[REVIEW] ‘A MAN CALLED OTTO’ or A Movie That Doesn’t Need To Exist but Still Works

I often hear people criticize a remake by saying ‘this movie doesn’t need to exist.’ What they are trying to say is ‘this movie has already been made well once so there’s no reason to make it again…’ and they aren’t wrong. Especially in an era where we have access to most of the originals (thank goodness such gimmicks like the Disney vault are gone!) It’s particularly scummy when the only reason to remake a film is because the original is a foreign film and Americans can’t be bothered to read subtitles…All that said, the unnecessary remake can still be a serviceable film that’s well put together. Both things can be true. Such is the case with today’s film A Man Called Otto.

If you follow my content you might know A Man Called Ove (the original title) is one of my favorite recent novels. The novelist Fredrik Backman is one of the best writers working today. He is so great at creating characters I care about and describing the human condition. A Man Called Ove is fantastic and his Anxious People is outstanding.

In 2015 a Swedish adaptation of the book entitled A Man Called Ove was released starring Rolf Lassgard and it is an excellent adaptation that was nominated for 2 Oscars. It’s widely accessible to American audiences and can be watched currently for free on the kanopy library movie app (it’s not some obscure or hard to find foreign film.)

A Man Called Otto' Review: Tom Hanks Learns Life Lessons - The New York Times

Now we have a new adaptation called A Man Called Otto starring Tom Hanks in the lead role. And all in all, despite feeling redundant, it’s a pretty good adaptation of this book. I admit I am a sucker for these kinds of grumpy old man redemption story movies, and I’d be lying if I said this one didn’t get to me, and I didn’t leave the theater wiping away some tears.

Hanks plays a grumpy old widower who’s sole purpose in life is monitoring the tenants of his little condo complex in Pittsburg. Nobody follows the rules well enough and everyone but Otto is an idiot that can’t get things right. However, what all the tenants don’t know is Otto has decided to end his life so that he can be with his wife who died the year before. Fortunately for him he meets a new neighbor Marisol (Mariana Trevino) who is up for whatever Otto can throw at her- even letting him teach her how to drive in a funny scene.

Hanks is a strange choice to play such a miserable character, but I suppose it helps the audience keep rooting for the character because he is such a likable presence. We also see flashbacks to his life with his wife (Truman Hanks plays young Otto) which helps endear us to the character.

Like I said, the redemption of a grumpy character (Up, Gran Torino, A Christmas Carol, As Good as it Gets…) is a favorite plot trope of mine in the movies. It will always get me crying and this did just that. Maybe it’s because I had a grumpy Grandpa who never came around, but I like to believe there is that potential in every one of us. It’s a very hopeful message I never tire of.

If you are triggered by suicide than A Man Called Otto won’t be for you, but I found it quite moving- even if it is unnecessary. You can totally stay at home and watch the original on kanopy, but if you do go out to see this new version, I bet you’ll have a good time and leave feeling uplifted. It’s a movie with a message that we can reach out and help even the most surly of neighbors and it will all turn out for the best. Maybe that’s a story worth telling…even twice?

6 out of 10

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Current Mini Reviews (X and Pearl, White Noise, Aftersun, Babylon, Something from Tiffany’s)

Hey everyone! I hope you are all doing well. I have been overwhelmed with movie-watching lately, which isn’t a big surprise with my career as a film critic and Christmas movie podcaster (check out Hallmarkies Podcast for reviews of all the holiday films!). It’s just hard this time of year because I have over 100 Christmas movies to watch plus all the awards screeners so I can vote in the critics groups I’m a part of (HCA, UFCA, OAOFFC). I usually watch at least 4 movies every single day! Plus I’m also reviewing live theater for UTBA  and writing reviews, editing podcasts and videos…the list goes on. Sometimes it doesn’t seem like there is enough hours in the day!

Anyway, I have a bunch of Oscar screeners to update you all on. I wish I could write long reviews on all of these but alas a mini review will have to do:

Something from Tiffany’s

I must admit I didn’t love the plot of Something From Tiffany’s which you can watch over on Amazon Prime. It’s one of my least favorite of the romantic comedy tropes when the script forces people into emotional cheating to find love. That’s the case here with Kendrick Sampson and Ray Nicholson getting their Tiffany bags swapped- one bag that has an engagement ring causing all kinds of confusion.

