[REVIEW] ‘Black Panther: Wakanda Forever’ or How to Say Goodbye to a King

| Rachel's Reviews

There are so many factors going against the latest installment in the MCU, Black Panther: Wakanda Forever that it’s remarkable it works as well as it does. Even without star Chadwick Boseman’s tragic passing in 2020, following up the beloved original which received a Best Picture nomination at the Oscars would have been no small feet. Rewriting the script to appropriately acknowledge the tragedy naturally made it even more difficult. Fortunately, while not perfect, the folks at Marvel have presented us with a beautiful story about how we overcome the grief life provides and accept the mantle of leadership when it is asked of us. Black Panther 2 release date & trailer - Geeky Gadgets

One of the best things about the original Black Panther is the clear motivations for the characters. We understand why Kilmonger wants Wakanda to be more brazen and bold in eliminating hatful governments from the world, but we also understand why T’Challa and his Father want to remain neutral to evil and protect the vibranium and other resources in their land.

Now with T’Challa’s passing the nation is reeling with grief while at the same time trying to figure out what is the best step forward. I’ve heard some call this “woke” or “political”, which I find confusing. Of course it’s political. It’s about the leader of a nation- a political role. At the beginning of the film T’Challa’s Mother and successor Queen Ramonda speaks at the UN to try and point out the hypocrisy of the many nation-states who demand action from Wakanda while stealing the resources and people of poorer nations.

One such example is a nation of merpeople led by a classic Marvel villain Namor (Tenoch Huerta, who is great in the role) who is trying to defend his nation, Talokan, from these marauders and thieves. Like Kilmonger he sees Wakanda as an enemy of change- an isolationist country that refuses to stand up to these powerful forces trying to take away his land. They clash and it forces young Shuri (T’Challa’s sister) to decide what kind of leader she wants to be.

All of this works and is a compelling story with good acting. I particularly enjoyed the first and third act of the film and the emotional gravitas director Ryan Coogler and the actors bring to the screen. The music is also very moving and well done by Ludwig Göransson, returning from his Oscar winning score from the first film.

That said, there are some issues with the film. I did feel like some of the cinematography was dark and difficult to make out what was being seen. I actually don’t love our local IMAX and so I figured it had to do with my particular screen but I’m hearing that others experienced this too so it seems like a problem.

Also there are times the screenplay gets a bit muddled particularly in the 2nd act. There are a lot of plotlines going on and some are hard to follow especially anything with Julia Louis-Dreyfus and Martin Freeman. Lupita Nyong’o is absolutely gorgeous in her scenes but they felt like more a part of the wider MCU building than for the story of Wakanda Forever. Dominque Thorne is introduced as Riri Williams/Ironheart and while I enjoyed her performance it also felt wedged in to serve the overall MCU and not this particular movie itself.

I loved any scene with Danai Gurira as Okoye. She’s rapidly turning into one of my favorite characters in the MCU and I get excited whenever she turns up whether it be in anything from  Avengers: Endgame to the What If series. Angela Bassett is excellent and Letitia Wright is outstanding as Shuri who has to grieve and make important decisions in the movie and I completely bought her character transformation by the end- literal and figurative.

It is these character transformations which will determine what you get out of Black Panther: Wakanda Forever. If you need it to be a perfect movie than you’ll be disappointed. However, if you want an emotional journey for characters a lot of us have grown to care about than it more than suffices. It’s strengths certainly make up for its flaws.

There is a mid-credits scene but no post-credits, and there is also a surprise cameo I really loved but won’t spoil for you. Enjoy!

7 out of 10

Smile Worthy

 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

Current Mini Reviews (Murder Anyone, Empire of Light, My Father’s Dragon)

| Rachel's Reviews

Hey everyone! I hope you are all doing well and enjoying this fall weather. I am super busy as usual. Make sure to check out the Hallmarkies Podcast as the Christmas movie season is well underway. We are reviewing all the Hallmark Christmas movies and as much of everything else as we can. 

I also have lots of other movies to talk about and review. Today I have 3 recent films to catch you up on. I wish I could do longer reviews on each one of them but am running out of time

So here goes:

Empire of Light

It’s hard to not hold a movie like Empire of Light to a high standard when it is chocked full of incredible talent. It’s one of those tribute to cinema we’ve been getting a lot lately from director Sam Mendes and you can feel his personal touch throughout the film. It also is shot beautifully by the great Roger Deakins and has an impactful score from Trent Reznor and Atticus Ross.

