Rachel’s Big Movie Update (Over 35 Movies)

Hi friends! I hope you are doing well and having a nice holiday week. Lately I must admit I have let written reviews get a little away from me. Aside from the Moana 2 review and blind spot I haven’t done much since the beginning of November. Sorry about that but I have been posting reviews onto rotten tomatoes mostly through doing live streams on my youtube channel. Make sure you are subscribed to get all of my content here. I also post all of my out of theater reactions for both theatre and film on my instagram so make sure you are following me there as well here.

I also recently posted my Worst Movies of 2024 video and will have much more end of the year content coming up.

All that said let me catch you all up on everything I’ve been watching.
Here we go

Animation-

Let’s start with animated films. Memoir of a Snail has incredible animation by Adam Elliot but is so dour and sad it’s tough to watch. I admired it but it’s heavy-handed imo. Flow is a sweet and peaceful film that has a realistic feel without losing its artistry or unique aestethic. I was so pleased to get to interview its director Gints Zilbalodis which you can find here. Spellbound is a disappointment especially given all the talent that’s involved. Ends up being just another generic bland offering from Netflix. I talked about it with the rotoscopers here. Wallace and Gromit: Vengence Most Fowl was a delightful entry from Aardman which I enjoyed as much as their previous film Ware Rabbit. Sonic the Hedgehog 3 starts to take itself a little too seriously trying to be the next superhero movie but the characters are still so cute and Jim Carey is fun enough as 2 villains that it’s a fun watch (my least favorite of the 3 but still decent.) Mufasa: The Lion King has all the expected problems of a prequel explaining stuff we don’t care about and providing almost no entertainment for kids. Do kids really care about a supposed love triangle between Scar, Mufasa and Sarabi? This critic didn’t. I think my expectations were too high for The Lord of the Rings: The War of Rohirrim and it ended up just being a run-of-the-mill high fantasy anime with a few Lord of the Rings elements tagged on. Disappointing. Almost a Christmas Story is a delightful short on Disney Plus with the friendship between an owl and a little girl in New York City. That Christmas is endearing with Richard Curtis’ talent of merging different stories together to tell an entertaining story. Hitpig wastes a talented voicecast and premise with unfunny jokes and a story that goes nowhere and finally The Night Before Christmas in Wonderland is an enchantingly animated story of Santa Claus meets Wonderland. Definitely a hidden gem for 2024.

Comedies-

According to the Golden Globes Heretic is considered a comedy, which is bonkers but it does have a good Jar Jar Binks joke. This isn’t perfect but I really liked the performances and it spoke to me and my life experience so I’d recommend it. I did a whole podcast on it with my friend Rebecca which you can find here. Red One had potential to be a fun holiday action film but the poor filmmaking and lack of witty banter put it on the naughty list. Hot Frosty, on the other hand, took its zany premise and had a good time with it. Christmas Eve in Miller’s Point had the family feels but not enough story to leave a lasting impression. Dear Santa took its uncomfortable premise of a child selling his soul to the devil and does nothing funny with it. It’s one of the worst movies of the year. Nutcrackers is conventional but endearing. Kiss Me Kate Live on Stage left me wondering why anyone thought this production was proshot worthy? Y2K had nostalgia in droves but needed more laughs and scares to be effective. A Sudden Case of Christmas is well-meaning but dull. I watched The Fabulous Four on a plane and it was passable but fails to utilize its talented 4 cast as well as it could. Nightbitch will be comforting to stressed out Moms but I found it unpleasant and lacking in real insight beyond being a Mom is hard. I knew that! The End is a musical with little to no plot and no memorable songs. Finally Hard Truths is an exhausting watch but Marianne Jean-Baptiste is so good it’s worth seeing for her performance alone.