Fortunately the movie still manages to work because of the charm of star Zoey Deutch and her terrific chemistry with Sampson. I just wish they had found another way for them to get to know each other than both cheating on their significant others. It makes it hard to root for the characters or their romance. Deutch certainly knows how to rock a red lip nd after Set It Up (which is a lot better) she may be our next rom-com star.

6 out of 10

Smile Worthy

X and Pearl

X Movie Killer Pearl Backstory Explained

If you have followed my site for any period of time you know I’m not the biggest horror person but I have been trying to expand my palate in recent years. Since they seemed like important films from this year I finally watched Ti West’s new films X and Pearl and overall I was impressed with them. They have a unique perspective, are very well made and Mia Goth is outstanding in both.

I am not going to give a score to X because I fast forwarded through some of the porn scenes and I only review films I’ve completely watched but I watched enough to say it is a well made slasher with atmosphere and entertaining “kills”/scary sequences.

Pearl I did watch in totality so I can give a review. This is a very effective prequel, giving us the backstory of how the Pearl in X became a serial killer. It’s all wrapped up in old-school dreams of Hollywood with fantastical sequences and a monologue that should (but probably won’t) give Goth an Oscar nomination. Pearl is definitely one of the most memorable movies of 2022, and I’m glad I saw it.

Pearl gets an 8 out of 10

Smile Worthy

Toxic Impulses

Toxic Impulses (2022) - IMDb

This one is a micro-budget indie crime noir film that does a lot with a little. Writer and director Kyle Schadt puts together an impressive thriller with almost no budget that can rival or even top the entertainment value of the big budget films we are seeing out of Netflix and Amazon. It tells the story of a man named Mosley (Benedikt Sebastian) who meets a woman named Zemira (Olivia Buckle) who unbeknownst to him is a bank robber on the run. Quite unwittingly he becomes involved in her affairs and everything gets crazy as they evade the law.

There are obviously some elements of the movie where you can feel the low budget but nothing that kept me from having a good time. If you like an edgy independent thriller where people are clearly trying to make something special give Toxic Impulses a try.

6 out of 10

Smile Worthy

White Noise

White Noise Trailer Shows Adam Driver and Greta Gerwig Trying to Survive

White Noise is one of those movies I feel torn on. On one hand it has some very entertaining characters and moments. On the other hand, the plot is messy and I don’t understand why they needed to make Adam Driver’s character a Hitler studies expert. I realize that’s how he is in the novel but maybe in the novel they give a compelling reason (not that there is a good reason to be a Hitler studies expert). It just felt like such a strange choice.

Written and directed by Noah Baumbach, I could feel him working out COVID and quarantine through this movie. The premise is a  disaster (‘airborne toxic event) has caused the Gladney family to evacuate. Each of them grapples with this new reality in their own way until the disaster becomes literal and metaphorical for this family.

Like I said, I’m torn where to rate this one. (Stay around for the fun credits sequence)

5 out of 10

Frown Worthy

After Sun

Aftersun (2022) - IMDb

On my podcast, The Criterion Project, we have a pretentiousness scale where we rate how artsy or difficult to grasp the film we are talking about it (a thing that happens a lot on Criterion.) A lot of A24 films the rating would be quite high as they tend to have films outside of the mainstream. Their latest, Aftersun, definitely qualifies as pretentious in its pacing and lack of plot but it’s also quite mainstream in its sweet and endearing nature.

It’s a simple movie about a father and daughter who spend a holiday at a rundown resort in Turkey . Like I said, it doesn’t have much plot but the 2 lead performances are very likable and sweet and you find yourself rooting for this pair. I honestly could have used a little more story but its definitely a strong debut for writer director Charlotte Wells. I think if you are open to slice of life films at all you’ll enjoy Aftersun.

7 out of 10

Smile Worthy

Babylon

Damien Chazelle's Babylon Trailer Is Full Of Drugs, Big Dreams And A Dancing Brad Pitt | Movies | Empire

I’ve never been as in love with Damien Chazelle as a lot of my friends are. I haven’t hated any of his films but they’ve all left me wanting particularly in the character development area. Now we have Babylon and this is even more the case here! Babylon is an unending parade of supposed excitement that instead becomes dull and predictable.

