Outstanding Animated Program
Phineas and Ferb Last Day of Summer
Outstanding Short Form Animated Program
The Powerpuff Girls
So the Emmy nominations are in which include 2 animation categories, program and short form animated program. After getting it really right last year with Over the Garden Wall taking home the prize I am very disappointed with this year’s nominees. It’s not that any of the shows are awful but some really great shows were missed. No nomination for Rick and Morty and I am sorry but they have taken what South Park did and ran away with it. And no nomination for Gravity Falls. Their 3 hour epic finale was so great and inventive. As much as I love The Simpsons there was nothing last year that came close to Gravity Falls.
Then you have Star Wars Rebels which was so captivating last season with a finale episode that had me in tears and cheering all at the same time. There is no way that Phineas and Ferb Last Day of Summer is better than Rebels. We also get the Powerpuff Girls reboot with a nomination which everyone I know hates and nothing for the final season of Wander Over Yonder.
Netflix’s Voltron also deserved a nomination over one of these tired shows. If you haven’t caught it yet it is so well written and animated. I haven’t finished but will do a review when I’m done. I also wouldn’t have been sad if The Lion Guard had made it in because that show is very well done for kids.
So all in all it is an epic fail for this year’s emmy nominations. What else is new? These award shows rarely get it right.
So I’m back friends from Spain!!! I hope you guys enjoyed art book reviews while I was gone. I enjoyed writing them very much and if there are any art books you would like me to review in the future let me know. Being gone for 12 days I naturally missed a number of movies, which I will now need to play catch up.
The first one that needed to be looked at was of course the animated film- The Secret Life of Pets. This is made by Illumination, a company which I have not been a fan of. I particularly did not care for their entry last year Minions. But I enjoyed the teaser trailer for Secret Life of Pets and was excited to see something from Illumination without little yellow men in it…
And I saw the film and you know what I actually enjoyed it. It’s a ring down from Finding Dory and Zootopia but I was charmed by the film. Here is my youtube review.
I also had the honor and privilege yesterday to be a guest host for the Rotoscopers podcast! I have followed the podcast for some time and am a patron so this was really neat. I hope you guys like my contribution. Please give the video some love and maybe they will invite me back again someday.
Anyway back to the movie. Let’s go over some of the pros and cons of the film.
The first thing that struck me right away about the movie is how great the cityscapes and NYC skyline looked. It is the best NYC has ever looked in a film IMO. Not that many films are set in a city so I really enjoyed the urban environment. It reminded me a little bit of NYC in Oliver and Company.
I am not a dog owner but the whole premise of the secret life of pets is adorable. What do pets do after their owners have left the house after all? Unfortunately the movie abandons that premise for a generic search and rescue pretty early on but I still liked the set up. I liked that it wasn’t just dogs and cats but all kinds of pets like guinea pigs and birds as well (even a crocodile at one point!).
I didn’t mind the lead characters Duke and Max but my favorite were the side characters particularly Chloe and Gidget. They were very funny. The writing for these side characters was on point and I laughed quite ae bit.
Overall I was engaged in the story and thought it was a charming film.
But there were some cons so let’s talk about them.
A big problem many will point out is the similarity to Toy Story. As you can tell by my love for Good Dinosaur I have no problem reusing storylines from other films; however in this case I feel they missed out on a few things that make Toy Story special. The movie never achieves an emotional moment like the Toy Story films do. There is a weak attempt to do so with Duke’s former owner but it doesn’t work. I think what would have worked better is if their owner Katie had realized they were gone and was upset missing them. That would have given the movie more emotional heft than just a search and rescue film.
Also they make Duke a little bit too unlikable. One of the things that makes Woody so jealous of Buzz is how much everyone loves him. We never get any moment to see what makes Duke special or why we should love him. He’s just the annoying new presence in Max’s life and nothing more. Also when they do become a team working together it doesn’t feel earned.
My other problem with the movie is the Underbelly section with Kevin Hart bunny planning a revolution against the humans. There was actually some funny writing and jokes in this section but I found Snowball to be an annoying character. Every line he gives it feels like he is shouting and clenching his fists. I wanted to say ‘calm down for half a second’. The whole underbelly sections of the film feels generic and didn’t do much for me.
