Treasure of the Sierra Madre Review

treasure of sierra3Tonight I didn’t have much going on so I figured why not check out the special screening of The Treasure of the Sierra Madre on the big screen. I knew almost nothing about this film except that it starred Humphrey Bogart and is a classic but I figured that’s good enough for me! (With the moviepass I could basically see it for free so why not?).  I didn’t know what to expect and came out of it really impressed. I can see why it is a classic and in many ways it reminded me of the current Oscar favorite The Revenant, except it was clearly its superior in every way.  I find it fascinating to compare the two.

Released in 1948 Treasure is written and directed by the great John Huston starring Humphrey Bogart (Dobbs) , Walter Huston (Howard) and Tim Holt (Curtin).   They play 3 men who decide to prospect in Mexico for Gold in the 1920s.

treasure of sierra5They start out with the best of intentions- promising to be moral, upright and to not let the money go to their heads.  Dobbs in many ways starts off the most confident in his own morality while Curtin is more morally consistent.  Howard, on the other hand, is morally practical, even to the point of understanding why a man might kill him for the money.  He says something like ‘I don’t think I’d do it, but I’d sure be tempted’.

What’s really brilliant is the morality of the film is set up with Dobbs and Curtin getting taken advantage of by a shifty businessman in Tampico before they go prospecting.  This is somewhat of a prediction of the conflict to come.

treasure of sierra9The cinematography by 3 time academy award winner Ted D McCord is fantastic, using shadows to show the physical and moral challenges facing the men.  Watching it makes me yearn for black and white movies again! I’d take it any day over the bleak, albeit impressive cinematography in The Revenant.

Treasure 7 Bandito Treasure 2 DobbsThe three leads are so good with particularly Bogart’s Dobbs unwinding  in such a believable way.  It doesn’t happen over night. In fact, at one point he is rescued by Curtin and we think that may create some kind of obligation between the two men.  Instead, Dobbs becomes more and more suspicious of Curtin’s motives and more guarded over his money.

There is a great scene where Curtin tries to stop a poisonous lizard from going in Dobbs hiding place for his ‘share of the goods’.  Dobbs accuses Curtin of stealing from him and Curtin says ‘don’t believe me! Put your hand under the rock’. He’s challenging him to test his trustworthiness and see if the lizard will pounce on him.  The sequence works brilliantly and tells you so much about both characters.

Howard, as the practical moral compass,  never once gives a big speech but consistently warns them about the curse of the gold.   It was impressive how Dobbs becomes dirtier and more disheveled as the greed overtakes him.  In some ways his story arc kind of reminded me of Lord and Lady MacBeth as their lust for power, causes moral compromises that lead to mental instability.   It’s like I could see Dobbs trying to wipe the blood from his hands!

Treasure 6 GoldFaceThe dialogue is so well done by Huston.  It felt authentic to the characters and settings for the 3 leads the entire time.  I never felt like someone was ‘acting’ or trying to win an Oscar.  These were prospectors and I bought how they talked and the evolution of the characters.  Each man spoke in a distinct way that fit who they were and who they become.  It is also believable how Dobbs goes from begging for 2 pesos at the start of the film to a scene where 25,000 in gold is not enough.

treasure of sierra7Where the Revenant gets a lot of its character from the cold surroundings, Treasure of the Sierra Madre gets a similar effect from the heat.  You can always feel the heat of the Mexico sun on the prospectors.  It feels every bit as taxing as the scenes in Revenant, particularly towards the end.

treasure of sierra8One of the problems I had with The Revenant (which I don’t hate btw) was its bleakness and almost complete lack of humanity . It becomes kind of deadening by the end and something that should be shocking feels a little ‘meh’.  There’s just a limit to how many times you can be stunned by an actor freezing to death. It becomes kind of lifeless film-making by the end.

Treasure in contrast has many moments of humanity, even humor, which makes the eventual moral crisis and madness all the more compelling.  We care about these men because we’ve seen both their goodness and darkness.

The performances are also a lot more subtle and absorbing than in The Revenant.  This is partly due to the script but also the acting is just that good.

treasure of sierra4The only flaws I saw in the film is the complete caricatures of the various Mexican groups.  There’s the ‘Indian Mexicans’ who treat Howard as a medicine man after he saves a little boy and then the Bandits who are literally too stupid to recognize giant bags of gold. That seemed a little hard to believe.

The music also sometimes seemed a little too cute for the story but it wasn’t a big problem.

treasure of sierra2Small flaws aside, Treasure of the Sierra Madre is a must see for any movie fan.  John Huston directed and wrote a true masterpiece and the acting is some of the best I’ve seen.  It is an absorbing story with a compelling moral conflict that I think I will purchase on blu-ray.   I particularly suggest if you have seen The Revenant watch this and see if you notice the similarities like I did.  What do you like best?

Have you seen Treasure of the Sierra Madre?  What did you think?  I’m honestly kind of shocked with how much I liked this film.  It was so well done.

