[REVIEW] ‘Single All the Way’: Deck the Halls with Family Happiness

In the world of the holiday rom-com of which I spend most of my waking life we often hear calls for ‘family friendly films’ or ‘clean films’ and what that really means is movies that pretend like LGTBQ people don’t exist. Fortunately, things are changing in this corner of the movie-sphere and people are being pushed to accept love stories from all kinds of perspectives and experiences (and we are all a lot better for it).

I bring this up only to emphasize how special the new comedy Single All the Way is. Not only is it funny and romantic but it’s one of the most joyous depictions of family I’ve seen in a long time. I LOVED it!

On the surface the story in Single All the Way is rather pedestrian. The friends to lovers and fake relationship tropes are well worn and predictable. However, it’s like I always say it’s not a bad thing to use tropes. It’s what you do with them that makes it stand out!

Michael Urie plays Peter a gay man living in LA who is unhappy in his work and his love life is even worse having been recently dumped. Rather than face his family alone he invites his longtime roommate Nick (Philemon Chambers) to come with him and pretend to be his boyfriend for the holidays.

The ruse doesn’t really last long when his Mother sets him up with a hot local man named James played by Hallmark hunk Luke MacFarlane. As Peter gets closer to James, Nick begins to realize he may have more than just platonic feelings and things go from there.

What made Single All the Way special is not that it was a queer story, although that is nice. Happiest Season last year mined similar terrain last year to less success. What makes it stand out is how funny it is and how joyous it is (huge contrast from Happiest Season).

The cast is full of heavy-hitters including a hilarious turn from Jennifer Coolidge as Peter’s eccentric Broadway dreaming aunt who is putting on the Christmas pageant. There’s also Kathy Najimy and Barry Bostwick as Peter’s parents and they couldn’t be more warm while still being funny.

Urie and Chambers have fantastic chemistry and the whole family is rooting for their relationship. When revelations are made everyone cheers and is happy. It was so refreshing to see a family that loves each other unconditionally and is again joyous to see Peter in love. It made me happy to see them so happy. Maybe some people will find Single All the Way too trite and fluffy but I just loved it. I thought it was one of the best rom-coms I’ve seen in years and that’s saying something coming from me. These are 2 people, Nick and Peter, that I was rooting for the whole time and was so happy to see them get together. Isn’t that what we want in a romantic comedy? It is for me.

We should see more joyous families in movies and TV. Sure the dysfunctional families can be funny and help us relate to our own moments of dysfunction, but the movies should also be aspirational.  They should show us something to work towards. The family in Single All the Way gave that to me. I hope I am as joyous towards everyone in my life, friends or family, as this family was for Peter and Nick. It was great. I loved it. Watch it. I hope you love it too!

9 out of 10

Smile Worthy

 

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[REVIEW] ‘The Forgotten Carols’

One of the hardest parts of 2020 has been the halting of most live performances and the closure of Broadway. As much as I love movies I equally love live performances whether plays, musicals, orchestras, recitals whatever. Fortunately, as we are waiting for the world to get vaccinated from COVID 19, we have been bequeathed a number of live performances in movie form to help tide us over. Early in the summer we got Hamilton on Disney Plus and now in movie theaters we can enjoy a new filming of the holiday favorite The Forgotten Carols.

Since it’s first release in 1991 The Forgotten Carols has sold over a million tickets all over the world. It is perhaps most popular among Latter-day Saint audiences but it is perfectly appropriate for any Christian to enjoy. It is written by composer Michael McLean and he plays the leading role of Uncle John in this production.

The conceit of the musical is John is an eccentric angel who makes it his mission one Christmas to cheer up a cynical nurse named Constance (not Connie as she reminds him). As she cares for him he tells her the stories of the ‘forgotten carols’ or people who testify of Christ’s birth. Some examples are the Innkeeper who regrets his actions towards Mary and Joseph and extols the audience to ‘Let Him In’. Another is the plucky angel who inspires Handel to write his Hallelujah chorus.

If you can’t tell The Forgotten Carols is an unabashedly religious experience. If you aren’t a Christian this probably isn’t the show for you. However, it is nondenominational so you do not need to be of a particular faith to enjoy it. In this version they have updated it for a 2020 audience with winks to uber, alexa and other products they didn’t have in 1991, but for the most part if you are a person who likes boisterous faith-based music and shows you’ll enjoy this show.

