2022 movies

SXSW LOG 2022: DAY 2 (FACING NOLAN, I LOVE MY DAD, 32 SOUNDS)

| Rachel's Reviews

After an amazing first day of SXSW day 2 was definitely more of a mixed bag. I again only watched 3 movies because of other responsibilities I have but I hope to be able to catch up with more films on Monday and Tuesday. We will see how it goes!

Let’s talk about some movies:

Facing Nolan

I don’t have tons to say about Facing Nolan. It’s a perfectly serviceable biodoc about pitcher Nolan Ryan. It’s the kind of film you’d see on an average episode of ESPN’s 30 for 30 series and fans of Ryan and baseball will undoubtably enjoy it. I like biodocs. It’s fun to learn about people and what made them the people they are but if you are looking for something that transcends the genre this isn’t it (and it doesn’t have to be it).

I did appreciate the variety of subjects interviewed including former President George W Bush. Like I said, baseball fans will especially enjoy Facing Nolan, so it does its job.

6 out of 10

Smile Worthy

I Love My Dad

It’s interesting how we all accept Mrs Doubtfire as a sweet family comedy because we grew up with it and it has such a likable tone and actors. However, when you actually think about it it’s kind of creepy. It’s a similar dynamic with I Love My Dad. It’s a comedy about a man lying to his ex and his son in order to ingratiate himself in his son’s life. It’s just replaced prosthetics and make-up with internet catfishing. Unfortunately, Patton Oswalt’s character takes things so far his character is irredeemable. The more I thought about the film the grosser it became.

Oswalt plays a man who is estranged from his son and decides to start catfishing him as a beautiful young lady in order to boost his confidence (the son is suicidal at the beginning). Like I said, it starts out sweet and innocent enough but then when it gets to sexting and other lewdness it’s weird and I don’t think I could ever forgive a father for doing what Oswalt does.

I Love My Dad ends up feeling like more of a horror movie than a family comedy.

4.5 out of 10

Frown Worthy

32 Sounds

I have no doubt Sam Green’s new documentary 32 Sounds will be used in film school classes for decades to come, and such instructional settings is probably where it belongs. It’s unlike any movie I’ve ever seen with interactivity that feels novel and fresh…for a few minutes and then I was ready to move on.

32 Sounds strives to teach the viewer about sound in film and how it impacts the movie-going experience. They start the film asking the viewer to watch with headphones or at a theater if possible. Then there are various exercises they ask the viewer to participate in. The viewer are asked to respond to different sounds or think about what memories different sounds bring to the surface.

It’s definitely an interesting experiment in film but probably best as an instructional youtube series than a long feature film.

5 out of 10

Frown Worthy

Are you attending the festival? What did you think of these 3 films? Would love to hear your thoughts. 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

SXSW Log 2022: Day 1 (Your Friend Memphis, Skate Dreams, Crows Are White)

| Rachel's Reviews

Hey everyone! I hope you are all doing well and having a great weekend! Yesterday marked my first day attending the virtual edition of the SXSW film festival. I thought long and hard about attending the festival but with a New York trip already planned for March I didn’t feel like I could do it. Unfortunately that means I miss out on some of the films being screened but there are still many worthwhile films to watch.

For the first day I watched 3 documentaries and I’d actually recommend all 3. They are each very different from each other but found them all rewarding and worth watching.

Here are my quick thoughts:

Your Friend, Memphis

Like many indie documentaries I do think Your Friend, Memphis would be better as a short. It’s subject Memphis DiAngelis is compelling but the events of his life can drag in spots (as would be the case with most of our lives). Memphis has cerebral palsy but he doesn’t want that to define him. Film is his passion but his struggle to be taken seriously is often met with patronizing speeches if not outright

I appreciate Your Friend, Memphis avoids maudlin or inspirational disability weepie traps but some of the time spent on his crush with a singer named Seneca don’t go anywhere and could have been lessened or removed. Still I overall recommend Your Friend, Memphis and would be a good double-header with The Peanut Butter Falcon from 2019.

