Pixar Review 10: For the Birds

May 27, 2015May 27, 2015 | Rachel's Reviews

We come to the next of our delightful Pixar shorts, For the Birds. This short was done entirely so they could work on feathers for the technology of Sully’s fur in Monsters Inc. Indeed the texture they were able to achieve on the birds is really quite remarkable. They were also able to get different personalities on each of the cute birds. That’s pretty good considering all they do is chirp!

A big bird comes to spoil the party and the little birds think he is a real nerd. They don’t like having him around one bit but he just wants to hang out. Like all the Pixar shorts For the Birds is basically a silent movie bit. I love how happy the big bird is. He’s having the time of his life.

On the audio commentary they talk about the feathers as “pringles” and that it was the first time they could move such details around and manipulate them. It really is quite remarkable when you look at the big bird and all those layers of feathers.

The pay off at the end is very funny and the music by country band Riders in the Sky is just right (same band who does Woody’s Roundup theme).

For the Birds won Pixar another Best Animated Short Oscar in 2000 which was well deserved. It’s so likable, colorful and sweet. Check it out. I don’t have any criticisms on this one.

Overall Grade- A+ (I told you guys there would be a lot of those if I reviewed Pixar)

Pixar Review 8: Geri’s Game

May 12, 2015 | Rachel's Reviews

After the release of Knick Knack in 1989 Pixar took a break from their animated shorts to make feature films, Toy Story and A Bug’s Life. This worked because the same crew which had grown up on the early shorts was ready to do longer films. However, by the end of the 90s they had recruited a lot of new talent who they wanted to test out so they reinstated the animated shorts.

Their first short back is called Geri’s Game and it was designed to push their limits for creating a human being. Nobody can deny that Geri looks a million times better than the humans in Toy Story who were used minimally so it worked but this is a whole another level.

It’s a simple silent movie style story like most of the shorts but it is so charming. It’s about an old man named Geri who is playing chess but with who? With himself! The thing that makes it so charming is as he moves from one side of the table to the other the film creates an illusion of 2 players and Geri gives both characters personality. The player with the black pieces is feisty with a wicked sense of humor, and the other guy is more soft spoken and cowers in fear.

It’s a delightful little short and it is directed very well with neat perspectives where you capture the chess pieces from one angle and Geri from another. It’s great stuff!

Geri’s Game was released in 1997 so it won Best Animated Short in the 97 Oscars but it was shown to most of the public with the release of Bug’s Life. This would become the 3rd Oscar with their special award for Toy Story and Tin Toy for best short in 1987.

It’s neat that Pixar has found a way to not only entertain us with their shorts but to nurture new talent and it is perhaps that reason that at least to me they haven’t made a terrible film. You can feel the unique new voices coming out in shorts like Geri’s Game and it is a complete delight. Also keep your eye open because Geri appears in many a future Pixar feature film including our next review Toy Story 2.

Overall Grade- A+

Pixar Review 7- Bug’s Life

May 11, 2015May 11, 2015 | Rachel's Reviews

Hey guys! I hope you all had a good Mother’s Day. Let’s celebrate by talking about what I think is an underrated Pixar film, A Bug’s Life. After the epicness of Toy Story Pixar’s second feature had a lot to live up too. To add to the tension was the premiere of Dreamworks Antz that same summer which I reviewed last week.

With all of that pressure I think they came up with a charming movie with some lovely animation and nice messages for kids. Is it perfect? No but if it was the only Pixar movie I’d still say it was a strong effort.

A lot of people criticize Bug’s Life because it is a formula picture. It tells a story of the oddball character who is sent on a journey where in the end he is finally shown to be special. This is an especially popular formula because of all the writers who no doubt have a similar journey. We also get the liar reveal which we see in lots of movies.

If all that is true then why do I say it’s underrated? Because I think a film doesn’t necessarily have to be original to win an endorsement from me. A movie can follow a formula but do it well and that’s great. One of my favorite movies of all time is You’ve Got Mail and that is a total formula picture. It works because the writing is good and the characters are easy for me to relate too. I think you can say the same for A Bug’s Life.

A Bug’s Life is about a colony of ants that live by a tree surrounded by water called Ant Island. They are a timid species and afraid of any kind of change (even the great twig of 93!). Except for one ant named Flick voiced by Dave Foley who is an innovator and is trying to make things better.