In fact, as someone who will watch over 100 Christmas movies and specials in 2020 it is refreshing to watch one film that’s actually about Jesus and the importance of His birth. The songs in The Forgotten Carols are theatrical and full of pageantry but my theater starved heart needed every last note! My particular favorite number is ‘I Cry the Day I Take the Tree Down’. It gets me every time!

This production was staged in Cedar City in September of this year in a socially distanced crowd and the whole thing had an urgency and poignancy that we all need right now. You can purchase tickets to a safe theater or purchase the DVD here.

For the right audience I recommend The Forgotten Carols.

8 out of 10

 

 

Is Peanuts Going to Streaming a Problem?

Everyone knows I am the Queen of Christmas. In fact, even though it is barely the first week of November I have already watched 2 dozen new Christmas movies. You can find my thoughts on all of these films over at The Hallmarkies Podcast where we cover all things Christmas!

The only problem with this podcast is I don’t have much time to watch the classic Christmas movies like It’s a Wonderful Life or A Christmas Story. There just isn’t enough time in the day to watch everything I want to.

However, one program I always make time for is the Peanuts Holiday Specials– particularly A Charlie Brown Christmas. Not only is this short animated, which gives it an edge in my book, but it’s quite possibly the perfect treatise on the value of Christmas. Poor Charlie Brown worries about the commercialization of Christmas and what changes his mind? Well, finding a little tree that only he believes in and Linus reciting Luke 2 from the Bible. It doesn’t get much better than that if you ask me.

Recently it was announced the specials would not be airing on ABC for the first time since their creation in 1965. Instead you have to see them on the streaming service Apple+. While they are offering them for free for anyone who wants to view them, I can’t help but feeling this is a loss for all of us Christmas movie fans.

Hearing Linus recite Luke 2 is one of the last remaining vestiges of faith left on network television. It was an event every year that brought us together to celebrate Christ and His birth. Now everyone will be watching in their own time and space, which is great, but particularly in 2020 I am lonesome for shared experiences of faith. If we can’t go to church surely they could have left us Linus and Luke 2?

Hopefully we can still gather with our family and friends and watch A Charlie Brown Christmas together this holiday season. It may not be a world-wide broadcast but at least it will be a gathering sharing the importance of the season. I’m up for it and I hope you will be too!

What do you think? Is the loss of the Peanuts Specials to Apple+ a loss or just a sign of the times? Let me know in the comments section

 

[REVIEW] ‘Season of Love’ LGTBQ Community Get a Quality Christmas Romcom

As the founder and lead host of The Hallmarkies Podcast I obviously love Christmas movies! While there are certainly misses like Last Christmas, in general I find the genre to be warm, cheerful and just the thing to put me in a good mood. Naturally I want everyone to participate in the joys of the season including finding holiday films they can connect with. So imagine my happiness when I heard about the new independent film Season of Love. 

In the film, director Christin Baker makes a rare “queer lady holiday movie” and for the most part she succeeds. The story revolves around 3 female couples and their interconnecting romantic entanglements during the days before Christmas.  My favorite couple was between the nervous Lou (Jessica Clark) and the deaf Kenna (Sandra Mae Frank).

season of lvoe

The conflict between Sue (Dominique Provost-Chalkley) and Janey (Janelle Marie) was my least favorite because it seemed illogical that someone who wants to become a singer would get so mad at her singing being put on youtube lovingly by her girlfriend.

But for the most part Season of Love was a sweet holiday romcom. I felt like I got to know all 3 couples well enough and there were enough cute moments that it worked.  The cast is all strong and there is a nice energy behind the entire project. Nothing feels phoned in.

If you like holiday romcoms and are open for something different give a shot. It will be available later this month on VOD and check out their website for more information.

7 out of 10

smile worthy

[REVIEW] ‘Last Christmas’ and Why It’s So Disappointing

last christmas

As host of the Hallmarkies Podcast I feel there is an assumption I will automatically love anything billed as a ‘holiday romcom‘. Well, if you are a listener to my podcast you’d know that I dislike many films we review, as is the case with any genre a critic is partial towards. We aren’t doing our job if we blindly like everything presented to us for entertainment.