I give it an A+

The Disney Era Tag: Golden Era

Hi friends so I have been tagged by Natalie over at her Disney Freak blog.  The Golden Era of Disney films is considered 1937-1942 or basically 5 films- Snow White, Pinocchio, Fantasia, Dumbo and Bambi.  They are all true masterpieces and such bold artistic visions and I think they all hold up very well both animation and otherwise.  As I love this era it was a pretty easy tag for me to do so here are my answers:

1.Are there films you haven’t seen from this era? Nope seen them all! You can read my reviews of all of the films here: (These were the first reviews I ever wrote for the blog!)

Snow White

Pinocchio

Fantasia

Dumbo

Bambi

2.What is your favorite film from the era? My favorite is Fantasia because it has the most variety and I love seeing the artists interpret the beautiful music. I honestly don’t get it when people think it is boring- a new world, characters, story, music happens every 10 minutes or so! fantasia poster

3.What is your least favorite film of the era? Pinocchio. I didn’t like it as a girl and while I appreciate it now it still isn’t a favorite of mine.  The animation is beautiful but as a morality tale it can be a little heavy handed and scary.

pinocchio4.What is your favorite main character? I love Timothy Q Mouse.  He sticks up for Dumbo and doesn’t allow him to be bullied or made fun of by the elephants.

Timothy_Q._Mouse

5.Who is your favorite villain? Night on Bald Mountain aside there really is only 1 villain in these films- the Evil Queen.  She is great because she is queen.  She has all the power and money but her vanity wants more.  She must be fairest in the land and when she isn’t she wants Snow White killed.  That’s pretty wicked! I also love the vocal performance and her design both as old lady and evil queen.

evil queen6.Who is your favorite sidekick? Well I already said Timothy Q Mouse so I will go with Dopey.  He’s so funny and sweet.

dopey7.What is your favorite song of the era?  When You Wish Upon a Star is about as good as it gets. It’s a song about hope and daring to dream for greater things in life.  That’s what Disney does at its best is inspire hope and imagination.  I would put Baby Mine as a close second.

8.What do you consider to be the most underrated film of the era? Dumbo because it gets a bum rap for being racist.  I think the crows are a caricature but I personally don’t find them that offensive.  I think it is especially forgivable when the entire message of the movie is about accepting people (or elephants) that are different.

crows29.What is your favorite thing about this era?  I’m just blown away by the artistry and how bold Walt was.  It would have been so easy for him to pump out 5 more Snow Whites but he went for Pinocchio, Fantasia, and Bambi which are all artistic masterpieces and bold storytelling.  Dumbo is the simpleton of the group and that’s saying something because it is also bold in kind of a simple way.  They are challenging in tone and themes and take multiple viewings to absorb.  I love all 5 more each time I see them.

10.What is your least favorite thing about this era? My least favorite scene is when the boys get turned into donkeys; although, as an adult I find it more enjoyable.  As a kid I was petrified of it!  The scene where Dumbo and Timothy Q Mouse get drunk isn’t my favorite either.

donkeysI haven’t mentioned Bambi at all in this tag, which is a shame because I really do love it.  It’s so textured and beautiful to watch.  I love how it doesn’t have much plot but is just a baby deer growing up.  It’s sweet and simple and then sad when it needs to be.  The scenes with the fire are stunningly animated and the way it uses music as a sound effect was groundbreaking.  I was probably a little too tough on Bambi when I reviewed it.  I definitely should have given it an A.

bambi2

 

My Fair Lady 50th Anniversary Release Review

my fair ladyToday I had the treat to see the musical classic My Fair Lady on the big screen!  It is a specially remastered edition and even included the intermission.  It’s amazing how with a great film 3 hours goes by without me even noticing it; whereas, I’ve sat for 1 hour films and been very antsy.  I hadn’t seen My Fair Lady for a little while but I listen to the music quite often.  Let’s just say it was even better than I remembered it.

My Fair Lady was of course based on the Lerner and Loewe Broadway musical, which in turn was based on the George Bernard Shaw play Pygmalion.   It is basically a variation on Cinderella with the homely girl finding out she really is a princess (which British nobility and genteelness basically is).  We’ve seen it in Princess Diaries, What a Girl Wants and many other films.   While the plot may not be groundbreaking it is executed with such warmth, humor and charm it made me smile from beginning to end.

my fair lady3Rex Harrison was famous for playing Henry Higgins on Broadway and his live singing with the speech singing style is proof of that kind of nightly performance you get on Broadway.  Some people may see Higgins as a bit of a pig but I think the movie knows he is a pig and for the most part Eliza is up to the challenge and certainly doesn’t back down to his bullish ways.  While watching Higgins I kept thinking of Sherlock Holmes or Sheldon Cooper, these characters we see from time to time who are selfish but kind of in an innocent way.  They see their world as making the most sense and everyone else should just come around to their genius.