The ants are ruled with an iron fist by a grasshopper named Hopper voiced perfectly by Kevin Spacey. He intimidates them to giving an ‘offering’ every year of food, so it basically works out to servitude but the ants are too scared to fight back.

The ants have their own leadership- a queen voiced by Phyllis Diller and her daughter Princess Atta voiced by Julia Louis- Dreyfus who are both great and 2 of the more dynamic Pixar female characters we see for a long time. We also get little princess Dot voiced by Hayden Panettiere.

Eventually Flick screws up the offering and he is sent away on a seemingly fools errand of finding bigger bugs to help defend the colony.

Through various circumstances Flick stumbles on to a troop of circus bugs he mistakes for warriors and they return to the ant colony. The troop is a total delight with great vocal performances and really funny writing with characters like Francis the ladybug that’s actually a dude (and voiced by Dennis Leary which is so perfect!).

I also love Heimlich the German caterpillar who dreams of being a beautiful butterfly ‘and then everything will be better’. Joe Ranft, who was an animator at the time, did the voice and he gets a laugh from me every time he is on screen.

Like I said at the beginning, the story isn’t really what attracts me to A Bug’s Life. It’s a lot of other things:

1. It’s bright and colorful. It looks great and every scene has texture unlike the brown, brown, brown of Antz. The soil looks like little craters and the grass looks like giant trees because we are seeing it from a bug’s perspective.

2. The voice cast is great. It runs so deep with everyone from Madaline Kahn, Bonnie Hunt, Brad Garrett, Richard Kind and more.

3. Hopper is a terrific villain that is menacing and extremely scary from the point of view of the ants. He also has some great sarcastic remarks.

4. The writing all around is really good. It elevates the more ordinary material. There are a lot of laughs and genuine moments of heart . I particularly like when Flick is trying to convince Dot that she’s just a seed using a rock.

I also really like a scene where the ant children put on a little play letting the circus bugs know what they expect. It’s very funny.

5. The score is some of Randy Newman’s best. I know a lot of people deride Newman but I like his cheerful style and found this to be just the right tone for the story they were telling. The finale song is also great. One of his best.

And that’s enough for me to give it a hearty recommendation. It’s bright colorful, sweet time at the movies. And it’s a movie that will appeal equally to little girls and boys, which can sometimes be hard to find.

Overall I give it a B.

They ended off Bug’s Life with this very cute ‘outtakes’ segment which was kind of a thing in the 90s but I enjoy it.

Pixar Review 6- Toy Story

May 5, 2015May 6, 2015 | Rachel's Reviews

What is the great human fear? I think it is the fear of being replaced or forgotten by those we love (or even the world at large). I propose to you that is the reason why Toy Story is such a great movie. Yes it’s a game changer in the world of animation and yes it introduced the world to 2 of the most delightful characters in movie history but at it’s core is a message that we can all relate too.

Toy Story is of course Pixar’s first animated feature film and the first CG film from any studio. After getting Oscar recognition for Tin Toy the idea of a lost toy started with John Lasseter and crew and they were able to convince Disney to sponsor their project. It took them 5 years to make and what they came up with is one of the most likable entertaining animated films ever made.

I asked on facebook and twitter- Any thoughts on Toy Story 1? What impact did it have on you? Do you love it? What do your kids think of it?

Will said

I love, love, love all of the Toy Story movies. They’ve been been very formative on my life. For one thing, they taught me that you shouldn’t abuse or mistreat anything whatsoever, on the off chance that they are sentient.

Jeremiah said

It completely changed the way I look at animated film. The script was so refreshing and the computer graphics blew me away! It’s still my favorite animated feature film. My girls are 18 & 19 and they grew up on Toy Story and they still love it today!

Jeremy said

I loved it as a kid. I had a toy Woody and a toy Buzz who I played with a lot. I’m actually the exact same age Andy was in Toy Story 1 and 3, and I went to see Toy Story 3 on my 18th birthday the summer before I went away to college. Suffice it to say, many feels were had.

Megan said

I LOVE Toy Story. My 4-year-old loves it as well. I try to only get him hooked on movies that I don’t mind listening to thousands of times over again! Hahaha.

Gina said

kids (ages 5-9) love it. Buzz lightyear is still a hero, even though the movie came out a decade before the oldest was born

Terry said

I loved it! Wish I was having lunch at Pizza Planet.

