A Look at the Animated Oscars 2019

This year the lead up to the Oscars has been more than a little bit of a mess. Whether it is an announcement for ‘best popular film’ category or the choice to not air categories like editing and cinematography. However, what has been relatively drama free is who will win the Best Animated Feature Film award. This is perhaps surprising as the 5 nominees are all very strong films yet a clear winner has emerged in Spider-Man: Into the Spider-Verse.

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Let’s start with the least likely to win, Mirai, from famed director Mamoru Hosoda. It’s actually a huge accomplishment for Mirai to be nominated, as it is the first non-Studio Ghibli film to receive such an honor (a designation very frustrating to those of us who loved snubbed films like Your Name and A Silent Voice). And fortunately it is not just a token nomination as the film is a sweet journey into childhood. Recently my friend David said it was ‘the most creative animated film he had seen this year’ and he hates anime!

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Our next most likely contender to win Best Animated Feature at the Oscars comes from Disney in a rare Disney Canon sequel called Ralph Breaks the Internet. This sequel to 2012’s Wreck-it Ralph avoids the potholes of most sequels by giving us something entirely new and it worked for me even better than the original! I loved the evolution of Ralph and Vanellope’s friendship and how they had to accept each other in new ways. I loved the humor especially the princesses (which I didn’t think I’d like) and we even got a surprise Alan Menken song! Still because it is a sequel and the response to it was dampened a bit by the release of Spider-Verse, it is unlikely to win (although never count Disney out entirely!).

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Coming up in 3rd place of most likely to win the Oscar is our stop motion animated offering from Wes Anderson, Isle of Dogs. Earlier in the year I speculated whether this was the most likely winners as the Oscars doesn’t tend to like sequels or animated superhero movies (and it has a long standing tradition of loving both Wes Anderson and stop motion). It’s such a sweet enchanting movie with incredible attention to detail. I love all of the dogs and the backgrounds are dazzling (the one pictured made out of pieces of glass is a particular favorite). However, the human sections aren’t as strong and some of the writing is a little clunky. Still, a delightful film from 2018 animation.

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My prediction for the runner up for the Oscar this year is Brad Bird’s follow up to his 2004 superhero film, The Incredibles 2. I love this movie and in any other year this would be a clear favorite. It’s not only funny with terrific action but it is a treatise on how hard it is to be a parent. Even Edna Mode says it best: ‘parenting when done well is a heroic act’. The reason I don’t think Incredibles 2 will win is because it hasn’t won any awards prior to the Oscars. Spider-Verse has won every major prize from the Golden Globes to the BAFTA’s. It would take a very bold ballot to pick this film to win but it wouldn’t be the first time Pixar has surprised everyone (Brave…) if it did. Still it would be a big shocker if it won.

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Finally, the clear favorite and most likely to win the Best Animated Feature Oscar is Spider-Man: Into the Spider-Verse. This isn’t just my opinion, but the opinion of critics, fans, and experts alike. In fact, there are a number of other publications out there that see Into the Spider-Verse as an incredible favorite. Like I said, it would be a huge shock if it didn’t win. It is not only a game changer for animated films and superhero movies, it also speaks to the Academy’s goals to honor diversity both on and off the screen. It honestly should have been nominated for Best Picture in my and many others opinions.

So what do you think of the animated Oscar race this year? Am I too bullish on Spider-Verse? Do you agree with me it has been a strong year for the category? What other predictions are you making for this year’s Oscars? I’d love to hear in the comments section.

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2018 in Animation

Today I wanted to share with you all a podcast I did with 3 of my friends on the year of animation in 2018. It’s a long one but we covered every release we could from the small to the large.

If you get to listen I would love to hear your thoughts and feedback. What did you think about animation in 2018? Any disappointments or surprises?

