Current Mini Reviews

Hey everyone! I hope you are having a great December. I have been up to my eyeballs in Christmas movies and creating content over at Rachel’s Reviews and Hallmarkies Podcast. Make sure you are subscribed to both to get my latest thoughts on many films!

Fortunately I have had the chance to watch some movies outside of Hallmark (and Hallmark-like content). Here are some quick mini reviews of some recent releases

Fatman


Obviously this film is not made for me, the Hallmark fan. However, I’m up for darker takes on holiday films but shouldn’t they still be fun? This film was so unpleasant and spurned campy action in favor of gritty realism, which was a very strange choice. Mel Gibson and Walter Goggins are taking the material seriously and giving good performances but it’s all too serious. Again aren’t most people expecting a campy action film with a wink at the camera? Not a mean spirited gritty Santa action movie like Fatman is? No thanks.

3 out of 10

Godmothered

As soon as I saw the trailer for Godmothered I was greatly looking forward to it. It looked funny and charming. I love movies like Elf and Enchanted, which it seemed to be falling in line with. Unfortunately the actual film, which debuted on Disney Plus, proved to be disappointing. In fact, watching it made me appreciate both Elf and Enchanted a lot more. They are both more than fish out of water stories but have good scripts that make you laugh throughout. Godmothered had one joke- amateur fairy Godmother in real world- and that’s it. And the movie is nearly 2 hours which felt way too long for what it is trying to do. Jillian Bell has yet to win me over in a role and Isla Fisher isn’t given much to do besides look tired. If I hadn’t been reviewing it I would have stopped watching it after about an hour. It’s proof concepts aren’t enough. You have to have good scripts

3 out of 10

Frown Worthy

Modern Persuasion

I have seen a lot of terrible adaptations of Jane Austen particularly of the made for TV variety. Oftentimes they are only adaptations in name only and have none of Austen’s charm and sass. It is for this reason I approached the new adaption of Persuasion called Modern Persuasion hesitantly. However, I watched it because it stars Alicia Witt who I enjoy and have actually had the chance to interview here. Fortunately, I was pleasantly surprised by this film. It doesn’t have a huge budget but I liked Alicia Witt in the lead and Shane McRae as her counterpart. The supporting cast is funny with Bebe Neuwirth stealing every scene she’s in. I’d buy this on digital when it comes out. It’s a charming new take on a classic story.

7 out of 10

Smile Worthy

All My Life

I actually got to see All My Life safely at the Megaplex theaters and being back at the theaters may have helped my experience but this is a movie that is exactly what you think it is going to be. If you watch the trailer and this brand of emotional weepy makes you grown don’t watch it. If it looked appealing you’ll like it. The stars Jessica Rothe and Harry Shum Jr have great chemistry and the sense of community they have with their friends was comforting and nice to see (especially in isolated 2020). The characters could be better drawn and it’s extremely predictable but I’m glad I saw it.

6 out of 10

Smile Worthy

I Hate New Years

As big a fan of Christmas as I am, I’m not much into New Years. It’s such a couply holiday with the big kiss at midnight that I’ve never gotten much into it. This makes me the perfect candidate for I Hate New Years and for the most part I enjoyed it. It’s limited budget shows at times in both the acting and production but it has its heart in the right place. Particularly the second half won me over and I was rooting for the characters to find happiness. It’s a sweet and likable way to ring in the New Year!

6 out of 10

Smile Worthy

So there you have it. If you get to see any of these films let me know what you think

Pixar 44: SOUL or Is it ok for Pixar to Release a Film for Adults?

Before writing this review I realized I never did my blog review of Onward. I reviewed it on my youtube channel but it was such a crazy time in March I forgot to review it on the blog. I will do a longer review for Onward eventually but it will be out of order with Soul because I am short on time at the moment. (I enjoyed Onward for the record).

Honestly I have a lot of mixed feelings when it comes to reviewing Soul. I really debated how to best express myself. I even watched it twice to be sure of my thoughts (I don’t normally do that but it is an unsual film and I wanted to be sure).