my fair lady7I guess if you don’t know Henry Higgins is a professor of the science of speech.  One day he meets a Cockney flower girl named Eliza Doolittle played by Audrey Hepburn. She overhears Higgins boast he could teach her to be a duchess at a ball, so the next day she makes a proposal to him to pay for lessons.  This starts Higgins, Doolittle and their friend Colonel Pickering (Wilfrid Hyde-White) on a 6 month struggle to change the way Eliza speaks.

my fair lady6Eventually Eliza  is tested out at the Ascot Raceway where she can’t help but be a little competitive.  The costumes by Cecil Beaton during this segment and the ball later on are some of the greatest in movie history.   Cecil Beaton not only won Oscar for Costume Design but also for Art Direction which is also outstanding.

my fair lady4Notice Eliza is the only one with any color to her hat.

The hats alone are works of art.

my fairl lady6George Cukor does a fine job directing the film with an ease and flow and an incredible attention to detail.  Henry Stradling’s cinematography and the art direction make each scene a joy to watch whether it is a street in London, Ascot or the Ball.   George Groves weaving sound mixing of Harrison’s live singing with the dubbed singing of Hepburn and others is also remarkable.  My Fair Lady still holds the record I believe for 8 academy award wins.

my fair lady9Some people were upset at the time Julie Andrews wasn’t chosen to pay Eliza but with Hepburn winning an Oscar for playing a princess in Roman Holiday the choice made sense and I think she is lovely in the part (as I’m sure Andrews would have been but then we might not have gotten her in Mary Poppins!).  Marni Nixon does the dub work for Hepburn and what a pro she is.  To think she is the same singer for Deborah Kerr in The King and I and Natalie Wood in West Side Story it is pretty amazing.

my fair lady5The music is so divine.  Wouldn’t it Be Loverly, The Rain in Spain, I Could Have Danced All Night, On the Street Where You Live, Show Me, I’ve Grown Accustomed to Her Face, are all completely lovely and I found myself singing to myself as I exited the theater. I think my favorite is I Could Have Danced All Night.  It’s actually a very difficult song with a full octave range and some very high notes!

The only songs I could do without are sung by Stanley Holloway as Eliza’s dopey father, a character I could also do without. Holloway is a good singer and you can see his Broadway background but the character is such a lazy bum I don’t really find it that charming.

my fair lady10The ending isn’t my favorite.  I would rather they went with the ending of the original play but I don’t hate it so much to ruin the film.  I think with Higgins singing I’ve Grown Accustomed to Her Face moments before it feels more acceptable that he does love her and may treat her well.

my fair lady8For Sherlock Holmes fans we get to see a young Jeremy Brett as Freddy Hill.  He isn’t a super developed character but there is a charm to Brett’s performance. I like him and Hepburn in Show Me.

my fair lady11One critic said of My Fair Lady “the film’s charm is undeniable”.  I agree!  That is probably apparent from the framed poster I have in my living room. 😉

my fair lady111It’s certainly one of my favorite old school musicals and one definitely worth checking out.  Meanwhile I will keep singing the songs to myself! 🙂

The special release I saw is available for pre-order right now on Amazon with all kinds of special features. I know I have it on pre-order!

Overall Grade-  A (not an A+ just because the Dad stuff isn’t my favorite)

My youtube review

Hit Me with Your Best Shot: Sunset Boulevard

sunset17This weeks choice for Hit Me with Your Best Shot movie club is the classic Billy Wilder directed and written film Sunset Boulevard.

If you haven’t seen it the film stars Gloria Swanson and William Holden in a film noir drama about a struggling writer who gets involved with a delusional star from the silent movies named Norma Desmond.  Most movies are about not giving up hope and achieving your dreams (even if it ends tragically).  Sunset Boulevard on the other hand is a bit of a cautionary tale of when those dreams become obsessions and keep you from living a full life. Great Expectations is mentioned in the beginning and in many ways they are similar.  Both stories have a male protagonist who dreams of greatness and women who can’t let go of lost dreams.

Today watching Sunset Boulevard reminded me of a guy I knew when I was about 25.  He believed he was destined to play in the NBA.  He actually had a vision from God that it was his calling.  Unfortunately he had not been good enough to make the college team at UofU.  Nevertheless, he would give these motivational speeches about the power of a dream and all.  It not actually happening didn’t seem to phase him much like Norma Desmond. On one hand this kind of vain ambition may seem charming but on the other it seems like a lot of wasted energy when new perhaps better dreams could be fulfilled.

Anyway, in classic noir style the film tells you the grim results of the crime with brooding narration at the onset.  This allows us to focus entirely on characters because the plot has already been spelled out.

Because it is so character driven a movie like Sunset Boulevard depends entirely upon the strength of the actors for its success.  Luckily in this case Holden and especially Swanson are up to the task.  It’s a cliche to say but Swanson is mesmerizing in every scene.  One gets the impression Norma Desmond would be proud of the leading lady portraying her!