I also feel certain characters don’t really fit like Tiberius the hawk voiced by Albert Brooks. Maybe I’m too attached to that voice from Marlin in Finding Dory but it didn’t work. Other characters like Pops we don’t really get to see enough of to make him an effective character.
However, like I said the banter between Gidget and Chloe is very funny and I liked Max as our lead hero. There’s also some good laughs throughout and our second animals driving a car scene for the summer. I also felt the music cues and score by Alexander Desplat really worked well.
So overall The Secret Life of Pets did have problems but I left feeling happy I have seen it and charmed by the film. I think your kids will enjoy it; although there are some moments of pet peril so be forewarned. It’s not a film you have to jump in the car and see but I liked it. It’s definitely Illumination’s best film by far.
Also the Mower Minions I can do without! Get them out of here!
My end grade on Secret Life of Pets is a B-. What would you give it and what did you think of the film? Let me know in the comments section.
This is the last in my little series of art book reviews I am uploading before I go on vacation. I hope you have enjoyed them! You guys all know my favorite movie, not just animated, is Up. It’s a movie that for whatever reason really spoke to me when I first saw it and it continues to do so on each rewatch. To me it is about grief and remembering our loved ones but moving on too. It embraces a spirit of adventure and travel while still feeling remarkably intimate and close. I just love it. So naturally when I heard there was an art book for Up I had to have it!!
One cool thing in this art book is to learn to the Pixar creators it was their chance to make their version of Peter Pan. I have never thought about that before. Pete Docter says in the preface “odd as it was the image of a floating house captured that feeling of escaping the world…4 years later more than 300 of us are floating along in our studio-sized house, making this movie. And although from time to time I still long to escape from it ll. I’m so happy to have had the chance to work with these amazing people. As Carl discovers, it’s the people you’re with who make the adventure worthwhile.”
In the introductory essay you learn about how the creators were inspired by the notion of a ‘coming of old age story’ and the desire all of us have to escape. We learn they started with the idea of a floating city and then it evolved to just one man. Pete Docter says “the story has simple beginnings, in thoughts like, ‘We get a kick out of old people. IS there anything fun we can do with an old person’. Pete had evidently drawn an old grumpy man holding a bunch of balloons and that inspired them. Isn’t that interesting?
Then they got the idea of a couple and the life they had together. Then when she is gone Carl feels all this regret “Carl had led a very simple life, he felt he had not fulfilled her hopes and dreams. She died before he could. So he has this guilt throughout the journey, thinking ‘all I want to do is fulfill this wish for Ellie. I missed this”. I loved reading this because it is the true reason I love Up so much. This journey of self-forgiveness that Carl goes on is so moving.
And then he says “There is a strong moment when Carl’s wife gives him absolution, a reminder that ‘the life that we lived together was a great adventure-and I was not wanting more. You are my greatest adventure’ I love that”. I love it too! As much as people love the opening montage I think I love that moment with the scrapbook even more.
And this is all before the first chapter of the book! The first chapter is called Seeking Simplicity and it is mostly about the characters and overall art design of the film. The book gives you tons of concept art and sculptures the characters and scenes of the film.
Then next we get a chapter about the house and the meaning of home to the artists.
It’s really cool to see all the thought that went into every detail from the weather veins to the stove, picture frames and lamps inside. “Pete wanted the house to feel claustrophobic because Carl doesn’t ever leave it, and his world has become very small. But then for the tepui and Muntz’s lair, the scale had to feel grand”
Next we get a chapter on the The Tepuis in South America and the beautiful Mountain waterfalls that inspired the film.
I love that we get quotes throughout from the entire team behind the project from art directors, editors and designers and it is all beautiful work. It is clear they were all inspired by Pete Docter’s vision. This section is long and it also includes more character design from Russell, Kevin and Dug.
Throughout the book we get lots of storyboards and concept art and it is all a joy to look at!
The Art of Up is really only for people who love this movie and were inspired by its vision. As that includes me it is wonderful to own. I love seeing the progression of an idea of a floating city and Pete Docter’s desire to escape morph and change into something truly special. The heart and passion that he had for this film clearly trickled down to all involved. The art work is beautiful the text is inspiring. It’s a perfect companion to a great movie! So if you like Up get this art book. I know you will love it too!