Let me start out by saying I did enjoy the film. It is bold, ambitious and full of things to think about and discuss. I greatly admire Pete Doctor for making such a film and for Disney/Pixar to have the audacity to put $150 million into what is essentially a CGI arthouse piece.

And I think that is essentially the best way to view Soul. If we look at it as an experimental arthouse piece rather than a blockbuster feature film it makes more sense and is more satisfactory.

Now I am going to say something that might be unpopular: I don’t think Soul is for kids. It doesn’t have anything offensive, and I suppose some more philosophic children may like it, but I don’t think kids will enjoy the picture. It has no gateway for children to access the film like Inside Out did. In fact, it doesn’t have as much in common with Inside Out as many people are expecting (or at least I was expecting)

Inside Out has Riley as our entryway into the world of the brain. In addition, emotions are something easy for children to relate to. It’s also funny and sweet with scenarios kids can understand like losing a hockey game or moving to a new town.

Soul, on the other hand, is about a grown man named Joe who is struggling with the meaning of his life. He has questions like, should he settle for the teacher job or keep trying to get the big gig and share his love of jazz music with the world? Footnote- It’s kind of weird how the movie looks down on teaching (it makes sense for the character but just unexpected in a family film). Joe doesn’t have any children nor are there any children in his life aside from his students who are only briefly seen (nothing like Russell in Up for instance).

At the beginning of the film Joe gets his big break playing for a jazz legend at the Half Note Club. Unfortunately on his way home he falls through a man-hole in the street and goes to the afterlife. (This isn’t a spoiler. It’s right in the trailer).

It's A Wonderful Afterlife In Pixar's Latest SOUL Trailer (VIDEO/IMAGES) – I Can't Unsee That Movie: film news and reviews by Jeff Huston

The animation in these sequences is absolutely stunning. Some of the most beautiful blending of 2D and CG I’ve ever seen. This is when I wish I could have seen Soul on the big screen because the images combined with the beautiful score from Trent Reznor and Atticus Ross took my breath away. Stunning.

But back to the story, Joe doesn’t want to die, so he escapes the Great Beyond and meets a pre-earth spirit called 22. She is convinced Earth is a big scam and that life isn’t worth even attempting. Joe then helps 22 to find her spark, all the while coming to realize what his spark is (which may or may not be jazz).

22 voiced by Tina Fey is supposed to be our entry-point for children, but I don’t think she is. Maybe I’m wrong and kids will love it but the film strikes me as too heady with too slow a pacing for children? I think they will be bored. Are kids interested in career goals? Do they wonder whether our passions are satisfying enough without relationships? Do kids think a lot about what makes for a fulfilling life?

But let’s assume kids don’t like Soul. Is that a problem? I honestly don’t know. Instead of Inside Out I’d compare this movie to Don Hertzfeldt’s World of Tomorrow shorts or his feature It’s a Beautiful Day. I admire Hertzfeldt’s philosophical films but they aren’t very rewatchable and not something I love. I like to think of myself as a pretty introspective person, but I suppose I go to religion for this type of spiritual nourishment rather than an animated film. Your mileage may be better than mine, but I guess I like to be entertained a little more when I go to the movies.

There are a few attempts at humor like a repeated gag with pizza that are fun. There’s also a funny section with a cat but it’s mostly a very serious slow meditation on the meaning of life. I definitely recommend seeing it (I actually think Disney Plus is the perfect spot for it to be honest) but have a journal handy to write about your experience and ask yourself questions like these:

What is your spark? Has your passion led you to an empty life? Can the passion be a lie? Is a spark what you do or is it innately a part of who you are as a soul of divine worth? Does your career or passions matter at all?

I’m still pondering what the film is trying to say, which is a good thing I suppose. It just makes writing this review difficult!

In the end, I admire Pixar and Pete Docter for making Soul. It’s a bold, ambitious, challenging film that will appeal more to adults than kids. Whether that is a problem I’m still pondering. I do wish it had tried to entertain me a little bit more as well as make me think. However, the animation is stunning and the music gorgeous. I recommend it but just know what you are getting yourself into before watching it.

7 out of 10