That’s not to take anything away from Wilder or cinematographer John F Seitz because their work is very strong. What they do enhances the great efforts of the actors making it all work together nearly flawlessly.

For example, one thing I noticed while looking for a shot is the way Wilder makes Norma feel both large and small depending on the moment.

Gloria Swanson it turns out is only 4’11” (William Holden is 5 ’11” which would normally be short but a foot taller than his costar in this case).

When he needs Norma to feel powerful over Joe she has buns in her hair or they are sitting.  Here are some examples:

sunset3 sunset13 sunset14 sunset15But when Norma is losing control we see her being looked down on or seeming as tiny as Swanson really was.

sunset8
All the doors in the house are massive and dwarf Norma.
sunset9
Norma looks so tiny next to this giant ship bed
sunset4
All the reporters looking down on her as she makes her grand exit.

sunset7 sunset11 sunset12Before I give my shot I will say that Sunset Boulevard is one of the few classics I would love to see a remake on.  The reason why is I love the musical version by Andrew Lloyd Webber (definitely his most underrated).  The music is very strong and I can see Meryl Streep eating up the part of Norma Desmond.  (Norma’s only 50 after all!).

Glenn Close is also iconic in the role as can be seen in one of the best songs

Can’t you just see that being a great movie?

Best Shot-

In this shot Joe is finally leaving Norma.  He spills the beans on all that Max has been doing to prop up her delusions of grandeur but she seems to be oblivious to all he is saying.  He is telling her “there is no shame in being 50 except when you are trying to be 25”.  Instead of paying heed she is giving a performance almost as if there is a spotlight over her head.  Look at the way her hands are at her throat like a Shakespearean actor doing Hamlet.  It’s almost as if she expects applause.

sunset18Then she says “I’m the greatest star of them all”.  He leaves and says goodbye and she says “No one ever leaves a star.  That’s what makes them a star”.  Once having tasted the greatness of being adored and loved Norma mentally cannot handle being small (she even says ‘I’m big. It’s the pictures that got small’).

Madness for Norma is a better alternative than being abandoned.

Adventures of Prince Achmed Review

achmedBack in my review of Snow White I learned that it in fact wasn’t the first animated feature film.  It was the first American animated feature film (I believe).  I kept hearing about this thing called The Adventures of Prince Achmed and that not only was it the first animated film but I had to see it. Quickly I ordered it from Netflix and naturally the DVD has been sitting around since the beginning of May. I finally had a chance to watch it and I do see what all the talk was about. It’s a very unique movie!

Made by artist Lotte Reiniger, Achmed uses what’s called ‘silhouette animation’ which takes takes cardboard and lead cutouts under light and moves them kind of like a combination of shadow puppets and stop motion animation.   What amazes me is how Reiniger was able to get small details like leaves and fingers with the paper.  I would think that would be incredibly difficult to pull off.

the_adventures_of_prince_achmed_by_snartha-d78dm9dAchmed was made in 1928 in Germany (2 earlier animated films were released in Argentina but they are considered lost according to wikipedia).  Reiniger worked with 3 other avante-garde artists to make the film named Walter Ruttmann, Berthold Bartosch and Carl Koch.  (On the DVD there is a featurette about these artists that is very interesting).

achmed4
Reiniger and Carl Koch working on the silhouettes

The film is a silent movie with no dialogue and only title cards to know what is going on.  The score which is so key in a silent movie is excellent by Wolfgang Zeller under the heavy direction of Reiniger (this seems like a very neat lady.  They should make a movie about all of this!).

achmed6The plot has multiple acts and it’s actually more complicated than you’d guess for a story made of silhouettes. It is reminiscent of Ali Baba and the 40 Thieves and starts out with a magician who creates a flying horse that he shows the Caliph, or ruler.  The Caliph offers any treasure to buy the horse but instead the Magician chooses Dinarsade, the Caliph’s daughter.

achmed2Dinarsade’s brother, Prince Achmed objects and steals the horse and the Magician is imprisoned.  Eventually Achmed controls the horse and lands in a mysterious land called Wak Wak with a beautiful maiden named Peri Banu.

achmed3The Magician ends up escaping and confronts Achmed.  Then we get introduced to Aladdin who has his magic lamp which he has used to court and marry Dinarsade until it is lost and he is banished to Wak Wak.  Here’s a scene where they meet Aladdin.  This will hopefully give you a feel for the style of the film.

Finally a magic witch arrives who agrees to attack the Magician and they get the lamp back and after a little more adventure all is returned as it should be with couples in love and a the end of our story.

Adventures_of_Prince_Achmed_4Aren’t you impressed with all of that for a 65 minute film all done by silhouettes?  I was.

Here is a the first few minutes of the film to give you more of a feel of it.