Kyle said

Like a majority of Pixar’s films, it’s a masterpiece. The impact it had on me? Teaching me how to do lean storytelling right

I particularly like that last sentiment. Toy Story is such tight storytelling.

The beginning is all to build up the introduction of Buzz. We see Woody as basically the CEO of the bedroom. Everyone has their job and he is comfortable in his spot as the leader. They even have a little staff meeting.

But suddenly this new seemingly better version of Woody comes along and just like any kid would do Andy is super excited; thereby quickly unraveling Woody’s world. The posters are gone, the old west town cardboard is gone and a spaceship has replaced it and finally Woody’s spot is now a Buzz comforter and sheets. At least for that moment Woody has been replaced.

Woody then experiences two of the most deadly sins but we can all relate too- envy and jealousy. He’s envious of what Buzz has that appeals to Andy and the other toys and he is jealous of all that Buzz has taken away from him.

He handles these emotions sometimes being angry, sarcastic, sad, and depressed but it is always a response that at least I relate too when I’ve been faced with similar situations. We are also always given bits of joyous comic relief like the famous flying sequence.

The other thing that is so brilliant in the Buzz and Woody relationship is they are seeing the same things and yet in totally different worlds. Buzz is a space ranger and is seeing everything through those goggles. Woody is a toy and looking from his viewpoint. How often in life does conflict come from 2 worldviews crashing into each other like that? Again another reason why so many children and adults relate to Toy Story and love it.

Once Buzz and Woody get lost the story becomes a real journey. This is perhaps one of my favorite scenes in all of animation. ‘You are a toy!’ Again it’s those two universes coming into conflict.

The design in these sequences is just beautiful. The stars at the gas station and the fun of Pizza Planet. I agree with Terry I wish I was having lunch at Pizza Planet.

Then the story moves to our villain Sid who is actually a really creative kid in a lot of ways. He isn’t just playing but creating; however, in the world of the movie he is basically an evil mad scientist who is murdering toys. It totally works within the world of the movie.

The brilliance of the sequences at Sid’s house is Buzz is not Woody’s competition any more but his only ally. It’s kind of like you may hate a person in your sorority but if it is only the two of you walking down a scary street all the sudden you feel this bond. Group dynamics work that way! Buzz also learns that Woody is right he is just a toy. Surely we can all relate to that moment where we realize we are very small insignificant person in the grand scheme of things. That’s what makes this scene so powerful.

Randy Newman’s music is wonderful for especially the Toy Story movies. He has a modern feel mixed with a Great American Songbook style. It describes what’s going on without being too literal, poetic while still feeling marketable which is perfect for a movie about toys. It just works.

As tension builds Buzz is tied to the rocket and Woody has to think of a way to save his once enemy now friend. He realizes these creatures he once feared are really wonderful (another good lesson for kids) and they stage a little lesson for Sid.

But that’s not the end. No they have to get to the moving truck before Andy leaves. This last segment is so great both plot, animation-wise and everything else. It is such a triumphant moment for Buzz when he realizes he can save the day for the people in his life (again a very relatable emotion).

All the voicecasting is great especially of course Tom Hanks and Tim Allen who are just perfect for the roles. Who would have thought Tim Allen when he was on Home Improvement would make a great space ranger toy but it works. Tom Hanks is more of an obvious choice but his experience in both comedy and drama make him the right pick for the part. All the side characters are completely lovely with Potato Head Don Rickles probably being my favorite. John Ratzenberg is great as Ham. Annie Potts as Bo Peep and Jim Varney as Slinky Dog are all great.

They were so clever too with details like watching the Mr Spell or the Etch-o-sketch for little jokes. It’s also brilliant to have a dinosaur that should be fierce be neurotic. Wallace Shawn is terrific as Rex. They all have accepted their place like in a business and work together well. Even when they are ostracizing Woody it makes sense from their point of view.

Anyway, what more is there to say but Toy Story is not just the first CG animated film but it is one of the best. The story taps into themes we can all relate too and taps into universal emotions. It also gives us some of the best characters ever in film. The adventure is so much fun and it still looks great today. I love it. If it was the only Pixar film I would still be singing their praises.

Overall Grade- A+ (you’ll see that a lot in these Pixar. It’s just the way I feel).

