You can be a film fan and dislike classic films
Just because something is on the Criterion collection and heralded as a masterpiece doesn’t mean you have to like it. Some film snobs may disrespect such a view but honestly to heck with them. No film should be so sacred it is immune from criticism.
Such an introduction may give you a hint of what I thought about Federico Fellini’s masterpiece 8 1/2. I respect it but I didn’t really care for it. Shocking, I know but let me try and explain.
The critic Alan Stone said about 8 1/2 ” I celebrate it. A filmmaker who prefers ideas to images will never advance above the second rank because he is fighting the nature of his art. The printed word is ideal for ideas; film is made for images, and images are best when they are free to evoke many associations and are not linked to narrowly defined purposes” It’s an interesting philosophy about film, which I often use to defend Terrence Malick and his image-over-plot films.
8 1/2 is about a man named Guido (Marcello Mastroianni) who is a famous Italian director. He is being pressured by the studio to make a sci-fi film but he is artistically stymied and frustrated. As he suffers from “filmmaking block” we get an endless parade of women in his life. There’s his wife Luisa, mistress Carla, an ideal woman, a prostitute from his childhood, nuns, friends, an actress named Claudia, the list goes on.
I have a feeling Alejandro Inarritu loves this movie because Birdman has so much of 8 1/2 in it. I didn’t like Birdman, and I didn’t really like this. I found both pretty misogynistic and self-indulgent and not in ways that interested me despite how pretty they looked.
Plus, the creative output he gives in the dream sequences, while beautifully shot, were never really that inspirational or stunning that on their own merits I wanted him to create the art. So I wasn’t really rooting for the man or his art.
Terrence Malick in Knight of Cups has a frustrated artist depressed by the depravity of Los Angeles and Hollywood but I felt for him because the art he imagined in the surrealist sequences was gorgeous. Plus, the female characters who come into that film felt like real, genuine women, not stereotypes.
When it comes down to it I didn’t enjoy the experience of following Guido on his fantasies and narcissistic delusions and I found no compelling reason why any of these women were attracted to him or involved with him. It just didn’t quite work for me. Oh well.
Still, it does look great so I will give it that.
Overall Grade- C+