My ranking of 2018 animation:

1. Spider-Man: Into the Spiderverse

2. Ralph Breaks the Internet

3. Incredibles 2

4. Sgt Stubby: An American Hero

5. The Night is Short Walk on Girl

6. Mirai

7. Maquia: When the Last Flower Blooms

8. Isle of Dogs

9. My Hero Academia: The Movie

10. Teen Titans Go! To the Movies

11. Tito and the Birds

12. Hotel Transylvania 3

13. Pokemon: the Power of Us

14. Liz and the Blue Bird

15. Next Gen

16. Smallfoot

17. The Grinch

18. Maya the Bee 2: the Honey Games

19. DC Superhero Girls: Legends of Atlantis

20. Early Man

21. Gnome Alone

22. Fireworks

23. Ice Dragon: Legend of the Blue Daisies

24. Sherlock Gnomes

25. Lu Over the Wall

26. White Fang

27. MFKZ

28. Duck Duck Goose

 

Disney Magic and Why ‘Mary Poppins Returns’ is So Special

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Years ago I read an article which said at Disney “magic is made by optimizing the mundane.” I can’t think of a more perfect description of what Walt Disney tried to do in his career. For example, if we look at Disneyland: at its core is Main Street USA but it is executed in such a charming and idyllic way that it feels magical. I can’t think of any other corporate experience where I would enjoy sitting and taking in the ambiance like I do at Disneyland. What’s fascinating is I didn’t realize how much I missed this experience in Disney films until I walked out of Mary Poppins Returns. To say I was swept away in an experience of pure joy would be an understatement. It was true Disney magic and I LOVED it!

This is not to say I haven’t loved many recent Disney films. I loved Moana, and Coco was my favorite film of last year, but there’s something different about Mary Poppins Returns. It truly does optimize the mundane by taking the trials and pressures of life and reminding the audience to ‘trip a little light fantastic’ and smile a little more through your struggles. It’s one of the most joyful and effervescent experiences I’ve had at the cinemas in a long time.

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Obviously trying to make a sequel to the masterpiece that is Mary Poppins is a tall order and already I’m seeing many who are claiming this film is either too close the original or too far away. I thought they nailed the perfect balance of homage and newness. Emily Blunt is phenomenal as Mary. She gets that mixture of rigidity and whimsy just right (taking the mundane nature of child care and making it magical). She can also sing, which with recent Disney offerings like Beauty and the Beast isn’t always the case (it takes away from the escapism if the singing is bad).

Lin-Manuel Miranda is a delight as Jack, a lamplighter that could be seen as similar to Bert but he only has one job and he has a little bit of a budding relationship with now grown Jane (Emily Mortimer who is delightful). He gets the best song of the movie with ‘Trip a Little Light Fantastic’, and brings his broadway skills to all the choreography and jubilant musical sequences.

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And speaking of music, the songs are such a delight. I’ve been listening to the soundtrack for weeks and it never fails to make me smile. Marc Shaiman and Scott Wittman did such a great job paying homage to the original while writing new and catchy tunes for a new generation to love. ‘The Place Where the Lost Things Go’ is sweet and touching. ‘Turning Turtle’ is a fun little number featuring Meryl Streep in her small role. ‘Nowhere to Go But Up’ gives us Angela Lansbury and the whole cast floating away in a whimsical melody. ‘Underneath the Lovely London Sky’ immediately welcomes the audience to this magical, charming take on London. I love it!

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The 2D animation sequences are also a complete delight. I don’t know what else to say about them except that I had a huge smile on my face while watching Emily, Lin and the kids dancing amongst 2D animated animals and flowers. It simply made me happy.

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There is also a different message in Mary Poppins Returns than the original film. It has certain trappings that are the same like both involving a bank and a father but the take-away is quite different. In the original Mr Banks thinks he has everything figured out. He even sings about it in the ‘The Life I Lead’. Then Mary teaches him all that stuff he had neatly arranged means nothing and doesn’t last. Without a true bond with his children his life has no meaning. Mr Banks comes to this conclusion after hearing Bert’s advice in ‘A Man Has Dreams’ and as he goes to fly a kite with his kids happiness is promised the Banks family. (Again the ordinary task of kite flying made magical).