Dramas

The most impressive of the Oscar bait dramas I saw is The Brutalist a sweeping nearly 4 hour epic about a man and the American dream. One watches it and marvels such a film can still be made in 2024. Wicked gave me everything I wanted from the musical adaptation with 2 dynamic lead performances and some great songs. I’m still not convinced it needed to be 2 movies but I was entertained. I talked about it with my friend Jacks here. Gladiator II had enough spectacle and gravitas to entertain me but I’m not a die-hard fan of the original (it’s alright but not a particular favorite.) Nickel Boys made me nauseous with its first person shooting style and I left the screening early. I also felt the style oddly made it harder for me to imagine what the characters were going through (maybe because I was nauseous) than easier. The Snow Sister is a beautiful but sad holiday tale out of Norway that is worth a watch. Sing Sing is well-acted but lacks the emotional punch I was hoping for. Nosferatu is stunning to look at and director Robert Eggers most approachable film. If you like the Dracula story you’ll probably like this movie. All the performances are also excellent as is the cinematography. Mary takes some narrative risks but I liked the fresh take on the Virgin Mary story. Red Rooms is gorgeously filmed thriller that any true crime fans will find chilling and mesmerizing. The Room Next Door may not be top-tier Pedro Almadovar but the performances from Julianne Moore and Tilda Swinton are great and it ends up being a insightful friendship story. A Complete Unknown is a standard musician biopic with lots of Bob Dylan songs and a great performance from Timothee Chalamet. All We Imagine as Light is an intimate and moving slice of life type story of 2 women in India and their various love stories. Very well acted and beautifully shot. Worth your time. Finally Babygirl is a movie with a lot of sexy scenes but no emotional connection between the couple. Nicole Kidman’s character made no sense and so it didn’t thrill me the way it wants to.

So there we have it! My thoughts on all the movies I’ve seen in the last few months! In the New Year I should get back to writing more long-form reviews but hopefully you find this post helpful. Thanks so much!

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

2025 Blind Spot Picks

Hi friends! I’m excited to announce the 2025 Blind Spot picks! This will be my 10th year doing monthly blind spot reviews but will be my 2nd year with the podcast component with my friend Manda. What a joy it has been talking about these films with her each month and it was so much fun to make our selections for 2025 together (and gratifying that she enjoyed the experience enough to want to continue.)

The announcement for next years films starts at around 29 min mark after the ad.

As is usually the case we tried to have a variety in our Blind Spot picks with some classics, cult classics, critical darlings, and commercial hits in a variety of genres and styles. Here’s what we came up with for 2025:

Jan- DR NO by director Terence Young

James Bond is a franchise I have a lot of blind spots for. I have seen the recent Daniel Craig and Pierce Brosnan films but that’s about it. With this gap it only makes sense to start with the first film and watch Dr No starring Sean Connery as our suave Agent 007

Feb- PUNCH DRUNK LOVE by director Paul Thomas Anderson

As a comedian I must admit I am not a big fan of Adam Sandler. Most of his comedies have been miserable experiences and it caused me to not take him seriously as an actor especially before I became a critic. I know he has been highly praised in more serious roles including his turn in Paul Thomas Anderson’s Punch Drunk Love. I know it has some quirky attributes so I’m looking forward to seeing it.

March- XANADU by director Robert Greenwald


Of course you all know I am very forgiving of musicals- even bad musicals. Therefore, I thought it would be fun to finally watch the cult classic much-maligned musical from 1980 Xanadu. I know my friend Stanford thinks it’s one of the worst movies ever made so that has me intrigued!

April- A ROOM IN TOWN by director Jacques Demy

By this point I have seen the high profile movies by Jacques Demy so I thought it would be fun to dive a little deeper into his filmography with A Room in Town. We may also do Umbrellas of Cherbourg to introduce Manda to that one. I’ve heard this one described as a “cinematic cousin” to Cherbourg so that’s promising. Either way it’s sure to be beautiful.

May- HEATHERS by director Michael Lehmann

Heathers is an interesting blind spot because it’s a rare case where I have actually seen the musical adaptation twice before seeing the movie. I’ve seen the proshot from 2022 and saw a live production of it this year. It should be very interesting to see the differences with the musical and what makes this very dark horror comedy work as a movie and 1989 cult classic.

June- RUSH by director Ron Howard

One of the reasons I love doing this Blind Spot series is it helps me find time to see movies I missed that I’ve heard good things about. Such an example is Rush, which I didn’t see back in 2013 but heard is really entertaining. It should be a fun star-studded movie to start off the summer months.

July- BELL, BOOK AND CANDLE by director Richard Quine

I’ve heard a lot about Bell, Book and Candle over the years. Particularly as it was the name of Cassie’s shop in the show Good Witch which I covered for Hallmarkies Podcast. I’ve heard about it but just never had the chance to see it so this should be a lot of fun to check off my list.