This explanation is to hopefully help quell some surprise my readers might feel that I did not like the new film from director Paul Feig, Last Christmas. Unfortunately most of the reasons I did not like it are spoilery but let’s just say it fails at both the rom and the com of a romcom (and I have issues with the holiday part as well).

Last Christmas stars Emilia Clarke as Kate, a disaster of a human who has struggled to get her life together after receiving the gift of a heart transplant the year before. She works at a year-long Christmas shop for Michelle Yeoh (who gets some of the only laughs of the film with her strange cabbage loving relationship).

Kate is simply the worst. It’s always a tough dynamic to pull off when either of our leads in a romcom are unlikable. You have to make that switch to nice person at just the right moment or we as an audience don’t want him or her to succeed in love because they are a terrible human being. Kate even outs somebody at one point which I found shocking for a movie in 2019 (and the penance wasn’t near enough for such a betrayal IMO).

last christmas2

Henry Golding is super dreamy (of course) but he leaves for long unexplained stretches, which hurt the chemistry and seems especially bizarre as the plot reveals itself. Speaking of said plot it is so groan-worthy and leaves our heroine with a very unsatisfying ending.  Without spoilers let’s just say between this and Me Before You Emilia Clarke has the strangest set of 2 romcoms imaginable.

To my surprise, I also felt focusing on George Michael music was a mistake. The problem is he only has one Christmas song so most of the soundtrack is holiday-free. Sure they are surrounded by the trappings of Christmas but they participate in none of the tropes of the genre such as picking a tree, wrapping gifts, visiting Santa, baking cookies etc. Most of what they do could be done at any time of year just with different decor. All the Christmas in the movie feels like window-dressing without the heart the holiday offers these films.

A lack of Christmas spirit and romance makes Last Christmas an unsatisfying and disappointing holiday romcom. What should have been sweet and funny ends up being groan-worthy and frustrating. Too bad but at least I’ve got 100 other Christmas movies to enjoy this holiday season (not exaggerating).

3 out of 10

frown

 

Blind Spot 24: We’re No Angels

It is very exciting we have reached my last Blind Spot pick for 2017. I hope you have enjoyed the 12 films I have reviewed this year and I look forward to picking 12 more for next year. If you have a blog I encourage you to participate in the series and finally check some of those films off your list you have been wanting to see.

Unfortunately it’s too bad I can’t end the year on a more positive note. My pick for this month is a supposed Christmas film called We’re No Angels. This is the original 1955 version not the 1989 remake. I know other people love this dark comedy but it was not for me. I honestly found it pretty hard to get through.

The story is about 3 convicts (Humphrey Bogart, Aldo Ray, Peter Ustinov) who escape from prison just before Christmas.  They go to a shop and after spying on their daughter (Joan Bennett) they decide to steal from the family and then escape off of the island. Things get complicated when a snobby relative (Basil Rathbone) comes in and wants to take over the store.

I said in my 3 Billboards review that dark comedies are not my thing and it is true here. I know these men are supposed to be bad guys, convicts, but I found them uncomfortable, awkward, perverted and not the least bit funny. They literally are staring at the family and daughter through a window for a good chunk of the movie. They bicker and are cruel in ways that didn’t amuse me at all.

The only person who worked for me a little was Peter Ustinov who always gives a funny/strange performance. But even he couldn’t save this film because the writing wasn’t good and the characters are so unlikable.

Basil Rathbone’s character is supposed to be a character of ridicule but I frankly thought the 3 anti-heroes were much worse. They are manipulative, cold and worst of all boring. This movie is dull and sorely lacking in charisma or fun. It certainly has no Christmas charm or cheer.

I can see how those that like dark comedies will enjoy it but it was not for me. I really didn’t enjoy it and will never watch it again. The costumes were nice so I guess there is that but I can’t think of anything else to praise.

If this is a Christmas film you love please tell me why you like it. I just didn’t get it.

Blind Spot 12: The Ref

ref3For my last blind spot review of 2016 I thought I would pick a less popular Christmas movie to go with this festive time of the year. I decided on the 1994 comedy The Ref starring Denis Leary, Judy Davis, and Kevin Spacey.

