SUNDANCE LOG: DAY 7 (VELVET BUZZSAW, PHOTOGRAPH, WE ARE LITTLE ZOMBIES)

netflix watching

So day 7 of the Sundance Film Festival proved to be a unique one! It started out with quite possibly my favorite venue of all: my house! I was planning on seeing director Dan Gilroy’s new film Velvet Buzzsaw at the festival on Sunday but then I heard it was already playing on netflix so I figured why bother? Especially since I had done a midnight movie the previous night I needed to take a lighter day today. Watching the first movie at home proved to be the perfect solution!

day 7 sundance

The next 2 movies were at the library and I must say those seats at the library are mighty uncomfortable after 2 long movies. My knees are still aching! Luckily tomorrow I have my screening of Lego Movie 2: the Second Part in the morning and then 3 movies at The Grand Theater which is pretty comfortable (and free parking!). In fact, all my remaining screenings are at either The Grand or the Rose Garden theater. Not the most comfortable but better than the Library.

Anyway here are my thoughts on today’s movies

VELVET BUZZSAW

Velvet Buzzsaw - Still 1

It’s an interesting experience watching Velvet Buzzsaw in the midst of the Sundance Film Festival. There is perhaps no better place to view films that truly espouse to be abstract art rather than narratives than at Sundance (see We are Little Zombies below or The Last Black Man in San Francisco for examples). Some of these artpiece films work for me and then others are frustrating experiences. Either way what’s even more frustrating is when you have the pedantic hipster types who try to tell you how to you should be responding and what classifies as ‘true art’.  Velvet Buzzsaw tries to take aim at these irritating art snobs with a mixture of dark humor and horror and it meets with mixed success.

What can’t be argued is the tremendous cast they have assembled for this film. Jake Gyllenhaal, Toni Collette, Rene Russo and Zawe Ashton all do good work as stuffy art buyers/critics. They all seem to be having fun playing such stuffy characters and it helps elevate the material. I laughed quite a few times at the pompous behavior of these characters. It kind of made me wish the Christopher Guest crew had taken on the world of art criticism (movies like Best in Show or For Your Consideration have similarly self-obsessed characters).

Then you have the horror elements. A rich man dies leaving behind some beautiful artwork the team is dying to own. What they don’t know is this art is cursed and it kills the owners (think Final Destination). These kills were pretty creative, and I enjoyed seeing how each of our snobs was taken down.

However, there are problems with Velvet Buzzsaw. While I did laugh some, a lot of the humor falls flat, and you have the feeling it isn’t as creepy or as funny as it thinks it is. After a while, it starts to feel repetitive and that the actors are reaching for moments that the script isn’t delivering. It all feels a little undercooked if I’m honest- like it needed a few more times in the editing/writing room before it was greenlit.

Still, I’d say the good outweighed the bad and if you can handle some strong R rated content it’s worth a watch.

6 out of 10

Smile Worthy

PHOTOGRAPH

Photograph - Still 1

The next film I saw is an Indian export called Photograph that I have very mixed feelings on. Directed by Ritesh Batra, it has many elements I love. First, it is a classic romance where a poor man who takes photographs for tourists asks a young successful businesswoman to pretend to be his girlfriend for his nosy Grandma. There is nothing I love more than a fake fiance plotline in a romantic comedy.

As they pretend to be a couple their chemistry grows and there were many sweet moments between the 2. However, this relationship is SLOOOOOW going, which I was fine with, but then the director fails to give us the payoff this kind of story needs at the end to be satisfying. He spends a majority of the film getting a special gift for her and then the camera pans away before we get to see her get the gift, which was very disappointing.

If you are going to have something as conventional as a fake fiance plotline, the least you can do is give us a conventional happy ending. I am sure some people like the ambiguity of the ending, and I can see why, but for me I wanted a little bit more closure. It felt like the pilot of a tv show instead of a movie.

Photograph is beautifully shot and acted but I don’t know if I can quite go fresh with it. The pacing and the ending were just too frustrating. She needed to get the cola gosh darn it!

5 out of 10

Frown Worthy

WE ARE LITTLE ZOMBIES

we-are-little-zombies-sundance

Now there are art films and then there are ART FILMS! Japanese director Makoto Nagahisa’s We are Little Zombies is about as big an example of the latter as you are going to get. As such, some people will find it exhilarating, and others like myself, will find it exhausting and even nauseating. That’s just the way bold art works sometimes!

We are Little Zombies is about a group of 4 orphans that decide to form a band because they all hate their parents and are angry at the world. As they play we get 3 new songs that are fun and there are some witty moments particularly from each of the 4 kids.

However, we also get long sequences with blaring music, strobe lights, flashing nonsensical imagery and complete randomness. At one point they are in a womb waiting to be birthed. At another point they steal a car and are zooming around the countryside eating strawberries. Then they become famous musicians and are on covers of magazines. It’s non-stop and exhausting.