Like I said it is only 65 minutes so why not spend a little of your time with something so unique and beautiful?  Plus, you can tell people you’ve actually seen the first animated film.  None of this Snow White stuff! 😉 .  It is a silent film so it does require some focus and reading of the cards but again it’s only 65 minutes! So it’s not concentrating for that long.

I am shocked this is not  Criterion release.  It seems right up their ally.  So far I believe the only animated film they have done is Watership Down (which I own).  The restoration added back the original color tints which were missing for many years, but the DVD release feels very dated and Criterion could do amazing things with it.

It’s always hard to give  grade when something is the first of its kind so I won’t.  Just watch it and enjoy!

Do you watch any silent movies?  In Salt Lake there is an old movie theater that has the largest theater organ in the world and you can see silent movies with the live organ accompaniment.  It’s pretty amazing.

Hit Me With Your Best Shot: Amadeus

This post marks my second entry in The Film Experiment series called Hit Me With Your Best Shot.  It’s a fun project where various bloggers all watch a movie (or pick 1 out of 3) and then have the difficult task of selecting 1 shot that in your eyes captures said film.

My first entry was the daunting Citizen Kane but today proved to be difficult in its own way. This weeks film is a different kind of masterpiece- Milos Forman’s 1984 film Amadeus. (Which was my 1984 selection in Movies From My Life btw)

amadeusBased on the play from Peter Shaffer it tells a fictionalized version of Amadeus Mozart’s (Tom Hulce) life.  It is done through a foil and narrator Antonio Salieri (F Murray Abraham) who in his words is ‘the patron Saint of mediocrity”.  He wants to compose music so badly but he is not given the special talents by God, which he bitterly resents especially when a buffoon like Mozart seems to be so blessed.

Part of the problem is Salieri’s warped view of religion.  He thinks he can make a deal with God.  If he is a ‘model of virtue’ than God will bless him with great talent.  If this was the case then we would all be making deals with God…Salieri claims at the beginning that he works hard, prays and gives many lessons for free.  This reminds me of the rich man who asks Christ what he needs to do to make it into heaven.  “Sell all your possessions and give to the poor”.  He goes away sorrowing.  Jesus knows there is that one part of his heart which is not given to God. Salieri is much the same way.  He goes through the motions of faith without being open to God’s plan for him.  He thinks he can earn the benevolence of God and that he knows what is better for his life than God- the ultimate in pride.

This is when that green-eyed monster called envy creeps in and Salieri allows it to fill his heart.  Whenever he hears Mozart’s music he is overcome by its perfection and the animosity grows stronger until it finally births a plan for revenge- not just on his rival but on God for being so foolish in his gift-giving. He even burns the cross he is so bitter.

amadeus5As is usually the case with envy Mozart is completely oblivious to the hold he has over Salieri.  He has plenty of his own demons to focus on with a father who is never happy,  substance abuse and a public that is not always accepting to his work.  In the great irony Salieri is one of the few who consistently realizes the genius of Mozart and yet that leads to his eventual death and demise.

Amadeus does a lot of things as good as any movie I’ve seen.  It looks great, the opera’s feel real and lush, music is sublime, costumes wonderful and a little surprising (for example, the pink wig is unexpected in a period piece).  But all that aside its greatest achievement to me is two-part:

1. It shows how envy will ruin your life.  Unlike last years Whiplash, Amadeus seems to say that we are either born with talent or we are mediocre. Mozart needs no Terence Fletcher to beat the talent out of him.  It’s just there.  That may be true but surely Salieri could have done better if he had not allowed his rival to overtake him? He certainly could have been happier. As an old man he is in despair, mired with guilt and all because he couldn’t be happy at the blessings of another.  No wonder envy is a deadly sin!

amadeus32. It shows the sublime beauty of a person absorbing a masterpiece better than any film I’ve seen.  That moment when Salieri first hears Mozart’s music is perfect.  He’s just looking at the notes on the page but he hears it in his mind and it almost overwhelms him, even years later he is overcome with the beauty of the music. This is why he thinks it is God speaking through Mozart because only a deity could inspire such breathtaking work.

The problem with the grandeur of music shots is you really need the whole scene to get the majesty of it.

You need to hear Salieri talking about the ‘almost comic’ start, “just a pulse” and then the wind instruments and an “oboe. A single note, hanging there unwavering.  Until a clarinet took over and sweetened it into a phrase of such a delight” ‘  This is music “filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God”.

I think that’s the most beautiful description of music or art I’ve ever heard.  But like I said, you need the whole scene (a tribute I think to Shaffer’s amazing script).

So I will go with the envy shot.  I am going to pick old Salieri with very convincing makeup.  In the narrative he has just determined his plan for revenge on Mozart and God.  He describes the funeral and what a delicious day it will be for him. Pointing to himself he says “And God is forced to listen! Powerless, powerless to stop it! I, for once in the end, laughing at him!”  You can just feel the bitterness oozing out of this face. I love that he is pointing at himself because it is the envy in his heart that is the problem not God, not Mozart, not anyone else.