6 out of 10

Smile Worthy

Skate Dreams

Anyone who might have been tempted to say ‘skate like a girl’ as a term of derision will want to shut their mouths after seeing the new documentary Skate Dreams. In the film director Jessica Edwards chronicles the history of female skateboarding and it’s engaging interviews and great skating footage make for an entertaining watch.

For some this might be old news but I knew nothing about the start of this sport so I found the stories of early skaters to be very interesting. It was also honest about the challenges and blessings of increasing popularity including the recent addition of the sport to the Olympics.

If you like skateboarding at all Skate Dreams is a winner.

7 out of 10

Smile Worthy

Crows Are White

The final documentary of the day Crows Are White proved to be something special. Ahsen Nadeem’s film starts out as a simple story following the monks of Mt Hiei, Japan but then morphs into a personal story about his own faith journey and the acceptance he years for from his traditional parents.

While I do think the film drags on in sections (although even the slower parts can still be delightful like a whole scene with a monk going gaga over ice cream sundaes), when it works it really works. There is a scene where Nadeem finally is honest with his parents and you want so much for him to be accepted by them, so when he isn’t it’s quite devastating. I loved the dynamic between Nadeem and his wife and the ending is very fulfilling.

There are parts in Crows Are White that feel staged but never so much it took me out of the moment or made the story feel illegitimate.  This is a moving, emotional story that is worth searching out and supporting.

8 out of 10

Smile Worthy

I’d say day 1 was a pretty good start to SXSW. Hopefully in day 2 I will get some narratives to recommend. If you saw any of these films let me know what you think! 

If you enjoy what I do please consider supporting at patreon where you can get tons of fun perks https://www.patreon.com/hallmarkies

[REVIEW] ‘Turning Red’: Pixar’s Puberty Metaphor Turns Sour (Maybe Mild Spoilers)

| Rachel's Reviews

Going into 2022 one of my most anticipated movies of the year was the latest Pixar film Turning Red. In fact, when it was first announced at the Disney investor presentation I made the promotional image of Mei Lee and her panda my wallpaper on my phone because I thought it looked so charming.

Unfortunately now I have seen Turning Red I must own to being very disappointed by the film and in fact it is the first Pixar film I’ve outright disliked (yes even Cars 2 has a bonkers sensibility I mildly enjoy). I even watched it a second time just to make sure of my response and yep this one isn’t for me.

Let’s talk about the positives. First, I like the idea of a family film trying to tackle puberty and anxiety in an honest and straight-forward way. How they succeeded at that is another question but I am sure there will be a lot of people who will connect with Mei Lee and her family’s journey. I also love the representation and seeing not only a Chinese-Canadian family but also Mei’s diverse friend group.

Also the animation is outstanding as is usually the case with Pixar. I know its received lots of chatter online, but I enjoyed the anime feel especially with the eyes and transformation of the characters from human to animal. The fur on panda Mei is so lush and cuddly that I’m sure it will be the source of many plush Disney toys to come.

Part of my problem with Turning Red I must own to my aversion for whiney teen coming of age movies to begin with. Movies that others love like The Edge of Seventeen I find insufferable and annoying. If you love those kind of stories you’ll probably enjoy Turning Red more than I did.

But my personal taste aside, while bold, the whole metaphor Turning Red uses didn’t really work. The idea is Mei Lee comes from a family where upon her first period the girls turn into a red panda when they are upset. While the concept of a period making someone ‘turn red’ is a bit on the nose it could have been effective but the story has problems.

First of all, the mother, Ming, is unhinged and unreasonable. For example, in one scene she lambasts a convenience store clerk Mei has a crush on because Mei has drawings of him in her sketchbook. Not only would this be incredibly embarrassing it doesn’t make sense. Why should he be responsible for her drawings/crush and is her liking someone a character flaw? How could she possibly feel this is a correct response to a basic life experience? Also if you knew this was going to happen wouldn’t you try to prepare your daughter a little bit?

Mei is also a lot of personality and what some will find endearing I often found grating.