Aug- FIGHT CLUB, PANIC ROOM directed by David Fincher

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Because his movies are so violent I actually have a lot of David Fincher blind spots. In August we are going to double up (Manda had seen Fight Club) and cover Fight Club and Panic Room. I know especially Fight Club is quite iconic so it should be fun to talk about both films with my friend.

 Sept- WUTHERING HEIGHTS directed by William Wyler

I must admit I am not the biggest fan of Wuthering Heights as a novel so I haven’t been that motivated to see all the film adaptations over the years. There have been so many and I’ve seen several of them but I have never seen the iconic 1939 version by director William Wyler. 1939 was one of the most amazing years for film so will be interesting to see how this stands up to other movies like The Wizard of Oz, Stagecoach and Gone with the Wind.

Oct- POLTERGEIST directed by Tobe Hooper

One of the blessings of this Blind Spot series is I’ve been able to check off a lot of horror classics off of my list usually in October. Next year it will be Poltergeist which I know some people think Steven Spielberg actually directed but he was a writer and producer of the film and given a story credit. I’ve heard it’s not too scary so hopefully won’t be too much for me.

Nov- I AM LOVE directed by Luca Guadagnino

Director Luca Guadagnino has become one of the most highly praised and significant directors of our age and I Am Love is one of his earlier films I still haven’t seen. I love Tilda Swinton and the premise sounds intriguing. She learned to speak Russian and Italian for the movie so that’s impressive.

Dec- KISS KISS, BANG BANG directed by Shane Black

Given my work with Hallmarkies Podcast it’s getting increasingly difficult to find holiday blind spots I do have. One director who almost always sets his movies at Christmas is Shane Black so our 2025 final pick is his comedy crime movie Kiss Kiss, Bang Bang. I’m honestly not the biggest fan of Black’s style (for example, reviewed Lethal Weapon for this series which he wrote, and I didn’t love.) However, I am excited to see a young Robert Downey Jr in Kiss Kiss and it will hopefully be a nice break from the rom-coms I typically watch in December.

So there you have it! Our 2025 Blind Spot picks! What do you think of these picks? Do you think we have a good variety? Are they favorites of yours? Let us know! I’m so happy to be doing this series with my friend so please subscribe and keep an eye out each month for our episodes as well as my monthly posts. Enjoy!

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.

BLIND SPOT 107: IT HAPPENED ON 5TH AVE

Merry Christmas! I hope you are all having a wonderful Christmas day. I am having a chance to get some rest and feel rejuvenated after a very stressful last 3 months. Covering all the Christmas movies for Hallmarkies Podcast and getting Oscar screeners watched was a daunting task combined with everything I have to do to make a living and be a theatre critic. Anyway, I’m glad to have a quiet Christmas and some time to think about the wonderful year of 2024.

One of my favorite parts of 2024 is beginning a podcast arm to this monthly Blind Spot series with my friend Manda. Not only do I get to check movies off my list but I get to talk about them with one of my best friends. It has truly been a joy. Our final film for the year is the 1947 classic It Happened on 5th Ave.

It’s interesting because it seems like this film has quite a following from folks who love classic films, particularly TCM buffs. On one hand I can see why because it can be quite charming and speaks to themes of equity and friendship that still ring true today. However, it’s also a little surprising because it lacks huge star power and  doesn’t have the emotional punch of many films of its era. It particularly reminded me of a Frank Capra film like Meet John Doe or Mr Deeds Goes to Town. In fact, as I was researching for the podcast I learned this film was at first planned for Capra but he ended up doing It’s a Wonderful Life instead.

I’m a sucker for a friendship story and that was my favorite aspect of It Happened on 5th Ave. I love the idea of these interlopers all becoming friends through sharing this mansion together- even the actual owner in disguise becomes friends with this group of people. That’s a lovely concept. I just wanted the filmmakers to do more with it. It all felt relatively sitcom-like failing to get the emotional intensity to make it truly memorable.

Still It Happened on 5th Ave was pleasant enough and I think you will enjoy Manda and my discussion in the video above. Let me know what you think of this classic and what are some of your favorite Capra-esque Hollywood films?

Make sure you check out the patreon for perks, exclusive reviews and to be part of our monthly events and watch alongs. Find out more here.