In this story, it’s a little different. Michael (Ben Whishaw who is wonderful in the role) has experienced great loss. Unlike his father he doesn’t think he has it all figured out. In fact, he knows he doesn’t. His wife has died and the house is going to be repossessed if they can’t find a bank share certificate from his father. He is reaching his rock bottom and I can relate to this more than the confident Mr Banks of the original film. He is a man in need of rescue, and he knows it. (Again, his father had no idea he was missing out on so much). This is when Mary Poppins comes along to help Jane and Michael (and the children too!) once again. As so often is the case in life, Michael’s friends and family come to help him through his trials and find happiness again. What a beautiful message.

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But it is not a morose film. Quite the contrary. I can rarely recall a more joyous and optimistic film than Mary Poppins Returns. Sometimes life can get me down and it is Disney magic that often gives me that lift I need to try a little harder and keep dreaming. That’s what this movie reminded me of. It spoke to me of the joy of dreaming and how art can uplift even the most mundane of days.

I have not been a big fan of most of the Disney live action remakes. They feel cold and clinical and usually have bad singing. However, with Mary Poppins Returns I was transported in a triumph of music, dance, optimism and animation. I loved the costumes (Sandy Powell with another triumph), perfect production design, old fashioned score and pretty much everything else being great. I guess it could have been edited a bit more judiciously but I was fine with the length because I was enjoying myself so much. I’ve a feeling hard core Disney fans will appreciate this movie more than most, as it definitely feels like a movie Walt would have loved. It’s straight from the heart and pure Disney magic!

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Movie 57: Ralph Breaks the Internet (Spoilers)

(This is the podcast Stanford and I did on the film and we were on the same page with it)

Anyone who has followed this blog since its start knows I am not as high on Wreck-It Ralph as most of the Disney fandom is. I think it is a harmless movie but not one of the greats as I often hear claimed. It gets stuck in Sugar Rush too long and the plot becomes fairly pedestrian. Naturally I was very worried when I heard they were making a rare canon sequel (only 2nd non-package film sequel) and even more concerned when it was all going to be online.

One of my issues with the original is it doesn’t fulfill the promise it makes to explore the arcade and see lots of worlds. Now for the sequel, they would be leaving the arcade all together for the internet? This seemed like a terrible idea and my worries grew stronger when I saw the Princess clip at D23 in 2017. I was also worried that the humor would be too Shrekian and based on parody as opposed to satire and story-based.

However, I always go into any film with an open mind, hoping to be dazzled, and fortunately my worries were relieved. I can confidently say that Ralph Breaks the Internet is a complete delight and better than its predecessor in nearly every way.

In the  original film you have a story of a bad guy wanting to be good, which is fun, but it gets kind of lost in the shenanigans of Sugar Rush. Vanellope’s underdog story becomes more of the focus with a villain reveal that is very predictable (especially now when we’ve seen that trope so many times by Disney and Pixar).

The story in Ralph Breaks the Internet is a lot more subtle and nuanced. Ralph and Vanellope are friends and they love each other but that doesn’t mean they are the same. Vanellope yearns for newness and a chance to get out of Sugar Rush. On the other hand, Ralph likes things to stay the same, day in and day out. This is a conflict I can easily relate to as I am a same stuff  kind of girl. I could eat the same things, wear the same clothes, do the same activities each day and be perfectly fine. I guess this is why I’m fine watching 95 Hallmark movies a year or reviewing 35 versions of A Christmas Carol. It’s just how my brain works. I related to this division between Vanellope and Ralph. You still love each other but you process the world differently.