Such strange behavior made me annoyed with the characters and then the fighting between Mom and daughter got old real fast. But beyond that the metaphor doesn’t really work. So she turns into a panda when she starts her period but there’s a whole ritual that makes the panda go away? I realize this is a magical realism story but just inventing rituals for cultures and religion (Mei’s family owns and operates a temple) is a strange choice and then the plot of her becoming a party attraction for a bully’s birthday mixed in with the family drama fell flat.

The thing is none of the inspirations for the panda are within Mei’s control. She gets her period- can’t control. She deals with anxiety and emotions- can’t control. She goes through puberty- can’t control. Teens will relate to this but unfortunately they don’t have a ritual that will stop all of these tough things. Mei decides to embrace the panda but all of us normal people don’t get that choice. It’s happening whether we like it or not. Evidently Mei’s mother has been suppressing her panda for years but then why was the ritual necessary? The ritual allows her to bring it back when she wants to? But then again how does that connect with actual teen struggles who can’t make their ‘pandas’ come and go when they want?

It seems like most critics didn’t mind this murky metaphor but it bothered me and kept me from fully embracing the film. I also didn’t connect with the humor of Turning Red or the focus on 2002 boy band called 4*TOWN. It’s a shame they set the movie in 2002 because an Asian KPOP type band like BTS would have been a fun way to bring in the culture rather than just generic boy band.

At the end of the day, I admire what director Domee Shi was going for with Turning Red but the script lets down that ambitious premise making for more of a mess than a masterpiece.  I hope you all enjoy it more than I did but this puberty metaphor gets a pass from me.

5 out of 10

Frown Worthy

PS- Turning Red should still have been played in theaters!

[REVIEW] The Batman or The Bat-Meh? (Spoiler Free)

| Rachel's Reviews

Coming out of the new film from DC and Warner Bros, The Batman, those around me were full of strong opinions. Some were very vocal about their dislike of the film, saying they hated it, and others seemed to really enjoy it. Then there is me with the hardest opinion of all, decidedly mixed…

Let’s talk about the positives. To begin with, director Matt Reeves and cinematographer Greig Fraser have made a good-looking film that leans into the crime noir aspects of the Batman mythology. This is a gritty, brooding, Batman that is actually putting clues together as he spies on the lowlifes of Gotham.

The cast is also impressive, as is the makeup and costuming. Colin Farrell is practically unrecognizable as a mafia kingpin version of The Penguin. Paul Dano is chilling as a serial killer version of The Riddler, and Jeffrey Wright is a terrific James Gordon.

As for our Dark Knight, Robert Pattinson does a good job with what he is given. This is a brooding, quiet, outcast, reclusive version of Bruce Wayne and who’s father seems to have had all the people-pleasing skills of the family.


This is, however, where we get into our problems. The way they have written Bruce in the story doesn’t give Pattinson much to work with. The character is stagnant and does more meaningful staring than actual growth. It’s almost episodic in feel despite it being nearly 3 hours. He starts out as Batman, and he works on solving the case of the Riddler, and that’s it.

And that’s the main issue with this film, the script. The story is extremely one note and doesn’t develop characters we care about or become emotionally invested in. They put the pieces together for the case, but that’s fairly predictable and bland. If this was just a generic detective movie without the iconic IP, I don’t think there would be much interest in the story or characters.

The last 30 minutes do put together some impressive set pieces and like I said Dano makes for a chilling villain, but I wish they had taken the time to develop Bruce as a real person with feelings and emotions. Even in a dark and brooding film noir, there still should be moments where the characters breathe and connect.


The closest we get to any of that is the relationship between Zoë Kravitz’s Selina Kyle (Catwoman) and Bruce, but even that is mostly putting the pieces together on the case and not a real romance.

Perhaps I am coming across like I hated The Batman, which again, I did not. It has too many impressive pieces to hate, but I think it could have been much better with a more nuanced and engaging script. If you love it, I understand why. If you hate it, I understand why. For me, I’m very meh on it.
But I have to pick a side…
5 out of 10
Frown Worthy

‘Uncharted’ and ‘DOG’ REVIEWS

| Rachel's Reviews

Hey everyone! One of the happiest recent developments for me as a film critic is a return to my normal film-watching schedule. This of course means watching some good movies, some bad movies and some mediocre films. I don’t always review those films on this blog. Sometimes I cover them on my podcast both Rachel’s Reviews and Hallmarkies. In fact, you can find my reviews for Marry Me, The Book of Love and I Want You Back at Hallmarkies.
All that said, here are my quick thoughts on 2 recent releases.