Anyone who reads my blog knows I have a soft spot in my heart for Tangled. It’s actually the film that got me interested in animation again. I was so turned off by the films like Chicken Little and Shrek the 3rd that I had stopped going to animated films. Many people say the trailers for Tangled are awful. I really couldn’t tell you because I didn’t’ care about animated movies in 2010. Then my little sister (18 years younger) wanted to see it so I decided to see it and was blown away. Particularly the 3D and the lanterns was awe inspiring. I also loved how funny it was and Mother Gothel immediately became a favorite villain. So, naturally I had to get the art book when it came out and it is a really cool one with a very unique approach.
In his Preface John Lasseter reminds the reader that Tangled was Disney’s first computer-animated fairytale adventure. It’s easy to forget that these days. He talks about the challenges they had making the movie and applying the source material to a modern audience. In fact, that is a theme of this art book. It’s about the new technology and all the old history and Disney tradition that made Tangled work.
We start out getting the history of the Rapunzel story and the many incantations it took over the years at Disney. The sketches are so interesting and a side of me wishes we could have seen those films as well! They eventually had to scrap everything and start again bringing on Byron Howard and Nathan Greno. What’s really cool then is they go through the ‘artistic inspirations- seeking to touch a cultural memory’. We then see what the filmmakers learned from Sleeping Beauty, Cinderella, Pinocchio and Disneyland Park. This even comes down to the ‘signature shapes’ of each movie.
I also love a section called ‘Graceful Graffiti’ where they talk about the process that went into Rapunzel’s paintings and artwork on her walls.
We learn more about Rapunzel or the ‘elevated prisoner’ ias they call her in a chapter called The Tower and find out everything down to the hair brushes used to inspire the film. The same is true for all the characters including Mother Gothel.
Next is The Forest, Snuggly Duckling and the Kingdom. The amount of detail about each location and character is outstanding and I love the way they keep tying it back to the history of Disney animation. It’s fascinating.
And of course we get a segment on the lantern sequence; although I would have been interested to learn more about creating their first 3D film.
If you only buy one art book The Art of Tangled might not be a bad one to pick. Even if you aren’t that crazy about Tangled you get so much information about the history of Disney- like I said even down to the predominant shapes used in certain classic films. And it is kind of comforting in a way to see the artists at Disney are taking the legacy of the company so seriously. This is after all the company that gave us Bambi 2 without batting an eye…
I think this quote from art designer Doug Rogers sums up the attitude of the film and art book “You want to give audiences back something that they had- or something that they heard that other people had…Working for Disney you need to give 110% because the public expects this from Disney. They’re used to quality from Disney. It’s always in the back of your mind, that’s what I’m going for, that’s why I’m working here, that’s why I like it, and let’s make sure that we get the best”. For those of us that love animation how great is that to hear!
So I highly recommend checking out The Art of Tangled and enjoying the best that Disney can offer!
The Book of Life is a film the more I’ve thought about the more forgiving I have become about its weaknesses. There are certain aspects to the story that could be better but one thing I never had any doubt on was the film’s magnificent artistry. Jorge R Guitierrez’s amazing visual palate and vision is incredible to watch and so I had to pick up the art book as soon as I could lay my hands on it!
I always like art books where you can tell there is a real affection for the film on the part of the creators. Such is the case with the Book of Life. It starts with a forward from producer Guillermo del Toro. He talks about meeting Guitierrez and that his ‘enthusiasm was overwhelming’. These are the kind of people I want making movies!
Guillermo agrees with me “Jorge is my favorite kind of filmmaker- the guy who permeates every single aspect of his work with his ideas, his vision and his hard work but, like any good leader, allows everyone to feel like a vital contributor to the tale.” He goes on to say “browse through the art in this book and you will find a crew in love with their work, inspired by the world that Jorge has presented to us…”
Next we get an introduction by Guitierrez. It’s really cool because he talks about he loves art books and he says “And now, I swear by the blood of my ancestors, this film and this book are one! THIS I SWEAR! In fact, it was my intention from the start to have our beloved film look exactly like the art in these pages….We poured our heart and ouls into the art in your hands. And little spicy salsa….Now go enjoy the spicy art in this book. We made it just for you and all the little mustachioed kids all over the world. We are the Book of Life”. I love that!