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As is easy to do, Vanellope and Ralph deny these differences for a long time not wanting to hurt the others feelings. Then a crisis happens in Vanellope’s game that forces them to go online to try and buy a steering wheel on Ebay. This pushes them to acknowledge their differences and learn to love each other in a new way. I found this much more moving and nuanced than the lesson of the original film. It’s easy to love someone who is the same as you. It takes a lot more work to love someone differences and all (in fact love them more because of those differences).

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As is always the case with comedy, I suspect the humor will be the most divisive part of the Ralph Breaks the Internet. I actually ended up loving it. My worry was that the jokes would be parody and not part of the story but to my pleasure almost every joke is story-based. Whether it is Spamly or KnowsMore giving them directions or the Princesses helping Vanellope with her conflict with Ralph the humor was all part of moving the characters forward as opposed to just throw-away parody jokes.

While I still don’t love the kidnapped and enslaved joke in the princess scene, most of the other humor worked for me. I was particularly happy to see Ariel be lovingly showcased. She is kind of the leader of the girls and got most of the best laughs. There is even an Alan Menken song towards the end, which was a real treat! If you like the humor in Enchanted or Elf you will really enjoy this.

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I also really enjoyed the scenes in Slaughter Race. The racing sequences were incredibly animated. The only ones better I can think of is from Cars 3. Gal Gadot does a good job playing the leader Shank and her bond with Vanellope is really sweet. They reminded me of the roughians and thugs from Tangled– rough on the outside but sweet on the inside. As she experiences this freer style of racing Vanellope realizes this is where she belongs, but she knows it will hurt Ralph to admit this. This is conflict I can relate to and that most people have experienced as they try and navigate long-term friendships.

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While Vanellope is in Slaughter Race, Ralph gets an education on youtube. I loved the way they animated the users of the internet. It wasn’t cynical like The Emoji Movie. Most of the time the users were having a nice time and enjoying their time in whatever website was being portrayed. As things broke down they were upset but not as cynical as The Emoji Movie where the kids couldn’t communicate at all without their phones. ralph breaks 6Ralph meets a woman named Yesss who is an algorithm for determining trending videos. I related to all of this youtube (buzztube in the movie) as I am a youtuber. It showcased the highs and lows the medium offers. Ralph gets very excited as his gimmicky but harmless videos make enough money to purchase the steering wheel but then is hurt when he reads the comments and realizes he is a joke. Yesss tells him to never read the comments. While I am small and most of my comments are friendly, I can certainly relate to the toxic side. No matter how strong you are it can still sometimes sting. I appreciate the nuanced and balanced look at the internet Ralph Breaks the Internet showed.

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I am hearing the ending is divisive but it worked great for me. Ralph is a character very resistant to change. He is giving into his fears and the virus he purchases magnifies those fears. As someone who is also resistant to change, I related to it. These are flawed characters who grow and learn. Isn’t that what we want in scripts? Plus, the tension and conflict was broken up by lots of humor, so it all worked for me. When Ralph and Vanellope learn to accept each other for who they are and come to a new deeper friendship I found it moving and a lovely growth arc for both characters.

It almost goes without saying that the animation is phenomenal. Unlike the original film where we spend 45 minutes in Sugar Rush, here we are zipped around to many different worlds and sites. I loved all of the world building and like I said the racing sequences were amazing! The voice work was also delightful. John C Reilly does a great job with Ralph. Sarah Silverman still isn’t my favorite but she’s servicable in this. I loved Gal Gadot and supporting voice work was all great including all the living princess actors (even Paige O’hara who had aged out of her role was brought back!).

Some may wish for more time with Felix and Calhoun but what we got from them was hilarious so I was satisfied. I even liked the post credits scene which played up on audience expectations and was very funny. I loved Ralph Breaks the Internet. It spoke to me more than the original. It had a more nuanced and powerful message. It was a lot funnier and the animation was better. (It even had a princess song!). I am seeing some mixed reactions from fans of the original, which is to be expected but I can only speak for myself and I thought it was a complete delight!

I never thought I would be saying this but I’d even be up for a 3rd installment!