The film is mostly madness but I guess it’s about a bunch of people who are struggling to transition between silent films and talkies. I say I guess because the plot is barely there. Instead you get 188 minutes of cocaine fueled parties that feels like it will never end. Even the great cast like Brad Pitt, Margot Robbie, Jean Smart and Tobey Maguire cant make this film coherent and fun. It’s truly exhausting and I hated watching it.

3 out of 10

Frown Worthy

There you go! Let me know what you thought of these films. It’s certainly an eclectic group

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[REVIEW] ‘Avatar: The Way of Water’ or The Most Awe Inspiring Refugee Story Ever

Unlike most people I don’t remember the first Avatar merely for its astonishing visuals. No, my experience was more unique because it was actually the first movie I ever got evacuated from the theater in the middle of watching it. I was in California visiting my family, who lived there at the time, and went with my brother to see Avatar. In the middle of the movie the fire alarm went off and we were asked to evacuate the building. I think there was an actual fire in the kitchen area because they gave us a coupon to come back and see the rest of the movie, which I eventually did, and we left the theater.

I mention this experience only to say I have a nostalgia for the first film that most don’t have. It was a very memorable time at the theater! Anyway, as far as the actual movie Avatar goes I think it’s fine. It’s one of those movies that has been called overrated so much it’s actually become a little underrated. The visuals are outstanding and the story is serviceable. My main problem with it is it is too long for the love story it services. It’s often compared to Pocahontas and Fern Gully but both of those movies are under 90 minutes! This one stretches out to 162 minutes, which exposes its story problems and other weaknesses.

Now after 13 years of waiting James Cameron has finally given us a sequel with Avatar: The Way of Water. Like the original it is too long and bloated but its story resonated with me so much more this time. It still has the amazing visuals (and you all know I’m a sucker for the ocean so I loved all the water scenes!) but instead of a trite romance we have a beautiful story about family and surprisingly the refugee experience.

The sequel starts with Jake (Sam Worthington) and Neytiri (Zoe Saldana) raising their family of 4 kids in Pandora. Their paradise is interrupted when the “sky people” attack and Jake and his family are forced to take refuge with the Metkayina or water clan led by Tonowari (Cliff Curtis) and Ronal (Kate Winslet).

As we experience the astonishing visuals (truly astonishing) we also grow to love and care for this family and watch as they attempt to fit in with the Metkayina, defend their new home and get to know the beautiful whale creatures that are also under attack. I found the whole thing to be powerful and moving.

Like I said, Avatar: the Way of Water is too long and particularly the fight sequences start to drag. Anytime they go back to the ”sky people” with Edie Falco and Stephen Lang it begins to lose me.

Fortunately those moments didn’t last long and they would quickly come back to the family I cared about.

For the most part I’ve found the Oscar contenders this year to be underwhelming. So I was as surprised as anyone with how much I liked Avatar: the Way of Water. It truly was an astonishing cinematic experience I won’t soon forget.

9 out of 10

Smile Worthy

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Current Mini Reviews (Devotion, Food and Romance, The Whale, All Quiet on the Western Front, An American Ballet Story)

Hey everyone! I am back to give you my thoughts on a bunch of recent movie releases. I wish I could do longer reviews on all of these but that isn’t possible. Here we go:

Devotion

Movie "Devotion" filmed in Statesboro opens at AMC Statesboro Nov. 22

Not every film is a masterpiece. In fact, most aren’t. Most are base hits instead of homeruns. Devotion is a perfect example of a base hit. It tells the heart-tugging story of Korean War hero Jesse Brown who was the first Black aviator in Navy History. He is played by Jonathan Majors who perfectly captures the confidence yet awkwardness of the character. This is especially true when compared with his suave wingman and friend J.D. Dillard played by Glen Powell (despite the similar career the role is actually quite different than his aviator in Top Gun Maverick.)

Devotion definitely drags in the middle as the pilots get to know one another on both sea and land (they spend a day flirting with Elizabeth Taylor at one point in the script.) It picks up towards the end as we know things are likely not going to go well for our soldiers but it earns its emotions, is well made and acted and for a conflict we don’t know much about I’m glad I saw it.