The Ref is about a couple, Lloyd and Caroline, near divorce (Spacey and Davis) who end up getting held up by robber named Gus (Leary). The couple is so hateful to each other that Gus becomes a kind of substitute therapist for them.

MSDREFF EC002Their son Jesse is a malcontent going to military school and blackmailing his chief officer. He hates his parents just as much as they hate each other.

ref4Lloyd’s family comes including his mother (Glynis Johns) and sister in law (Christine Baranski).  Gus pretends to be their therapist and continues to give all of the family his guidance, as they are hateful as well. They have a very unusual Santa Lucia dinner that was pretty funny. The last act really comes together where each of the characters kind of learns their lesson.

In some ways watching this movie reminded me of the recent Edge of Seventeen. Both are very well done for what they are trying to be. Both have well writtenh scripts and good acting and both made me laugh on occasion. However, both are about such thoroughly negative people that I found the experience kind of exhausting. I guess I just don’t love movies about unlikable people- no matter how well executed. I admire them but it’s still not my favorite kind of film. In some ways this felt like a David Sedaris piece with this acerbic cynical take on traditional family values.

Nevertheless, if you are in the mood for something different at Christmas than The Ref might be a fun choice for you. It would particularly be a good choice if your family is driving you crazy. You might realize they aren’t so bad after all!

Overall Grade- C+

The Ref earns its R rating with language, lewd dialogue and some mild violence.

My Top 10 Christmas Carol Films

Merry Christmas Eve you guys! I thought I would share with you all my top 10 favorite versions of Christmas Carol.

Of course if you followed Scrooge Month last year you know I love Christmas Carol.  It’s one of my favorite books and it’s hard to make a version I dislike (although not impossible.  I’m talking to you Ghost of Girlfriends Past).

What I love about Christmas Carol is the message of redemption, which is the true message of Christmas.  There are no lost causes and that is because of the sacrifice of Jesus Christ.  That is the lesson which Scrooge learns and I find it very moving.  In the end it is a message about hope and that’s what I want to see around the holidays. I write more of my thoughts of Christmas Carol in this blog post:

http://smilingldsgirl.com/2010/12/21/christmas-carol/

Anyway, my top 10 Christmas Carol Adaptations

a_christmas_carol_the_musical_advertisement10. Christmas Carol: A Musical– Not a perfect film but I think worth a watch.  I like the music from Alan Menken and  some of the fleshing out of the character of Scrooge is a cool take on it.

A_Christmas_Carol 20099. Disney’s Christmas Carol–  I know a lot of people don’t like it but I do.  There are silly moments but I appreciate the emotion they get right and how accurate it is to the book.

blackadder poster8.  Black Adder Christmas Carol- This hilarious special subverts the Scrooge story by convincing a poor sap to be bad instead of good! The writing is so on point and had me cracking up especially anything with the Queen of England.   Great performances from Rowan Atkinson, Hugh Laurie, Stephen Fry, Jim Broadbent and more. Scrooged_film_poster7.  Scrooged- a comedic version of Christmas Carol that pokes a lot of fun at media and particularly network TV.  It’s definitely a lose adaptation but it makes me laugh and has good performances throughout.

magoo theater actor6. Mr Magoo’s Christmas Carol- This is the only Mr Magoo I have seen but I like this version.  The animation is beautiful with a Hirschfeld quality to it and the music by Jule Styne and Bob Merrill elevate the special higher than it might otherwise be.

mickey blu-ray5. Mickey’s Christmas Carol–  A fun exercise for Disney having their characters playing other characters which we would see again in Prince and Pauper and a few other shorts in the 90s.  This does a great job introducing kids to the Christmas Carol story.  My only complaint is I wish they had made it a feature film instead of a short because a lot is left out.

christmas-carol-1999-patrick-stewart-scrooge-desmond-barrit-ghost-of-christmas-present4. Christmas Carol (Patrick Stewart version)- One of the most accurate versions with Patrick Stewart perfectly capturing the Scrooge described in the book.  Extremely well made especially for a made for TV movie and includes scenes almost always left out, which I appreciate like the Lighthouse sequence.

scott scrooge3. A Christmas Carol (1984)- I have a few little nitpicks with Scott’s accent and the music but other than that a great version.  Scott is great in the emotional scenes and the production feels earthy like what you imagine London might have been like in the 1850s.