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2018 Mid-Year Rachies

Hello friends!  So we have recently passed the half way point of the year in movie-going and I thought it would be fun to give you my picks for the best of 2018 so far. Around the Oscars I do something called The Rachies so you might just consider this a mid-year Rachies. Let me know what your favorites areBest Picture Live Action-

Paddington 2- As far as I’m concerned this film is perfectly executed. Funny, sweet, heart-warming and delightful.

Best Picture Animation

Incredibles 2– A delightful Pixar sequel that is both a well done superhero movie and a treatise on how hard it is to be a parent

Best Actor in a Leading Role

Charlie Plummer for Lean on Pete– This is a film that has really stuck with me and Charlie Plummer is phenomenal as a homeless teenage orphan who is traveling America trying to save a special horse. There are scenes in this film that broke me and I haven’t been able to shake from my brain. Devastating but emotionally true and a lot of that goes to Charlie Plummer. He’s going to be a huge star.

Best Actress in a Leading Role

Thomasin McKenzie for Leave No Trace– Teenagers are giving the best performances of the year (I could have also picked Elsie Fisher for Eighth Grade). I debated about picking Leave No Trace as my best of the year because it is a film I saw at Sundance and has stayed with me all these months later. I love everything about it and Thomasin is incredible in her role. It’s amazing to see her begin to lovingly question her father and make some very tough choices.

Best Supporting Actor-

Hugh Grant for Paddington 2- I was trying to think of another film I could showcase but there really was nobody else close as a supporting performance to Hugh Grant in Paddington 2. He is so funny and obviously willing to make fun of his own reputation as a bit of a foppish actor. In a near-perfect movie he was the stand out.

Best Supporting Actress-

Emily Blunt for A Quiet Place- this might be considered a lead by some but I’d say she is supporting to John Krasiniski’s lead. What she manages to do without making a sound is so impressive and when she is trying to birth that baby it is so tense my nails were digging into the arm rests. It was the most invested I’ve been in a horror performance in a long time.

Best Cinematography-

Joshua James Richards for The Rider- I didn’t emotionally connect with this film the way I hoped I would but I still greatly admired it and thought it was stunning to look at. Richards and director Chloe Zhao have made the American prairie look both gorgeous and achingly lonely at the same time.

Best Production Design-

Adam Stockhausen for Isle of Dogs- I thoroughly enjoyed Wes Anderson’s quirky stop motion film but I loved the production design. The attention to detail was outstanding and I can’t wait to get the art book and find out how everything from the wall of glass to the Japanese political rallies were staged.

Hidden Gem-

Sgt Stubby: An American Hero- This sweet little indie animated film about a dog in World War 1 I will continue to champion and try to get everyone I know to see it. It did so many things right that so many animated films fail to do. It doesn’t have the dog talk. It gets the tone just about perfectly down. It shows enough war to be meaningful without traumatizing children. It is not a ra ra America film nor is it shaming the troops in any way. It was so sweet and inspirational without being maudlin. I LOVED it!

Best Documentary-

Won’t You Be My Neighbor- In many ways the documentary about Fred Rogers doesn’t reinvent the wheel. It has talking heads who reminisce about the subjects life and his impact on the world like many have done before. However, in a world of Me Too where every famous man seems to disappoint finding out Fred Rogers was just about as great as you thought he was meant a lot. Watching this movie was a reminder to be a little kinder. To love a little bit more easily and to accept people for who they are. It was so well executed and just what I needed (I’ve seen it twice!)