The first chapter is about characters. We get the evolution of the characters which I always like to see and it’s not just the big characters but every last one of them. It is also really cool to learn about details like the colors of the wood in the characters designated what spirit world they are in and how old they are.
Chapter 2 is about the world-building and is entitled “the Making of the Book of Life”. I really like how they lay out the different ingredients that make up each world. The Land of the Remembered contains- skulls, hearts, flower petals floating upwards, plant life and growth, 15% square shapes, 80% circular and 5% triangular. The Land of the Forgotten contains- stalactites, stalagmites, ash, charcoal trees, giant chains, 5% square shapes, 5% circular, 90% triangular. Isn’t that interesting? I would never have noticed all the triangles in the Land of the Forgotten!
Each page in this section is full of storyboards and concept art including a fold out page that becomes 3 pages of storyboards!
The final chapter focuses on each of the main locations. We get to see the incredible detail in buildings like the chapel and bull fighting ring. I loved seeing all the matador posters they made.
And all the detail about the Land of the Remembered is worth the price of the book!
The final segment is a brief Afterword by art director Paul Sullivan about the collaborative process with Reel FX who I don’t think get enough credit for this film. It certainly is a huge step up from their first film Free Birds.
This Art of Book of Life is a special book because it helps you see the passion that goes into a film. I guess I particularly appreciate it because it was a film I was maybe a little harsh on the first time I saw it. Those problems are still there but I think I always saw the beauty and passion that went into it. It just makes me appreciate it a little bit more. I’m glad I own the book and would recommend it to all of you!
Hola from Spain! I hope you guys are having a nice summer and have been enjoying the art book reviews. Make sure to follow my other blog http://smilingldsgirl.com for updates on the trip. I am having a blast!
I just thought I would share with you guys this weeks Friday 5. The topic is favorite live action Disney songs. I ended up going with 6 and I love all of them. Check it out and what are your favorite live action Disney songs?
I think someone that doesn’t like Zootopia may actually like the Art of Zootopia. It is so great. It gives you such a clear image of the attention to detail that went into the film that it is so fascinating. Details like vending machines and buildings that are briefly seen are incredible in addition to all the major set pieces getting fleshed out. It’s my favorite movie of the year and one of my favorite art books.
It starts with an introduction from John Lasseter where he shares his excitement for the all-animal world “I challenged the filmmakers to imagine Zootopia as a world that is truly and uniquely animal, where there are no people and mammals have evolved to human levels of intelligence. For inspiration I encouraged them to dive deeply into research on animals and their habitats”. His happiness with the finished product is evident “I believe the cleverness and fun add up to make Zootopia one of the most entertaining films we’ve ever made. At its heart, it’s pure Disney. But it’s also unlike anything we’ve ever seen before in animation”
Next you have a foreward from Byron Howard and Rich Moore. They talk about how they changed their vision from a futuristic tone to more natural in feeling. “But through our research we came to understand that cities are a reflection of their inhabitants’ history and lifestyles, and that Zootopia had to evolve as a human city does. It had to haave layers built up over time to make it feel like a place that truly exists”
Then we take a world building approach to the rest of the book. We get to see the thought that went into each of the burrows and learn about little details we might have missed. What I loved is seeing details like this page on Koslov’s Palace a place I don’t think even made it in the movie, or if did it’s brief. They even have the borscht served designed!
You also get layouts on the lead characters and see their evolution.
And I loved learning more about side characters like all the planning behind the 2 polar bear guards of the shrew.
There are great design details that didn’t make it into the film like an amusement park of sorts.
It’s details like these that make The Art of Zootopia a great find and one you should put in your collection. It’s got enough reading to be informative and the artwork to dazzle.
If any of you pick up the Art of Zootopia let me know what you think.
One of the most underrated films of recent memory is Dreamworks 2012 offering, Rise of the Guardians. Therefore, it should come as no shock the artbook is also underrated and equally excellent. It is similar in some ways to the Art of Zootopia in that it focuses on the world-building.