Toy Story was so well loved that the academy gave it an honorary award for special achievement and I think that was the catalyst for the Best Animated Feature Film category, so great films like Toy Story wouldn’t be ignored in the future or need special awards. It’s really touching to hear John Lasseter talk about the films creation and team.

It’s All About the Story

May 4, 2015May 4, 2015 | Rachel's Reviews

I thought before I posted my review of Toy Story I would comment a little bit on the big hand drawn vs CG debate. Some in the blogosphere have put hand drawn animation on a bit of a pedestal bemoaning its reduction. People will paint hand drawn in very glorious pictures and CG as its ugly tyrannical cousin.

I’m sorry I just don’t buy it. Whether stop motion, 2D, 3D, CG or whatever else it all comes down to the story. As last years Rocks in My Pockets showed you can have sketches, doodles and with the right kind of execution and story it will be compelling.

Toy Story, Up, Incredibles, Ratatouille, Wall-e, Lego Movie, are not masterpieces because of the animation. It is the story. It is always the story. Same with the Lion King, Beauty and the Beast, Pinocchio, Cinderella, Spirited Away etc. The stories are amazing; thereby making the movie something that will last forever. Occasionally you will have an artistic film like Fantasia that tries something new- mainly presenting a concert in the form of an animated movie. In that case the story takes second fiddle to the art but it is the exception rather than the rule.

Still got 2D on that pedestal? Well think for a second that hand drawn animation gave us this little gem…

But I won’t be too defensive about CG either because it gave us this monstrosity.

But hand drawn can give us this glorious, emotional scene

CG can provide us with this. For my money one of the greatest scenes ever in any film, animated or not.

If that doesn’t convince you both mediums are capable of great artistry and dreck than I don’t know what will. I am an equal opportunity animation format lover. I love great CG animation. I love great 2D animation. I love great stop motion animation. I love great live action movies. But in the end it all comes down to the story (I’ll say it a million times).

And I just have to believe in a world where an entire studio makes stop motion films- one of the hardest most laborious types of filmmaking there is, we will always be a space for 2D animation. It just might not be from the big 2 (currently Disney and Dreamworks) and you know what? That’s fine with me. (I can just hear some of you shouting at the screen). If the only 2D films we get are masterpieces like Song of the Sea from small studios in Europe sign me up.

I really see a 2D studio in the states starting up like Laika and putting out low budget films with an old school feel. If that happens all it takes is for one of these studios to score a big hit with their 2D project and the bigger studios will take interest. Even if it is smaller vanity projects I just don’t believe 2D is dead. Check out Over the Garden Wall which was a stunning miniseries last year. Watch the Simpsons which despite what some think has gotten artistically more interesting in the last few years. Watch Song of the Sea, or this year we have When Marnie was There or The Prophet coming out. We also will get Shaun the Sheep from the Aardman stop motion folks. As I see it the world of animation is as rich and diverse as it has ever been. Last year we had 20 animated films. 20! I remember when we were lucky to get 2. And really how great to not just get the big voices but a wide range of artists using different mediums that help them tell their stories. I know I’m in the minority but I feel very optimistic.

But I digress. My main point is I am not going to defend CG or its dominance in these Pixar reviews because I fundamentally don’t think it is a bad thing. I would put the animation in Ratatouille or Wall-e up against anything in the Disney Renaissance. I really would.

But like I said, in the end CG, 2D, stop motion, live action whatever it might be the story trumps all. Last year there was a movie about a man sitting in a car talking on his phone for 2 hours called Locke and I was completely immersed because it was a good story.

If you like 2D better that is awesome. We all have our artistic preferences but just make sure you aren’t seeing it through rose tinted glasses nostalgia can provide. It’s great. I love it but I also remember the 70’s and 80s when the good animated films could be counted on one hand and we waited years to get them and that was a 2D world! Give me the last 20 years over that 20 any day CG and all.

Anyway, I am certainly grateful for the new tools Pixar gave us and the incredible stories CG animation has told. Because they are special, life changing stories however they might come to fruition in an artists hands.

So let’s enjoy these masterpieces and get started talking about what started it all for CG Toy Story!

IT’S ALL ABOUT THE STORY!