6 out of 10

Smile Worthy

Food and Romance

Tisdagsklubben - Bio.nu

Next on the docket comes out of Sweden and is a really sweet, pleasant romance called Food and Romance. Like Devotion, this doesn’t do anything new or exciting but what it does, it does well. It stars Marie Richardson as Karin who after 40 years of marriage ends up single and alone. To keep her spirits up she decides to take a cooking class, which is led by a grumpy unhappy chef named Henrik (Peter Stormare).

Of course they start up not liking each other but their bond grows as they cook together. That’s a very romantic concept and the 2 leads have lovely chemistry. The other classmates and friends are a lot of fun and it all makes for a delightful story of second chance romance.

7 out of 10

The Whale

The Whale' Review: Brendan Fraser in Darren Aronofsky's Film - Variety

I think most of America is rooting for Brendan Frasier. I don’t know all the details but it seems like he was bullied out of Hollywood, faced hard times and is working his way back into films. He certainly has received loads of praise for Darren Aronfsky’s The Whale, and will probably be nominated for an Oscar for his performance, which is great. I’m happy for him.

That said, I did not enjoy The Whale. His performance is fine and honestly not as fat shamey as I feared. He tries to bring humanity to the 500 lb man named Charlie he plays in the film. Unfortunately the script surrounds him with people who are so mean that it becomes a frustrating experience.

I particularly hated Sadie Sink as his miserable, angry teenage daughter. I understand being a teenager is tough but so often they are portrayed as practical robots to their rage especially here. Any humanity to her character mostly feels imagined by Charlie more than a real attribute to her character.

The whole experience of watching The Whale was excruciating and it felt like it would never end. No thanks.

2 out of 10

Frown Worthy

All Quiet on the Western Front

All Quiet on the Western Front' Review: The Spectacle of War - The New York  Times

Coming from Germany onto Netflix we have the latest telling of the novel All Quiet on the Western Front. It’s been a while since I read the book or saw the 1930 classic but this new version can still stand alone as a worthy adaptation. It’s a brutal watch that I’m not sure we needed but it’s certainly one of the most well made of any of the Oscar contenders I’ve seen.

The movie follows Paul Bäumer as he and his buddies join up for World War 1 with excitement and even glee. Quickly they learn what they have gotten themselves into and each dies one by one in the most brutal of all the conflicts (it must have been intense to watch the 1930 version when it was all so fresh in their minds.)

There isn’t much relief from the brutality of war here and like I said I’m not sure this gives us anything we haven’t seen before in movies like 1917 just a few years ago. Still it’s a harrowing reminder of the horrors of war and quite masterfully put together.

7 out of 10

Smile Worthy

An American Ballet Story

May be an image of 10 people, people standing and indoor

I’m a sucker for documentaries about art and artists. Even if others find them dry I like learning about creative minds and what goes into their artistic process. That’s essentially what we get with An American Ballet Story. It’s a documentary that tells the story of the Harkness Ballet and its founder Rebekah Harkness that changed the world of dance in the 1960s.

A documentary like this is somewhat constrained by the footage they have to use (and archival interviews they can find) and that is the case here. A lot of the images are grainy and not as clear of the dancers as we’d like to see but director Leslie Streit gets enough personal stories to keep the narrative going.

If you have any interest in dance or the arts you will enjoy this informative documentary.

6 out of 10

Smile Worthy

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[REVIEW] ‘THE FABELMANS’ or I’m Sorry Steven Your Story Didn’t Work for Me

Reviewing a movie like The Fabelmans is challenging because it’s clearly coming from such a personal loving place. It feels weird to be criticizing someone’s journey and basically saying ‘your story didn’t work for me.’ Alas, that is my job and what I have to do for this review of Steven Spielberg’s sentimental tale based on his own adolescence: The Fabelmans. I respect the effort and it has nice moments but as a whole the film rang flat and most of the endearing sections felt phony and inauthentic rather than moving.


The Fabelmans begins with young Sammy becoming inspired by a trip to the theater to see Cecil B. DeMille’s The Greatest Show on Earth. In particular, a train crash sequence blows Sammy’s mind and he asks for a train set for Hanukkah so he can attempt to recreate it using his Dads super 8 camera.