The most special part of this art book is the clear affection for the film all involved have. It even has a forward by voice star Alec Baldwin- something you usually don’t see in art books. He talks about being presented with the role and opportunity to play Santa Claus. He says “from the beginning, the movie was pitched to me as a heart-warming yet clever tale about the importance of belief and the banishment of fear. The result has truly exceeded expectations. Not only is the movie funny, thrilling and gorgeously rendered, it also tells a poignant story with intense dramatic stakes”. I agree with Mr Baldwin on this one!
Then next the introduction is done by William Joyce, writer of the Guardians books, which says something about his feelings towards the film. “Dreamworks animation took everything that I wanted these characters to be and took it so much further than I was ever able to illustrate. The whole work is now grander than I could imagine”. Again, high praise coming from an author of a book who are normally prone to be critical of adaptations.
This art book does a great job mixing informative text, mostly about the creative process, with visuals and concept art. We start by going over the broad concept of a superhero team for children with some dark tones mixed in. Then they go over each superhero and their accompanying lands.
It’s just amazing to see the level of detail in that drawing of Santa’s home and the evolution of what came to be North himself. I don’t know how you can be an animation fan and not be in awe of this art work.
But I also really loved the sense of teamwork shown in the book. We even get a fold out poster which shows you all the various hands that make an animated film work and how they are all intertwined. This is fascinating stuff for an animation fan.
We also get plenty of storyboards and a detailed description of how a sequence gets put together.
It’s kind of cool as well that they end with a photo of the entire Dreamworks team. It’s nice they acknowledge everyone involved!
So the Art of Rise of the Guardians is a great art book and one I highly recommend adding to your collection
I unabashedly loved The Peanuts Movie last year. And it wasn’t just nostalgia for Peanuts, which I do have but I genuinely thought it was a sweet, charming little film. And I’ve always said that the artistry didn’t get enough credit. Just because it was a familiar property I think people missed the hybrid animation trailblazing the film did. So naturally when I saw they had a Peanuts art book I had to jump right on that!
The Art of the Peanuts Movie starts with a forward from director Steve Martino where he talks about how he related to the entire Peanuts gang growing up. “Growing up in the Midwest, Charlie Brown’s neighborhood felt like my own…the gang were like friends that I visited on a daily baiss through the ‘funny pages'” He then talks about the specials and even a Charlie Brown sign on his coffee table growing up that read “Happiness is a Warm Puppy”. He is then honest about the huge pressure he felt in adapting this work that is beloved to many including himself. “It felt like I was carrying Schroeder’s piano, only it had grown to a grand piano”
Finally he was able to overcome his fears by a quote from Charles Schulz himself”One of the solutions is, as Charlie Brown does, just to keep on trying. He never gives up. And if anybody should give up, he should”. I’m not going to lie I teared up a bit reading his essay. I love when artists admit their fear of the art.
Next is another forward by Vanessa Morrison president of 20th Century Fox Animation. This is a little more corporate although she does express her love growing up on the series and reading it with her mother.
Then we get 2 articles about the legacy and new direction of Peanuts as well as early concept ideas. With all that done, we get into the main meat of the book where they dive into the process of making CG characters. It’s really cool. You see the mold making process and how the characters are designed.
They also have this neat graphic showing the comic to 3D transitioning for the entire gang.
Next we get several pages on each character describing the design and attributes.
Next is a cool article about how you keep characters on model and moving in a natural way. This is something they achieved in spades especially in the skating scenes.
It’s really cool as well to learn about the animation and how the computer uses pin points to bring them alive.
We get an entire section on backgrounds and how they created the pop friendly feel of the Peanuts neighborhood.
The last section is mostly about the story and goes into incredible detail about how every facet was created and designed down to the posters and flags on Charlie Brown’s wall. That is so cool to learn about!
And we get storyboards and anything else you could want to know about the process of bringing this movie to screen.
The Art of the Peanuts Movie is a great book because it is so rich. It covers the incredibly difficult task of adapting the strip to a movie, the design process of characters, and the story development and boarding process. You can learn about all sides of animation through this book and it will warm your heart to see such love going into a work of art. I think it might even give some people more respect for what they accomplished than the film is given. At least it does for me but I already loved it.
But definitely if you love the Peanuts and thought The Peanuts Movie was great you should pick up this art book. It’s fantastic!