Dog
If my readers could have seen my face while watching Dog they would have seen looks of bafflement and exhaustion. I’m not entirely sure what I expected in a veteran and his dog movie but it definitely wasn’t this.
As I was watching I asked the question- who was this made for? Aren’t most people going to a see a movie like this expecting a sweet and sentimental story that will make them cry? Instead we get a bizarre movie that has sexual innuendo, drug use, impersonating a blind man, racial profiling and more. The humor is broad and over-the-top, which was so off-putting when combined with the more emotional moments.
The dog Lulu is cute (I guess played by 2 dogs) and the ending is effective but most of the road trip was very badly done. Channing Tatum tries his best but he can’t save Dog from its bizarre, muddled, and tone deaf script.
2 out of 10
Frown Worthy


Uncharted
It will be no big surprise to my readers I have never played any of the Uncharted games. Nevertheless, I heard from many friends of its potential for a movie adaptation. From what I’ve gathered it’s similar to Tomb Raider but even more cinematic in its approach.
Now after much delay we have the movie version with Tom Holland and Mark Wahlberg and it is…thoroughly average. It’s not an awful adventure film but it’s nothing special either. I’d put it below the recent Tomb Raider movie and that was just ok.
The main problem I had with Uncharted is everything is too easy for our protagonists. For example, in a long treasure hunting sequence under a city they stumble upon each clue quite easily. They always have the key, that key always works, and in one case the lock is hidden in plain daylight inside a Papa Johns!
There’s another instance where a cave loaded with treasure is clearly visible for all to see off of the coast of a Filipino island. We are supposed to believe nobody has been in that cave for 100s of years. In these kind of adventures you want the quest to at least be challenging to our heroes.
Most of the casting in Uncharted is also wasted. Wahlberg and Holland are fine but Antonio Banderas, Sophia Ali and Tati Gabrielle are all under-written. The special effects are fine but there is some green screen work that takes us out of the big action scenes.
I don’t want to be too critical because there is fun to be had in this movie. It’s just all something you can find in a million other films, which is disappointing. I’d say stay home and watch one of those or go see the latest Spider-man movie again. You can wait to see this latest video game adaptation on your console at home when it goes to streaming.
4 out of 10
Frown Worthy

Current Mini Reviews (Death on the Nile, Moonfall, Honey Girls)

| Rachel's Reviews

Hey everyone! I hope you are doing well. I have 3 movies to review today and all 3 I have mixed feelings on. Even as I write I’m not sure whether I will go smile worthy or frown worthy on any of them. That’s the tough part of the dichotomy of fresh and rotten on rottentomatoes. Sometimes movies are in the middle but I have to decide where I land!

Anyway, I will do my best so here are the reviews:

Honey Girls

Honey Girls is a teen musical starring Ashanti that premiered on Netflix this month. I wanted to see it because it features Lilah Fitzgerald and Cindy Busby in supporting roles- both actresses I have interviewed and enjoy their work. The film stars Ashanti as a big pop star who is hosting a talent search to find a new teen star. She started out in a girl group but she left them to be a big star.

It’s obvious watching Honey Girls it is made for pre-teen and teen girls who enjoy franchises like High School Musical and The Descendants. Ashanti is believable as the star and the girls are energetic and fun. Enjoyment of the film will depend on how much you like the music because there are a lot of long songs. None of them stood out to me but I’m not the target audience.

This film kind of reminded me of Jem and the Holograms but better than the most recent live action version of that series. What drags it down is some of the acting is poor and like I said the musical sequences are really long and not that memorable. However, if it sounds like your kind of thing you will probably like it. If not it won’t win you over.

6 out of 10

Smile Worthy

Death on the Nile

I wasn’t the biggest fan of our last mystery with Agatha Christy penned detective Hercule Poirot, Murder on the Orient Express. I think part of the problem is I had read the book and seen several adaptations so I was more aware and invested in the story (and knew the mystery beforehand). With Death on the Nile this is not the case so I was able to see it with more fresh eyes. I also think generally it is a better film than Orient Express despite them both having their flaws.