Add to all that some of greatest actors working today with Olivia Colman and Colin Firth and this thing should be outstanding but unfortunately it’s not. The screenplay has nice moments including a lovely scene at the movie theater at the end but too often the scrip tries to do too much and be too much. It’s part romance, part political protest, part tribute to cinema, part exploration of mental health stigmas, and the list goes on and on. None of it feel successfully explored despite the best work from all involved. I certainly didn’t feel any chemistry between Olivia Colman and Michael Ward (who plays her young lover.)

There might be a few Oscar nominations that sneak out of this for score or production design but most are going to view this as on of the big disappointments of 2022.

4 out of 10

Frown Worthy

Murder, Anyone

Sometimes I really enjoy a micro-indie film. I love the intimacy and the pull up by one’s bootstraps mentality to them. A fun example of this type of project is the new film Murder, Anyone from director James Cullen Bressack takes a screenplay written by his father the late Gordon Bresseck and executes it using 2 simple sets and mostly only 4 actors.

One set-piece has 2 writers (Maurice LaMarche and Charles M. Howell IV) working on a story- one wants it to be a movie, the other wants it to be a play. Then on another set we have the actors of the script (Galadriel Stineman who I recently interviewed along with her husband Kevin Joy) bringing it to life as the writers write.

Stineman is a lot of fun as the noir femme fatale and especially with the recent mystery resurgence the satire here is very relevant and funny. The movie also doesn’t wear out its welcome at only 81 minutes. Not all the jokes work but enough do for me to recommend the film.

6 out of 10

Smile Worthy

My Father’s Dragon

Everyone who follows my work knows I’m a huge fan of Cartoon Saloon especially the films by Irish animator Tomm Moore. However, I also enjoyed director Nora Twomey’s first film The Breadwinner. Now she has her latest that is going to Netflix called My Father’s Dragon.

As opposed to The Breadwinner, Dragon is a much simpler story with whimsy that will entertain the whole family, but seems designed for small children under 7. It is based on a book about a little boy named Elmer who runs away to Wild Island to help a captive dragon.

The animation is luminous and lovely. I also really enjoyed the music by Mychael and Jeff Danna. Cartoon Saloon always uses music so well. There is tremendous voice cast with Jacob Tremblay, Gaten Matarazzo, Whoopi Goldberg and more.

For some small children they may find sections alarming or upsetting but this should be managed by the many delightful scenes that will inspire their creativity and imagination.

I enjoyed Elmer as a character and a lot of children should be able to relate to his struggles trying to fit in in a new area and wanting to prove himself with a great adventure. The story does drag in spots but overall I really enjoyed My Father’s Dragon. It is an enchanting adventure for families and one of the best animated films of 2022

8.5 out of 10

Smile Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

[REVIEW] ‘WENDELL & WILD’ or a Wildly Disappointing Film from Henry Selick

| Rachel's Reviews

Everyone knows how much I love stop motion and I consider myself a big fan of director Henry Selick (Coraline, The Nightmare Before Christmas etc). So it gives me no joy to say I was not a fan of the director’s recent film Wendell & Wild. It is definitely the biggest disappointment of 2022 as we have waited 13 years since his last feature film, making this a big letdown.

On the positive side there are moments of fantastic animation and creativity. The lead protagonist Kat also has some sweet and endearing moments where you are rooting for her and feel her pain losing her parents in a traumatic fashion.

The problem is the narrative feels fragmented between Kat and the demon duo of Wendell and Wild (Keegan-Michael Key, Jordan Peele). One minute you are dealing with Kat and her struggles with mean girls at school and the next you are lost on a plot involving bad people extorting slave labor from prison populations. The story wasn’t built well getting you invested in Kat and her story because it was constantly moving away from her.

I also didn’t love the animation like I thought I would. Yes all of Selick’s movies have been dark but they still had a charm to them. These characters needed to be cuter, more endearing. Kat was really the only design I liked. I particularly did not enjoy the design of Father Bests (James Hong) both before and after his demonic transformation.

The film also uses CG a lot more than Selick’s other films giving the world-building a plastic-like feel as opposed to the attention to detail and awe of usual stop motion. Someone on twitter challenged me on this saying the animation flowed very well and my response was ‘almost too well.” It didn’t have that earthy grounded feeling of stop motion that I love. Even though I know a lot of it was puppets it felt like it was from a computer.

I have seen a lot of animation fans glowing about this film, and I wish I could join them. It simply didn’t work for me and, like I said, is a big disappointment. Oh well. You win some. You lose some! Wendell & Wild is available now on Netflix so watch it and let me know what you think.