Sammy has a computer programming father (Paul Dano), an eccentric composer mother (Michelle Williams) and 2 sisters. He also has a friend of the family “uncle” Bennie (Seth Rogan) who both his Mother and Father seem equally attached to. We then follow the family in its highs and lows throughout Sammy’s childhood until he graduates high school and goes to work in Hollywood.

The best section of the movie happens at the end when Sammy gets to meet with director John Ford played by director David Lynch. He gives the young filmmaker some very sage advice on what makes an image art and how to turn a scene into true cinema.

Unfortunately there was far too few of these compelling scenes. Frequent Spielberg collaborator Janusz Kaminski shoots everything in nostalgic sepia tones, which is sweet, but I would have liked to see the cinematography change as the decades wear on. It all felt a little samesies after a while.

Also I found Williams’ performance to be especially phony. It almost came across as a Mother version of the ‘manic pixie dream girl’ rather than someone with a legit mental illness that needs help. She’s the perky one who believes in him instead of a real authentic human being.

Perhaps Spielberg was too close to this material to give it the nuanced script and direction it deserves? But then again most people seem to be loving it so what do I know? I thought I would love it because I love cheesy, wholesome films but I did not.

If you want something sweet and nostalgic from this year I recommend Apollo 10 1/2: A Space Age Childhood. That worked so much better at creating authentic characters and moments I could relate with despite having grown up in the 80s rather than the 60s. I did enjoy the original score from John Williams in The Fabelmans and I think Sam Rechner and Oakes Fegley were strong as 2 of Sammy’s high school classmates. Other than that, this sentimental journey wasn’t for me.

5 out of 10

Frown Worthy

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[REVIEW] ‘Black Panther: Wakanda Forever’ or How to Say Goodbye to a King

There are so many factors going against the latest installment in the MCU, Black Panther: Wakanda Forever that it’s remarkable it works as well as it does. Even without star Chadwick Boseman’s tragic passing in 2020, following up the beloved original which received a Best Picture nomination at the Oscars would have been no small feet. Rewriting the script to appropriately acknowledge the tragedy naturally made it even more difficult. Fortunately, while not perfect, the folks at Marvel have presented us with a beautiful story about how we overcome the grief life provides and accept the mantle of leadership when it is asked of us. Black Panther 2 release date & trailer - Geeky Gadgets

One of the best things about the original Black Panther is the clear motivations for the characters. We understand why Kilmonger wants Wakanda to be more brazen and bold in eliminating hatful governments from the world, but we also understand why T’Challa and his Father want to remain neutral to evil and protect the vibranium and other resources in their land.

Now with T’Challa’s passing the nation is reeling with grief while at the same time trying to figure out what is the best step forward. I’ve heard some call this “woke” or “political”, which I find confusing. Of course it’s political. It’s about the leader of a nation- a political role. At the beginning of the film T’Challa’s Mother and successor Queen Ramonda speaks at the UN to try and point out the hypocrisy of the many nation-states who demand action from Wakanda while stealing the resources and people of poorer nations.

One such example is a nation of merpeople led by a classic Marvel villain Namor (Tenoch Huerta, who is great in the role) who is trying to defend his nation, Talokan, from these marauders and thieves. Like Kilmonger he sees Wakanda as an enemy of change- an isolationist country that refuses to stand up to these powerful forces trying to take away his land. They clash and it forces young Shuri (T’Challa’s sister) to decide what kind of leader she wants to be.

All of this works and is a compelling story with good acting. I particularly enjoyed the first and third act of the film and the emotional gravitas director Ryan Coogler and the actors bring to the screen. The music is also very moving and well done by Ludwig Göransson, returning from his Oscar winning score from the first film.

That said, there are some issues with the film. I did feel like some of the cinematography was dark and difficult to make out what was being seen. I actually don’t love our local IMAX and so I figured it had to do with my particular screen but I’m hearing that others experienced this too so it seems like a problem.