Pixar Review 5- Knick Knack

May 3, 2015May 3, 2015 | Rachel's Reviews

We are almost at the first feature film review, Toy Story, in my Pixar reviews but I hope you have enjoyed looking at these early shorts as much as I have. I remember seeing them when I was little on the tape my uncle gave us and I loved them then, love them still today.

The last review we did was the Oscar winning short Tin Toy and today we will look at Knick Knack. It is one of the funniest Pixar Shrots and the comedy holds up remarkably well.

In the commentary John Lasseter says they got the idea for Knick Knack from his wife’s snowglobe collection. He started to wonder ‘what would it be like to be stuck inside there’ which led him to the story of a snowman in a snowglobe looking at all the summer souvenirs and yearning to get out of his dome.

At the time there were only 8 animators working at Pixar. Can you imagine that? 8! Each animator designed their own knick knack for the snowman to gaze at.

The snowman then tries all these elaborate methods to get out of his globe including dynamite and a jack hammer. As with Tin Toy the sound mixing does a ton to convey humor, emotion and the effects of the various attempts to get out.

The accompaniment is an accapella percussion by Bobby McFerin of Don’t Worry Be Happy fame. At the end he says ‘blah, blah, blah, blah”. Lasseter says they didn’t know what to do at the ending so they had written ‘blah, blah’ on the paper meaning to fill in later but McFerin saw that and sang the blahs. It turned out to be the perfect way to end the short!

The ending with the mermaid and the fishbowl is so funny. Lasseter says they were storyboarding the short and the secretary came in and suggested the fishbowl ending. Isn’t that funny?

It has the feel of a Looney Tunes skit like Roadrunner and Wilie Coyote and there is something about that kind of humor in a short which works so well and is timeless.

The animation with the snow flying everywhere also looks great and feels like a snowglobe. I also like the way the coal on his face get all jumbled up each time he tries to break free from his cage!

It’s a real charmer and I’d give it full points A+

Now we are on to Toy Story! What is your favorite of these 5 early shorts- Adventures of Andre and Wally B, Luxo Jr, Red’s Dream, Tin Toy, and Knick Knack. I still think Red’s Dream is my favorite but they are all great!

Pixar Review 4- Tin Toy

April 28, 2015April 28, 2015 | Rachel's Reviews

Hi guys! I’m back from Georgia and it is time for another Pixar short review and we are getting our baby on with the landmark animated film Tin Toy.

Tin Toy was created for SIGGRAPH in 1988. The genesis for the project happened when John Lasseter was watching his niece play with her toys. She was sucking on, throwing, stomping on them. The idea occurred to him that to the toys this sweet adorable baby would be seen as a monster.

So they got hard at work and designing an actual baby proved to be a mammoth task and they invented new facial recognition software and was the first computer graphics with bendable joints and a fluid body.

The story of Tin Toy is a baby named Billy who has a toy named Tin Toy that is an old school Japanese one man band type toy. Both the toy and the baby turned out very cute and the sound mixing is perfect.

When the toy see’s Billy sucking and throwing his toys he naturally becomes terrified and flees leading to the big laugh of the movie- All of Billy’s toys are hiding under the sofa shivering in fear from the monster that is Billy.

Each of the animators was given the task of designing one of the toys under the bed and it was this shot that started the idea of Toy Story. In fact, Disney was so impressed with Tin Toy that they sealed an agreement with Pixar to create their first feature film about toys.

Tin Toy also is of note because it is their first Oscar win for Best Animated Short and the first CG animation to win an Academy Award in 1988.

The great thing about Tin Toy is how many emotions they manage to show in a 4 minute film we get joy, anger, hurt, fear, remorse, envy, desperation and more.

When I think of what makes a character like Woody so great he has all those emotions, sometimes very rapidly and who knows if the storytelling would have grown if such robust characters weren’t cultivated in these shorts first.

Here is John Lasseter and Bill Reeves getting their Oscar for Tin Toy. It helps give you a sense of who they were and the community that built Pixar as we know today.

It’s worthy of the Oscar and is certainly an A+. A great early short. (Only 1 more short to go till Toy Story!)

Pixar Review 3- Red’s Dream

April 21, 2015April 21, 2015 | Rachel's Reviews

Of Pixar’s first 5 early shorts Red’s Dream is probably my favorite. It’s so beautifully realized and has tremendous heart.

Released in 1987 for the SIGGRAPH conference Red’s Dream feels less like a proof of concept and more like an actual story. It is not one that I have to make excuses saying ‘it would look better but they developed the technology while making it”. No, this one looks great on its own.