4 out of 10

Frown Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

[REVIEW] ‘BLACK ADAM’ or Who Stole The Rock’s Charisma?

| Rachel's Reviews

I’m sure the actor Dwayne Johnson (aka The Rock) will despise me after I write this review for his new film Black Adam, but I actually really enjoy him and his presence as a celebrity. I’ve followed him on instagram for years and have always found him to be charming and endearing as a public figure.

So imagine my surprise when I saw his latest film from DC Films and Warner Brothers and all that charisma has been sucked out leaving a bland shell of the man I’ve enjoyed for years. Others seem to be enjoying this film more than I did, but I found it to be completely inert and lifeless, especially his character.

It’s a real shame to because I actually love the whole cast. I’m a big fan of Sarah Shahi, and she’s given nothing interesting to do. I love Noah Centineo and think he is going to be a big star, but he’s barely-used comic relief,  and Pierce Brosnan can be wonderful but he feels like a warmed-over imitation of what Benedict Cumberbatch is doing in Doctor Strange.

The only performance that stood out is Aldis Hodge as Hawkman. He is given some diversity of expression. Not just constantly stoic and bland like Black Adam. He can be light and engaging with Centineo’s Atom Smasher but he can also be serious, even tragic in other scenes.

The villain is completely forgettable. I only saw it a few weeks ago and can remember little but a devil-like creature. They even have Black Adam off screen for a large portion at the end which is bizarre because that’s when e are supposed to be getting invested in his story.

There is some fun action but nothing I haven’t seen a million times before and the score by Lorne Balfe was surprisingly weak.

If I had never seen a comic book movie I guess I’d be impressed by some aspects of Black Adam but as far as developing characters in interesting ways and using its cast effectively it massively fails. If you like it than knock yourself out. Why do you care what I think?

4 out of 10

Frown Worthy

There is a mid-credit scene which is fun and made me smile

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

[REVIEW] ‘TICKET TO PARADISE’ or Remember Movie Stars in Rom-Coms?

| Rachel's Reviews

Everyone who has followed my career knows I love romantic comedies. For proof of that I have an entire podcast devoted to Hallmark movies, rom-coms and holiday films: Hallmarkies Podcast. The reason why many of us turned to Hallmark for our rom-com fix is because Hollywood stopped making them for most of the 2010s. Now to my delight 2022 has given us a bunch of new films in the genre such as Bros, The Lost City and Marry Me with the latest coming out this weekend, Ticket to Paradise. So let’s talk about it!

More than almost any other genre, the romantic comedy lives and dies on how its tropes are executed and the chemistry of the stars. Sure there are an occasional entry that’s original like an Annie Hall or Shaun of the Dead that try something new and different, but that’s really not what people are looking for from the genre. The predictability is part of the comforting appeal.  So in Ticket to Paradise we are presented with the key ingredients to create that comfort: the stars and the trope. Julia Roberts and George Clooney, with a set-up for them to play the “Enemies to Lovers” trope.

They star as David and Georgia who are divorced parents of daughter Lily (Kaitlyn Dever) who has suddenly decided to get married in Bali to a man she barely knows. This would concern any parent but both David and Georgia are over-involved in their daughter’s life and they both can’t stand each other (hence enemies to lovers…)

Of course, Bali is gorgeous and the contrast of big city vs island seaweed farmer lifestyles is another trope of the genre (how many Hallmark movies have the big city girl going to the country. In this case it is a tropical country!) Naturally, David and Georgia fight and ride the line of being unlikable. If they weren’t Clooney and Roberts with such great chemistry they might have been too much to take.

There are some attempts at broad comedy like when David is attacked by a dolphin but The Lost City was better this year if looking for actual laughs. However, if you are jonesing for a classic rom-com with charming movie stars bantering it out for 2 hours Ticket to Paradise delivers. Billie Lourd is also a lot of fun as Lily’s boozy college friend.

It’s a welcome and needed entry in the genre and the kind of movie many women are going to enjoy with their girlfriends and/or on date nights with their significant others. I’ve missed those. Please give us more Hollywood!

I don’t think Ticket to Paradise is a classic in the genre but it does what it needs to do to provide a pleasant evening at the movie theater.

7 out of 10

Smile Worthy

 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

 

Blind Spot 82: A NIGHTMARE ON ELM STREET (1984)

| Rachel's Reviews

Part of the point of this blind spot series is to get me out of my comfort zone and watch  movies I may have been avoiding or putting off. Horror or scary movies definitely fall into that category as I’ve always been a bit of a scary movie wimp. However, I am trying to expand my palate and as part of this series I’ve watched Scream, Halloween, Frankenstein and now A Nightmare on Elm Street.