In Death on the Nile we meet up with Poirot in Egypt attending a honeymoon trip for a young heiress played by Gal Gadot. The problem is it takes so long for the story to get to the boat and the death in the title. We even get a very unnecessary Poirot backstory about why he has a mustache- did anyone need that?

It literally takes an hour to get to the mystery! That said, when it does I enjoyed it. The cast is great and I liked putting the clues together (it’s fairly obvious who did it but still fun to watch Poirot figure it out).

Given the filmmakers had 2 extra years to work on the film it’s surprising how sloppy aspects of Death on the Nile are. The green screen is badly done and the editing is choppy throughout. I also thought 2 scenes where characters were supposed to be sexy (dancing and then making out on a pyramid) were staged very awkwardly and not steamy at all.

All that said, I still had fun with the mystery of Death on the Nile and the cast elevates the material they were given making for an overall enjoyable experience at the movies.

6 out of 10

Smile Worthy

Moonfall

I am not the biggest Roland Emmerich fan. His big, bombastic films are usually more boring than exciting. Even his biggest hit Independence Day is not one I love as much as most people. So needless to say I went into his new film Moonfall with some skepticism. Now that I have seen it I can say it’s not a good film but it is kind of fun in a nutty way.

Watching Moonfall reminded me of a 2 part, bigger budgeted episode of Doctor Who– especially the last half where it goes way sci-fi alien story on us. It’s about a world where the moon is getting closer to the earth and if they don’t find a way to stop it than everything will be destroyed. Patrick Wilson and Halle Berry play astronauts that had a falling out and must reunite to save the world along with a conspiracy theorist played by John Bradley. We also get Michael Pena, Charlie Plummer (who I love) and more.

The problem with Moonfall is not the nutty plot but the terrible dialogue. I kept laughing throughout at the lines Emmerich gave the actors. It’s bad and yet it kind of made it more campy and endearing at the same time. It’s hard to explain but I left the theater having been entertained and smiling. Sometimes it is nice when Hollywood goes big dumb spectacle and that’s what Moonfall does.

If you like Moonfall check out the Chinese film The Wandering Earth. The films are very similar.

6 out of 10

Smile Worthy

So there you have it. Gave mild recommendations to all 3. Maybe I was just in a good mood? Who knows! If you seen any of them let me know what you think.

 

[REVIEW] Therapy Dogs or I’m Glad I’m Not a Teenager

| Rachel's Reviews

As you all know I recently finished covering the 2022 Sundance Film Festival. For the most part it was a disappointing festival with nothing that is likely going to stand out by the end of the year. It’s ironic that one of the most successful “Sundancy” films I saw this week, Therapy Dogs, is going to be released at the Slamdance Film Festival instead of Sundance.

In the film director Ethan Eng takes an underground documentary approach to a narrative chronicling him and his friends senior year of high school. They tell their friends it is a high school yearbook video but it’s actually a feature film.

This is the kind of movie you used to get at Sundance all the time. Friends making a movie together and capturing an authentic look at their worlds. Now it is far too much of the Netflix/Amazon films that don’t feel particularly grounded.

Therapy Dogs at times feels too raw and authentic. It will certainly make you glad you aren’t a teenager today. The drug use and other damaging behavior can be quite shocking. There is also a scene in a strip club that was way too long and felt like part of a different movie.

That said, there are a lot of sequences that feel genuine. One of my favorite parts was all the promposals and any time you see the dance and choral performances at school. As hard as high school can be it is a time where you can explore your talents without the weight of a career or family to worry about.

Eng says at the beginning of the movie “It’s the movie you all deserve…the truth about high school.” and I think that is true. Watching Therapy Dogs reminded me of the brilliant documentary Minding the Gap, where director Bing Liu follows his friends in a documentary for many years. It’s a similar dynamic here where you get to see how these teens live and how most of the preconceived ideas people have aren’t true. For example, they show the partying and then there is a big title card that says ‘Parties Suck’. It’s that contrast between behavior and actual emotion which makes Therapy Dogs a fascinating watch.