Best Comedy-

Game Night- Maybe it is just coming from a competitive family that likes to play games but I thought this movie was hilarious. I loved all of the performances and thought the cast had great chemistry together. I loved Kyle Chandler playing this near-do-well but slick brother (I’m so used to him in dramas like Manchester By the Sea). I loved scenes like when Jason Bateman is trying to clean blood off a dog. It was so funny

(Game Night is rated R so it won’t be for everyone

Best Visual Effects-

Ready Player One- the best visual effects for my money go to the Steven Spielberg and the team behind Ready Player One. They made a lot of changes from the book (which I LOVE) but one thing they got right was the look and feel of the Oasis. It was so immersive and stunning. The kind of place I would like to go if I could with details filling up the screen. Each set piece contained surprises (and not just call outs but visually interesting and beautiful things). The segment at the Shining was incredible but the whole movie looked great

Some Other Quick Awards-

Most Overrated- Annihilation- looks pretty but is basically a creature scares movie pretending to be a pretentious treatise on life. It has no idea what it is trying to say as it lays one message down after another. Stupidity wrapped in smart clothing

(I also didn’t like Peter Rabbit, Upgrade, Set it Up, or The Party as much as most)

Most Underrated- I Feel Pretty- a throwback to Penny Marshall movies from the 90s that everyone took WAY too seriously. It had its heart in the right place, and I appreciated what it was trying to say. I laughed and thought it was overall very sweet.

(I also liked Adrift, Book Club, I Can Only Imagine, Solo, and The Commuter more than most)

Biggest End of Movie Letdown- Avengers: Infinity War. Most of this movie was pretty entertaining and well done but then they had the ending that tries to get me to believe that a major studio is actually killing off their brightest and newest talents. Give me a break. Most people were crying and it kind of ticked me off. I HATE when directors think I am stupid and I’m not stupid enough to believe that Marvel is killing off Black Panther. Ugh

(The last 30 minutes of Tully was also extremely disappointing and frustrating!).

Biggest Disappointment- Wrinkle in Time- I love the novel and Ava DuVernay had all the pieces to make something great but instead made something that was muddled, confusing and full of speechifying. All the spirituality of the novel is taken away in favor of sermons that looked like part of a yoga retreat video and Meg was told she was a warrior instead of figuring that out for herself and saving Charles Wallace from IT because she knew how important he was to God. What a waste!

(I was also disappointed in Early Man and Ocean’s 8 was just Ok when I was hoping it would be great)

Worst Movies So Far-

Lu Over the Wall- Made me physically nauseated. Spastic and all over the place. The parts that do work are a copycat of Ponyo.

White Fang- Exploitative animal violence in a film aimed at children was jarring and went on for way too long. Also the animation and voice acting was hit and miss.

Gotti- Terribly made in every way but also wants you to believe the mafia are the true victims of authorities who won’t stop hounding them!

Pacific Rim: Uprising- I hated every inch of this nauseating blockbuster full of stupid and irritating characters that would not shut up

Ophelia- the most ridiculous attempt to turn Hamlet into a feminist mantra you could imagine. I was dying trying to hold my laughter in.

For more of my thoughts on some indie films check out the podcast I did with my friend Orla Smith

Talking Disney Episodes 1-4

Hey guys! I just wanted to let you know real quick that I have started a new podcast with  my friend Stanford. Each month we are selecting a Disney Canon film to talk about and give our analysis of its strengths and weaknesses. We just published our 4th entry in this podcast, and I’m proud of every last one of them. We are doing them in a random order to avoid the dead periods of a chronological rewatch. I would love your feedback as we are continually trying to improve. They are also available on Itunes and youtube at Rachel’s Reviews.

  1. Talking Cinderella

2. Talking The Great Mouse Detective- we had some technical difficulties in the last 20 minutes that impacted the sound quality but hopefully it is listenable

3. Talking Lady and the Tramp

4. Talking The Jungle Book

Pixar 40: Coco

I know I can hear you guys yelling at your screen ‘finally! She posts her review of Coco!’. It is long overdue, but I wanted to do it right because it is a movie that I loved. In fact, Coco was my favorite movie of 2017, and I saw nearly 150 new releases!