Like I said, I’m sure some will enjoy this film.  I felt like I was going to vomit after the first hour, and I would have left if I wasn’t crammed in the middle of the row. It’s especially problematic at the very long runtime of 2 hours. It simply was not for me.

2 out of 10

Frown Worthy

SUNDANCE LOG: DAY 6 (THE LAST BLACK MAN IN SAN FRANCISCO, MOONLIGHT SONATA, EXTREMELY WICKED SHOCKINGLY EVIL AND VILE)

Day 6 has come and gone at the Sundance Film Festival and today was a lot of fun seeing 3 movies with very long names! LOL. I think I liked the experience of attending the festival today more than the actual movies but it’s an interesting grouping. The final movie Extremely Wicked, Shockingly Evil and Vile was my first true midnight movie of the festival (not just this year but ever). My pass wasn’t valid so I had to wait hoping to get in over at the Tower Theater. Luckily I was in line with some nice people and it ended up being pretty fun.

So without further ado my thoughts on the 3 films:

THE LAST BLACK MAN IN SAN FRANCISCO

thelastblackmaninsanfrancisco

Judging by the overall positive response of last year’s Sorry to Bother You, which I did not like, there is obviously an audience for this type of chaotic urban art-piece. Unfortunately, I am not a member of that audience. I did enjoy last year’s Blindspotting so it can work for me when there is enough of a story to carry me through all the chaos but often I leave feeling assaulted by art (which is probably part of the point but I leave more confused than inspired). This trend is like if Terrence Malick and Spike Lee had babies, and I just don’t get it.

The Last Black Man in San Francisco has impactful moments but most of the time it was all over the place in both story and message. The lead protagonist Jimmie (Jimmie Fails) and his best friend Mont (Jonathan Majors) have sweet scenes as they fight to keep possession of a family home in San Francisco but in the meantime there are street preachers, rotting fish, toxic oceans, a blind Danny Glover watching old movies and much more. We meet the protagonists Mother at one point but I’m not sure what the point of that was. It was really strange.

The other big problem with The Last Black Man in San Francisco is it is far too long for this kind of abstract art piece. At 2 hours I grew bored with all the shouting and what was supposed to be revelatory felt exhausting. I am sure many will be inspired by director Joe Talbot’s arthouse film. It just wasn’t for me.

5 out of 10

Frown Worthy

MOONLIGHT SONATA: DEAFNESS IN THREE MOVEMENTS

moonlightsonatas

Next up is a documentary with tons of heart called Moonlight Sonata: Deafness in 3 Movements. In the film director Irene Taylor Brodsky profiles her family and their experience with deafness, both her parents and her son (she is fully hearing). All 3 subjects received cochlear implant surgery to varying degrees of success.

Irene’s parents don’t do well with the surgery and prefer their deaf world where her son feels conflicted. In fact, he enjoys the quiet peace of turning off his implant but then is glad when he can be in the hearing world again. This was a very interesting perspective I have never considered.

The film is all built around Jonas learning Beethoven’s Moonlight Sonata for a recital. This is a dream of his as Beethoven was also deaf. They also use animation to show Beethoven and portray the inner feelings of both Irene’s parents and Jonas. All of this worked pretty well and was very sweet. My only qualm with the film is that at times it was a little dry and slow but overall I’m glad I saw it. It’s going to be released on HBO films so look out for it there and give it a watch if it interests you.

(I did think it was a little strange they didn’t have subtitles when many deaf people were in the audience and the sign language interpreter was difficult to see in The Tower Theater).

6 out of 10

Smile Worthy

EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE

extremelywicked

The final film of the night was the much talked about Extremely Wicked, Shockingly Evil and Vile starring Zac Efron. There’s a lot to like in this film including the solid performances by Efron, Lily Collins and even Jim Parsons in a small role. It looks nice and clips along fairly well. I understand what they were trying to do humanizing Bundy to make his crimes seem all the more vile and disgusting. You are supposed to see the suave, slick guy that Ted Bundy was in and out of the courtroom.

Unfortunately they almost do too good a job with that. The movie needed to be messier. There are almost no signs of an evil man at all. We needed to get some clue that he committed the murders aside from him being in the locations. It almost seemed like the movie was painting him as the underdog who was wrongfully convicted. I guess that could be an interesting approach but shouldn’t there be some moments where we see the darker man come out? Some scenes of fleeting anger or fear from the Lily Collins character? It was strange and left me a little uncomfortable to be honest.

The movie Monster about Aileen Wuornos does a much better job of portraying a serial killer as just that but also showing some of her backstory and her perspective. I realize they are different in that Wuornos was not a charismatic showman like Bundy but at least the movie wasn’t afraid to depict her as a monster as the title suggests. This film, on the other hand, shows little evil or wickedness or vile behavior.

4 out of 10

Frown Worthy

So there you have it! My thoughts on another day at the Sundance Film Festival! Let me know what you think