankenstein creates a monster and that monster is misunderstood and mayhem results.

The film starts off with the iconic image of lightning bringing the monster to life. We of course get the doctor calling out ‘It’s alive! It’s alive’. I love the black and white in these scenes and the way director Whale uses light and shadow to create mood.  They are scenes so often parodied they lose some of their impact but if you think about what it must have been like to see for the first time it is very exciting.

Karloff is great as the monster. He plays it almost like a zombie unaware of what he is doing but with just enough alertness to be cognizant of his actions. The most tragic scene is when he is playing with a girl named Maria and in the game he drowns the girl. That scene combined with the farmer bringing his dead little girl into the town is so sad. Devastating.

Like I said, Frankenstein 1931 is not a long movie so its elements are simple. However, I found it effective and very well made. It’s violent, tragic and exciting all at the same time and it has something to say about playing God and how we treat things we don’t understand. Is it a monster just because we are unfamiliar with it? Maybe? Maybe not?

I did think the film ended rather abruptly and I wanted a little bit more. I suppose I will need to watch the sequels one of these days.

8 out of 10

 

Blind Spot 58: ‘Halloween’ (1978)

| Rachel's Reviews

Part of the reason why I do this blind spot series is to push me out of my comfort zone. As a film critic I want to be able to review any film, with the exception of outright pornography, that an outlet assigns me. That said I’m still a human being with preferences that come into play when watching films. However, by reviewing classics outside of my preferred genres for blind spots it helps me get out of my comfort zone with hopefully well made classic films. This is an effective way of pushing myself rather than watching a new film, which may or may not be a good example of the genre.

Horror, particularly slasher movies, is a genre I especially struggle with. Ever since I was a little girl I never liked the feeling of being scared and it’s still not my favorite; although I have grown a lot over the last few years. This year trying to push myself even further I decided to watch the classic slasher film Halloween from 1978 for this month’s blind spot.

Halloween is directed by John Carpenter who wrote the film with producer Debra Hill and the entire thing was made on a shoestring budget of only $300k. Carpenter also wrote the very memorable score that does a lot of the heavy lifting to bring tension into simple scenes.

Even though Halloween is outside of my comfort zone, I can totally see why it’s a classic and a favorite of horror fans. It is very well directed by Carpenter with leering cinematography by Dean Cundey. Even when characters are doing mundane things like talking on the phone or watching television there is a sense they are being watched and they should be more careful than they are being. We as an audience know the deranged Michael Myers is out there but the characters don’t. This makes us anxious for them and the violence, when it does happen, very effective.

Surprisingly, Halloween is not a very bloody film. It’s violent and there is carnage but most of the movie is about anticipating the kills rather than luxuriating in them. I also appreciate the film doesn’t try to explain away Michael Myers or give him some complicated backstory. We see from the opening that he is the personification of evil and that’s all we need to know. Sometimes evil exists and the devil is a real force so I appreciated that approach.

There is also an ambiguity to Michael Myers as a character that makes him scary. I am sure they elaborate on his nature in the sequels but I like here how he might be human or an alien or something else. We don’t know. Dr Loomis (played very well by Donald Pleasence) tells us he is evil from the start of the picture and we see him as a child murderer and that’s all we need to know to be scared.

Jamie Lee Curtis is definitely the best of the 3 young actresses in Halloween. She’s skeptical when you need her to be and smart when faced with a threat. So many of these ‘final girls’ in horror movies are needlessly stupid (including the 2 other girls) that it’s refreshing to see Laurie as played by Curtis as a character who uses her head.

Halloween is not a movie I am likely to watch again. It’s just not my thing, but I can recognize good filmmaking and that’s what we have here. It’s very well done and I’m glad I finally checked it off my list.

7 out of 10

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[REVIEW] ‘Rent-A-Pal’ or Hello Video Friend…

| Rachel's Reviews

One of my goals for this year was to get out of my comfort zone as far as my reviews. Well 2020 has certainly made that interesting but I have tried to review more thrillers/horror movies to help expand my portfolio as a critic. For example, I recently saw Unhinged which I didn’t like and then Relic which I did like and is one of my favorite films of 2020. Now we have the 80s throwback thriller called Rent-A-Pal. This is a very disturbing but effective film which tells a creepy story about the mania loneliness can cause.

Rent-A-Pal tells the story of David (Brian Landis Folkins) who is shouldering the burden of caring for his aging Mother with severe dementia. She often calls him Frank, his father’s name and seems resentful of the help David gives her. She even wanders away and is lost trying to find her husband. Anyone who has cared for someone with dementia can relate to these experiences. (It’s very interesting that Relic also dealt with these same themes as well as Charlie Kaufman’s I’m Thinking of Ending Things, which I will review later).

One day David gets a video tape from his video dating service that’s a video introduction to friend Andy played by Will Wheaton. He asks you how your day has been, compliments your decor and shares jokes all for a small purchase fee at the video dating service. Meanwhile, David gets matched by the service with a girl named Lisa who seems could be an actual friend. Can David see the difference between what is real or a artificial? That’s where the mania lies in a the movie and like I said it is very effective.