THE SHOT-

amadeus18But in fact, he is the only one left laughing at himself. “Mediocrities everywhere I absolve you!”

Hit Me With Your Best Shot: Citizen Kane

For months I have enjoyed viewing my blogging buddy over at Coco Hits New York Conrado Falco’s posts called Hit Me with Your Best Shot.  It’s part of a series of posts sponsored by The Film Experiment which is a blog/podcast on movies.  The idea is you post the best shot (or sometimes 2) that exemplifies a classic film.

The reason these posts excite me is because I have a great love for photography as my grandfather, father and brother are all professional skilled photographers. My brother Ben Wagner is now the founder and CEO of Poler LLC clothing but he has done both film and still photography for all kinds of publications.  Anyway, photography was a big part of my family and I think that is why I love movies and in particular looking at the stills of a movie and how they all work together to evoke a particular mood or moment in the film.

On Conrado’s last Hit Me post he invited me to participate and I figured why not?  Well, of course the first one I do has to be Citizen Kane!  Only the greatest cinematography ever in a movie.  Widely argued as the greatest movie ever made, it is tough to argue that it is the best crafted movie with cinematographer Gregg Toland creating a work that has yet to be topped.  Literally almost every shot in the movie could be used for this project!

citizen kane6Most people know Orson Welles was given free rein in Citizen Kane directing himself in the story of Charles Foster Kane who is widely seen as a sub-in for newspaper baron William Randolph Hearst.  Kane starts in obscurity but rises to be the richest most powerful man in the world.  And yet on his death bed he is practically alone and his one word is Rosebud.

Then for the rest of the movie a reporter named Jerry Thompson seeks to find out what Rosebud means and who Charles Foster Kane really is.

I love this movie but I am out of my league attempting to give any kind of professional analysis of the shots.  I know some things that impress me but I am sure there is much more a truly skilled technician would be able to tell you.  I highly recommend listening to the Roger Ebert audio commentary on the blu-ray.  It’s fascinating.

So the 3 shots I picked are…

citizen kane4Here’s a man who runs a newspaper, a tabloid no less, but what does he have going into the eternities?  Nothing but himself. He is infinitely alone.  citizen kane3After he insists Susan Alexander really is a singer he forces everyone to like her and forces her to sing just to prove he is right.  This image of the light bulb, his face and the newspaper with the headline about Susan is basically his life in one shot. He is exuberant, bright, sad, staring, and causing furor where ever he goes.

citizen kane5This is a shot from the beginning when Thompson gets his assignment to research Rosebud.  They have just finished watching the Kane newsreel about the great man’s life and all the reporters are nothing but shadows.  How apropos for someone about to find out the ‘hidden meaning’ of a word and a man’s life.

The lighting Toland and Welles achieve is astonishing.  The way shadows are used and light reflecting off of people in not just one interesting way but many in one shot is mind blowing.  He has many shots with a person that is blacked out facing the characters on the screen.  All we see is like a police outline and can look at the light and the reactions of who they are talking too.  Here is another example.

citizen kane2I guess that’s 4 shots then.  Give me a break.  It’s Citizen Kane for goodness sakes!!

What do you think of my shots?  It’s really a rite of passage for any film lover and I have the Citizen Kane boxed set collector’s edition which I highly recommend.  You’ve got to see it!

Cinderella Through the Years

cinderella through the years

Before I post my review of the latest Disney Cinderella I thought I would share with all of you my reviews of 4 other Cinderella movies over the years. I love the story of Cinderella because at its core is the human need to be rescued from time to time.  Some may see this as feminine frailty being celebrated but I believe all of us need rescue from the dark times of our lives.  In fact, Cinderella is not rescued by the Prince. She is rescued from this terrible situation from another woman.  And why is she rescued?  Because she is hard working, faithful and kind.

Cinderella is also a message about hope and that if you are a good person, a good friend who works hard eventually good things will happen to you.  It is for these reasons the story has lasted for centuries and permeated every medium of storytelling including literature, theater and of course the movies.

When I first started my youtube channel I did a defense of Cinderella and reviewed 4 different versions, which I believe show the versatility of the story.  Many think only of the 1950 Disney animated version which I love (#3 in my Disney Canon ranking).  But the other 3 versions I reviewed are unique in other ways and all a lot of fun to watch.  I would encourage you to hunt them down and watch them as you watch the latest version and let me know what you think.

Like I said, these videos were just when I was starting so the audio isn’t perfect but the content is I believe pretty solid. I will summarize a little bit before each video in case you prefer it written than in a video form.