In watching these scary movies I’ve realized something about myself. I’m actually not that scared by supernatural horror. If I can put some distance between my reality and the horror movie plot I do pretty well. What seems to scare me the most is a scary movie that could actually happen to me. A good example is a film called The Gift from 2015. This is a well done film but it gave me legit nightmares for weeks. The idea of Rebecca Hall’s character being stalked by an old acquaintance of her husband and then what he does to her was terrifying.

So I give this long introduction to explain why I actually had more fun with A Nightmare on Elm Street than I would have guessed. It is gory and graphic. There’s no question about that but it’s all in dreams and over-the-top so it doesn’t feel like something that could actually happen to me. This makes it easier to have fun with the story.

A Nightmare on Elm Street tells the story of a girl named Nancy who lives on a street where a ghost named Freddy Kruger is haunting teens in their dreams and killing them. He is doing this out of revenge for the parents who killed him for being a child murderer.

The production design is the greatest strength of this film and director Wes Craven has a lot of fun with the horror dream kill sequences. Of course, Freddy has the knives as hands but most of the kills are more elaborate than that might imply. One teen is swung around in circles, another is nearly pulled through the tub and a young man is killed in a tornado of blood from his bed. These are all so over-the-top that they weren’t scary but more fun and inventive.

There is something chilling about being haunted through your dreams- a space you have no control of and can only put off for so long. However, I think some of the Invasion of the Body Snatchers movies are a little scarier in that concept because not only do you die but you become this horrible creature that can hurt other people. It’s one thing to die but another to become a monster that hurts the people you love.

Evidently Robert Englund gets into more camp as Freddy in future installments, but he is good in this first film and all the teens are excellent including a young Johnny Depp and Heather Langenkamp as Nancy.

In the end, I’m glad I finally watched A Nightmare on Elm Street, and I can see why it is considered to be a horror classic. I’ve heard the 3rd film is the best of the sequels, but let me know what you think. And what scares you the most in movies? I’d love to know.

9 out of 10

Smile Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

 

[REVIEW] ‘TILL’ or Mamie and Emmett Making a Difference in 2022

| Rachel's Reviews

There has been a lot of buzz out of NYFF over Till and in particular Danielle Deadwyler’s performance as Mamie Till. I saw the film at a screening here in Utah the day I came back from New York and for the most part I was impressed. There will be some who claim it’s too safe, but  I appreciate what it is trying to do.

Director Chinonye Chukwu made a choice to focus on Mamie and her grief rather than depicting the violence of the situation. Of course, Mamie’s son Emmett Till was murdered by supremacists for whistling at a white woman in Money, Mississippi in 1955. Mamie insisted his casket be left open for all to see what the men had done and then she testified at the trial where the murderers were acquitted by an all-white male jury.

I recently complained about She Said feeling too safe and sanitized, so I understand why some will claim that here. However, that movie felt self-congratulatory and self-important in a way I didn’t love. That’s not the case here. We are meant to focus on Mamie and her strength and courage and Deadwyler does a fantastic job with her portrayal.

Till is a movie I can see playing in schools for years to come and as such the PG-13 has value. It’s important we have the violent films, but also key to have ones that can help introduce teens (13 and up) to history and begin important discussions that are unfortunately still topical to this day.

I vividly remember watching a TV movie called Race to Freedom: The Underground Railroad  (ad) at school and it having a big impact on me.  I’m sure it’s not the greatest film as far as production values and gritty realism but it was effective in introducing me to American history and making our heroes comes alive.

Till Poster Depicts a Heartfelt Moment Between Mother and Son

Like I said, I can see Till having that kind of legacy in classrooms. It effectively portrays the grief Mamie experienced without relishing in the evil of the perpetrators. We see Emmett’s body without watching the lynching taking place and that has value particularly for younger viewers who will be able to relate with Emmett.

There are parts of Till that feel like a TV movie (which I’m fine with) particularly in the production values and supporting performances but Deadwyler and Whoopi Goldberg as Alma, Mamie’s Mother, elevate everything. If you have middle and/or high school age child take them to see Till and have a discussion with them about what happened to Emmett and how we can make our world better even today. That conversation is what will make Till a great film more than anything you’ll see on the screen.

7 out of 10

Smile Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

 

 

NYFF LOG DAY 5: THE INSPECTION

| Rachel's Reviews

Hey everyone! Yesterday I finished up my last day at the NYFF and am now having a leisurely weekend in the city with my friends. After the movie I met up with Conrado and we had a nice lunch while recording a special episode of The Criterion Project on the festival which will air on Monday. It was a lot of fun so don’t miss the episode.