The only thing I wish they had more time for is to build up his link to Andy. It all happens very quickly, in just a couple of days, which makes it less believable. This is especially true because he is so so excited for the date with Lisa and it seems to go so well.

Speaking of Lisa, I thought Amy Rutledge did a really good job in a small role. She is warm and likable, which is a nice contrast to the phony affability of Andy.  Everybody does a good job in Rent-A-Pal but I found myself rooting for Lisa towards the end.

Rent-A-Pal is an upsetting film if you have been lonely in your life. It definitely won’t be for everyone but if it sounds interesting to you it’s well made and worth a watch.

Look for Rent-A-Pal in drive-ins, theaters and VOD Sept 11th

7 out of 10

[REVIEW] ‘The Invisible Man’ (Spoiler Free)

| Rachel's Reviews

If you have been following my site for any amount of time you know the horror genre is one of my least favorites. That doesn’t mean there can’t be gems which I enjoy. I especially like creature scares movies like last year’s Crawl or the classic Jaws. I also enjoy a tight thriller like 10 Cloverfield Lane or a Hitchcock film like Vertigo. However, it is in general a tough genre to win me over to.

Understanding my bias, one of my goals for 2020 is to try and expand my palate in the horror genre. This will hopefully make my portfolio of reviews stronger and open a new world of moviemaking to me. Unfortunately most of the horror movies so far this year have looked atrocious, so I didn’t see any of them. That changed with this week’s release entitled The Invisible Man.

Very loosely based on the original 1933 Universal Monster movie and the novel by H.G. Wells, this contemporary adaptation is directed by Leigh Whannell and stars Elizabeth Moss. I don’t know if it is her role on The Handmaid’s Tale that is to blame but Moss has become a pro at playing the battered, tortured woman and her performance is the strength of this film. She commits to every scene and you feel invested in her character throughout.

invisible man2

While the movie is focusing on her paranoia caused by her abusive husband it is very effective and chilling. I won’t give any details away but suffice it to say he has been so controlling that when she starts to sense his presence it isn’t entirely clear whether she has gone into full mania or is actually sensing his spirit (or an invisible man…).

invisible man

Unfortunately the last act of the film abandons this initial premise and becomes more of a generic monster/ghost movie and that interested me a lot less. Everything that was unknown and hidden becomes obvious and as a result a lot less scary. It honestly became kind of corny with over-the-top kills and cheesy set pieces.

However, I can still recommend The Invisible Man, especially for horror buffs. Moss is very good and there are enough scares in the first half to be entertained. Just manage your expectations. Some of the hyperbole has been a little nuts on this film. In fact, I’m not sure why this film is getting so much more praise than last year’s Greta? They are both about lonely women who get pushed to the breaking point by a megalomaniac who is stalking them, and they both have slightly cheesy finales. Who knows? All that matters is I found them both entertaining enough to recommend.

If you get to see The Invisible Man let me know what you think. It is rated R for “strong bloody violence and language” and especially at the beginning it earns its scares.

6.5 out of 10

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‘Crawl’ REVIEW

| Rachel's Reviews

I bet I will be the only critic that compares the new creature scares movie Crawl to a good Hallmark movie but that’s just what I’m going to do. I spend many hours watching Hallmark movies for my podcast The Hallmarkies Podcast and I’ve learned that the good ones know what they are and execute it well. They don’t try to be anything other than a sweet romcom, with nice chemistry between the leads, and a warm holiday message.

It’s the same idea in Crawl. It absolutely knows what it is and executes it well. It doesn’t try to be campy or silly. It doesn’t add annoying characters or convoluted subplots. Crawl knows it is a creature scares movie with 2 people dealing with gators and it executes that concept very well. It’s as simple as that.

crawl

Crawl stars Kaya Scodelario who starts out the film trying to rescue her father from the basement crawl space of his Florida home. Unfortunately when she gets there she learns he is stuck with 2 gators in the basement (behind some large pipes). Getting out is then the main plot of the movie. Unfortunately, this task is made more difficult by a huge hurricane that threatens to drown them before the gators can eat them.

crawl3

Director Alexandre Aja does a great job moving the characters around enough within the small space to create different set pieces by which to fight the gators. They also keep the movie a lean 87 minutes so you never have time to get bored. It feels relatively grounded and realistic and for a small budget film the gators/special effects look great.

CRAWL

Barry Pepper and Kaya Scodelario do great work as a father and daughter and the film gives us just enough of their backstory and relationship to attach us to them without becoming boring. As they are basically the only characters on screen, their chemistry also adds a ton to the film’s success. It kind of reminds me of 10 Cloverfield Lane in that respect. I was rooting for both of them throughout the entire movie which made the scenes with the gators more intense and fun.

crawl5

I suppose if there are negatives to Crawl, there are some moments where we must suspend disbelief. In particular the injuries the 2 lead characters have seem to ebb and flow depending on the needs of the script. However, I was invested enough in the story and characters to not care. There are also definitely side characters introduced to be kill candy for the gators, which gets a little predictable.

All that said, I had a great time watching Crawl. It’d be a wonderful choice to go with all your friends and have a good tense time at the movies. Nobody will be too traumatized, and they will all have fun.

Go see it! It’s a blast

8 out of 10

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