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Disney 1950 Cinderella-

The first is the 1950 Disney Cinderella.  This version has the best music and is the most artistically beautiful of any version to date.  The backgrounds are especially lovely.  Scenes like the bubbles in Sing Sweet Nightangale are gorgeous and the way Lady Tremaine is drawn with the green eyes makes her one of Disney’s best villains ever.  She is completely unsympathetic and gets her self esteem in life out of ruining the life of another human being.  Yet Cinderella stays positive and hopeful until the dress, made by her loving friends, is destroyed and it is completely devastating.  Despite all that has happened to her this is the first time she is hopeless and it is then when the rescue comes.  Verna Felton is so great as the Fairy Godmother and I love this interchange:

There’s nothing left to believe in. Nothing.

Fairy Godmother: Nothing, my dear? Oh, now you don’t really mean that.

Cinderella: Oh, but I do…

Fairy Godmother: Nonsense, child. If you’d lost all your faith, I couldn’t be here. And here I am.

In a lot of ways it is similar to the message of Pinocchio.  ‘When you wish upon a star makes no difference who you are…anything your heart desires will come to you”.  Does that mean you just sit and wait?  No and that’s not what Cinderella does.  She works really hard and in the end good things happen in a way that is unexpected.  It has nothing to do with her marrying a Prince but escaping a rather Hellish existence and being free.

Glass Slipper

glass slipperThe Glass Slipper is a very different version of Cinderella because unlike the Disney version Cinderella is kind of a jerk.  She’s stubborn and willful and picks fights with everyone around her.  Played by Leslie Caron she insists she is going to end up in the palace and everybody thinks she’s a nut.  Then she meets the Prince in the mountains and thinks he is the Baker’s son.  She thinks he is making fun of her and throws him into the lake. They meet on several occasions and he’s bewitched by her ‘sad eyes’.

The main strength of this version is the amazing dancing.  Leslie Caron is of courses famous for her being an incredible dancer and in this film they have 2 full ballets done by Roland Petit and the Ballet de Paris.  For those that want a more headstrong determined Cinderella this might be a favorite of yours! I love dance so I love it.

The Slipper and the Rose

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Slipper and the Rose is a unique musical version of the Cinderella story with songs by the Sherman Brothers.  The songs are more like nuttiness of Chitty Chitty Bang Bang than the Sherman Brothers more mainstream musicals like Mary Poppins or The Jungle Book.  The lyrics are very funny and all of the performances are campy and silly but entertaining.  There are also a lot of unique touches to the story like the Prince and Cinderella actually get engaged for a period but Cinderella is convinced it would not be good for the kingdom for Prince to marry a commoner.  She is exiled but lives quite peacefully without the Prince quite happy to be free from her burdens.

Eventually the Prince agrees to marry out of duty despairing of finding Cinderella and she must decide whether to go back and stop the wedding.  Kind of a different take on the story and I like it! But the main appeal on this one is the music and all the humor.

Ever After

ever afterEver After is a very modern take on Cinderella story.  For starters there is no magic of any kind.  It is also the only version with a male Fairy Godmother figure in Leonardo Divinci.  Drew Barrymoore plays a girl named Danielle who ends up a servant to the terrific Anjelica Huston who is very sympathetic as the stepmother who married a strange out of necessity and then was expected to care for his daughter.  The Prince and Danielle meet early on and it is a very academic courtship.  They go to a romantic library covered in vines and spar over Utopian philosophy and the value of human freedom.

Drew Barrymoore and Dougray Scott have great chemistry together and it is the only version where he is the one who is devastated by her pretending to be someone she is isn’t.  That isn’t even addressed in other versions. It takes him a while to agree to forgive her and by that time she is sold and whipped but in the end she doesn’t need rescue, but rescues herself which I think is a cool spin on the story.  It’s an extremely satisfying version and may be my favorite live action.  They all have parts I love.

 

Have you guys seen any of these versions?  I would love to know your thoughts.  If not, go check them out.  They are great movies and it is fascinating to see the same story taken in such different ways.  Is there a version I have missed that you enjoy.  Last year we had Anna Kendrick as Cinderella in Into the Woods which I enjoyed

 

And my review of 2015 Cinderella is coming up next… 🙂

Character Profile 6: Holly Golightly

breakfast at tiffanysI just had a neat experience.  Cinemark movie theaters have a Cinemark Classics series where about 3 times a month they show on the big screen a classic movie.  I recently enjoyed It’s a Wonderful Life on Christmas Eve and today I saw arguably my favorite movie (definitely in top 3) Breakfast at Tiffany’s.

It might surprise you that a good little Mormon girl from Utah loves a movie about a call girl and a male slut who get drunk and make terrible life choices.  That’s the thing.  I don’t need my characters in books and movies to make the same choices I would, or even be admirable.  They just need to teach me something and Holly Golightly does that in spades.

I will put it out there that I think Holly Golightly is one of the most complex characters in movies. She’s a puzzle and every time I see the movie I learn something new about her.

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I love characters that are contradictions and Holly is full of them from the moment we meet her.  Of course her first scenes are in the iconic black dress and costume jewelry looking in the windows at Tiffany’s and eating a croissant.  She looks like she could be off to the Oscars tiara and all.

breakfast at tiffanys11Then the next scene is her letting Paul into her dumpy apartment with no furniture in an oversized shirt. Too top it off we learn she is going to visit a man in prison and gets $50 to go to the powder room from men.