One of the great things that Disney has always done for little kids is help them understand the tough things of life. They have never been a studio that is satisfied to just make kids laugh. They took on themes of death, despair, frustration and anger in movies like Bambi, Dumbo, Lilo and Stitch and more. Pixar has also carried this torch with moving films like Up, Toy Story 3 Inside Out and Finding Nemo. Coco continues this proud tradition by being an important film about forgiveness, family and death. It is honest with children about the struggles of family life while still telling an engaging story with a likable protagonist.

Coco tells the story of a boy named Miguel who wishes to sing more than any thing else. Unfortunately his family is against singing and forbids him from entering a local talent show. On the Dia de los Muertos, Miguel decides to take the guitar from his grandfather Ernesto de la Cruz’s mausoleum to use in the show. This act of theft takes him into the World of the Dead where only his dead relatives can see him. He must get a blessing from a relative in order to return to the living and this is where the majority of our story lies. His dead relatives also hate music and want him to disavow it as part of their blessing. Then Miguel meets a man named Hector who is about to lose his spot in the Land of the Remembered unless his picture is placed on the offrenda.

In some ways Coco is predictable. We know that certain story beats are coming, but I thought they were executed really well and so they still worked for me. For example, when Ernesto proves to not be the person he is praised to be on earth it isn’t surprising but it still works because it feels surprising to Miguel. His response feels so genuine and sweet that it involves you into the story and his journey. I also love the way his relationship with Hector grows in a sweet and authentic way.

One of the things that has always bothered me about Bambi is we have this gut-wrenching scene of Bambi‘s Mother getting shot and then she is never talked about again. This is not a problem with Coco. The whole point of the movie is memories and how memories keep those we love alive in a tangible way. The song Remember Me tells us as much:

Though I have to say goodbye
Remember me
Don’t let it make you cry
For even if I’m far away I hold you in my heart
I sing a secret song to you each night we are apart

Remember me
Though I have to travel far
Remember me
Each time you hear a sad guitar
Know that I’m with you the only way that I can be
Until you’re in my arms again
Remember me

My Grandfather died in 2001 and to this day when I think of him I start to cry. I miss him now as much as I did those many years ago. There was never a person like him in my life and there will never another. When I remember it helps me feel him close by and that our love has power to make my life better.

Honoring and finding out more about our ancestry is something that is also a very important part of my religion so the themes of Coco really rang true for me. Miguel begins to understand this importance as he grows increasingly desperate to save himself and Hector. When he is pleading before Grandma Coco it is one of the most emotional moments I’ve had watching a film in a long time. Please Grandma Coco! Don’t forget!

The artistry in Coco is also phenomenal and I love that they introduced me to a whole new culture. Yes, I have seen The Book of Life but that didn’t feel as immersive in Mexican culture as Coco (partly because it is narrated by a white tour guide…). Everything from the marigold petals to the offrendas was moving, beautiful and interesting.

Fortunately, Coco is also very funny with wonderful skeleton gags that will definitely make you smile along Coco’s cute dog Dante getting into trouble. For people that thought The Good Dinosaur was too drab and Cars 2 was too silly, Coco gets the tone just right making it a joy to watch.

Some of Miguel’s family can be a bit off-putting but I think it is similar to the families in movies like Footloose or Dirty Dancing where they don’t want the children in their lives to grow up and make mistakes. They think they are protecting them when they are actually limiting their joy. This is why Miguel’s victory in the end has added meaning and power. He has come to know for himself who he is and what really matters in life- family, tradition, music and love.

In some ways Coco reminds me of Coraline. Both movies are about young children who must learn to love and forgive their imperfect families and go into a magical world that tempts them to throw off that family. They both must fight for who and what is right (and they are both visually stunning films to boot!). Miguel just like Coraline learns the value of a single human soul and once he understands that he will do anything to save Hector. It’s the connection with the Other that separates us from the animals and this connection continues after death with our memories. This is the message of Coco.

Coco is a triumph in every possible way. The message is beautiful. The animation is stunning. The music is touching. The look at Mexican culture is immersive and wonderful. It’s the last original film we will have from Pixar for a little while, and I am going to treasure it.