Also there are times the screenplay gets a bit muddled particularly in the 2nd act. There are a lot of plotlines going on and some are hard to follow especially anything with Julia Louis-Dreyfus and Martin Freeman. Lupita Nyong’o is absolutely gorgeous in her scenes but they felt like more a part of the wider MCU building than for the story of Wakanda Forever. Dominque Thorne is introduced as Riri Williams/Ironheart and while I enjoyed her performance it also felt wedged in to serve the overall MCU and not this particular movie itself.

I loved any scene with Danai Gurira as Okoye. She’s rapidly turning into one of my favorite characters in the MCU and I get excited whenever she turns up whether it be in anything from  Avengers: Endgame to the What If series. Angela Bassett is excellent and Letitia Wright is outstanding as Shuri who has to grieve and make important decisions in the movie and I completely bought her character transformation by the end- literal and figurative.

It is these character transformations which will determine what you get out of Black Panther: Wakanda Forever. If you need it to be a perfect movie than you’ll be disappointed. However, if you want an emotional journey for characters a lot of us have grown to care about than it more than suffices. It’s strengths certainly make up for its flaws.

There is a mid-credits scene but no post-credits, and there is also a surprise cameo I really loved but won’t spoil for you. Enjoy!

7 out of 10

Smile Worthy

 

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Current Mini Reviews (Murder Anyone, Empire of Light, My Father’s Dragon)

Hey everyone! I hope you are all doing well and enjoying this fall weather. I am super busy as usual. Make sure to check out the Hallmarkies Podcast as the Christmas movie season is well underway. We are reviewing all the Hallmark Christmas movies and as much of everything else as we can. 

I also have lots of other movies to talk about and review. Today I have 3 recent films to catch you up on. I wish I could do longer reviews on each one of them but am running out of time

So here goes:

Empire of Light

It’s hard to not hold a movie like Empire of Light to a high standard when it is chocked full of incredible talent. It’s one of those tribute to cinema we’ve been getting a lot lately from director Sam Mendes and you can feel his personal touch throughout the film. It also is shot beautifully by the great Roger Deakins and has an impactful score from Trent Reznor and Atticus Ross.

Add to all that some of greatest actors working today with Olivia Colman and Colin Firth and this thing should be outstanding but unfortunately it’s not. The screenplay has nice moments including a lovely scene at the movie theater at the end but too often the scrip tries to do too much and be too much. It’s part romance, part political protest, part tribute to cinema, part exploration of mental health stigmas, and the list goes on and on. None of it feel successfully explored despite the best work from all involved. I certainly didn’t feel any chemistry between Olivia Colman and Michael Ward (who plays her young lover.)

There might be a few Oscar nominations that sneak out of this for score or production design but most are going to view this as on of the big disappointments of 2022.

4 out of 10

Frown Worthy

Murder, Anyone

Sometimes I really enjoy a micro-indie film. I love the intimacy and the pull up by one’s bootstraps mentality to them. A fun example of this type of project is the new film Murder, Anyone from director James Cullen Bressack takes a screenplay written by his father the late Gordon Bresseck and executes it using 2 simple sets and mostly only 4 actors.

One set-piece has 2 writers (Maurice LaMarche and Charles M. Howell IV) working on a story- one wants it to be a movie, the other wants it to be a play. Then on another set we have the actors of the script (Galadriel Stineman who I recently interviewed along with her husband Kevin Joy) bringing it to life as the writers write.

Stineman is a lot of fun as the noir femme fatale and especially with the recent mystery resurgence the satire here is very relevant and funny. The movie also doesn’t wear out its welcome at only 81 minutes. Not all the jokes work but enough do for me to recommend the film.

6 out of 10

Smile Worthy

My Father’s Dragon

Everyone who follows my work knows I’m a huge fan of Cartoon Saloon especially the films by Irish animator Tomm Moore. However, I also enjoyed director Nora Twomey’s first film The Breadwinner. Now she has her latest that is going to Netflix called My Father’s Dragon.

As opposed to The Breadwinner, Dragon is a much simpler story with whimsy that will entertain the whole family, but seems designed for small children under 7. It is based on a book about a little boy named Elmer who runs away to Wild Island to help a captive dragon.

The animation is luminous and lovely. I also really enjoyed the music by Mychael and Jeff Danna. Cartoon Saloon always uses music so well. There is tremendous voice cast with Jacob Tremblay, Gaten Matarazzo, Whoopi Goldberg and more.