She has strange philosophies on life like not naming her cat and fighting what she calls the mean reds:

“The blues are because you’re getting fat and maybe it’s been raining too long, you’re just sad that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of. Do you ever get that feeling?”

And what does she do when she has the mean reds? Why go to Tiffany’s of course!

“Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany’s. Calms me down right away. The quietness and the proud look of it; nothing very bad could happen to you there. If I could find a real-life place that’d make me feel like Tiffany’s, then – then I’d buy some furniture and give the cat a name!”

Isn’t that interesting?  The woman who throws crazy parties and plans to marry for money twice in the movie likes Tiffany’s not for the diamonds because it is quiet and calming. See what I mean about a complex woman?

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Holly is also the woman who can look like a star in minutes to go to a prison.

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But is probably the most honest in a scene where she is simply strumming a guitar looking like she is ready to clean the house. Actually she is honest in both scenes.  That’s what makes her so interesting. As OJ Berman says “she’s a phony but she’s a real phony” or in other words she’s like all of us.

breakfast at tiffanys2We find out she has been running in her life.  She ran from her child bride husband Doc (probably for the best but it isn’t as cut and dry as you’d think).

breakfast at tiffanys wild thingI love this scene when she tells Doc she’s a wild thing.

“You musn’t give your heart to a wild thing. The more you do, the stronger they get, until they’re strong enough to run into the woods or fly into a tree. And then to a higher tree and then to the sky”

If we think about the end when Paul tells her about being a wild thing it is so perfect. To use Holly’s lingo she’s ‘just a scared little mouse” .  In a way she has become used to fear, proud of it even if it gives her the mean reds from time to time.

“I’ll never get used to anything. Anybody that does, they might as well be dead”

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Of course Audrey Hepburn is the star of the picture but George Peppard is lovely too as a man who has given up. He’s settled for a convenient love, living and life. It is such a contrast to Holly but both are equally lost. I think that is why she gives him a new name. It is the only way she who wears so many faces can relate to this person.

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In a way it is an extremely hopeful picture as all love stories really should be. That no matter how screwed up we are (and aren’t we all) there is someone out there who will love us for it. That is why I love the ending so much.

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Holly tells Paul “I’m not going to let anyone put me in a cage.
Paul: I don’t want to put you in a cage. I want to love you.
Holly: It’s the same thing.
Paul: No it’s not.
Then she throws out the cat and he gets up to leave. And this is my favorite speech in all of movies.

“You know what’s wrong with you, Miss Whoever-you-are? You’re chicken, you’ve got no guts. You’re afraid to stick out your chin and say, “Okay, life’s a fact, people do fall in love, people do belong to each other, because that’s the only chance anybody’s got for real happiness.”

You call yourself a free spirit, a “wild thing,” and you’re terrified somebody’s gonna stick you in a cage. Well baby, you’re already in that cage. You built it yourself. And it’s not bounded in the west by Tulip, Texas, or in the east by Somali-land. It’s wherever you go. Because no matter where you run, you just end up running into yourself.”

Both of these characters have been lost but in different ways and he is absolutely right ‘no matter where you run, you just end up running into yourself”.  That’s why it is so important we find people who love us and who will help us get out of those cages.  Help us deal with the mean reds and the often strange choices we make. People who will love us no matter what.

That’s the hope of Breakfast at Tiffany’s.  That all humans can be redeemed from our various transgressions through love.  It’s kind of like in Les Mis when they say ‘to love another person is to see the face of God”.

breakfast at tiffanys4Anyway, I love Breakfast at Tiffany’s and I love Holly.  She’s so much fun and yet fascinating at the same time.  The only part of the movie I don’t like is the embarrassing racist performance of Mickey Rooney as a Japanese photographer who lives upstairs from Holly.  I so wish that character didn’t exist. It’s just awful for a white man to be playing a person of another race and the makeup, voice, and teeth make it even worse if that is possible.

But I try to ignore that part because the rest in my eyes is perfect.  It is also one of the few adaptations that actually improves upon the original source material which despite being written by Truman Capote isn’t nearly as nuanced and tough to pin down as the script by George Axelrod.

The great Blake Edwards deserves a lot of credit for his direction which is so appealing and then garish when it has to be.

Finally the music by Henry Mancini is perfect. I love they didn’t dub Audrey.  It helps add a vulnerability a more polished singing performance wouldn’t have had.  I could listen to Moon River all day and sang it for voice lesson recital a while back.

It’s such a beautiful song because it captures the contradictions in the movie. It’s a dream maker and heart breaker at the same time.  And then it ends just as the movie ends with hope for our heroes.

“Two drifters off to see the world.  There’s such a lot of world to see.  We’re after that same rainbow’s end, waiting, round the bend”