Muppet_christmas_carol2. Muppet Christmas Carol– The best version by far for kids IMO. You have Gonzo sharing a lot of the text from the novel.  Michael Caine plays it straight with the Muppets and is believable in the more intense moments.  I love the songs and some of the more creative touches like having Statler and Waldorf play Jacob Marley.  Their song is great! My favorite Muppets movies are when they take on literature.  This and Muppet Treasure Island are actually my favorite Muppet movies.

1951poster1.  Scrooge (A Christmas Carol 1951)–  Starring Alastair Sim this version stands above the rest just on production values alone.  The cinematography is stunning, directing innovative, acting from Sims and others is wonderful and I appreciate some of the creative risks they took.  They flesh out Scrooge’s backstory a bit without taking it too far, which I  liked.  To me it has everything you could want in a Christmas Carol movie.

I hope you all have a Merry Christmas!  Thanks for your support for the blog this year.  God bless us everyone!

Rankin/Bass 9: Year Without a Santa Claus

yw santaSorry I have gotten a bit behind on my Rankin/Bass month what with that little thing called Star Wars! Luckily they have a lot of non-Christmas specials so I should be fine stretching it into January where hardly any good movies come out.

One thing I’ve learned about these Rankin/Bass specials is they all have a kooky weirdness to them.  I don’t know if you notice it as much when you watch one a year like a normal person.  At least it is more noticeable watching them in a block like I have been.  I’ve been wondering why some of them are weird and work and others miss the mark?  I’m not sure but I think the weirdness is better as an embellishment than the whole story.  Like in Jack Frost the story was pretty good and so it made it better to have weird touches.

Anyway, The Year Without a Santa Claus is definitely one of their more successful entries and it is also full of strange elements.  Released in 1974 it is a stop motion 48 minute special that tells the story of the year Santa decides to stay at home!

yw santa-2Santa, you see, is in need of a break and his doctor tells him to ‘forget delivering presents to those ungrateful kids who don’t believe in you and stay home!’ (amazing how many people in these specials hate Christmas!).  Santa listens and Mrs Claus and the elves Jingle and Jangle are horrified (you think he could just take a day off and not the entire year!).

Jingle and Jangle decide to take a young reindeer named Vixen (they both ride the little reindeer like a horse which looks very strange) to find proof for Santa that someone believes in him.

They are stopped in their quest by the Miser Bros’ who rule the clouds- Heat Miser and Snow Miser who hate each other.  I liked these character’s designs and behavior.

yw santa-6They end up in a town called Southtown where they try to find anyone who believes in Santa but Vixen becomes sick and nearly dies.  Mrs Claus comes and they meet a boy named Ignatius Thistelwhite who doesn’t believe but his father believes.

yw santa-5Then they must go and find Mother Nature in order to convince Heat Miser and Snow Miser to work together so that the town and Ignatius will believe in Santa.

yw santa-4Santa then comes to save Vixen but before that we get a very melancholy version of Blue Christmas sung by a little girl with lots of stop motion tears.  Rankin/Bass loves the stop motion tears!

yw santa-9Santa eventually see’s the error of his ways and makes everything right in the end.

yw santa-7I mean come on- you hear that description it’s pretty creative right?  It’s wacky and nutty but very creative.  In one 48 minute short we have elves, dying reindeer, Santa playing hooky, Mother Nature, Heat and Snow Miser and a girl singing Blue Christmas. That’s great!

There are also some really nice songs with good performers.  I like I Could Be Santa Clause, I Believe in Santa Claus, The Snow Miser and Heat Miser Songs, Blue Christmas and Hear Comes Santa Claus.  They are all well sung and some of the best writing from Maury Laws and Jules Bass.

At least to me this is just wacky, weird fun:

I also like Year Without a Santa Claus is a little less heavy-handed in its messaging than some of the other Christmas shorts.  It is mostly about Santa with a thin message of believing in things and being kind.

The animation is also a little more seamless than some of the other shorts and I really liked the colors in scenes like at Heat Miser’s castle.

Scenes like this are just so nutty and silly:

It’s certainly one of my favorite of the Rankin/Bass specials.  Have you seen it?  What did you think?