It starts out with a gorgeous cityscape. It’s a rainy night and we focus in on a bike store and then on a little unicycle who is dreaming of an incompetent clown. Red of course is the true star not the Bozzo clown.

Director John Lasseter says in the audio commentary they picked the project because Eben Ostby (hint Eben’s bikes) had taken up a fascination with bikes and they had a 3D digitizer that could load sculptures and animate.

Early animator Bill Reeves used it as a chance to work on animating rain which it looks flawless. Lasseter says “I’d say it’s the Pixar blue period” because there isn’t really a happy ending to the piece. It is really quite sad for our little unicycle but there is something about that which makes it feel vintage and old school animation like a Dumbo or Pinocchio.

This was also the first time they animated something at night and again they did an amazing job.

As with all these shorts it has the feel of a silent movie like a sketch you might see Chaplin or Buster Keaton do but certainly with enough pizazz to appeal to a modern audience.

Evidently Ollie Johnson, one of the 9 Old Men, saw the short and “he shook Lasseter’s hand aferward and said meaningfully ‘John, you did it'”

The music is by David Slusser and there is an article at http://www.sfgate.com that says “pixar sound editor by day, saxman by night” Evidently he is the one playing the perfect bluesy saxaphone accompanying Red’s Dream. I think he wrote the music too. Pretty great.

Like I said it is probably my favorite of the shorts and so I give it an A+

Pixar Review 2: Luxo Jr

April 18, 2015April 18, 2015 | Rachel's Reviews

So now we get to review our first ever actual Pixar branded short, Luxo Jr. In 1986 Steve Jobs bought the computer animation division from Lucasfilms and branded it Pixar.

John Lasetter was borrowed from Disney and he was being trained on how to build models. As his source material he started to look at a luxo lamp he had on his desk because “it was geometric and would show the shadow algorithm well”. At this time computer animation was done with equations and ‘art school math’ as Lasetter puts it.

As he attempts to actually animate his lamp Lasetter grows increasingly more frustrated with the math:

“I’m sitting there with a hand calculator at these expensive computers trying to figure it out using my art school math if a ball is this size how far would it move and I was like ‘what’s wrong with this picture?’ so I went to Eben [Ostby] ‘please can you do something with the computer to help me with this? And that was the beginning of our procedural animation so I just animated the path of the ball and this amazing program Eben developed made it so the ball rotated accurately”

Sounds like we should all be grateful to Eben Ostby for some art we’ve gotten since 1986!

Here he is

Lasseter also got some key inspiration that we can see in his later leadership while making Luxo Jr from a man named Raoul Servais. At first Lasseter just wanted to make a “plotless character study” of his lamp. Servais told him “No matter how short it should have a beginning, a middle, and an end. Don’t forget the story. You can tell a story in ten seconds”.

So that’s what he does. As you will see in Luxo Jr we get a clear story. Most of these early shorts are like silent movies with no dialogue but a clear beginning, middle and end.

It’s a charming little short and did great things for Pixar. Lasseter said in the audio commentary the hardest part was getting the cord right “It was the cord. I will never forget. The cord was so hard. The rolling of the ball was such a pain. [Eben’s program] didn’t help with the cord. The ripples in the cord were done by hand and it was painful!”

Never forget the cord! 🙂

What Lasseter is able to do in Luxo Jr is create emotion extremely quickly and establish a relationship between the two lamps, something that when I write it sounds insane and yet there it is. Some say it is a mother and baby lamp. Lasseter has said it is a father son lamp but either way it is amazing any such connection can be made with a lamp!

This little short, Luxo Jr, “sent shock waves through the entire industry- to all corners of computer and traditional animation. At that time, most traditional artists were afraid of the computer. They did not realize that the computer was merely a different tool in the artist’s kit” (Edwin Catmult, Computer Animation: A Whole New World)

Luxo Jr also became the first computer animated short to be nominated for an Oscar in 1986.

So it’s another of these shorts that is simple on the surface but anything but when you consider its influence in the world of animation. In many ways it may be the most important animated short since Steamboat Willie.

You got to give it an A+. It has emotion where it shouldn’t. It tells a sweet simple story. It was groundbreaking and it is completely charming. It also became the face of Pixar from then on.