\
The festival picked an interesting film to close things off: The Inspection by director Elegance Bratton.

I’m not sure why the movie is called The Inspection (something with boot camp or marines would make more sense but whatever) but in the film Bratton tells his own experience as a gay Black marine in boot camp in the mid-2000s. Going into the film I was expecting something more traumatic and negative but it actually was more inspirational and positive about his experiences.

Trauma is there but most of the time his trauma is the same as anyone going through boot camp. We get to see how grueling that experience is but he gets out of it and is a better man with a band of brothers who support him.

Gabrielle Union plays his Mother and her character is the most devastating aspect of the film for French. I definitely give her a lot of credit for taking on such an unlikable, cruel character.

Jeremey Pope is strong as French as are the other recruits with him in boot camp.

For some The Inspection will be too conventional and simple, but I appreciate Bratton sharing his experience with us. It’s an inspiring story that will make you cheer by the end. In a way that was quite refreshing especially for an indie festival.

6 out of 10

Smile Worthy

So I’ve seen 8 films at the festival. Thank you to NYFF for admitting me as press and for any of you reading these logs. I would love to hear what of the films I’ve written about stand out to you and that you might seek out.

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies

NYFF Log Day 4: RETURN TO SEOUL, SHE SAID

| Rachel's Reviews

Hey everyone! I had another great day at NYFF including getting to meet one of my online friends Alli. We went to this wildly overpriced seafood restaurant (they charged $9 for a little bowl of rice!) but had a good time (it was quite stressful trying to navigate New York in the rain! A kindly doorman helped me get a cab. Thank you!).

Anyway, I saw 2 movies at the festival and they were interesting watches. No panels today but I still had a good time. So here goes:

Return to Seoul

I’ve always been someone that believes adoption can be a beautiful and wonderful experience but there’s no question it carries with it an array of emotions and challenges. Return to Seoul dives into that with the lead character Frederique or Freddie coming back to Seoul to meet her birth parents (she was adopted by a French family).

The film makes some big time jumps so you get to see Freddie through different periods of her life each time trying to balance her French and Korean sides. It’s all beautifully filmed with good performances particularly from Park Ji-Min who plays Freddie.

The only challenge is Freddie is a young selfish character who can be frustrating to watch at times. I don’t mind an unlikable character but particularly in the last section where she’s a soulless business-woman it was a lot to take in. The pacing is also of the indie-variety that may be challenging for some viewers.

Overall Return to Seoul is a memorable look at one woman’s look into her complicated identity.

7 out of 10

Smile Worthy

She Said

As seems to be the case lately, I feel torn on the new movie from director Maria Schrader depicting the Harvey Weinstein investigation, She Said. It’s a perfectly well done journalism film in the spirit of All the President’s Men (which I admittedly don’t love) and Spotlight. The performances are good, the reporters Jodi Kantor and Megan Twohey are admirable people who are good at their jobs.

However, it all felt a little too tidy and safe for my liking. Only Hollywood could make a movie about the Harvey Weinstein scandal where basically only he and his bland board of directors are at fault. Despite the fact that actors like Jane Fonda have admitted they knew what was happening and didn’t do anything (the problem was more than just one man, it was systematic). When Ricky Gervais got upset at the Golden Globes he may have been uncouth, but he was right about the way so many knew what was happening and did nothing.

Hollywood loved Harvey and some of the actors who are portrayed as heroic in the film could have done more to help others avoid this and other horrible men. I understand that’s up to them in their journey as a victim but it just rubbed me the wrong way how the movie didn’t acknowledge the greater Hollywood problem.

That said, the investigation by the 2 journalists is done well. Carey Mulligan and Zoe Kazaan bring a lot of personality to the roles (although I wish they hadn’t acted like postpartum depression is solved by…working hard?) Anyway, Jennifer Ehle steals the show, as she usually does, playing a victim Laura Madden who was one of the few allowed to testify because she wasn’t under a NDA gag order from a settlement.

Like I said, I feel torn on She Said. It’s fine but its weaknesses irritated me. It could have been a lot more daring and had something to say (Mulligan’s Promising Young Woman was divisive but far more evocative.) I think someone outside of the Hollywood system would have been a better choice to tell this story. Then it wouldn’t feel so sanitized and safe.

5 out of 10

Frown Worthy

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks. https://www.patreon.com/hallmarkies