For some small children they may find sections alarming or upsetting but this should be managed by the many delightful scenes that will inspire their creativity and imagination.

I enjoyed Elmer as a character and a lot of children should be able to relate to his struggles trying to fit in in a new area and wanting to prove himself with a great adventure. The story does drag in spots but overall I really enjoyed My Father’s Dragon. It is an enchanting adventure for families and one of the best animated films of 2022

8.5 out of 10

Smile Worthy

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[REVIEW] ‘WENDELL & WILD’ or a Wildly Disappointing Film from Henry Selick

Everyone knows how much I love stop motion and I consider myself a big fan of director Henry Selick (Coraline, The Nightmare Before Christmas etc). So it gives me no joy to say I was not a fan of the director’s recent film Wendell & Wild. It is definitely the biggest disappointment of 2022 as we have waited 13 years since his last feature film, making this a big letdown.

On the positive side there are moments of fantastic animation and creativity. The lead protagonist Kat also has some sweet and endearing moments where you are rooting for her and feel her pain losing her parents in a traumatic fashion.

The problem is the narrative feels fragmented between Kat and the demon duo of Wendell and Wild (Keegan-Michael Key, Jordan Peele). One minute you are dealing with Kat and her struggles with mean girls at school and the next you are lost on a plot involving bad people extorting slave labor from prison populations. The story wasn’t built well getting you invested in Kat and her story because it was constantly moving away from her.

I also didn’t love the animation like I thought I would. Yes all of Selick’s movies have been dark but they still had a charm to them. These characters needed to be cuter, more endearing. Kat was really the only design I liked. I particularly did not enjoy the design of Father Bests (James Hong) both before and after his demonic transformation.

The film also uses CG a lot more than Selick’s other films giving the world-building a plastic-like feel as opposed to the attention to detail and awe of usual stop motion. Someone on twitter challenged me on this saying the animation flowed very well and my response was ‘almost too well.” It didn’t have that earthy grounded feeling of stop motion that I love. Even though I know a lot of it was puppets it felt like it was from a computer.

I have seen a lot of animation fans glowing about this film, and I wish I could join them. It simply didn’t work for me and, like I said, is a big disappointment. Oh well. You win some. You lose some! Wendell & Wild is available now on Netflix so watch it and let me know what you think.

4 out of 10

Frown Worthy

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[REVIEW] ‘BLACK ADAM’ or Who Stole The Rock’s Charisma?

I’m sure the actor Dwayne Johnson (aka The Rock) will despise me after I write this review for his new film Black Adam, but I actually really enjoy him and his presence as a celebrity. I’ve followed him on instagram for years and have always found him to be charming and endearing as a public figure.

So imagine my surprise when I saw his latest film from DC Films and Warner Brothers and all that charisma has been sucked out leaving a bland shell of the man I’ve enjoyed for years. Others seem to be enjoying this film more than I did, but I found it to be completely inert and lifeless, especially his character.

It’s a real shame to because I actually love the whole cast. I’m a big fan of Sarah Shahi, and she’s given nothing interesting to do. I love Noah Centineo and think he is going to be a big star, but he’s barely-used comic relief,  and Pierce Brosnan can be wonderful but he feels like a warmed-over imitation of what Benedict Cumberbatch is doing in Doctor Strange.

The only performance that stood out is Aldis Hodge as Hawkman. He is given some diversity of expression. Not just constantly stoic and bland like Black Adam. He can be light and engaging with Centineo’s Atom Smasher but he can also be serious, even tragic in other scenes.

The villain is completely forgettable. I only saw it a few weeks ago and can remember little but a devil-like creature. They even have Black Adam off screen for a large portion at the end which is bizarre because that’s when e are supposed to be getting invested in his story.

There is some fun action but nothing I haven’t seen a million times before and the score by Lorne Balfe was surprisingly weak.

If I had never seen a comic book movie I guess I’d be impressed by some aspects of Black Adam but as far as developing characters in interesting ways and using its cast effectively it massively fails. If you like it than knock yourself out. Why do you care what I think?

4 out of 10

Frown Worthy

There is a mid-credit scene which is fun and made me smile

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