Overall Grade- A+

Modern Mouse Radio: Life Lessons of Disney Princesses

Hey guys! I hope you are all doing great! Most of you know that I have a little podcast called Rachel’s Reviews  that I am extremely proud of. If you aren’t subscribed you should be because I produce pretty engaging content, much of it focusing on Disney and animation. Well,  last week I had the tables turned and I got to be interviewed on a podcast for once!

Josh over at the Modern Mouse podcast asked me to join him and talk all about Disney Princesses both official and not quite canon. In particular, we asked the question ‘which of the ladies carry the most social change and the best life lessons.”

I personally think all of them can teach you something and be a good example for kids but it was great having the discussion with Josh.

https://itunes.apple.com/us/podcast/life-lessons-disney-princesses-modern-mouse-radio-185/id1118717435?i=1000404142734&mt=2

https://www.stitcher.com/podcast/network-1901/e/53506883

Hit Me With Your Best Shot: Parent Trap (1961)

This week for Hit Me With Your Best Shot Nathaniel over at the Film Experience has selected a film right up my alley- The Parent Trap (1961).  This is the original version of the movie. Not the superb remake starring Lindsay Lohan in 1998 (that’s how you do a remake right!).  I’m excited to talk about this film because I really do adore it.  It is one of my favorite live action Disney films.

The premise is simple enough. 2 girls meet at camp and surprise! They happen to look just like each other. It turns out they are twins separated at birth. Now they start up a scheme to switch places and bring their parents back together again. It’s not the most original story in the world but it is what they do with it that works so well. And most of the credit goes to the charismatic and wonderful cast. Hayley Mills is amazing as the twins. She gives them each individual personalities and manners of talking. Even when they have the same haircut and clothing I still know clearly who is Susan and who is Sharon.

I also love Maureen O’Hara and Brian Keith as the parents. They have terrific chemistry together and you buy these two people have always been in love with each other but have let their passionate natures keep them apart. I even love it when she ends up slugging him in the eye in one spirited argument. It feels believable for their characters that it might happen. Under all that fiestiness is of course passion and love for each other. It is classic!

The movie is also really funny. I love Maureen O’hara when she flirts it up with the local Reverend (Leo Carroll) come to go over wedding plans for Mitch and his fiance Vicky (Joanna Barnes). She is hilarious as she drives her ex crazy in front of the Reverend in a bath robe!

Vicky is a very stock gold digging horrible girlfriend you often see in romantic comedies. They can’t have her be too great or we won’t want him to get together with Maggie very much. However, here the trope works because they get a lot of humor out of it. I love when the girls submarine her on the camping trip because I could be equally spooked in the great outdoors. I hate camping and if bear cubs were licking my feet I would have words just like Vicky!

The beginning scenes at camp are also hilarious with the most epic sabotage in movies. I think every kid dreams of pulling those kind of pranks off at camp or with their friends. (I was never big into being pranked but I thought the idea of it was hilarious). It never becomes dour or depressing but is light and fun.

Now to my best shot. I realize this movie caused some controversy upon its release because many kids felt they could get their divorced parents back together. This is perhaps a strange testament to the effectiveness of the picture, but I think these complaints miss a key point of the film. Parent Trap isn’t saying all parents should get back together. Of course not. It is just saying THESE TWO PEOPLE should get back together.

As I said, Maureen O’Hara and Brian Keith have palatable chemistry together. They belong together. It’s as clear as day. The final scene when they talk and embrace is really well written, and I love when Mitch tells Maggie all the silly things he misses about her, and she tells him to wash the stew off of his shirt. It’s just great romantic comedy writing.

So, I picked this picture of the two smiling at each other.  This is why the movie works and why I love it.

BEST SHOT:

What do you think of Parent Trap 1961 or do you prefer the remake? Put in the comments section and what would be your best shot? Please share!

Overall Grade- A