Therapy Dogs is a hard R rating but in fairness so is high school. You can watch it on demand as part of The Slamdance Film Festival right now (passes are only $10)

7 out of 10

Smile Worthy

Current Mini Reviews (Am I Ok?, Rifkin’s Festival, The Royal Treatment)

| Rachel's Reviews

Hey everyone! So we had my last day of Sundance today. I ended up with 24 films watched and a bunch started that I chose to not complete (I gave myself that out this year). In general, the festival was a disappointment this year. There were a number of films I enjoyed but nothing I can see ending up in my top 20 of the year. And a lot of my most anticipated were either disappointing or ones I didn’t finish. It’s a real bummer but I hope you enjoyed my coverage. I did the best I could to be fair and enlightening in my mini reviews each day.

Now I have one more Sundance film to review and a few other recent watches I’d like to talk about.

Enjoy some mini reviews!

Sundance: Tig Notaro's Am I OK? Takes Probing Look at Coming Out as an Adult – The Hollywood Reporter

Am I Ok?

From the summary Am I Ok? looked like the sweet romance I’d been looking for at this year’s Sundance Film Festival. Unfortunately, that was not the case. It’s instead a coming out story, which would be fine but the none of the characters in question were very appealing or likable.

Dakota Johnson plays Lucy, a woman who finally admits she is gay, after her best friend Jane is moving back to England (she’s from England originally so not sure why this is a huge surprise). It seems like the narrative is going to be a friends to lovers story but it ends up being a lot of quarreling, fighting and overall obnoxious behavior. Then most of the time is spent with Lucy dealing with a crush on a lady at work not on anything to do with Jane.

Am I Ok? has nice moments but it could have been a lot better. I feel like a lot of films at Sundance this year were rushed with half finished scripts. Maybe they will improve the films before wide-release? Who knows but this one didn’t work for me.

4 out of 10

Frown Worthy

Rifkin’s Festival

While the festival was busy pumping out indie fare a new film from Woody Allen was quietly released entitled Rifkin’s Festival. Like most of Allen’s recent work it is a mixed bag of his best and worst tendencies.

The positives is with the film being set in a Cannes-like film festival in San Sebastian, Spain, Allen has a lot of fun commenting on the arthouse film crowd and prestige filmmakers like Godard, Fellini, Bergman and Orson Welles. He even has dream-sequences that recreate the iconic moments from these classic directors. That was entertaining.

Certainly the cast Allen has assembled is up for the challenge with people like Wallace Shawn, Gina Gershon, Richard Kind and more. However, the problem comes with the 78 year old Shawn playing the ”Woody Allen” role as the supposed pedantic lover torn between 2 beautiful young women. It was unbelievable to put it mildly.

In Allen’s previous film A Rainy Day in New York he had Timothee Chalamet in the Allen-esque role and I think that was the right way to go!

Still just for the cinema parts I’d give it a watch.

6 out of 10

Smile Worthy

The Royal Treatment' Review: A Noble Netflix Romp - Variety

The Royal Treatment

For people outside of the Hallmark bubble they may be unaware of the flourishing business that is the royal genre of films. Whether it is on Hallmark with movies like A Royal Queens Christmas or Netflix with another Princess Switch movie (and that’s only a few of the many releases) there seems to be a never ending supply and demand for what are essentially Cinderella stories at the movies. Now our latest is The Royal Agreement on Netflix.

This film stars Mena Massoud as Thomas, the prince of fictional Lavania who hires hairdresser Izzy (Laura Marano) to help with his arranged wedding preparations. Of course he falls for the hairdresser instead of his intended bride but movies like these are about execution not originality and for the most part this is executed well.

The Royal Treatment is a cute movie that reminds me of The Beautician and the Beast– a movie I love. I appreciate the charisma of both leads and the humor the script brings in. In particular Izzy’s friends Destiny (Chelsea Preston Crayford) and Lola (Grace Bentley-Tsibuah) are a lot of fun as they bring some spice to palace life.

If you are a fan of royal movies you’ll enjoy The Royal Treatment. It does not break the mold but I had fun with it.

6 out of 10

Smile Worthy

So there you have it. I was going to include a couple others but it’s late and I will save them for a future post. I hope you are all doing well and watching some great movies. Let me know what you recommend!

Sundance 2022 Day 6: (The Mission, Maika, Honk for Jesus)

| Rachel's Reviews

On my 6th day of Sundance I saw 3 films (I started a couple others but they didn’t interest me so I stopped). It’s an interesting batch of movies- all of which I enjoyed- 2 involving religion that couldn’t be more different.

Here we go with my thoughts:

Honk for Jesus. Save Your Soul

Satire is a tough thing to pull off. For every Dr Strangelove there’s a million misses like last year’s America: the Motion Picture or Drop Dead Gorgeous– 2 movies I really didn’t like. Now we have Honk for Jesus and it mostly works as a satire of religion and megachurches.

The film’s greatest strength is its cast with Regina Hall and Sterling K Brown in the leads. They play the couple over the megachurch who are trying to stage a comeback after a scandal. As someone with no knowledge of these type of churches I learned something while still laughing. For instance, I had no idea that praise mime was an actual thing. I guess whatever moves you but that was new to me!

The problem I had with Honk for Jesus. Save Your Soul is the consistency of the laughs aren’t there- at times it feels like a full blown drama, which can be jarring when it switches from one style to another. Also I found the writing of Brown’s character to be off. For a lot of the movie we are supposed to hate him as the worst kind of hypocrite but then there are sections where it seemed like we are supposed to be rooting for him and his redemption. It can be tonally confusing.

Still, I recommend it for the performances and enough laughs to make it worth your time.

6.5 out of 10

Smile Worthy

Maika

The festival this year was woefully lacking in its family programming. The kids section only had 2 entries and 1 of them Summering starred children but was not appropriate for them given the language and subject matter. So we were left with only Maika, a Vietnamese sci-fi film that overall I found very charming.

Maika is directed by Ham Tran and is Vietnam’s first family sci-fi film, only their 2nd entry at all in the genre. I hope it inspires other filmmakers as I love seeing genre films from all over the world. It tells the story of a little boy who stumbles across a little girl alien named Maika.

It is easy to compare Maika to films like E.T. or Lilo and Stitch but I still enjoyed it on its own. The children are adorable and the story have a campy quality that is engaging to watch.

The villains are over-the-top and the movie goes on too long but it still is a fun time. Kids will enjoy seeing a story where they are powerful and able to save the day (a friend compared it to Robert Rodriguez film like Spy Kids and I agree).

7 out of 10

Smile Worthy

The Mission

My final film for the day, The Mission, is a tricky one for me to review. It’s subject matter, a Latter-day Saint mission, is very close to my heart as I served a mission between 2003 and 2005. Although not as fervent a follower as I once was I am still a member of the faith and so take my thoughts with a grain of salt.

The Mission is directed by Tania Anderson and it follows 4 young missionaries (2 elders, 2 sisters) on their mission to Finland. Anyone looking for a hard-edged dive into the faith will be disappointed because this is extremely positive. Maybe even more so than it needs to be? I would have been interested to hear what the missionaries had to say about gay marriage, and other controversial topics within the church (although they do spend a little bit of time talking about the mental health care of missionaries which I appreciated).

But alas it is more about the day-to-day experiences of the missionaries and it definitely captures how grueling and even lonely the experience is. It’s a very difficult time but that’s part of what makes it so impactful. If you haven’t lived it, it’s hard to describe but this does a pretty good job of showing the grind.

It’s difficult for me to rate The Mission because on one hand it brought back a lot of memories of my own mission but on the other hand I think it will be quite boring for those not of the faith. It also seems to accept viewers know a lot about the church, its teachings and the jargon of missions. For instance, they say an Elder is a district leader without taking the time to explain what that is.

More than anything I was surprised how positive the film was. It almost felt like it was made by the church or at least edited by them. If any of you see it you’ll have to let me know what you think.

6 out of 10

Smile Worthy

There you go! Another day at the festival is done!